Memory, p.48

Memory, page 48

 

Memory
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  And here the essential question first appeared: did I recognise her?

  According to these photographs, sometimes I recognised a region of her face, a certain relation of nose and forehead, the movement of her arms, her hands. I never recognised her except in fragments, which is to say that I missed her being, and that therefore I missed her altogether. It was not she, and yet it was no one else. I would have recognised her among thousands of other women, yet I did not ‘find’ her. I recognised her differentially, not essentially. Photography therefore compelled me to perform a painful labour; straining toward the essence of her identity, I was struggling among images partially true and therefore totally false. To say, confronted with a certain photography, ‘that’s almost the way she was!’, was more distressing than to say, confronted with another, ‘that’s not the way she was at all’. The almost: love’s dreadful regime, but also the dream’s disappointing status, which is why I hate dreams. For I often dream about her (I dream only about her), but it is never quite my mother: sometimes in the dream, there is something misplaced, something excessive: for example, something playful or casual – which she never was; or again I know it is she, but I do not see her features (but do we see in dreams, or do we know?): I dream about her, I do not dream her. And confronted with the photograph, as in the dream, it is the same effort, the same Sisyphean labour: to reascend, straining toward the essence, to climb back down without having seen it, and to begin all over again.

  From BILLY COLLINS, ‘Forgetfulness’ (1991)

  The name of the author is the first to go

  followed obediently by the title, the plot,

  the heartbreaking conclusion, the entire novel

  which suddenly becomes one you have never read, never even heard of.

  It is as if, one by one, the memories you used to harbor

  decided to retire to the southern hemisphere of the brain,

  to a little fishing village where there are no phones.

  Long ago you kissed the names of the nine Muses goodbye

  and watched the quadratic equation pack its bag,

  and even now as you memorize the order of the planets,

  something else is slipping away, a state flower perhaps,

  the address of an uncle, the capital of Paraguay.

  Whatever it is you are struggling to remember

  it is not poised on the tip of your tongue,

  not even lurking in some obscure corner of your spleen.

  It has floated away down a dark mythological river

  whose name begins with an L as far as you can recall,

  well on your own way to oblivion where you will join those

  who have even forgotten how to swim and how to ride a bicycle.

  No wonder you rise in the middle of the night

  to look up the date of a famous battle in a book on war.

  No wonder the moon in the window seems to have drifted

  out of a love poem that you used to know by heart.

  Acknowledgements

  The editors would like to acknowledge the following publishers, individuals, agencies and institutions for their kind permission to reproduce copyright material, as listed below. Where the edition used differs from that of the publishers acknowledged this is indicated in brackets, with the publication date. Every effort has been made to trace and contact all copyright holders, and the publishers would be pleased to rectify any omissions brought to their notice at the earliest opportunity.

  DANIEL L. ALKON: Memory’s Voice: Deciphering the Mind–Brain Code (© 1991 Daniel L. Alkon), HarperCollins Publishers Inc.; Blackwell Publishing; MARTIN AMIS: Experience (Jonathan Cape, 2000), Random House UK and the Wylie Agency, Inc.; anon: Rhetorica ad Herrenium, translated by Harry Caplan, from Cicero: Volume 1, lcl 403 (© 1954 by the President and Fellows of Harvard College), Harvard University Press and the Trustees of the Loeb Classical Library; DANIEL ARASSE: Anselm Kiefer, translated by Mary Whittall (2001), Thames & Hudson, London and Editions du Regard, Paris; owen barfield: History in English Words (Faber and Faber 1962), the Owen Barfield Literary Estate; ROLAND BARTHES: Camera Lucida, translated by Richard Howard, (1981) Editions du Seuil, Paris and Farrar, Straus & Giroux; JULIAN BARNES: translation of Alphonse Daudet, In The Land Of Pain (Jonathan Cape, 2002), Random House UK, Random House inc., and PFD (The Peters Fraser & Dunlop Group); F.C. BARTLETT: A Theory of Remembering (1932:1995), Cambridge University Press; SAMUEL BECKETT: Happy Days (1987), Faber and Faber and Grove/Atlantic Inc.; COLIN BLAKEMORE: Mechanics of the Mind (1977), Cambridge University Press; JORGE LUIS BORGES: ‘Funes the Memorious’, translated by James E. Irby, from Labyrinths (King Penguin 1981) © 1962, 1964, New Directions Publishing Corporation, New York and Pollinger Ltd., London; ITALO CALVINO: Invisible Cities translated by William Weaver (1974; Vintage Classics 1997), Random House UK, Inc. and Vintage Canada; MARY J. CARRUTHERS: ‘Hugh of St Cher’s Bear’, The Book of Memory (1992), Cambridge University Press; MARY J. CARRUTHERS and JAN M. ZIOLKOWSKI, ed.: ‘Thomas Bradwardine’ The Medieval Craft of Memory (2002), University of Pennsylvania Press; JEAN-PIERRE CHANGEUX AND PAUL RICOEUR: What Makes us Think (2000), Princeton University Press; RICHARD COE: When the Grass was Taller: Autobiography and the Experience of Childhood (1984), Yale University Press; R.G. COLLINGWOOD: Speculum Mentis (Clarendon Press, 1924), Oxford University Press; BILLY COLLINS: ‘Forgetfulness’, Questions about Angels (1991), by kind permission of the author and Pittsburgh University Press; FRANCIS CRICK: The Astonishing Hypothesis: The Scientific Search for the Soul (© 1994 by the Francis H. C. Crick and Odile Crick Revocable Trust), Scribner, an imprint of Simon & Schuster Adult Publishing Group; RICHARD DAWKINS: The Selfish Gene (1989), Oxford University Press; BRIAN DILLON: In the Dark Room (2006), Penguin Group UK; OLLIVIER DYENS: ‘The Sadness of the Machine’ (11.2.2001), CTheory, University of Victoria, Canada; ECONOMIST: ‘Sleeping on it’, © The Economist Newspaper, London, 4.2.2006; G.M. EDELMAN: ‘Building a Picture of the Brain’, from The Brain, ed. G. M. Edelman and Jean-Pierre Changeux, © 2001 Transaction Publishers, Piscataway, New Jersey; FORD MADOX FORD: Memories and Impressions (Bodley Head, 1911), David Higham Associates; E.M. FORSTER: Aspects of the Novel (1927), The Provost and Scholars of King’s College, Cambridge, and The Society of Authors as the Literary Representatives of the Estate of E.M. Forster; MICHAEL FRAYN: Copenhagen (Methuen Drama 1998), PFD (The Peters Fraser & Dunlop Group); SIGMUND FREUD: Screen Memories and other works, Random House UK; PAUL FUSSELL, The Great War and Modern Memory (1976), Oxford University Press Inc; JACQUES LE GOFF: Histoire et mémoire, (Gallimard, 1988), Einaudi; e.h. gombrich: Art and Illusion (1960, 2000), Princeton University Press; HENRY GREEN: Pack My Bag (Hogarth Press, 1940), © The Estate of Henry Green), Random House UK and New Directions Publishing Corporation, New York; IAN HACKING: Rewriting the Soul: Multiple Personality and the Science of Memory (1998 edition), Princeton University Press; NICHOLAS HARBERD: Seed to Seed (2006), Bloomsbury Publishing; CYRIL HARE: He Should Have Died Hereafter (1958), AP Watt Ltd on behalf of Charles Gordon Clark; SUDHIR HAZAREESINGH: ‘Guard Dog of Good Deeds’ (21.3.03), Times Literary Supplement; EVA HOFFMAN: Shtetl (Chatto & Windus, 1997), by kind permission of the author and Random House UK; TED HUGHES: ‘Fingers’, Birthday Letters (1998), Faber and Faber, and Farrar, Straus and Giroux Inc.; ABU ALI AHMAD IBN MUHAMMAD MISKAWAYH in H.F. Amedroz and D.S. Margliouth: The Eclipse of the ‘Abbasid Caliphate (Oxford University Press, 1920–21), ROBERT IRWIN: Night and Horses and Desert: An Anthology of Classical Arabic Literature (1999, © Robert Irwin 1999), Penguin Group UK and Overlook Press; GEORGE JOHNSON: In the Palaces of Memory: How We Build the World Inside Our Heads (Vintage, 1992, © George Johnson 1991), Alfred A. Knopf, a division of Random House Inc.; C.G. JUNG: Memories, Dreams, Reflections, edited by Aniela Jaffe, translated by Richard & Clara Winston (© 1961, 1962, 1963 and renewed 1989, 1990, 1991), Pantheon Books, a division of Random House, Inc.; ERIK R. KANDEL: In Search of Memory (2007), W.W. Norton & Company, Inc., New York; FRANK KERMODE: ‘Palaces of Memory’, Index on Censorship (Vol. 30, 1/ 2001); MELANIE KLEIN: ‘The Psychogenesis of Tics’, Love, Guilt, Reparation and other works 1921–1945 (1975), Simon & Schuster; MILAN KUNDERA: The Book of Laughter and Forgetting, translated by A. Asher (1996), and The Curtain, translated by Linda Asher (2007) by kind permission of the author, Faber and Faber, London, and HarperCollins Publishers Inc.; PHILIP LARKIN: ‘The Winter Palace’, Collected. Poems, ed. A. Thwaite (1988), Faber and Faber, and Farrar, Straus & Giroux Inc.; PENELOPE LIVELY: Going Back (1975), David Higham Associates; ELIZABETH F. LOFTUS: The Champion Magazine (March 1994), National Association of Criminal Defense Lawyers, Washington DC; KONRAD LORENZ: King Solomon’s Ring translated by Marjorie Kerr Wilson (1949, 2001 Routledge edition), Taylor & Francis books UK; The Foundations of Ethology (Simon and Schuster, 1982), Springer Verlag, Vienna/New York; A.R. LURIA: The Mind of a Mnemonist (Basic Books, 1968), by kind permission of Michael Cole; JOHN MCCRONE: ‘Not-so Total Recall’, New Scientist, 3 May 2003; HILARY MANTEL: Giving up the Ghost (2003), HarperCollins Publishers UK; ‘Father Figured’, © Daily Telegraph 23 April 2005; GABRIEL GARCÍA MÁRQUEZ: Living To Tell The Tale (2003), Carmen Balcells Agency, Barcelona; WILLIAM MAXWELL: So Long, See You Tomorrow (Vintage, 1980), Alfred A. Knopf and Random House UK; TONI MORRISON: Beloved (Chatto & Windus, 1987), International Creative Management Inc., New York, and Random House UK; EDWIN MUIR: An Autobiography, (Methuen University Paperbacks, 1964), Random House UK; HARUKI MURAKAMI: interview with Mick Brown (16.8.2003), Daily Telegraph Magazine; VLADIMIR NABOKOV: Speak Memory: An Autobiography Revisited (Gollancz, 1951), Smith/Skolnik Literary Management, Plainfield, New Jersey; CEES NOOTEBOOM: Rituals, translated by Adrienne Dixon (Harvill Press, 1996), Random House UK and Harcourt Inc.; I.P. PAVLOV: Lectures on Conditioned Reflexes, translated by W. Horsley Gantt (1927), International Publishers, New York; STEVEN PINKER: The Language Instinct: The New Science of Language and Mind (© Steven Pinker 1994), Penguin Group UK; F.A. POTTLE: ‘The Power of Memory in Boswell and Scott’ in Essays on the Eighteenth Century (1945), Oxford University Press; ANTHONY POWELL: ‘Infants of the Spring’ from To Keep the Ball Rolling (Heinemann, 1921), David Higham Associates; TERRY PRATCHETT: Reaper Man (1991), HarperCollins Publishers; MARCEL PROUST: Time Regained (1927), translated by Andreas Mayor, Terence Kilmartin & D.J. Enright (1992), Random House UK; VILAYANUR RAMACHANDRAN: The Emerging Mind (2003), Profile Books Ltd.; GWEN RAVERAT: Period Piece (1952), Faber and Faber; PAUL RICOEUR: La mémoire, l’histoire, l’oublie (2000), Editions du Seuil, Paris; CHARLES RYCROFT: The Innocence of Dreams (Hogarth Press 1979), Random House UK and Pantheon; OLIVER SACKS: ‘A Symposium on Memory’, (Threepenny Review, January 2005 © Oliver Sacks 2005), the Wylie Agency Inc.; ESTHER SALAMAN: A Collection of Moments, (Longman, 1970), Pearson Education; MAX SAUNDERS: Ford Madox Ford: A Dual Life (1997), Oxford University Press; DAVID SHENK: The Forgetting, (Flamingo, 2003) HarperCollins Publishers; W.G. SEBALD: Vertigo, translated by Michael Hulse (Harvill Press, 2000), Random House UK and Eichborn Verlag; NICHOLAAS TINBERGEN: The Study of Instinct (Clarendon Press, 1989), Oxford University Press, 1989; TZVETAN TODOROV: Les Abus de la Mémoire (1998), Arlea, Paris; MARY WARNOCK: Memory (1987), Faber and Faber; WELLCOME TRUST: ‘Magic Memories’ (www.Wellcome.ac.uk 21.1.2007), The Wellcome Trust, London; LUDWIG WITTGENSTEIN: Philosophical Investigations (1958), Blackwell Publishing, Oxford; LEONARD WOOLF: Sowing: An Autobiography of the years 1880–1904 (Hogarth Press, 1960, © Leonard Woolf 1960, renewed 1988 by M.T. Parsons), Random House UK and Harcourt Inc.; VIRGINIA WOOLF: Moments of Being (Hogarth Press 1985 edition), © 1976 Quentin Bell and Angelica Garnett, Random House UK and Harcourt Inc.; FRANCES A. YATES: The Art of Memory (1966), University of Chicago Press and Random House UK; J.Z. YOUNG: Programs of the Brain (1978), Oxford University Press; SEMIR ZEKI: ‘Art and the Brain’, Daedalus 127:2 (Spring 1988), © 1988 American Academy of Arts and Sciences; STEFAN ZWEIG: ‘Buchmendel’, Fantastic Night and other Stories (2004), Pushkin Press.

  Index

  The page references in this index correspond to the printed edition from which this ebook was created. To find a specific word or phrase from the index, please use the search feature of your ebook reader.

  Ad Herennium see Rhetorica ad Herennium

  Adams, Henry 6

  Aksakov, Sergei: A Russian Schoolboy 337, 338

  Alkon, Daniel L.: Memory’s Voice 258–60

  Amis, Martin: Experience 343–4

  Anderson, Richard 261

  Arasse, Daniel: Anselm Kiefer 226–9, 373–4

  Arendt, Dr Thomas 278–9 Aristotle 99, 362, 364

  History of Animals 230

  On Memory and Recollection 115, 159–60, 245

  Arnold, Roseanne Barr 351–2

  Aubrey, John: Brief Lives 199

  Auden, W. H.: ‘Journey to Iceland’ 31

  Augustine, St: Confessions xiv, xvii, 3–6, 8, 11, 12, 54–5, 120, 162–5, 172 and n

  Aussaresses, General Paul: memoirs 93

  Austen, Jane: Mansfield Park 54

  Axel, Richard 108

  Bach, Johann Sebastian: Goldberg Variations 16, 17, 18

  Bachelard, Gaston: The Poetics of Space 151–3

  Bacon, Francis: The Advancement of Learning 198–9

  Baddeley, Alan 56, 58

  Baldwin, James M. 71, 72, 73

  Barfield, Owen: History in English Words 181

  Barthes, Roland 6

  Camera Lucida 399

  Bartlett, F. C.: Remembering 186, 240–42, 247

  Bateson, Patrick: ‘Memory and Evolution’ xvii, 68–79

  Baudelaire, Charles 182, 345

  Beckett, Samuel Happy Days 142–3

  Krapp’s Last Tape 39

  Waiting for Godot 35

  Beethoven, Ludwig van Piano Sonata in C, Opus 111 27

  Thirty-three Variations on Waltz by Diabelli 15–18

  Bellini, Giovanni 22

  Bellow, Saul 39

  The Adventures of Augie March 30, 39

  Herzog 39

  Belot, Jean 215n

  Beowulf 289

  Bergson, Henri 111, 184

  Matter and Memory 17–9

  Beuys, Joseph 227, 228

  Beyle, Marie Henri see Stendhal

  Blakemore, Colin: Mechanics of the Mind 244–6

  Bliss, Tim 61

  Blume, E. Sue 354

  Borges, Jorge Luis: ‘Funes the Memorious’ 206–13

  Boswell, James 325–9

  Bowie, Malcolm: ‘Remembering the Future’ xvii, 13–27

  Bradshaw, John: ‘Incest …’ 354–5

  Bradwardine, Thomas: ‘On Acquiring a Trained Memory’ 119, 196–8

  Briere, John: Child Abuse Trauma 354

  Brown, Roger and Kulik, James: ‘Flashbulb Memories’ 82, 85, 87

  Browne, Sir Thomas

  Hydrotaphia 167

  Religio 391

  Browning, Robert: ‘Memorabilia’ 301

  Bruno, Giordano 120, 215n, 216, 218, 220

  Buck, Linda 108

  Buñuel, Luis: Memoirs xi Burton, Robert: The Anatomy of Melancholy 166

  Bush, President George W. 86

  Butler, Samuel: ‘Henry Hoare’s Torn Finger-Nail’ 127–8

  Byatt, A. S.: ‘A Stone Woman’ 44–6, 47–8, 5–2

  Cahill, Larry 269

  Calvino, Italo: Invisible Cities 339

  Carey, Susan 262

  Carlyle, Thomas 329, 347–8

  Carroll, Lewis: Through the Looking Glass xi, 302

  Carruthers, Mary J.: The Book of Memory 224–5

  Caunes, Antoine de: Monsieur N 91

  Cavalier, Jean 97–8

  Celan, Paul xx

  Todesfuge 374

  Cézanne, Paul 252

  Changeux, Jean-Pierre xvi–xvii (with Paul Ricoeur) What Makes Us Think? 183–7

  Chateaubriand, François-René de:

  Mémoires d’outre-tombe 392 Chesterton, G. K.: Autobiography 117, 134–5

  Cicero: De Oratore 119, 188–9, 390

  Clare, John: ‘Remembrances’ 124–6

  Clarke, Marisse 98–9

  Coe, Richard: When the Grass was Taller 146

  Coleridge, Samuel Taylor 111

  The Ancient Mariner 42, 46–7, 53

  Biographia Literaria 103–4, 106, 170, 394–5

  ‘Frost at Midnight’ 102, 103

  ‘Kubla Khan’ 112

  Notebooks 103

  ‘Religious Musings’ 102–3

  Collingwood, R. G.: Speculum Mentis 179

  Collins, Billy: ‘Forgetfulness’ 400

  Connolly, Cyril: The Unquiet Grave 398

  Conrad, Joseph 396–7

  Constable, John 332

  Crick, Francis 257

  The Astonishing Hypothesis 100, 262–4

  Damasio, Antonio 40, 42, 117

  ‘The Hidden Gifts of Memory’ xv, 279–85

  Looking for Spinoza 121

  Dante Alighieri: Inferno xi, 5, 118

  Darwin, Charles

  The Descent of Man 68–9 and n

  On the Origin of Species 69n

  Daudet, Alphonse: In the Land of Pain 397–8

  Davy, Sir Humphry: Salmonia … 104–5

  Dawkins, Richard: The Selfish Gene 255–6

  Dennett, Dan 74

  De Quincey, Thomas 117

  Confessions of an English Opium-Eater 122–3

  ‘Suspiria de Profundis’ 298–300

  Diabelli, Anton: Waltz 15, 16

  Dick, Philip K.: Do Androids Dream of Electric Sheep? 387n

  Digital Preservation Coalition: action plan 388–9

  Dillon, Brian: In the Dark Room 151–3

  Dudai, Yadin 262

  Dyens, Ollivier: ‘The Sadness of the Machine’ 381–7

  Ebbinghaus, Hermann: Über das Gedächtnis (On Memory) 55–6, 186

  Ebert, Thomas 287

  Economist, The: ‘Sleeping on it’ 277–9

  Edelman, Gerald M.: ‘Building a Picture of the Brain’ 264–6

  Eliot, George

  Daniel Deronda 116, 303

  Middlemarch 29, 116, 302–3

  Silas Marner xviii, 40, 41, 42–3, 48–52

  Eliot, T. S. 34

  The Use of Poetry and the Use of Criticism 28

 

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