Coen (Pittsburgh Titans, Book 4)

Coen Highsmith was a league star, but he lost more than his team the day the Pittsburgh Titans' plane crashed. Can he be saved from his downward spiral of guilt and regret to become the man he once was? I had it all—a successful hockey career, the respect and adoration of the fans, a rotation of beautiful women warming my bed, and a feeling of self-worth and contentment with the direction of my life. But that all changed the day the team plane went down, taking my only chance of redemption with it. Now I'm left with the daily reminder of all my failures and my inability to correct them. My new teammates are tired of my attitude and following my suspension, I hole up in a mountain cabin to get away from all of it. The isolation is exactly what I need to get out of my own head, and I'm beginning to think I could be content in this quiet forever. Tillie Marshall isn't the type of woman who would usually catch my...

The grandson and great-grandson of Chicago police officers, Chicago Police Detective James Sherlock was CPD through-and-through. His career had seen its share of twists and turns, from his time working undercover to thwart robberies on Chicago's L trains, to his side gig working security at The Jerry Springer Show, to his years as a homicide detective. He thought he had seen it all. But on this day, he was at the records center to see the case file for the murder of John Hughes, who was seventeen years old when he was gunned down in a park on Chicago's Southwest Side on May 15, 1976. The case had haunted many in the department for years and its threads led everywhere: Police corruption. Hints of the influence of the Chicago Outfit. A crooked judge. Even the belief that the cover-up extended to “hizzoner” himself—legendary Chicago Mayor Richard J. Daley. Sherlock, expecting to retire within a year, had a dream assignment: working cold cases for the...

In 2008 No Country for Old Men won the Academy Award for Best Picture, adding to the reputation of filmmakers Joel and Ethan Coen, who were already known for pushing the boundaries of genre. They had already made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To borrow a phrase from Barton Fink, all Coen films explore "the life of the mind" and show that the human condition can often be simultaneously comic and tragic, profound and absurd. In The Philosophy of the Coen Brothers, editor Mark T. Conard and other noted scholars explore the challenging moral and philosophical terrain of the Coen repertoire. Several authors connect the Coens' most widely known plots and characters to the shadowy, violent, and morally ambiguous world of classic film noir and its modern counterpart, neo-noir. As these essays reveal, Coen films often share noir's essential philosophical assumptions: power corrupts, evil is real, and human control of fate is an illusion. In Fargo, not even Minnesota's blankets of snow can hide Jerry Lundegaard's crimes or brighten his long, dark night of the soul. Coen films that stylistically depart from film noir still bear the influence of the genre's prevailing philosophical systems. The tale of love, marriage, betrayal, and divorce in Intolerable Cruelty transcends the plight of the characters to illuminate competing theories of justice. Even in lighter fare, such as Raising Arizona and The Big Lebowski, the comedy emerges from characters' journeys to the brink of an amoral abyss. However, the Coens often knowingly and gleefully subvert conventions and occasionally offer symbolic rebirths and other hopeful outcomes. At the end of The Big Lebowski, the Dude abides, his laziness has become a virtue, and the human comedy is perpetuating itself with the promised arrival of a newborn Lebowski. The Philosophy of the Coen Brothers sheds new light on these cinematic visionaries and their films' stirring philosophical insights. From Blood Simple to No Country for Old Men, the Coens' films feature characters who hunger for meaning in shared human experience -- they are looking for answers. A select few of their protagonists find affirmation and redemption, but for many others, the quest for answers leads, at best, only to more questions.