The outlander series 7 b.., p.93

The Outlander Series 7-Book Bundle, page 93

 

The Outlander Series 7-Book Bundle
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879

Larger Font   Reset Font Size   Smaller Font  

  After more challenges—including killing a young English soldier in cold blood, the latest of a series of killings that illustrate Claire’s own lethal tendencies (the British deserter, the guard, and the wolf)—Claire and Murtagh succeed in getting the dangerously seasick Jamie to St. Anne de Beaupré, where the more complex challenge of addressing his emotional and spiritual wounds must take place.

  Jamie’s terrible problem is one shared by many victims of sexual assault—that they have, albeit against their wills, been sexually aroused by and responsive to the stimuli. The shame and recurring images are a form of post-traumatic stress disorder, worsened by the victim’s conviction that he or she is morally culpable. When Claire understands that she must give Jamie an experience that will reverse his disempowering trauma at the hands of Randall, she uses her medical skills—and, perhaps surprisingly, a strategy she learned from Geillis—to summon spirits. Conjuring up her memories of Frank for the shared voices and gestures, including sexual ones, she uses the power of suggestion and opium to stimulate a hallucinogenic experience in which he can fight his battles again against the dead Black Jack Randall, this time defending himself and therefore having a different outcome. In taking Jamie back into his own soul-deadening trauma, is this a sort of time travel?

  49. Claire needs healing herself, particularly about her unresolved sense of guilt for having chosen to stay with Jamie rather than Frank. How important in Claire’s own growth is her experience with the Adoration of the Blessed Sacrament, when time seems to have stopped? In your opinion, has Claire committed bigamy? Most readers want Claire to accept the theology Anselm offers her (Chapters 39 and 40), assuring her that she has not sinned, but not every reader agrees—and despite her joy in Jamie’s recovery, she seems somewhat unsure, perhaps because of her lack of formal catechesis in Catholicism. How much of what Father Anselm tells her do you think she actually accepts? How much do you agree with?

  50. Remember that when Claire returned from Craigh na Dun, having chosen to stay with Jamie, she told him that the hot baths nearly won. It seems only fair that they both enjoy the hot baths of the Abbey springs now. It seems a fitting symbol for the cleansing of their psychological wounds, their reconnection sexually, and the promise of new life. What does Claire mean in the last line of the novel?

  Some general questions on the whole book:

  Many readers are drawn to the Outlander novels because of the powerfully appealing character of Jamie. What is it about a character with an 18th c. sensibility that is so attractive to 21st c. readers? Scholar Jessica Matthews suggests that “part of its popularity stems from Diana Gabaldon’s rehabilitation of masculinity after feminism tried its best to declaw it for a generation.” What aspects of masculinity have been “rehabilitated” for us in Jamie?

  The title of this first novel seems prescient, as so many characters in the subsequent volumes are, in so many ways, outsiders too. In what ways is Claire an “outlander”?

  What, in your opinion, was the most moving moment? the most frightening one? the most surprising one? the funniest one? the most erotic one? the most beautifully descriptive passage? the most interesting detail(s) in terms of the novel’s depiction of a different historical era?

  Who was (or were) your favorite secondary characters(s): Frank? Murtagh? Dougal? Colum? Rupert? Alec MacMahon? Mrs. Fitz? Laoghaire? Geillis? someone else?

  The fresh new Outlander cover features these words: “history, warfare, medicine, sex, violence, spirituality, honor, betrayal, vengeance, hope and despair, relationships, the building and destruction of families and societies, time travel, moral ambiguity, swords, horses, herbs, gambling (with cards, dice, and lives), voyages of daring, journeys of both body and soul … you know, the usual stuff of literature …” True, but rarely found within the same covers … Are some of these more important to you, in your opinion, than others? Which ones? Why? Can you and your group come to a consensus on three that stand out? Why or why not?

  I am deeply indebted to many people who have shared their love of and insights into these remarkable books with me over the years, none more than Jessica Matthews of George Mason University.

  DRAGONFLY IN AMBER

  A Delta Book

  PUBLISHING HISTORY

  Delacorte Press hardcover edition published 1992

  Delta trade paperback edition / August 2001

  Published by

  Bantam Dell

  A Division of Random House, Inc.

  New York, New York

  All rights reserved

  Copyright © 1992 by Diana Gabaldon

  Title page art copyright © 1999 by Barbara Schnell

  Library of Congress Catalog Card Number: 92-004904

  No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the publisher, except where permitted by law.

  Delta is a registered trademark of Random House, Inc., and the colophon is a trademark of Random House, Inc.

  Please visit our website at www.bantamdell.com

  eISBN: 978-0-440-33518-4

  v3.0_r4

  Contents

  Master - Table of Contents

  Dragonfly in Amber

  Title Page

  Copyright

  Prologue

  Part One

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Part Two

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Part Three

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Part Four

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Part Five

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Part Six

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Part Seven

  Chapter 47

  Chapter 48

  Chapter 49

  Dedication

  Acknowledgments

  PROLOGUE

  I woke three times in the dark predawn. First in sorrow, then in joy, and at the last, in solitude. The tears of a bone-deep loss woke me slowly, bathing my face like the comforting touch of a damp cloth in soothing hands. I turned my face to the wet pillow and sailed a salty river into the caverns of grief remembered, into the subterranean depths of sleep.

  I came awake then in fierce joy, body arched bowlike in the throes of physical joining, the touch of him fresh on my skin, dying along the paths of my nerves as the ripples of consummation spread from my center. I repelled consciousness, turning again, seeking the sharp, warm smell of a man’s satisfied desire, in the reassuring arms of my lover, sleep.

  The third time I woke alone, beyond the touch of love or grief. The sight of the stones was fresh in my mind. A small circle, standing stones on the crest of a steep green hill. The name of the hill is Craigh na Dun; the fairies’ hill. Some say the hill is enchanted, others say it is cursed. Both are right. But no one knows the function or the purpose of the stones.

  Except me.

  PART ONE

  Through a

  Looking Glass,

  Darkly

  * * *

  Inverness, 1968

  1

  MUSTERING THE ROLL

  Roger Wakefield stood in the center of the room, feeling surrounded. He thought the feeling largely justified, insofar as he was surrounded: by tables covered with bric-a-brac and mementos, by heavy Victorian-style furniture, replete with antimacassars, plush and afghans, by tiny braided rugs that lay on the polished wood, craftily awaiting an opportunity to skid beneath an unsuspecting foot. Surrounded by twelve rooms of furniture and clothing and papers. And the books—my God, the books!

  The study where he stood was lined on three sides by bookshelves, every one crammed past bursting point. Paperback mystery novels lay in bright, tatty piles in front of calf-bound tomes, jammed cheek by jowl with book-club selections, ancient volumes pilfered from extinct libraries, and thousands upon thousands of pamphlets, leaflets, and hand-sewn manuscripts.

  A similar situation prevailed in the rest of the house. Books and papers cluttered every horizontal surface, and every closet groaned and squeaked at the seams. His late adoptive father had lived a long, full life, a good ten years past his biblically allotted threescore and ten. And in eighty-odd years, the Reverend Mr. Reginald Wakefield had never thrown anything away.

  Roger repressed the urge to run out of the front door, leap into his Morris Minor, and head back to Oxford, abandoning the manse and its contents to the mercy of weather and vandals. Be calm, he told himself, inhaling deeply. You can deal with this. The books are the easy part; nothing more than a matter of sorting through them and then calling someone to come and haul them away. Granted, they’ll need a lorry the size of a railcar, but it can be done. Clothes—no problem. Oxfam gets the lot.

  He didn’t know what Oxfam was going to do with a lot of vested black serge suits, circa 1948, but perhaps the deserving poor weren’t all that picky. He began to breathe a little easier. He had taken a month’s leave from the History department at Oxford in order to clear up the Reverend’s affairs. Perhaps that would be enough, after all. In his more depressed moments, it had seemed as though the task might take years.

  He moved toward one of the tables and picked up a small china dish. It was filled with small metal rectangles; lead “gaberlunzies,” badges issued to eighteenth-century beggars by parishes as a sort of license. A collection of stoneware bottles stood by the lamp, a ramshorn snuff mull, banded in silver, next to them. Give them to a museum? he thought dubiously. The house was filled with Jacobite artifacts; the Reverend had been an amateur historian, the eighteenth century his favorite hunting ground.

  His fingers reached involuntarily to caress the surface of the snuff mull, tracing the black lines of the inscriptions—the names and dates of the Deacons and Treasurers of the Incorporation of Tailors of the Canongate, from Edinburgh, 1726. Perhaps he should keep a few of the Reverend’s choicer acquisitions … but then he drew back, shaking his head decidedly. “Nothing doing, cock,” he said aloud, “this way lies madness.” Or at least the incipient life of a pack rat. Get started saving things, and he’d end up keeping the lot, living in this monstrosity of a house, surrounded by generations of rubbish. “Talking to yourself, too,” he muttered.

  The thought of generations of rubbish reminded him of the garage, and he sagged a bit at the knees. The Reverend, who was in fact Roger’s great-uncle, had adopted him at the age of five when his parents had been killed in World War II; his mother in the Blitz, his father out over the dark waters of the Channel. With his usual preservative instincts, the Reverend had kept all of Roger’s parents’ effects, sealed in crates and cartons in the back of the garage. Roger knew for a fact that no one had opened one of those crates in the past twenty years.

  Roger uttered an Old Testament groan at the thought of pawing through his parents’ memorabilia. “Oh, God,” he said aloud. “Anything but that!”

  The remark had not been intended precisely as prayer, but the doorbell pealed as though in answer, making Roger bite his tongue in startlement.

  The door of the manse had a tendency to stick in damp weather, which meant that it was stuck most of the time. Roger freed it with a rending screech, to find a woman on the doorstep.

  “Can I help you?”

  She was middle height and very pretty. He had an overall impression of fine bones and white linen, topped with a wealth of curly brown hair in a sort of half-tamed chignon. And in the middle of it all, the most extraordinary pair of light eyes, just the color of well-aged sherry.

  The eyes swept up from his size-eleven plimsolls to the face a foot above her. The sidelong smile grew wider. “I hate to start right off with a cliché,” she said, “but my, how you have grown, young Roger!”

  Roger felt himself flushing. The woman laughed and extended a hand. “You are Roger, aren’t you? My name’s Claire Randall; I was an old friend of the Reverend’s. But I haven’t seen you since you were five years old.”

  “Er, you said you were a friend of my father’s? Then, you know already.…”

  The smile vanished, replaced by a look of regret.

  “Yes, I was awfully sorry to hear about it. Heart, was it?”

  “Um, yes. Very sudden. I’ve only just come up from Oxford to start dealing with … everything.” He waved vaguely, encompassing the Reverend’s death, the house behind him, and all its contents.

  “From what I recall of your father’s library, that little chore ought to last you ’til next Christmas,” Claire observed.

  “In that case, maybe we shouldn’t be disturbing you,” said a soft American voice.

  “Oh, I forgot,” said Claire, half-turning to the girl who had stood out of sight in the corner of the porch. “Roger Wakefield—my daughter, Brianna.”

  Brianna Randall stepped forward, a shy smile on her face. Roger stared for a moment, then remembered his manners. He stepped back and swung the door open wide, momentarily wondering just when he had last changed his shirt.

  “Not at all, not at all!” he said heartily. “I was just wanting a break. Won’t you come in?”

  He waved the two women down the hall toward the Reverend’s study, noting that as well as being moderately attractive, the daughter was one of the tallest girls he’d ever seen close-to. She had to be easily six feet, he thought, seeing her head even with the top of the hall stand as she passed. He unconsciously straightened himself as he followed, drawing up to his full six feet three. At the last moment, he ducked, to avoid banging his head on the study lintel as he followed the women into the room.

  * * *

  “I’d meant to come before,” said Claire, settling herself deeper in the huge wing chair. The fourth wall of the Reverend’s study was equipped with floor-to-ceiling windows, and the sunlight winked off the pearl clip in her light-brown hair. The curls were beginning to escape from their confinement, and she tucked one absently behind an ear as she talked.

  “I’d arranged to come last year, in fact, and then there was an emergency at the hospital in Boston—I’m a doctor,” she explained, mouth curling a little at the look of surprise Roger hadn’t quite managed to conceal. “But I’m sorry that we didn’t; I would have liked so much to see your father again.”

  Roger rather wondered why they had come now, knowing the Reverend was dead, but it seemed impolite to ask. Instead, he asked, “Enjoying a bit of sightseeing, are you?”

  “Yes, we drove up from London,” Claire answered. She smiled at her daughter. “I wanted Bree to see the country; you wouldn’t think it to hear her talk, but she’s as English as I am, though she’s never lived here.”

  “Really?” Roger glanced at Brianna. She didn’t really look English, he thought; aside from the height, she had thick red hair, worn loose over her shoulders, and strong, sharp-angled bones in her face, with the nose long and straight—maybe a touch too long.

  “I was born in America,” Brianna explained, “but both Mother and Daddy are—were—English.”

  “Were?”

  “My husband died two years ago,” Claire explained. “You knew him, I think—Frank Randall.”

  “Frank Randall! Of course!” Roger smacked himself on the forehead, and felt his cheeks grow hot at Brianna’s giggle. “You’re going to think me a complete fool, but I’ve only just realized who you are.”

  The name explained a lot; Frank Randall had been an eminent historian, and a good friend of the Reverend’s; they had exchanged bits of Jacobite arcana for years, though it was at least ten years since Frank Randall had last visited the manse.

  “So—you’ll be visiting the historical sites near Inverness?” Roger hazarded. “Have you been to Culloden yet?”

  “Not yet,” Brianna answered. “We thought we’d go later this week.” Her answering smile was polite, but nothing more.

  “We’re booked for a trip down Loch Ness this afternoon,” Claire explained. “And perhaps we’ll drive down to Fort William tomorrow, or just poke about in Inverness; the place has grown a lot since I was last here.”

  “When was that?” Roger wondered whether he ought to volunteer his services as tour guide. He really shouldn’t take the time, but the Randalls had been good friends of the Reverend’s. Besides, a car trip to Fort William in company with two attractive women seemed a much more appealing prospect than cleaning out the garage, which was next on his list.

  “Oh, more than twenty years ago. It’s been a long time.” There was an odd note in Claire’s voice that made Roger glance at her, but she met his eyes with a smile.

  “Well,” he ventured, “if there’s anything I can do for you, while you’re in the Highlands …”

 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183