Quoth the crow, p.7

Quoth the Crow, page 7

 part  #3 of  The Crow Series

 

Quoth the Crow
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  his stories had made it into the Magazine of Fantasy and

  Science Fiction and other higher-paying markets (including a

  short-short in Rage, his first men’s magazine sale). He’d even

  written one of the books in the perennial horror line based on

  the popular Gothic TV series, Dark Sunset. Unfortunately, it

  had been severely rewritten by the in-house editor of the

  series, while his own serious novel had fallen victim to the

  industry-wide retrenchment in mid-list category fiction.

  Translation: it had never sold because it wasn’t “high-concept”

  enough and he wasn’t a name-brand writer. At least not yet,

  he’d tell himself.

  His masters thesis had been called “William Blessing and

  American Gothic.” He’d been thrilled when Blessing had

  actually answered the questions he’d sent in a letter. When

  Blessing had received the final thesis, he’d been so pleased

  with the results that he’d helped get it published as a

  monograph by a small university press. They’d stayed in

  contact through e-mail, and when Donald had started

  wondering whether he should get a doctorate, Blessing had

  been more than supportive. Having read and admired not just

  Donald Marquette’s critical efforts but his short stories as well,

  Blessing suggested that he come to Johns Hopkins to get his

  doctorate and had arranged for financial help, including a

  scholarship. Blessing was also assembling a huge collection of

  Gothic fiction in three volumes: one from North American

  writers, one from British writers, and one from writers from

  the rest of the world. In addition to other editing work,

  Blessing thought that Donald might be interested in helping to

  assemble these volumes with him.

  Naturally, Donald had jumped at the chance.

  Teaching on a high school level was getting to be a drag.

  Getting a Ph. D. from a prestigious school like Johns Hopkins

  would make it possible to get a position as an assistant

  professor at a university somewhere. Also, being associated

  with a person on the level of Blessing, both academically and

  in terms of popular fiction, could do nothing but good things

  for his writing career.

  With Blessing’s help, he was accepted at the Baltimore

  university. He’d arrived before the beginning of the next

  school year in order to get settled and start working seriously

  with Blessing on the ambitious multi-volume series.

  Now, the notion of seeing Blessing’s famous library with

  its amazing collection of the memorabilia, not merely of Edgar

  Allan Poe but of many other writers in the Gothic tradition,

  gave Donald a thrilling buzz.

  Except for this strange business with that bird, it looked as

  though it was going to be a banner day, he thought. Blessing,

  though obviously troubled by the crow incident (and,

  naturally, by his brush with death) was a genuinely fine fellow

  and, although Donald was still a little nervous, Blessing’s

  politeness and enthusiastic reception made him feel very good

  indeed.

  What treats awaited him upstairs!

  Blessing made a quick detour back to his bar.

  “Come, come, then,” said Blessing, pouring another drop

  of whiskey into his cup, this time without diluting it with

  first-rate coffee. He smoothed back his hair and pointed

  upward. There was a manic gleam in his eye. Clearly he

  relished showing off his home and his treasures—particularly

  to someone like Donald Marquette, who would appreciate

  them. “Let’s go up to the lab and see what’s on the slab.”

  “Lots of books, I’d imagine,” said Donald.

  As they passed into the hallway, approaching the staircase,

  the door opened.

  “Ah! It’s the wife!” said Blessing. He quickly downed the

  whiskey and wiped his mouth on his sleeve. He handed the

  mug over to Donald. “Do me a favor and hide the evidence,

  eh?” He pulled out a cough drop from his pocket, unwrapped

  the paper, and popped it in his mouth.

  “Okay,” said Donald. He thought for a moment and then

  walked back to the kitchen. He went to the sink and ran the hot

  water, washing out the dregs of the whiskey.

  When he turned the water off, he heard voices from the

  other room: A man’s. A woman’s.

  “I’m just glad you’re all right!”

  “I’ll tell you one thing. No one’s getting me up on that roof

  again! But come on up, dear. Donald Marquette’s here!”

  “Terrific! I’ve been looking forward to meeting him!”

  The woman’s voice was rich, sweet, mellifluous.

  Marquette stepped out of the kitchen, quickly drying his

  hands on his shirt, anticipating an encounter with a strong,

  friendly woman. Probably with a touch of gray but strongly

  built with a gentle, mature smile and the kind of steadiness

  that gave a great writer and scholar like Blessing foundation

  and anchor in this rough world.

  “Donald! I’ve heard so much about you,” said the woman

  as she saw him.

  Donald Marquette blinked and stopped in his tracks.

  Amy Blessing was one of the most beautiful, striking

  women he’d ever encountered in his life.

  And she was no more than twenty-five years old.

  six

  Out—out are the lights—out all!

  And over each quivering form,

  The curtain, a funeral pall,

  Comes down with the rush of a storm,

  And the angels, all pallid and wan,

  Uprising, unveiling, affirm

  That the play is the tragedy, “Man,”

  And its hero the Conqueror Worm.

  —Edgar A. Poe, “Ligein”

  THERE WAS A GIRL WITH A KNIFE IN HER CHEST IN THE

  BASEMENT.

  Somehow, Baxter Brittle managed to keep his hands from

  shaking too much as he poured himself several ounces of good

  French cognac into a glass of Coke.

  A very, very dead girl.

  Brittle drank gratefully, allowing the carbonated varroom

  of alcohol to separate him just a little bit more from the

  problem.

  The familiar environs of his bar helped him as well, the

  touch of the field of bottles, the smell of last night’s beer and

  cigarette smoke in the air. Fortunately, Ed the janitor had come

  in early as he was paid to do and swabbed the place down after

  last night’s bacchanalia. He and the other bartenders could

  pretty much take care of it through the week, but on Saturday

  and Sunday mornings, they needed a professional.

  Now the beer cans were in a black sack along the side of

  the road outside, with the rest of the Friday flotsam and

  jetsam. Too bad the garbage collectors don’t take dead bodies,

  thought Baxter.

  Outside it was a beautiful spring day, unfortunately. The

  nice thing about his bar was that it was equipped with shutters

  as well as windows, so he could pretty much control the

  lighting. Most of the time, he kept them tightly shut. Baxter

  took pride in the fact that, in his bar, he could create perpetual

  night. Right now, in fact, those shutters were closed. The only

  light in the room was provided by the dim overheads, a few

  lights in the bar, and an EXIT light to the rear of the place.

  However, even this was too bright for Baxter Brittle’s delicate

  condition, so he was very happy that from time to time he

  wore shades, inside and outside, and no one would wonder

  why he was wearing them now. (Not just to keep out the light,

  but to hide his puffy, bloodshot eyes, as well.)

  He tilted back the rest of the Coke and allowed the cognac

  entrance into his system. Then he poured himself a little more,

  neat, and put it upon the bar. And surveyed his domain.

  Thank God no one is here, he thought.

  He knew that customers would be straggling in eventually,

  but every moment of peace he got he needed to get his brain

  back in gear.

  After his intimate acquaintance with blood and death, he’d

  managed to hobble to his upstairs apartment. The shower had

  been hot and welcome, going a long way toward getting him

  back on the road to something at least approaching sanity. A

  scrubbing, some shampoo, and lots of steam had led him to a

  conclusion.

  Whatever had happened last night, there was time to deal

  with it.

  Enough time had passed to allow certain key memories

  into his brain pan, the most significant of which was the fact

  that the girl was from somewhere far, far away; was, in fact, a

  runaway, if memory served, who’d just arrived in the area and

  knew practically no one. The others of the Gothiques, Baxter

  felt, were probably having a similar morning as he had. Even

  if any of them remembered what had happened last night, he

  was pretty certain that no one would go to the police. No, he

  had enough on them, enough power, that they’d just come in

  here, check things out, talk it over. That this had not happened

  yet did not surprise him. Many of the gang didn’t even rise

  before the sun set. Baltimore vampires! Just as well.

  After his shower, he’d put on some fresh clothes,

  padlocked the cellar doors, and then opened the front door.

  He’d pretty much figured that if he kept the bar closed today,

  that would be a pretty damned suspicious thing. No, better to

  get through today, another Saturday-as-usual, and then deal

  with the horror below late tonight or tomorrow. To that end,

  he’d padlocked the door to the cellar. Cops could hack their

  way through, sure, but he’d deal with that if it happened. Right

  now the main thing was to put on a good face, get enough

  drugs and alcohol into the system to appear normal, and just

  get on with slinging the good old booze.

  He’d just about started thinking normally, without the

  spike of terror and anxiety rammed up his butt, when the door

  opened and the man all in black walked in.

  He was a tall man with a muscular build, tightly wound

  around a large frame. He had a V-like torso and wore tight

  blue jeans. An expensive coat hung down from immense

  shoulders all the way to the heels of his black leather boots.

  Long hair in loose ringlets highlighted a face that could have

  been something chiseled out of stone. His eyes were deep-set

  and looked at Baxter with an amazing intensity.

  “Hey, Brittle,” said the man, showing strong white,

  wolflike teeth in a predator’s smile. “How about a nice vodka

  martini. Shaken, not stirred. Just like you.”

  The smile turned into a grin.

  Baxter stared at the man.

  He knew this guy.

  Yeah, he knew this guy…and things started falling into

  place.

  Last night.

  This man was at the bar last night!

  But had he been below?

  Baxter Brittle’s mind churned hard, but that was all that he

  could come up with. It was enough, though. There was

  something about this man that was important. Vital.

  Exactly what was hard to say, but making the guy his

  martini would buy him some time.

  Baxter grinned. “Hey, man. First customer. You get a big

  one, small price.”

  “You always pay more than money for martinis,” said the

  man. He had a resonant precise voice, rich in irony.

  Baxter forced himself to chuckle. “You bet. But oh, they

  can go down so smooth.”

  He pulled out the stainless-steel mixer, dug up some

  shaved ice. Much vodka, a whisper of vermouth. Affix top.

  Shake, shake, shake. Quickly, before too much ice melted, he

  set up one of his classic martini glasses on a napkin in front of

  his customer. A strainer affixed to the top of the tumbler kept

  the ice back as he poured the clear mixture into the glass. It

  was a focused ceremony, and the traditional moves gave him

  an odd kind of familiar comfort.

  “Olive or twist?”

  “Didn’t Charles Dickens write that book?”

  “What? Oh, yes. Right.” He winked at the man, cocked a

  finger at the man. “Good one. I’m a bit slow this time of day.”

  “I would think so…after what happened last night.” The

  man leaned forward on the bar, his teeth going into a Jack

  Nicholson sort of grin. “I’ll take both the lemon twist and the

  olive. Please.”

  Baxter pulled open the condiment tray, selected a nice fat

  Spanish olive, and squeezed a toothpick through it and the

  pimento inside. Then he pared a bit of lemon zest and gingerly

  placed it in the drink. Cautiously, he said, “I’m not sure I know

  what you mean.”

  He studied the man’s face, tried to get some memory back,

  but there was nothing there but a vague certainty that, in fact,

  the man had somehow been involved with last night.

  The man picked up the toothpick, waggled it for a moment

  in the drink, then sucked off the olive. He chewed this

  methodically for a moment, then drank off a half inch of the

  martini, still staring at Baxter with those penetrating eyes.

  “I hope you won’t think of me as anything but an ally,

  Baxter. In fact, I want to make sure you know that I absolutely

  harmonize with everything in your life. Only I believe I can

  take you in the directions you desire.”

  “I’m sorry. You lost me.” Baxter was frightened, but he

  was also annoyed. “Look, I admit I drank too much last night.

  I don’t remember a damned thing that happened after about

  ten.”

  “But you recognize me.”

  “Vaguely.”

  “Good. That’s all that’s necessary. Oh—and help yourself

  to some of the mix if you like. On me.”

  “Don’t mind ifI do.”

  Baxter grabbed some normal crystal, poured himself the

  drink, and took a swallow. The chill bite gave him a bit of

  relief. “What’s this about—blackmail?” He sighed. “If you’re

  after money, I’m afraid you’ve got the wrong guy.”

  The man sipped at his martini, still intently staring at

  Baxter. He looked like some gigantic snake, its prey in the

  corner, sizing it up, getting ready for a strike.

  “Oh, I think we’re both after money, but that might come

  down the line, if we can get in synch.” The man leaned back,

  looking relaxed. “If you woke up as I imagined you did, it was

  to a bit of shock, Baxter Brittle. I’d like to help you with the

  situation that you’re in.”

  Baxter knocked back the rest of the drink. “I’m tired of

  beating around the bush. What are you proposing?”

  “Ever see that movie Pulp Fiction? ”

  “Sure.”

  “John Travolta and Samuel L. Jackson accidentally blow a

  guy’s brains out in the backseat. The result: one messy

  backseat. They take the car to Quentin Tarantino’s garage. The

  mob boss calls in Harvey Keitel, who figures out what to do

  before Tarantino’s wife gets back. He’s called ‘The Cleaner.’”

  “What are you saying?”

  “Just call me Harvey.” The man smiled. “You’ve got

  yourself a situation. I can take care of it for you. It’s that

  simple.”

  Baxter shook his head. “If you know I’ve got a situation,

  maybe you can tell me what happened!”

  “Maybe it’s just as well you don’t know, Baxter. Maybe

  you’d sleep a lot better in the future if we just get this little

  matter behind you. And I’ll take care of the…uhm…dead

  weight in your life. No one else knows, Baxter. No one really

  cares about the victim. I have the talent and the power to erase

  just about everything that might lead anyone looking for her

  here.”

  Baxter was just damned grateful there was no one else in

  the bar. His entire being had shut down from the moment he’d

  seen that knife stuck in that girl. Now something very much

  like hope glimmered at the back of his mind. He knew very

  well that this man could be some strange kind of informant.

  Maybe an investigator into cult activity, looking into the

  warped world of the Goths, and coming away with a lot more

  than he’d bargained for—trying to nail the heinous slaughter

  of a poor innocent.

  No. As Baxter studied the craggy face of this man, he saw

  nothing but a different kind of ambition. An ambition that had

  already etched itself into his own heart.

  Baxter pulled out a pack of French cigarettes. He took one

  and stuck it in his mouth. He felt a little more powerful just

  completing this ritual.

  “Tell me your name. I need to know your name first,” he

 

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