The embalmer, p.35

The Embalmer, page 35

 part  #3 of  Mullins & Sullivan Series

 

The Embalmer
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)



Larger Font   Reset Font Size   Smaller Font  

  She waited for his response.

  ‘But . . . ’ His mouth was dry. The words dried up. ‘Don’t leave without saying goodbye.’

  ‘Of course.’

  She reached up and touched the black scar on his cheek, just for a moment. His fingers caught hers. He leaned forward to kiss her, his lips brushing hers for a brief moment. Then she was gone, back to her mother-in-law and her son.

  Francis turned and walked down the lane to his car. He could still feel the touch of her fingers on his face. But the scar Marni Mullins left inside him would run far deeper and last for far longer than the one on his cheek.

  Acknowledgements

  I’m approaching writing this with some trepidation, having managed to misspell people’s names in the last two sets of acknowledgements I wrote!

  Clearly, however, I won’t spell my agent’s name wrong. Once again, huge thanks to the wonderful Jenny Brown, of Jenny Brown Associates, who is both cheerleader for my writing and wise counsel for my writing career. I wouldn’t have reached the end of book three without her unflinching support. A great deal of thanks also to my editor at Trapeze, Sam Eades, who early on gave me some excellent writing advice, which I follow in every book: ‘Put you character in a bad situation, and throw in something that will make it worse. Then pile something else on top of that.’ Gratitude is due to Phoebe Morgan, who guided this book through its early stages while Sam was on maternity leave, and to the rest of the brilliant Trapeze and Orion teams who all work so hard to produce and sell their authors’ books.

  As usual, I had expert input on policing matters from Superintendent (Retired) David Hammond of Staffordshire Police, who does far more to keep Francis Sullivan in line than DCI Bradshaw does!

  Thanks are additionally due to, among others, my brother Nick Higgins for reading early drafts and to the members of my writing group – Jane Anderson, Jane Bradley, Gill Fyffe, Hannah Kelly and Lucy Lloyd – for critiquing and support.

  As always, thanks and love to Mark, Rupert and Tim.

  Credits

  Trapeze would like to thank everyone at Orion who worked on the publication of The Embalmer.

  Agent

  Jenny Brown

  Editor

  Sam Eades

  Copy-editor

  Laura Gerrard

  Proofreader

  Kim Bishop

  Editorial Management

  Clarissa Sutherland

  Charlie Panayiotou

  Jane Hughes

  Alice Davis

  Claire Boyle

  Audio

  Paul Stark

  Amber Bates

  Contracts

  Anne Goddard

  Paul Bulos

  Jake Alderson

  Design

  Lucie Stericker

  Joanna Ridley

  Nick May

  Clare Sivell

  Helen Ewing

  Finance

  Jennifer Muchan

  Jasdip Nandra

  Rabale Mustafa

  Elizabeth Beaumont

  Levancia Clarendon

  Tom Costello

  Marketing

  Tanjiah Islam

  Production

  Claire Keep

  Fiona McIntosh

  Publicity

  Alex Layt

  Sales

  Laura Fletcher

  Victoria Laws

  Esther Waters

  Lucy Brem

  Frances Doyle

  Ben Goddard

  Georgina Cutler

  Jack Hallam

  Ellie Kyrke-Smith

  Inês Figuiera

  Barbara Ronan

  Andrew Hally

  Dominic Smith

  Deborah Deyong

  Lauren Buck

  Maggy Park

  Linda McGregor

  Sinead White

  Jemimah James

  Rachael Jones

  Jack Dennison

  Nigel Andrews

  Ian Williamson

  Julia Benson

  Declan Kyle

  Robert Mackenzie

  Imogen Clarke

  Megan Smith

  Charlotte Clay

  Rebecca Cobbold

  Operations

  Jo Jacobs

  Sharon Willis

  Lisa Pryde

  Rights

  Susan Howe

  Richard King

  Krystyna Kujawinska

  Jessica Purdue

  Louise Henderson

  About the Author

  Alison Belsham initially started writing with the ambition of becoming a screenwriter and in 2000 was commended for her visual storytelling in the Orange Prize for Screenwriting. In 2001 she was shortlisted in a BBC Drama Writer competition. Life and children intervened but, switching to fiction, in 2009 her novel Domino was selected for the prestigious Adventures in Fiction mentoring scheme. In 2016 she pitched her first crime novel, The Tattoo Thief, at the Pitch Perfect event at the Bloody Scotland Crime Writing Festival and was judged the winner. The novel became an international bestseller upon publication, and has now been translated into fourteen languages. The Embalmer is her third book.

  Also by Alison Belsham

  The Tattoo Thief

  Her Last Breath

  Copyright

  First published in Great Britain in 2020 by Trapeze

  an imprint of The Orion Publishing Group Ltd

  Carmelite House, 50 Victoria Embankment

  London ec4y 0dz

  An Hachette UK Company

  Copyright © Alison Belsham 2020

  The moral right of Alison Belsham to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of this book.

  All the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.

  A CIP catalogue record for this book is available from the British Library.

  ISBN (eBook) 978 1 4091 8271 9

  Typeset by Input Data Services Ltd, Somerset

  www.orionbooks.co.uk

 


 

  Alison Belsham, The Embalmer

 


 

 
Thank you for reading books on Archive.BookFrom.Net

Share this book with friends
share

Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183