Hugo awards the short st.., p.143
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Hugo Awards: The Short Stories (Volume 1), page 143

 

Hugo Awards: The Short Stories (Volume 1)
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  A third man watched the first two grimly. He pulled out a factsheet of his own from the pocket of his jacket. "That's commie talk," he said. "You're missing the point of the whole thing. Let me ask you a question. Are you right- or left-handed?"

  The first man looked up from the factsheet, puzzled. "I don't see that it makes any difference. I mean, I'm basically left-handed, but I write with my right hand."

  The third man stared angrily, in disbelief.

  Bang.

  YANG and YIN: Male and female. Hot and cold. Mass and energy. Smooth and crunchy. Odd and even. Sun and moon. Silence and noise. Space and time. Slave and master. Fast and slow. Large and small. Land and sea. Good and evil. On and off. Black and white. Strong and weak. Regular and filter king. Young and old. Light and shade. Fire and ice. Sickness and health. Hard and soft. Life and death.

  If there is a plot, shouldn't you know about it?

  One more hour.

  Millions of people hid in their holes, waiting out the last minutes of the wars. Hardly anyone was out on the streets yet. No one shouted his drunken celebrations that little bit ahead of schedule. In the night darkness Stevie could still hear the ragged crackings of guns in the distance. Some suckers getting it only an hour from homefree.

  The time passed. Warily, people came out into the fresher air, still hiding themselves in shadows, not used yet to walking in the open. Guns of the enthusiasts popped; they would never get a chance like this again, and there were only fifteen minutes left. Forty-second Street chromium knives found their lodgings in unprotected Gotham throats and shoulders.

  Times Square was still empty when Stevie arrived. Decomposing corpses sprawled in front of the record and porno shops. A few shadowy forms moved across the streets, far away down the sidewalk.

  The big ball was poised. Stevie watched it, bored, with murderers cringing around him. The huge lighted New Year's globe was ready to drop, waiting only for midnight and for the kissing New Year's VJ-Day crowds. There was Stevie, who didn't care, and the looters, disappointed in the smoked-out, gunfire black, looted stores.

  It said it right up there: 11:55. Five more minutes. Stevie pushed himself back into a doorway, knowing that it would be humiliating to get it with only five minutes left. From the vague screams around him he knew that some were still finding it.

  People were running by now. The square was filling up.

  :58 and the ball was just hanging there: The sudden well of people drew rapid rifle-fire, but the crowd still grew. There was the beginning of a murmur, just the hint of the war-is-over madness. Stevie sent himself into the stream, giving himself up to the release and relief.

  :59… The ball seemed… to tip… and fell! 12:00! The chant grew stronger, the New York chant, the smugness returned in all its sordid might. "We're Number One! We're Number One!" The cold breezes drove the shouting through the unlit streets, carrying it on top of the burnt and fecal smells. It would be a long time before what was left would be made livable, but We're Number One! There were still sporadic shots, but these were the usual New York Town killers, doing the undeclared and time-honored violence that goes unnoticed.

  We're Number One!

  Stevie found himself screaming in spite of himself. He was standing next to a tall, sweating black. Stevie grinned; the black grinned. Stevie stuck out his hand. "Shake!" he said. "We're Number One!"

  "We're Number One!" said the black. "I mean, it's us! We gotta settle all this down, but, I mean, what's left is ours! No more fighting!"

  Stevie looked at him, realizing for the first time the meaning of their situation. "Right you are," he said with a catch in his voice. "Right you are, Brother."

  "Excuse me."

  Stevie and the black turned to see a strangely dressed woman. The costume completely hid any clue to the person's identity, but the voice was very definitely feminine. The woman wore a long, loose robe decorated fancifully with flowers and butterflies. Artificial gems had been stuck on, and the whole thing trimmed with cheap, dimestore "gold-and-silver" piping. The woman's head was entirely hidden by a large, bowl-shaped woven helmet, and from within it her voice echoed excitedly.

  "Excuse me," she said. "Now that the preliminary skirmishes are over, don't you think we should get on with it?"

  "With what?" asked the black.

  "The Last War, the final one. The war against ourselves. It's senseless to keep avoiding it, now."

  "What do you mean?" asked Stevie.

  The woman touched Stevie's chest. "There. Your guilt. Your frustration. You don't really feel any better, do you? I mean, women don't really hate men; they hate their own weaknesses. People don't really hate other people for their religion or race. It's just that seeing someone different from you makes you feel a little insecure in your own belief. What you hate is your own doubt, and you project the hatred onto the other man."

  "She's right!" said the black. "You know, I wouldn't mind it half so much if they'd hate me because of me; but nobody ever took the trouble."

  "That's what's so frustrating," she said. "If anyone's ever going to hate the real you, you know who it'll have to be."

  "You're from that Kindness Cult, aren't you?" the black said softly.

  "Shinsetsu," she said. "Yes."

  "You want us to meditate or something?" asked Stevie. The woman dug into a large basket that she carried on her arm. She handed each of them a plump cellophane package filled with a colorless fluid.

  "No," said the black as he took his package. "Kerosene."

  Stevie held his bag of kerosene uncertainly and looked around the square. There were others dressed in the Shinsetsu manner, and they were all talking to groups that had formed around them.

  "Declare war on myself?" Stevie said doubtfully. "Do I have to publish a factsheet first?" No one answered him. People nearby were moving closer so they could hear the Shinsetsu woman. She continued to hand out the packages as she spoke.

  Stevie slipped away, trying to get crosstown, out of the congested square. When he reached a side street he looked back: Already the crowd was dotted with scores of little fires, like scattered piles of burning leaves in the backyards of his childhood.

  SKY

  R. A. Lafferty

  RAPHAEL ALOYSIUS LAFFERTY was born November 7, 1914, at Neola, Iowa, of Irish parents. Self-educated, he became an electrical engineer by way of a correspondence course and then worked for thirty-five years for electrical wholesalers before retiring to devote his time to writing.

  He first tried to write when he was nineteen, and an editor scribbled on his rejected manuscript, "Hopeless, you don't know what life is. Live it for twenty-five years and try again." He forgot that advice until long afterward and then discovered that he had followed it almost exactly. He has six published science fiction novels: Past Master, The Reefs of Earth, Space Chantey, Fourth Mansions, The Devil Is Dead and Arrive at Easterwine; and two historical fantasies: The Flame /s Green and The Fall of Rome. There are two published collections of his science fiction stories: Nine Hundred Grandmothers and Strange Doings. He has had more than eighty stories published in magazines or original collections, and half of them have been anthologized.

  His hobbies are geology, art, languages and history. He modestly disclaims any sort of competence despite the fact that he has a reading knowledge of all the languages of the Latin, German and Slavic families, as well as Gaelic and Greek, and during his military service in World

  War II he learned to speak Pasar Malay and Tagalog.

  Three of his novels, Past Master, Fourth Mansions and The Devil Is Dead, have been Nebula Award finalists, as was his novelette "Continued on the Next Rock." A Lafferty extravaganza views the universe madly, as with a distorting mirror, but the piercing sanity of the result reminds one that chaos, distorted, can be disconcertingly real.

  The Sky-Seller was Mr. Furtive himself, fox-muzzled, ferret eyed, slithering along like a snake, and living under the Rocks. The Rocks had not been a grand place for a long time. It had been built in the grand style on a mephitic plot of earth (to transform it), but the mephitic earth had won out. The apartments of the Rocks had lost their sparkle as they had been divided again and again, and now they were shoddy. The Rocks had weathered. Its once pastel hues were now dull grays and browns.,

  The five underground levels had been parking places for motor vehicles when those were still common, but now these depths were turned into warrens and hovels. The Sky-Seller lurked and lived in the lowest and smallest and meanest of them all.

  He came out only at night. Daylight would have killed him: he knew that. He sold out of the darkest shadows of the night. He had only a few (though oddly select) clients, and nobody knew who his supplier was. He said that he had no supplier, that he gathered and made the stuff himself.

  Welkin Alauda, a full-bodied but light-moving girl (it was said that her bones here hollow and filled with air), came to the Sky Seller just before first light, just when he had become highly nervous but had not yet bolted to his underground.

  "A sack of Sky from the nervous mouse. Jump, or the sun will gobble your house!" Welkin sang-song, and she was already higher than most skies.

  "Hurry, hurry!" the Sky-Seller begged, thrusting the sack to her while his black eyes trembled and glittered (if real light should ever reflect into them he'd go blind).

  Welkin took the sack of Sky, and scrambled money notes into his hands, which had furred palms. (Really? Yes, really.)

  "World be flat and the Air be round, wherever the Sky grows underground," Welkin intoned, taking the sack of Sky and soaring along with a light scamper of feet (she hadn't much weight, her bones were hollow). And the Sky-Seller darted headfirst down a black well shaft thing to his depths.

  Four of them went Sky-Diving that morning, Welkin herself, Karl Vlieger, Icarus Riley, Joseph Alzarsi; and the pilot was-(no, not who you think, he had already threatened to turn them all in; they'd use that pilot no more)-the pilot was Ronald Kolibri in his little crop dusting plane.

  But a crop-duster will not go up to the frosty heights they liked to take off from. Yes it will-if everybody is on Sky. But it isn't pressurized, and it doesn't carry oxygen. That doesn't matter, not if everybody is on Sky, not if the plane is on Sky too.

  Welkin took Sky with Mountain Whizz, a carbonated drink. Karl stuffed it into his lip like snuff. Icarus Riley rolled it and smoked it. Joseph Alzarsi needled it, mixed with drinking alcohol, into his main vein. The pilot Ronny-tongued and chewed it like sugar dust. The plane named Shrike took it through the manifold.

  Fifty thousand feet-You can't go that high in a crop-duster. Thirty below zero-Ah, that isn't cold! Air too thin to breathe at all-with Sky, who needs such included things as air?

  Welkin stepped out, and went up, not down. It was a trick she often pulled. She hadn't much weight; she could always get higher than the rest of them. She went up and up until-she disappeared. Then she drifted down again, completely enclosed in a sphere of ice crystal, sparkling inside it and making monkey faces at them.

  The wind yelled and barked, and the divers took off. They all went down, soaring and gliding and tumbling; standing still sometimes, it seemed; even rising again a little. They went down to clouds and spread out on them: black-white clouds with the sun inside them and suffusing them both from above and below. They cracked Welkin's ice-crystal sphere and she stepped out of it. They ate the thin pieces of it, very cold and brittle and with a tang of ozone. Alzarsi took off his shirt and sunned himself on a cloud.

  "You will burn," Welkin told him. "Nobody burns so as when sunning himself on a cloud." That was true.

  They sank through the black-whiteness of these clouds and came into the limitless blue concourse with clouds above and below them. It was in this same concourse that Hippodameia used to race her horses, there not being room for such coursers to run on earth. The clouds below folded up and the clouds above folded down, forming a discrete space.

  "We have our own rotundity and sphere here," said Icarus Riley (these are their Sky-Diver names, not their legal names), "and it is apart from all worlds and bodies. The worlds and the bodies do not exist for as long a time as we say that they do not exist. The axis of our present space is its own concord. Therefore, it being in perfect concord, Time stops."

  All their watches had stopped, at least.

  "But there is a world below," said Karl. "It is an abject world, and we can keep it abject forever if we wish. But it has at least a shadowy existence, and later we will let it fill out again in our compassion for lowly things. It is flat, though, and we must insist that it remain flat."

  "This is important," Joseph said with a deep importance of one on Sky. "So long as our own space is bowed and globed, the world must remain flat or depressed. But the world must not be allowed to bow its back again. We are in danger if it ever does. So long as it is truly flat and abject it cannot crash ourselves to it."

  "How long could we fall," Welkin asked, "if we had not stopped time, if we let it flow at its own pace, or at ours? How long could we fall?"

  "Hephaestus once tumbled through space all day long," Icarus Riley said, "and the days were longer then."

  Karl Vlieger had gone wall-eyed from an interior-turned sexual passion that he often experienced in diving. Icarus Riley seemed to be on laughing gas suddenly; this is a sign that Sky is not having perfect effect. Joseph Alzarsi felt a cold wind down his spine and a series of jerky little premonitions.

  "We are not perfect," Joseph said. "Tomorrow or the next day we may be, for we do approach perfection. We win a round. And we win another. Let us not throw away our victory today through carelessness. The earth has bowed his old back a little bit, and we make ready for him! Now, guys, now!"

  Four of them (or maybe only three of them) pulled the rings. The chutes unpeeled, flowered and jerked. They had been together like a sheaf in close conversation. But suddenly, on coming to earth, they were spread out over five hundred yards.

  They assembled. They packed their chutes. That would be all the diving for that day.

  "Welkin, how did you pack your chute so quickly?" Icarus asked her suspiciously.

  "I don't know."

  "You are always the slowest one of us, and the sloppiest. Someone always has to reroll your chute for you before it is used again. And you were the last one to land just now. How were you the first one to be packed? How did you roll it so well? It has the earmarks of my own rolling, just as I rolled it for you before we took off this morning."

  "I don't know, Icarus. Oh, I think I'll go up again, straight up."

  "No, you've sailed and dived enough for one morning. Welkin, did you even open your chute?"

  "I don't know."

  High on Sky, they went up again the next morning. The little plane named Shrike flew up as no plane had ever flown before, up through Storm. The storm-shrouded earth shrank to the size of a pea-doogie.

  "We will play a trick on it," said Welkin. "When you're on Sky you can play a trick on anything and make it abide by it. I will say that the pea-doogie that was the world is nothing. See, it is gone.

  Then I will select another pea-doogie, that one there, and I will call it the world. And that is the world that we will come down to in a little while. I've switched worlds on the world, and it doesn't know what happened to it."

  "It's uneasy, though." Joseph Alzarsi spoke through flared nostrils. "You shook it. No wonder the world has its moments of self-doubt."

  They were one million feet high. The altimeter didn't go that high, but Ronald Kolibri the pilot wrote out the extended figure in chalk to make it correct. Welkin stepped out. Karl and Icarus and Joseph stepped out. Ronald Kolibri stepped out, but only for a while. Then he remembered that he was the pilot and got back in the plane. They were so high that the air was black and star filled instead of blue. It was so cold that the empty space was full of cracks and potholes. They dived half a million feet in no time at all. They pulled up laughing.

  It was invigorating, it was vivifying. They stamped on the clouds, and the clouds rang like frosty ground. This was the ancestral country of all hoarfrost, of all grained-snow and glare-ice. Here was weather-maker, here was wind-son. They came into caves of ice mixed with moraine; they found antler hatchets and Hemicyon bones; they found coals still glowing. The winds bayed and hunted in packs through the chasms. These were the cold Fortean clouds, and their location is commonly quite high.

  They came down below Storm, finding new sun and new air. It was pumpkin-summer, it was deep autumn in the sky.

  They dropped again, miles and millennia, to full Sky-summer: the air so blue that it grew a violet patina on it to save the surface. Their own space formed about them again, as it did every day, and time stopped.

  But not motionl Motion never stopped with them. Do you not realize that nothingness in a void can still be in motion? And how much more they of the great centrality! There was Dynamic; there was sustaining vortex; there was the high serenity of fevered motion.

  But is not motion merely a relationship of space to time? No That-is an idea that is common to people who live on worlds, but it is a subjective idea. Here, beyond the possible influence of any worlds, there was living motion without reference.

  "Welkin, you look quite different today," Joseph Alzarsi spoke in wonder. "What is it?"

  "I don't know. It's wonderful to be different and I'm wonderful."

  "It is something missing from you," said Icarus. "I believe it is a defect missing."

  "But I hadn't any, Icarus."

  They were in central and eternal moment, and it did not end, it could not end, it goes on yet. Whatever else seems to happen, it is merely in parentheses to that moment.

  "It is time to consider again," Icarus mused after a while. There is no time or while in the Moment, but there is in the parentheses. "I hope it is the last time we will ever have to consider. We, of course, are in our own space and beyond time or tangent. But the earth, such as it is, is approaching with great presumption and speed."

 
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