Hugo awards the short st.., p.208
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Hugo Awards: The Short Stories (Volume 1), page 208

 

Hugo Awards: The Short Stories (Volume 1)
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  When Laurel's time came to play, she mounted a stool on the edge of the stage. Brenneker peered out through the sound holes and saw a sea of faces watching. As Laurel tuned up, Brenneker heard an unnerving creak as the wood near the bridge shifted slightly. To her horror she saw daylight between the bridge and the body of the lute. She jumped to the ceiling of her home, bound the gap quickly, and prayed that the mend would hold. Her spinnerets ached with the strain of making so much silk, and she was very tired, but forced herself to pick the strings nimbly as Laurel began with a lively dance tune. Apparently the lovely tone impressed the judges, for Laurel was selected from a large field of competition to enter the finals.

  The young man with the antique instrument was also one of the finalists, and he stopped to wish Laurel good luck. Laurel asked him if he would accompany her on "The Ash Grove," but he excused himself, saying that time would be too short for him to learn the intricate counterpart melody. He also assured her that without a duet piece, she didn't have a chance in the competition.

  This point was emphasized by the lovely duet played by the young man and a woman who accompanied him on the psaltry. They received a standing ovation from the audience and high marks from the judges.

  "Mercy," thought Brenneker. ^Now Laurel won't be able to win the scholarship," and spider tears dampened the silk of her web.

  "Hey! It's raining on my picnic," said a small voice near her.

  She looked over and saw Turkawee calmly munching a chunk of spruce.

  Without thinking, Brenneker pounced and bit with just enough venom to cause the woodworm to fall into a swoon.

  "That should keep you from doing more damage!" she snapped. But the damage had already been done. One of the sounding pegs looked as if it were ready to crumble into dust. Brenneker could feel, through her feet, the ominous vibrations as the tension of the strings pulled against the ravaged wood.

  Finally Laurel's turn came again. She played a few classical pieces, a rondo, and sang "The Wife of Ushers Well," accompanying herself beautifully with an intricate rhythm she had worked out. For her last song, she began "The Ash Grove." Her first variation was neatly composed, but Brenneker thought it lacked the clever harmony of the previous duet. The second variations sounded very lonely without accompaniment, and this provoked Brenneker to try something she'd never done before. On the third verse she began to play her web in the counterpoint harmony as she had heard Thomas play so many times on the recorder. Laurel paused abruptly, but then, true performer that she was, began to play the melody in clear, bold tones which complemented Bren-neker's descant. Laurel played every variation, and Brenneker knew them all and answered back. The people in the audience were amazed that someone could play two-part harmony on one instrument. This was the most lovely duet arrangement of "The Ash Grove" that the judges had ever heard.

  "That's the first time I ever heard anyone play a duet alone," said the young man with the lute as she came down from the stage. "Your harmony was better than any duet I've ever heard. How did you ever do that?"

  Flustered, Laurel answered, "I don't know. I guess sometimes one must be alone to truly be in harmony with one's self."

  A few more contestants got up to play, but they seemed halfhearted. The contest went of course to Laurel, who was almost as bewildered at her music as was everyone else. When she ascended the stage to accept the scholarship, the audience cheered and whistled for an encore.

  Laurel sat down and prepared to play again, but just then there came a terrible wrenching sound and a loud snap. Brenneker saw the roof fly off her home, pulling a tangle of cobwebs after it. She cowered by the sound pegs, weak and frightened, and saw the face of Laurel staring down at her. Raising one timorous leg, she strummed a chord on her music web and thought she saw recognition in Laurel's eyes.

  One of the judges came onstage to help pick up the debris. When he saw the large spider, he said, "How ugly! Let me kill it for you."

  "No," said Laurel. "It's the fairy harpist that Sanger told me about. See how she plays her web like a harp. She's been my secret friend all these years."

  Because Brenneker appeared to be in a very weakened state and near death, Laurel kept her in a bottle for a few days and fed her all the crickets she could catch. Then, when it appeared that the spider would live, she took her back to the small town and turned her loose in the woods.

  It was not the woods of home, but Brenneker found a hollow tree in which to string her harp and was quite content to play her songs alone for a while, although she missed Laurel's music. When spring came that next year, she played her love song to the open air, and it was Wisterness who came, tapping shyly on her web strings to attract her attention.

  "I have always loved your songs," she said. "I had hoped you would come."

  "Now you shall play my songs," he said, and he sacrificed himself to their mutual need.

  Weeks later, she watched her young spiderlings float away on their kiteless strings, and she knew she would not play alone anymore. Then, feeling the deep harmony of the universe in her soul, she returned her web to the Dorian mode and played the gentle, lilting sadness that was now Wisterness.

  OUR LADY OF THE SAUROPODS

  Robert Silverberg

  August. 0750 hours. Ten minutes since the module melt-down. I can't see the wreckage from here, but I can smell it, bitter and sour against the moist tropical air. I've found a cleft in the rocks, a kind of shallow cavern, where I'll be safe from the dinosaurs for a while. It's shielded by thick clumps of cycads, and in any case it's too small for the big predators to enter. But sooner or later I'm going to need food, and then what? I have no weapons. How long can one woman last, stranded and more or less helpless, aboard a habitat unit not quite five hundred meters in diameter that she's sharing with a bunch of active, hungry dinosaurs?

  I keep telling myself that none of this is really happening. Only I can't quite convince myself of that.

  My escape still has me shaky. I can't get out of my mind the funny little bubbling sound the tiny powerpak made as it began to overheat. In something like fourteen seconds my lovely mobile module became a charred heap of fused-together junk, taking with it my communicator unit, my food supply, my laser gun andjust about everything else. And but for the warning that funny little sound gave me, I'd be so much charred junk now, too. Better off that way, most likely.

  When I close my eyes, I imagine I can see Habitat Vronsky floating serenely in orbit a mere 120 kilometers away. What a beautiful sight! The walls gleaming like platinum, the great mirror collecting sunlight and flashing it into the windows, the agricultural satellites wheeling around it like a dozen tiny moons. I could almost reach out and touch it. Tap on the shielding and murmur, "Help me, come for me, rescue me." But I might just as well be out beyond Neptune as sitting here in the adjoining Lagrange slot. No way I can call for help. The moment I move outside this cleft in the rock I'm at the mercy of my saurians and their mercy is not likely to be tender.

  Now it's beginning to rain—artificial, like practically everything else on Dino Island. But it gets you just as wet as the natural kind. And clammy. Pfaugh.

  Jesus, what am I going to do?

  0815 hours. The rain is over for now. It'll come again in six hours. Astonishing how muggy, dank, thick, the air is. Simply breathing is hard work, and I feel as though mildew is forming on my lungs. I miss Vronsky's clear, crisp, everlasting springtime air. On previous trips to Dino Island I never cared about the climate. But, of course, I was snugly englobed in my mobile unit, a world within a world, self-contained, self-sufficient, isolated from all contact with this place and its creatures. Merely a roving eye, traveling as I pleased, invisible, invulnerable.

  Can they sniff me in here?

  We don't think their sense of smell is very acute. Sharper than a crocodile's, not as good as a cat's. And the stink of the burned wreckage dominates the place at the moment. But I must reek with fear-signals. I feel calm now, but it was different as I went desperately scrambling out of the module during the meltdown. Scattering pher-omones all over the place, I bet.

  Commotion in the cycads. Something's coming in here!

  Long neck, small birdlike feet, delicate grasping hands. Not to worry. Struthiomimus, is all—dainty dino, fragile, birdlike critter barely two meters high. Liquid golden eyes staring solemnly at me. It swivels its head from side to side, ostrichlike, click-click, as if trying to make up its mind about coming closer to me. Scat! Go peck a stegosaur. Let me alone.

  The Struthiomimus withdraws, making little clucking sounds.

  Closest I've ever been to a live dinosaur. Glad it was one of the little ones.

  0900 hours. Getting hungry. What am I going to eat?

  They say roasted cycad cones aren't too bad. How about raw ones? So many plants are edible when cooked and poisonous otherwise. I never studied such things in detail. Living in our antiseptic little L5 habitats, we're not required to be outdoors-wise, after all. Anyway, there's a fleshy-looking cone on the cycad just in front of the cleft, and it's got an edible look. Might as well try it raw, because there's no other way. Rubbing sticks together will get me nowhere.

  Getting the cone offtakes some work. Wiggle, twist, snap, tear— there. Not as fleshy as it looks. Chewy, in fact. Like munching on rubber. Decent flavor, though. And maybe some useful carbohydrate.

  The shuttle isn't due to pick me up for thirty days. Nobody's apt to come looking for me, or even think about me, before then. I'm on my own. Nice irony there: I was desperate to get out of Vronsky and escape from all the bickering and maneuvering, the endless meetings and memoranda, the feinting and counterfeinting, all the ugly political crap that scientists indulge in when they turn into administrators. Thirty days of blessed isolation on Dino Island! An end to that constant dull throbbing in my head from the daily infighting with Director Sarber. Pure research again! And then the meltdown, and here I am cowering in the bushes wondering which comes first, starving or getting gobbled.

  0930 hours. Funny thought just now. Could it have been sabotage? Consider. Sarber and I, feuding for weeks over the issue of opening Dino Island to tourists. Crucial staff vote coming up next month. Sarber says we can raise millions a year for expanded studies with a program of guided tours and perhaps some rental of the island to film companies. I say that's risky both for the dinos and the tourists, destructive of scientific values, a distraction, a sellout. Emotionally the staff's with me, but Sarber waves figures around, showy fancy income-projections, and generally shouts and blusters. Tempers running high, Sarber in lethal fury at being opposed, barely able to hide his loathing for me. Circulating rumors—designed to get back to me—that if I persist in blocking him, he'll abort my career. Which is malarkey, of course. He may outrank me, but he has no real authority over me. And then his politeness yesterday. (Yesterday? An aeon ago.) Smiling smarmily, telling me he hopes I'll rethink my position during my observation tour on the island. Wishing me well. Had he gimmicked my powerpak? I guess it isn't hard if you know a little engineering, and Sarber does. Some kind of timer set to withdraw the insulator rods? Wouldn't be any harm to Dino Island itself, just a quick, compact, localized disaster that implodes and melts the unit and its passenger, so sorry, terrible scientific tragedy, what a great loss. And even if by some fluke I got out of the unit in time, my chances of surviving here as a pedestrian for thirty days would be pretty skimpy, right? Right.

  It makes me boil to think that someone's willing to murder you over a mere policy disagreement. It's barbaric. Worse than that: it's tacky.

  1130 hours. I can't stay crouched in this cleft forever. I'm going to explore the island and see if I can find a better hideout. This one simply isn't adequate for anything more than short-term huddling. Besides, I'm not as spooked as I was right after the meltdown. I realize now that I'm not going to find a tyrannosaur hiding behind every tree. And tyrannosaurs aren't going to be much interested in scrawny stuff like me.

  Anyway I'm a quick-witted higher primate. If my humble ma-malian ancestors seventy million years ago were able to elude dinosaurs well enough to survive and inherit the earth, I should be able to keep from getting eaten for the next thirty days. And with or without my cozy little mobile module, I want to get out into this place, whatever the risks. Nobody's ever had a chance to interact this closely with the dinos before.

  Good thing I kept this pocket recorder when I jumped from the module. Whether I'm a dino's dinner or not, I ought to be able to set down some useful observations.

  Here I go.

  1830 hours. Twilight is descending now. I am camped near the equator in a lean-to flung together out of tree-fern fronds—a flimsy shelter, but the huge fronds conceal me, and with luck I'll make it through to morning. That cycad cone doesn't seem to have poisoned me yet, and I ate another one just now, along with some tender new fiddleheads uncoiling from the heart of a tree-fern. Spartan fare, but it gives me the illusion of being fed.

  In the evening mists I observe a brachiosaur, half-grown but already colossal, munching in the treetops. A gloomy-looking tricer-atops stands nearby and several of the ostrichlike struthiiomimids scamper busily in the underbrush, hunting I know not what. No sign of tyrannosaurs all day. There aren't many of them here, anyway, and I hope they're all sleeping off huge feasts somewhere in the other hemisphere.

  What a fantastic place this is!

  I don't feel tired. I don't even feel frightened—just a little wary.

  I feel exhilarated, as a matter of fact.

  Here I sit peering out between fern fronds at a scene out of the dawn of time. All that's missing is a pterosaur or two flapping overhead, but we haven't brought those back yet. The mournful snuf-flings of the huge brachiosaur carry clearly even in the heavy air. The struthiomimids are making sweet honking sounds. Night is falling swiftly and the great shapes out there take on dreamlike primordial wonder.

  What a brilliant idea it was to put all the Olsen-process dinosaur-reconstructs aboard a little L5 habitat of their very own and turn them loose to recreate the Mesozoic! After that unfortunate San Diego event with the tyrannosaur, it became politically unfeasible to keep them anywhere on earth, I know, but even so this is a better scheme. In just a little more than seven years Dino Island has taken on an altogether convincing illusion of reality. Things grow so fast in this lush, steamy, high-CO2 tropical atmosphere! Of course, we haven't been able to duplicate the real Mesozoic flora, but we've done all right using botanical survivors, cycads and tree ferns and horsetails and palms and gingkos and auracarias, and thick carpets of mosses and selaginellas and liverworts covering the ground. Everything has blended and merged and run amok: it's hard now to recall the bare and unnatural look of the island when we first laid it out. Now it's a seamless tapestry in green and brown, a dense jungle broken only by streams, lakes and meadows, encapsulated in spherical metal walls some two kilometers in circumference.

  And the animals, the wonderful fantastic grotesque animals—

  We don't pretend that the real Mesozoic ever held any such mix of fauna as I've seen today, stegosaurs and corythosaurs side by side, a triceratops sourly glaring at a brachiosaur, struthiomimus contemporary with iguanodon, a wild unscientific jumble of Triassic, Jurassic and Cretaceous, a hundred million years of the dinosaur reign scrambled together. We take what we can get. Olsen-process reconstructs require sufficient fossil DNA to permit the computer synthesis, and we've been able to find that in only some twenty species so far. The wonder is that we've accomplished even that much: to replicate the complete DNA molecule from battered and sketchy genetic information millions of years old, to carry out the intricate implants in reptilian host ova, to see the embryos through to self-sustaining levels. The only word that applies is miraculous. If our dinos come from eras millions of years apart, so be it: we do our best. If we have no oterosaur and no allosaur and no archaeopteryx, so be it: we may have them yet. What we already have is plenty to work with. Some day there may be separate Triassic, Jurassic and Cretaceous satellite habitats, but none of us will live to see that, I suspect.

  Total darkness now. Mysterious screechings and hissings out there. This afternoon, as I moved cautiously, but in delight, from the wreckage site up near the rotation axis to my present equatorial camp, sometimes coming within fifty or a hundred meters of living dinos, I felt a kind of ecstasy. Now my fears are returning, and my anger at this stupid marooning. I imagine clutching claws reaching for me, terrible jaws yawning above me.

  I don't think I'll get much sleep tonight.

  22 August. 0600 hours. Rosy-fingered dawn comes to Dino Island, and I'm still alive. Not a great night's sleep, but I must have had some, because I can remember fragments of dreams. About dinosaurs, naturally. Sitting in little groups, some playing pinochle and some knitting sweaters. And choral singing, a dinosaur rendition of The Messiah or maybe Beethoven's Ninth.

  I feel alert, inquisitive, and hungry. Especially hungry. I know we've stocked this place with frogs and turtles and other small-size anachronisms to provide a balanced diet for the big critters. Today I'll have to snare some for myself, grisly though I find the prospect of eating raw frog's legs.

  I don't bother getting dressed. With rain showers programmed to fall four times a day, it's better to go naked anyway. Mother Eve of the Mesozoic, that's me! And without my soggy tunic I find that I don't mind the greenhouse atmosphere half as much.

  Out to see what I can find.

  The dinosaurs are up and about already, the big herbivores munching away, the carnivores doing their stalking. All of them have such huge appetites that they can't wait for the sun to come up. In the bad old days when the dinos were thought to be reptiles, of course, we'd have expected them to sit there like lumps until daylight got their body temperatures up to functional levels. But one of the great joys of the reconstruct project was the vindication of the notion that dinosaurs were warm-blooded animals, active and quick and pretty damned intelligent. No sluggardly crocodilians these! Would that they were, if only for my survival's sake.

 
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