Funeral in berlin, p.1
Funeral in Berlin, page 1
LEN DEIGHTON
Len Deighton was born in 1929. He worked as a railway clerk before doing his National Service in the RAF as a photographer attached to the Special Investigation Branch.
After his discharge in 1949, he went to art school – first to the St Martin’s School of Art, and then to the Royal College of Art on a scholarship. His mother was a professional cook and he grew up with an interest in cookery – a subject he was later to make his own in an animated strip for the Observer and in two cookery books. He worked for a while as an illustrator in New York and as art director of an advertising agency in London.
Deciding it was time to settle down, Deighton moved to the Dordogne where he started work on his first book, The Ipcress File. Published in 1962, the book was an immediate success.
Since then his work has gone from strength to strength, varying from espionage novels to war, general fiction and non-fiction. The BBC made Bomber into a day-long radio drama in ‘real time’. Deighton’s history of World War Two, Blood, Tears and Folly, was published to wide acclaim – Jack Higgins called it ‘an absolute landmark’.
As Max Hastings observed, Deighton captured a time and a mood – ‘To those of us who were in our twenties in the 1960s, his books seemed the coolest, funkiest, most sophisticated things we’d ever read’ – and his books have now deservedly become classics.
By Len Deighton
Fiction
The Ipcress File
Horse Under Water
Funeral in Berlin
Billion-Dollar Brain
An Expensive Place to Die
Only When I Larf
Bomber
Declarations of War
Close-Up
Spy Story
Yesterday’s Spy
Twinkle, Twinkle, Little Spy
SS-GB
XPD
Goodbye Mickey Mouse
Mamista
City of Gold
Violent Ward
The Samson Series
Berlin Game
Mexico Set
London Match
Winter: A Berlin Family 1899–1945
Spy Hook
Spy Line
Spy Sinker
Faith
Hope
Charity
Non-fiction
Action Cook Book
Fighter: The True Story of the Battle of Britain
Airshipwreck
Basic French Cooking
Blitzkrieg: From the Rise of Hitler to the Fall of Dunkirk
ABC of French Food
Blood, Tears and Folly
LEN DEIGHTON
Funeral in Berlin
An Imprint of Sterling Publishing
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New York, NY 10016
STERLING and the distinctive Sterling logo are registered trademarks of Sterling Publishing Co., Inc.
First Sterling edition 2011
First published in Great Britain by Jonathan Cape Ltd in 1964
© 1964 by Pluriform Publishing Company BV
Introduction copyright © 2009 by Pluriform Publishing Company BV
The author asserts the moral right to be
identified as the author of this work.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher.
ISBN 978-1-4027-9064-5 (trade paperback)
ISBN 978-1-4027-9065-2 (ebook)
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Contents
Introduction
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
APPENDIX 1
APPENDIX 2
APPENDIX 3
APPENDIX 4
APPENDIX 5
APPENDIX 6
Introduction
Standing at the bar of the National Film Theatre there was a plump balding man of about fifty. He was unmistakably German and despite his fluent command of the English language he was having some difficulty with the barman. I went to sort it out and found it was no more than a shortage of change in the till.
The man was Kurt Jung-Alsen and it was a film he had directed – The Vengeance of Private Pooley – that was showing that evening as part of a festival of films from communist East Germany. I had no idea of what a warm friendship would develop from this chance meeting and what a tremendous change in my life this mutual trust would bring.
It was rewarding to show Kurt around London because he was so knowledgeable and so appreciative. Like any self-respecting German he was prepared for everything and had a notebook listing the places he must see. The Sunday morning street market in Petticoat Lane was on his list. Today was Sunday and here he was. Guessing that he would arrive on time I had coffee ready. ‘You’d better see this, Herr Jung-Alsen.’ I took him into the sitting room where I had been watching BBC TV carrying the alarming news that the communists were building a Wall right across Berlin.
Kurt went back there, of course. He was certainly no communist but his home and all his possessions were at stake. Kurt was a dedicated Berliner and had a successful pre-war career in theatre production before becoming a film director. The following summer I toured Czechoslovakia in my battered little VW Beetle car. Nearing the Ukraine border I had some difficulties with the local police there because I hadn’t stuck to my prearranged route and itinerary. In fact, I had written ‘camping’ into the blank space on the visa form and then wandered around stopping when and where I chose. From Prague I drove north to Berlin. In those days the Cold War was very chilly. I had been delayed in setting out and it was about 2.00am when I was flagged down by Russian army traffic police because I was on a road that led directly into East Berlin. They had spotted my British licence plate. There were very few Western vehicles coming north from Prague and the Russian military decreed that foreigners like me must approach Berlin only from the west. With a military escort I was taken to the local army barracks and held there. A young Russian officer decided it was an opportunity to try out his English language skills, which were on a par with my command of Russian. It was after an hour or so of limited communication that I remembered that I had an unopened bottle of brandy in my baggage. It was soon opened and eventually the officer was telephoning some unknown person with the news that everything was all right after all. Accompanied by a Russian army jeep I was allowed to proceed up the forbidden road. I arrived at the Adlon Hotel in East Berlin just as they were mopping the lobby of this dilapidated remnant of the old luxury hotel.
It was a dramatic beginning to my stay in East Berlin. Kurt more than returned any favour I had done for him in London. He introduced me to many people and made me feel at home. As I said to him, not once but many times, that of all my friends he was the only one that enjoyed the bourgeois benefits of domestic servants and a valuable art collection. And this was communism? I made a few forays to West Berlin and came back with all manner of desirables for Kurt and his friends. A child’s wheelchair, asparagus and ladies fashion magazines such as Burda was one consignment. The wheelchair was a tight fit in my car and I was grilled about it but Burda magazine was the only thing confiscated that time; I suppose the border guards had fashion-conscious wives. But while I was feeling at home in East Berlin I was aware of the fact that I had no friends or acquaintances in West Berlin. On subsequent visits to the city, that gradually changed until I had very good and generous friends in West Berlin, but that initial stay in East Berlin had a lasting effect upon the way I saw it all. And Kurt was kind enough to include me in the listed production staff for a film he made about the Spanish Civil War. This included journeys and long periods in East Germany, and the chance to visit towns such as Leipzig and Weimar; grim and grey under communist rule. In Weimar I was accommodated in the Elephant Hotel, which was a favourite stopover for Adolf Hitler. Kurt told me that the room I was given was the one Hitler always used. The bath was about six feet long; the biggest bath tub I have ever been in. Despite his earnest assurances, I always suspected that Kurt might have been joking. He was a droll fellow and he liked to counter what he said was my English sense of humour with japes of his own.
Berlin was soon a second home to me. I became obsessed by Berlin. I studied its history and collected old photographs of its streets, street life and architecture. I talked to
In all my time behind the ‘iron curtain’ I made no secret of my dislike of the repressive and regimented society that is essential to socialism. I had been advised by a very experienced English newspaperman to air my ‘capitalist’ beliefs. As far as I could tell, this procedure in no way impeded my life and my researches. I did have the occasional confrontation with cops and bureaucrats but I suffered no lasting damage.
My second book – Horse Under Water – had sidestepped the Cold War but now I was in the front line. The critics had been kind to my previous books and this encouragement helped me to discover what sort of books I wanted to write. I’d never had any childhood ambitions to be a writer, so I was not tempted to write ‘serious literature’. My feelings have never changed. This is not because I think that serious literature is too serious. It’s because I think most serious literature is not serious at all.
By some measures, Funeral in Berlin was my most successful book. The American edition spent six months on the New York bestseller list. The New York Times, Life magazine and the news magazines all gave the book a generous reception. To get away from it all, I went for a holiday in Paris and spent my days researching the town’s best restaurants. Perhaps I should have gone to New York instead but I had become a professional writer, and I decided that any writer’s fatal enemies were alcohol and praise.
LEN DEIGHTON, 2009
ALLEN W. DULLES (then director CIA): ‘You, Mr Chairman, may have seen some of my intelligence reports from time to time.’
MR KHRUSHCHEV: ‘I believe we get the same reports – and probably from the same people.’
MR DULLES: ‘Maybe we should pool our efforts.’
MR KHRUSHCHEV: ‘Yes. We should buy our intelligence data together and save money. We’d have to pay the people only once.’
News Item, September 1959
‘But what good came of it at last?’
Quoth little Peterkin,
‘Why, that I cannot tell,’ said he: –
‘But ’twas a famous victory.’
SOUTHEY, After Blenheim
‘If I am right the Germans will say I was a German and the French will say I was a Jew; if I am wrong the Germans will say I was a Jew and the French will say I was a German.’
ALBERT EINSTEIN
Most of the people who engaged in this unsavoury work had very little interest in the cause which they were paid to promote. They did not take their parts too seriously, and one or the other would occasionally go over to the opposite side, for espionage is an international and artistic profession, in which opinions matter less than the art of perfidy.
DR R. LEWINSOHN,
The Career of Sir Basil Zaharoff
Funeral in Berlin
Secret File No. 3
1
Players move alternately –
only one at a time.
Saturday, October 5th
It was one of those artificially hot days that they used to call ‘Indian summer’. It was no time to be paying a call to Bina Gardens, in south-west London, if there was a time for it.
Outside the house I sought there was a bright card tied to the railings with green twine. On it in large exact capitals was penned ‘Lost – Siamese cat. Answers to the name Confucius.’
Answers what? I walked up the steps where the sun was warming up a pint of Jersey and a banana-flavour yoghurt. Tucked behind the bottles a Daily Mail peeped its headline ‘Berlin a new crisis?’ There were buttons on that door-post like on a pearly king’s hat but only one said ‘Robin J. Hallam, FRSA’ in a flowing copper-plate; that was the one I pressed.
‘You haven’t seen Confucius?’
‘No,’ I said.
‘I only missed him last night.’
‘Really,’ I said, feigning warm interest.
‘The bedroom window doesn’t close properly,’ said Hallam. He was a gaunt-faced man of about forty-five well preserved years. His dark-grey flannel suit was baggy and in the lapel of it he wore three neat discs of egg yolk, like the Legion of Honour.
‘You will be one of Dawlish’s little men,’ he said.
He exposed a white palm and I walked into the cool stone hall while he closed the daylight out.
He said, ‘Could you let me have a shilling – the gas will go any moment.’
I gave him one and he galloped away with it.
Hallam’s room was tidy the way a cramped room has to be. He had a desk that was a sink and a cupboard that was a bed and under my feet a battered kettle on a gas ring was sending Indian signals to the bookcase. Flies were whining in great bed-spring spirals of sound, then going to the window to beat on it with their feet. Through the window there was a large section of grey brick wall; on it there were two perfect rectangles of white sunlight reflected from some high sunny place. I moved three Bartok LPs and sank into a mutilated chair. Hallam turned on the tap in the disguised sink and there was a chugging sound like a bronchial road-drill. He rinsed the cups and wiped them on a tea-cloth that depicted the changing of the guard at Buckingham Palace in primary colours. There was a clink as he set the cups into their ordained saucers.
‘Don’t tell me. You’ve come about the Semitsa business’, he said to the gas meter as he poured boiling water on to the Darjeeling. ‘You like Darjeeling?’
‘Darjeeling’s OK,’ I said. ‘What I’m not so keen about is you batting that name about like that. Have you ever heard of the Official Secrets Act?’
‘My dear boy, I am trussed up with the OS Act twice a year like a very old and intractable turkey.’ He put half a dozen wrapped sugar pieces on the table and said, ‘You won’t take milk in Darjeeling’: it wasn’t a question. He sipped his unsweetened tea from an antique Meissen cup; around mine it said ‘British Railways SR’ in brown grot letters.
‘So you are the man who is going to make Semitsa defect from the Moscow Academy of Sciences and come to work in the west; no, don’t tell me.’ He waved down my protest with a limp palm. ‘I’ll tell you. In the last decade not one Soviet scientist has defected westward. Did you ever ask yourself why?’ I unwrapped one of the sugar pieces; the paper had ‘Lyons Corner House’ printed on it in small blue letters.
‘This fellow Semitsa. A member of the Academy. Not a party member because he doesn’t need to be; Academy boys are the top dogs – the new elite. He probably gets about six thousand roubles1 a month. Tax paid. On top of that he can keep any money he gets for lecturing, writing or being on TV. The lab restaurants are fabulous – fabulous. He has a town house and a country cottage. He has a new Zil every year and when he feels in the mood there is a special holiday resort on the Black Sea which only the Academy people use. If he dies his wife gets a gigantic pension and his children get special educational opportunities in any case. He works in the Genetics of Molecular Biology department where they use refrigerated ultra centrifuges.’ Hallam waved his sugar cube at me.
‘They are one of the basic tools of modern biology and they cost around ten thousand pounds each.’
He waited while that sank in.
‘Semitsa has twelve of them. Electron microscopes cost around fourteen thousand pounds each, he . . .’
‘OK,’ I said. ‘What are you trying to do, recruit me?’
‘I’m trying to let you see this situation from Semitsa’s point of view,’ said Hallam. ‘His biggest problems at this moment are likely to be whether to give his son a Zaporozhets or a Moskvich motor car for a twenty-first birthday present, and deciding which of his servants is stealing his Scotch whisky.’
Hallam unwrapped the sugar cube and ate it with a loud crunching noise.
‘What are you offering him? Have you seen those semi-detached houses they are putting the Porton people into? And as for the labs, they are little more than hardboard shacks. He’ll think it’s the prison camp and keep asking when he gets released,’ Hallam tittered.
