Complete works of charle.., p.1

Complete Works of Charles and Mary Lamb, page 1

 

Complete Works of Charles and Mary Lamb
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Complete Works of Charles and Mary Lamb


  The Complete Works of

  CHARLES AND MARY LAMB

  (1775-1834) and (1764–1847)

  Contents

  The Collaborative Works

  JOHN WOODVIL

  TALES FROM SHAKESPEARE

  MRS. LEICESTER’S SCHOOL

  POETRY FOR CHILDREN

  Charles Lamb’s Fiction

  A TALE OF ROSAMUND GRAY AND OLD BLIND MARGARET

  THE ADVENTURES OF ULYSSES

  Charles Lamb’s Plays

  MR H.; OR BEWARE A BAD NAME

  THE PAWNBROKER’S DAUGHTER

  THE WITCH

  THE WIFE’S TRIAL

  Charles Lamb’s Non-Fiction

  ON THE TRAGEDIES OF SHAKESPEARE

  WITCHES AND OTHER NIGHT FEARS

  ELIA AND THE LAST ESSAYS OF ELIA

  RECOLLECTIONS OF CHRIST’S HOSPITAL

  MISCELLANEOUS PROSE

  Charles Lamb’s Poetry

  POEMS FROM BLANK VERSE

  THE KING AND QUEEN OF HEARTS

  PRINCE DORUS

  SATAN IN SEARCH OF A WIFE

  ALBUM VERSES

  MISCELLANEOUS POEMS

  The Poems

  LIST OF POEMS IN CHRONOLOGICAL ORDER

  LIST OF POEMS IN ALPHABETICAL ORDER

  Mary Lamb’s Essay

  ON NEEDLE-WORK BY ‘SEMPRONIA’

  The Letters

  THE LETTERS OF CHARLES AND MARY LAMB

  The Criticism

  CHARLES LAMB by Thomas de Quincey

  ELIA, AND GEOFFREY CRAYON by William Hazlitt

  CHARLES LAMB by Walter Pater

  CHARLES LAMB by Arthur Symons

  CHARLES LAMB by John Cowper Powys

  CHARLES LAMB by Charles Edwyn Vaughan

  CHARLES LAMB by S. P. B. Mais

  CHARLES LAMB by Hattie Tyng Griswold

  CHARLES LAMB by Augustine Birrell

  THE LETTERS OF CHARLES LAMB by Augustine Birrell

  CHARLES LAMB by A. St. John Adcock

  The Biographies

  CHARLES LAMB by Walter Jerrold

  CHARLES LAMB: A MEMOIR by Barry Cornwall

  CHARLES LAMB by Alfred Ainger

  MARY LAMB by Mrs. Gilchrist

  The Delphi Classics Catalogue

  © Delphi Classics 2017

  Version 1

  The Complete Works of

  CHARLES AND MARY LAMB

  By Delphi Classics, 2017

  COPYRIGHT

  Complete Works of Charles and Mary Lamb

  First published in the United Kingdom in 2017 by Delphi Classics.

  © Delphi Classics, 2017.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

  ISBN: 978 1 78656 072 8

  Delphi Classics

  is an imprint of

  Delphi Publishing Ltd

  Hastings, East Sussex

  United Kingdom

  Contact: sales@delphiclassics.com

  www.delphiclassics.com

  Parts Edition Now Available!

  Love reading the works of Charles and Mary Lamb?

  Did you know you can now purchase the Delphi Classics Parts Edition of this author and enjoy all the novels, plays, non-fiction books and other works as individual eBooks? Now, you can select and read individual novels etc. and know precisely where you are in an eBook. You will also be able to manage space better on your eReading devices.

  The Parts Edition is only available direct from the Delphi Classics website.

  For more information about this exciting new format and to try free Parts Edition downloads, please visit this link.

  The Collaborative Works

  Inner Temple, one of the four Inns of Court in London, 1800 — the birthplace of Charles and Mary Lamb

  Inner Temple today

  Crown Office Row, Inner Temple — Mary and Charles were born in No. 2 Crown Office Row, which was destroyed during the Second World War.

  JOHN WOODVIL

  A POETIC DRAMA

  John Woodvil was not published until 1802, even though Charles Lamb had begun to compose the play in 1798. It is not one of his better known works and it did little to enhance his literary reputation at the time. Lamb determined to include other ‘fragments’ of work at the end of the drama, which included a poem by his sister, Mary. The play was not successful and was not staged or produced anywhere. It was poorly received by critics and was excoriated by some publications, such as The Annual Review and History of Literature, which accused Lamb of being unable to align his language to his characters with any consistency. The publication also attacked his poetry, declaring it to be representative of a ‘whining style...from which all the graces of language are contemptuously banished’.

  The play is set shortly after the Restoration in 1660 and centres on the eponymous John Woodvil. The young man’s father, Sir Walter Woodvil, is a Parliamentarian, who has fled his home and is in hiding from the King’s forces. He is too heavily implicated in the Parliamentarians’ cause to be able to secure a pardon, being a wanted man by the Royalists. John has chosen to befriend and support the Cavaliers and has allowed his father’s house to go to ruin. Sir Walter’s ward, Margaret, is being harassed by Cavalier soldiers and despite John previously courting the young woman, he makes no attempt to defend her and shows no regard for her wellbeing. In a moment of thoughtlessness, John makes a mistake that has devastating consequences for his family.

  Title page from 1802

  CONTENTS

  CHARACTERS

  ACT THE FIRST

  ACT THE SECOND

  ACT THE THIRD

  ACT THE FOURTH

  ACT THE FIFTH

  Charles Lamb as a young man, c. 1804

  CHARACTERS

  SIR WALTER WOODVIL.

  JOHN. }

  SIMON. } his sons.

  LOVEL. }

  GRAY. } Pretended friends of John.

  SANDFORD. Sir Walter’s old steward.

  MARGARET. Orphan ward of Sir Walter.

  FOUR GENTLEMEN. John’s riotous companions.

  SERVANTS.

  SCENE — for the most part at Sir Walter’s mansion in DEVONSHIRE; at other times in the forest of SHERWOOD.

  TIME — soon after the RESTORATION.

  * * * * *

  ACT THE FIRST

  SCENE. — A Servants’ Apartment in Woodvil Hall.

  Servants drinking — Time, the morning.

  * * * * *

  A Song by DANIEL

  “When the King enjoys his own again.”

  PETER

  A delicate song. Where did’st learn it, fellow?

  DANIEL Even there, where thou learnest thy oaths and thy politics — at our master’s table. — Where else should a serving-man pick up his poor accomplishments?

  MARTIN Well spoken, Daniel. O rare Daniel! — his oaths and his politics! excellent!

  FRANCIS

  And where did’st pick up thy knavery, Daniel?

  PETER

  That came to him by inheritance. His family have supplied the shire of

  Devon, time out of mind, with good thieves and bad serving-men. All of

  his race have come into the world without their conscience.

  MARTIN

  Good thieves, and bad serving-men! Better and better. I marvel what

  Daniel hath got to say in reply.

  DANIEL I marvel more when thou wilt say any thing to the purpose, thou shallow serving-man, whose swiftest conceit carries thee no higher than to apprehend with difficulty the stale jests of us thy compeers. When was’t ever known to club thy own particular jest among us?

  MARTIN

  Most unkind Daniel, to speak such biting things of me!

  FRANCIS See — if he hath not brought tears into the poor fellow’s eyes with the saltness of his rebuke.

  DANIEL No offence, brother Martin — I meant none. ’Tis true, Heaven gives gifts, and with-holds them. It has been pleased to bestow upon me a nimble invention to the manufacture of a jest; and upon thee, Martin, an indifferent bad capacity to understand my meaning.

  MARTIN

  Is that all? I am content. Here’s my hand.

  FRANCIS Well, I like a little innocent mirth myself, but never could endure bawdry.

  DANIEL Quot homines tot sententiae.

  MARTIN

  And what is that?

  DANIEL

  ’Tis Greek, and argues difference of opinion.

  MARTIN

  I hope there is none between us.

  DANIEL

  Here’s to thee, brother Martin. (Drinks.)

  MARTIN

  And to thee, Daniel. (Drinks.)

  FRANCIS

  And to thee, Peter. (Drinks.)

  PETER

  Thank you, Francis. And here’s to thee. (Drinks.)

  MARTIN

  I shall be fuddled anon.

  DANIEL

  And drunkenness I hold to be a very despicable vice.

  ALL

  O! a shocking vice. (They drink round.)

  PETER

  In as much as it taketh away the understanding.

  DANIEL

  And makes the eyes red.

  PETER

  And the tongue to stammer.

  DANIEL

  And to blab out secrets.

  (During this conversation they continue drinking.)

  PETER

  Some men do not know an enemy from a friend when they are drunk.

  DANIEL

  Certainly sobriety is the health of the soul.

  MARTIN

  Now I know I am going to be drunk.

  DANIEL

  How can’st tell, dry-bones?

  MARTIN

  Because I begin to be melancholy. That’s always a sign.

  FRANCIS

  Take care of Martin, he’ll topple off his seat else.

  (Martin drops asleep.)

  PETER Times are greatly altered, since young master took upon himself the government of this household.

  ALL

  Greatly altered.

  FRANCIS I think every thing be altered for the better since His Majesty’s blessed restoration.

  PETER In Sir Walter’s days there was no encouragement given to good house-keeping.

  ALL

  None.

  DANIEL

  For instance, no possibility of getting drunk before two in the afternoon.

  PETER

  Every man his allowance of ale at breakfast — his quart!

  ALL

  A quart!! (in derision.)

  DANIEL

  Nothing left to our own sweet discretions.

  PETER Whereby it may appear, we were treated more like beasts than what we were — discreet and reasonable serving-men.

  ALL

  Like beasts.

  MARTIN (Opening his eyes.) Like beasts.

  DANIEL

  To sleep, wag-tail!

  FRANCIS I marvel all this while where the old gentleman has found means to secrete himself. It seems no man has heard of him since the day of the King’s return. Can any tell why our young master, being favoured by the court, should not have interest to procure his father’s pardon?

  DANIEL Marry, I think ’tis the obstinacy of the old Knight, that will not be beholden to the court for his safety.

  MARTIN

  Now that is wilful.

  FRANCIS

  But can any tell me the place of his concealment?

  PETER

  That cannot I; but I have my conjectures.

  DANIEL

  Two hundred pounds, as I hear, to the man that shall apprehend him.

  FRANCIS

  Well, I have my suspicions.

  PETER

  And so have I.

  MARTIN

  And I can keep a secret.

  FRANCIS (To Peter.) Warwickshire you mean. (Aside.)

  PETER

  Perhaps not.

  FRANCIS

  Nearer perhaps.

  PETER

  I say nothing.

  DANIEL

  I hope there is none in this company would be mean enough to betray him.

  ALL

  O Lord, surely not. (They drink to Sir Walter’s safety.)

  FRANCIS I have often wondered how our master came to be excepted by name in the late Act of Oblivion.

  DANIEL

  Shall I tell the reason?

  ALL

  Aye, do.

  DANIEL

  ’Tis thought he is no great friend to the present happy establishment.

  ALL

  O! monstrous!

  PETER Fellow servants, a thought strikes me. — Do we, or do we not, come under the penalties of the treason-act, by reason of our being privy to this man’s concealment.

  ALL

  Truly a sad consideration.

  To them enters Sandford suddenly.

  SANDFORD

  You well-fed and unprofitable grooms,

  Maintained for state, not use;

  You lazy feasters at another’s cost,

  That eat like maggots into an estate,

  And do as little work,

  Being indeed but foul excrescences,

  And no just parts in a well-order’d family;

  You base and rascal imitators,

  Who act up to the height your master’s vices,

  But cannot read his virtues in your bond:

  Which of you, as I enter’d, spake of betraying?

  Was it you, or you, or, thin-face, was it you?

  MARTIN

  Whom does he call thin-face?

  SANDFORD

  No prating, loon, but tell me who he was,

  That I may brain the villain with my staff,

  That seeks Sir Walter’s life?

  You miserable men,

  With minds more slavish than your slave’s estate,

  Have you that noble bounty so forgot,

  Which took you from the looms, and from the ploughs,

  Which better had ye follow’d, fed ye, cloth’d ye,

  And entertain’d ye in a worthy service,

  Where your best wages was the world’s repute,

  That thus ye seek his life, by whom ye live?

  Have you forgot too,

  How often in old times

  Your drunken mirths have stunn’d day’s sober ears,

  Carousing full cups to Sir Walter’s health? —

  Whom now ye would betray, but that he lies

  Out of the reach of your poor treacheries.

  This learn from me,

  Our master’s secret sleeps with trustier tongues,

  Than will unlock themselves to carls like you.

  Go, get you gone, you knaves. Who stirs? this staff

  Shall teach you better manners else.

  ALL

  Well, we are going.

  SANDFORD

  And quickly too, ye had better, for I see

  Young mistress Margaret coming this way.

  (Exeunt all but Sandford.)

  Enter Margaret, as in a fright, pursued by a Gentleman,

  who, seeing Sandford, retires muttering a curse.

  Sandford, Margaret.

  SANDFORD

  Good-morrow to my fair mistress. ’Twas a chance

  I saw you, lady, so intent was I

  On chiding hence these graceless serving-men,

  Who cannot break their fast at morning meals

  Without debauch and mis-timed riotings.

  This house hath been a scene of nothing else

  But atheist riot and profane excess,

  Since my old master quitted all his rights here.

  MARGARET

  Each day I endure fresh insult from the scorn

  Of Woodvil’s friends, the uncivil jests,

  And free discourses, of the dissolute men,

  That haunt this mansion, making me their mirth.

  SANDFORD

  Does my young master know of these affronts?

  MARGARET

  I cannot tell. Perhaps he has not been told.

  Perhaps he might have seen them if he would.

  I have known him more quick-sighted. Let that pass.

  All things seem chang’d, I think. I had a friend,

  (I can’t but weep to think him alter’d too,)

  These things are best forgotten; but I knew

  A man, a young man, young, and full of honor,

  That would have pick’d a quarrel for a straw,

  And fought it out to the extremity,

  E’en with the dearest friend he had alive,

  On but a bare surmise, a possibility,

  That Margaret had suffer’d an affront.

  Some are too tame, that were too splenetic once.

  SANDFORD

  ‘Twere best he should be told of these affronts.

  MARGARET

  I am the daughter of his father’s friend,

  Sir Walter’s orphan-ward.

  I am not his servant maid, that I should wait

  The opportunity of a gracious hearing,

  Enquire the times and seasons when to put

  My peevish prayer up at young Woodvil’s feet,

  And sue to him for slow redress, who was

  Himself a suitor late to Margaret.

  I am somewhat proud: and Woodvil taught me pride.

  I was his favourite once, his playfellow in infancy,

  And joyful mistress of his youth.

  None once so pleasant in his eyes as Margaret.

  His conscience, his religion, Margaret was,

  His dear heart’s confessor, a heart within that heart,

  And all dear things summ’d up in her alone.

  As Margaret smil’d or frown’d John liv’d or died:

  His dress, speech, gesture, studies, friendships, all

  Being fashion’d to her liking.

  His flatteries taught me first this self-esteem,

  His flatteries and caresses, while he loved.

 

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