Dial m for meat loaf, p.1
Dial M for Meat Loaf, page 1
part #6 of Sophie Greenway Series

Table of Contents
Title Page
Dedication
Epigraph
Praise
CAST OF CHARACTERS
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Epilogue
Copyright Page
For Claire Lewis and John Schroeder,
two dedicated gourmets. Meat loaf may have passed their lips,
though it is not a topic they would ever discuss in polite society.
It is my fondest wish that they will be instructed,
entertained, and ennobled by this book.
Every saint has a past,
Every sinner a future.
—ANONYMOUS
There are no whole truths; all truths are half-truths. It is trying to treat them as whole truths that plays the devil.
—ALFRED NORTH WHITEHEAD English philosopher (1861-1947)
Praise for Ellen Hart and her Sophie Greenway mysteries
SLICE AND DICE
“Mouth-watering . . . A smorgasbord of devilment.”
—Alfred Hitchcock Mystery Magazine
“The pace quickly bubbles from simmer to boil. . . . The complexity of Hart’s novel is admirable.”
—Publishers Weekly
THIS LITTLE PIGGY WENT TO MURDER
“Strong characters and a rich Lake Superior setting make this solidly constructed mystery hard to put down. Another winner for Ellen Hart!”
—M. D. LAKE
FOR EVERY EVIL
“Another splendid specimen of the classical mystery story, nicely updated and full of interesting and believable characters.”
—The Purloined Letter
Praise for Ellen Hart and her Jane Lawless series
HALLOWED MURDER
“Hart’s crisp, elegant writing and atmosphere [are] reminiscent of the British detective style, but she has a nicer sense of character, confrontation, and sparsely utilized violence . . . . Hallowed Murder is as valuable for its mainstream influences as for its sexual politics.”
—Mystery Scene
VITAL LIES
“This compelling whodunit has the psychological maze of a Barbara Vine mystery and the feel of Agatha Christie. . . . Hart keeps even the most seasoned mystery buff baffled until the end.”
—Publishers Weekly
STAGE FRIGHT
“Hart deftly turns the spotlight on the dusty secrets and shadowy souls of a prominent theater family. The resulting mystery is worthy of a standing ovation.”
—Alfred Hitchcock Mystery Magazine
A KILLING CURE
“A real treat . . . Secret passageways, a coded ledger, a mysterious group known only as the Chamber, experimental drugs, blackmail, sexual assault, betrayal: all the ingredients of a good whodunit.”
—Lambda Book Report
A SMALL SACRIFICE
“A smart and shocking thriller.”
—The Minnesota Daily
FAINT PRAISE
“Packed with mystery and scheming characters, Faint Praise is one of the year’s best. It’s no wonder Ellen Hart is everyone’s favorite author.”
—R. D. ZIMMERMAN
CAST OF CHARACTERS
SOPHIE GREENWAY: Owner of the historic Maxfield Plaza Hotel in downtown St. Paul. Restaurant reviewer for the Times Register in Minneapolis. Wife of Bram. Mother of Rudy.
BRAM BALDRIC: Radio talk show host: The Bram Baldric Show, on WTWN in the Twin Cities. Husband of Sophie.
JOHN WASHBURN: Ex-mayor of Rose Hill. Husband of Mary. Father of Bernice and Plato.
MILTON WASHBURN: Brother of John. Uncle of Bernice and Plato.
MARY WASHBURN: Retired grade school teacher. Wife of John. Mother of Bernice and Plato.
BERNICE WASHBURN: Food editor at the Times Register in Minneapolis. Daughter of Mary and John. Sister of Plato.
PLATO WASHBURN: Owner of the Rose Hill Gazette. Son of John and Mary. Brother of Bernice.
KIRBY RUNBECK: Handyman. Husband of Cora.
CORA RUNBECK: Housewife. Wife of Kirby.
ANGELO FALZONE: Bernice’s friend from New York.
Leavenworth, Kansas
June 22, 2000
J. D.—
I’m the last person you expected to hear from, right? What’s it been? Ten years? I figured the rest of my buddies on the outside would forget I existed, but not you. We got history, pal. But then, I suppose if you tried to find me, maybe you struck out.
I was transferred from Jeff City three years ago. I’m in Leavenworth now. Can you believe it? Man, I remember hearing about this place when we were kids. Never thought I’d end up here. I’ve made some bad moves in my life, J. D. Very bad. You probably haven’t heard, but I knifed a guy at Jeff City. It was self-defense, but how the hell was I supposed to prove it? I’ll never be any-body’s punk. That’s why I had to carry. After the guy died, I was transferred here. There’s no chance of parole now. Two murders on my ticket and the only way I’ll get out of here is in a coffin. So, I guess I’ve had to do some rethinking about my life. Truth is, I’ve come to some pretty amazing conclusions.
The worst mistake I ever made—other than killing two unarmed men—was getting you involved in my crazy schemes. You were like a brother to me, man. I’m afraid I sent you down the wrong road and I’m sorry. I know I’ve never said it before, but I admit that what happened to us back when we were nineteen was mostly my fault. I’m glad you never got in trouble. You felt guilty about the way it worked out and you shouldn’t have. Hey, we’re both old men now. We got to live and let live. I wouldn’t be writing except, well, I kind of got saved. It happened just before I left Jeff City, and I’m glad it did. See, I spent a lot of time talking to this one guy, another lifer, and he helped me see some stuff differently.
Don’t laugh. I figure I’m going to meet my maker soon and I better get right with Him before I die. I’m truly sorry for the crap I’ve pulled, especially how I hurt you. That’s why I’m sending you back some of the letters you wrote me over the years. I kept most of them, but some got lost. I wondered a lot about the kind of life you were leading on the outside. Now I’m not wondering anymore. I’m scared for you, J. D. I’ve done some bad things, but so have you. I never wanted to believe ill of you, man, but—all I can say is, read the letters and then get down on your knees and plead with the Good Lord to forgive you! You got to do it! You’ve been as twisted and sick as me. But the trick is, you got to be really sorry. Are you sorry, J. D.? God help you if you’re not.
Your friend,
Gilbert Struthers
1
Rose Hill, Minnesota
“How could you do something so . . . so hideous!” declared Cora Runbeck as she stood in her kitchen, gazing at the walls. She was utterly amazed. No, not just amazed more like dumbfounded. Tugging angrily at her apron, she whirled around and nailed her husband with her eyes. “It’s egg yolk, Kirby! How could you paint our kitchen walls egg yolk?”
Kirby, who had just come in with the afternoon mail, muttered something inaudible as he sat down at the kitchen table.
“For Pete’s sake, speak up. You know I can’t stand it when you mumble.”
“I said the color’s called Golden Sunrise. I like it. And you did, too. Before the damn cataract surgery,” he added as he swiped a hand across his mouth.
Cora adjusted her hearing aid, then peered down at him with her hands on her hips. “Land sakes, Kirby Runbeck. When I get my left eye done, what other horrors am I going to discover around this place?”
“A body in the freezer,” he said, snickering. He opened the water bill.
“What?”
“Just chill, Cora.”
“Don’t use that kind of language around me. This isn’t NYPD Blue.”
He rolled his eyes. “Do I get some lunch, or what? Maybe I should take my truck and go visit Mabel Bjornstaad. She’s always more than happy to see me.”
“You just do that, you old goat. Maybe you’ll have a surprise waiting for you when you get home.”
Cora was a no-nonsense kind of woman. Norwegian to the core. She’d grown up on a farm near Le Suer. By the time she was ten, she’d been baking the family bread, feeding chickens, milking cows, washing clothes, taking care of her three younger siblings, and nursing an ailing mother. That was the late thirties and times were tough. She understood work and she understood responsibility.
Kirby, on the other hand, was a lazy man. Always had been. And he was cheap. He probably got the paint on sale. Or
As she busied herself making a pot of coffee, she heard Kirby mutter again. When she turned around, she saw that he was standing now, his hands squeezing the back of the chair. “What did you say?”
He cleared his throat. “I said, I want a divorce.”
She blinked. And then blinked again. “A what?”
“You heard me. I need passion in my life, Cora.”
She turned her hearing aid up to high. “For God’s sake, man, you’re seventy-five years old.”
“So?”
For the first time in years, she was speechless.
“I don’t love you anymore. You can keep the house and the Chevy. I’ll give you enough money to make sure you’re comfortable. I just want my clothes and my truck. Oh, and my tools. You got no use for those.”
“Kirby, what are you saying? You don’t love me?”
“I’m not changing my mind.”
For the second time this morning, she was dumb-struck.
The coffeemaker began to gurgle and groan, adding a kind of vulgar background music to the marital trauma. Kirby glared at it. “I’m goin’ down to the Prairie Lights Cafe to buy me a meat loaf sandwich. When I get back, I’m gonna pack my stuff. I don’t want no scenes, Cora. Before I get old, I want to enjoy life a little. Kick up my heels.”
“But Kirby—”
He held up a hand to silence her. Without another word, he turned and pushed through the screen door. His truck was parked under the carport next to the garage.
Cora closed her mouth. She turned to stare blankly at the flour canister on the kitchen counter. Her hearing aid was nothing but static this morning, so she turned it off. Divorce? The word flopped around inside her head like a wet sock in a dryer. Nobody in her family had ever been divorced before. The embarrassment would kill her. She’d never be able to show her face in Rose Hill again. She even suspected she might miss Kirby. After all these years, they were just a habit, but a habit was hard to break. And she did love him, in her own way, didn’t she?
Suddenly, Cora heard a thunderous roar. The floor rumbled so ominously beneath her pink terrycloth slippers that she had to grab hold of the counter to keep from falling backward. When the rumbling finally stopped, she rushed out to the back porch. There, where the carport used to be, was a huge smoking hole. The truck was gone. So was the garage. And so was Kirby.
Rose Hill Man Dies in Bombing
Kirby Runbeck, age 75, died yesterday at his home on the outskirts of Rose Hill, the result of a mysterious bombing.
According to the local sheriff’s department, Mr. Runbeck had just left his house to drive into town when his wife heard a loud explosion. Authorities are still piecing together the facts, but preliminary evidence suggests that the ignition on Mr. Runbeck’s Ford truck had been wired with an explosive. When questioned later, the police had no comment about a motive for the murder.
In a statement given by Runbeck’s wife, Cora Runbeck said that her husband had been acting strangely yesterday morning. Pressed to give more details, all Mrs. Runbeck would say was, “Kirby once told me he loved his Ford Bronco so much he wanted to be buried in it. I guess he got his wish.”
Rose Hill Gazette
August 10
John Washburn, Beloved Ex-Mayor, Suffers Stroke
Late yesterday evening, John Washburn, age 67, a resident of Rose Hill for the past forty-five years and mayor of the town for four years, suffered a massive stroke while having dinner at his home. Mr. Washburn ran for mayor of Rose Hill after retiring from his position as district manager of Midwest Optical. Before being promoted to that position, Mr. Washburn was a salesman for the company. His wife, Mary, brother Milton, and his two children, Plato and Bernice, are by his side at St. Matthew’s Medical Center. No further word is available at this time on his condition.
Rose Hill Gazette
August 11
2
One Week Later
“For those of you who’ve just tuned in,” said Bram Baldric, adjusting the mic a little closer to his mouth, “we’re talking food in our final hour today with two home grown experts. First we have the talented, beautiful, and always opinionated Sophie Greenway, the new restaurant review editor at the Times Register—otherwise known around the house as my wife.”
Sophie grinned at her husband, and said, “Always a pleasure, dear.” This was the first time Bram had invited her to be on his afternoon radio show since she’d taken on the top reviewer spot at the paper. She knew all his food peccadilloes, so the hour was destined to become a classic.
“And our second guest is Bernice Washburn, author of the forthcoming All That Glitters, a study of cafe society in America. Bernice is also the food editor at the Times Register.” Bram nodded to her.
“I’m delighted to be here,” said Bernice, her tentative voice betraying her nervousness.
Sophie gave Bernice’s hand a reassuring squeeze. They’d both worked at the newspaper for many years, Bernice as a full-time employee. Up until recently, Sophie wrote an occasional restaurant review, but she was just a guest columnist. She couldn’t exactly say that she and Bernice were close friends. It was more of the work-related variety. Still, she respected Bernice enormously. Bernice had also written six books on various food-related topics. While she was a fascinating thinker and writer, she tended to grow a bit formal and pedantic when talking to a group, which only cemented her dislike of public speaking. Radio interviews terrified her. She would never have agreed to come on the show today if Sophie hadn’t promised to be part of the ordeal.
Bram glanced at the clock on the wall. “So, before we start talking about cafe society and the denizens of that particular deep, tell me, ladies, what’s new out there in foodie-land? What are gourmets eating today? What’s ‘in’? Trendy? Cutting edge?”
Sophie could see Bernice struggling to form an answer, so she jumped right in. “Believe it or not, meat loaf.”
“You’re joking.”
“It’s all the rage,” said Sophie. “Come on, fess up, honey. Isn’t it secretly one of your favorite foods?”
“Well . . . okay. I suppose. If it’s made to my exacting standards.”
“See. And you’re a man of taste and refinement.”
Bram tugged at the knot in his silk tie. “Not to mention boyish and sexy.”
Bernice gave a little cough, signaling that she wanted to speak. “It may sound silly, but Sophie’s correct. So many of our food choices today, especially for baby boomers like the three of us, are based on nostalgia. I’m currently doing research for a new book about that very subject. Boomers have an incredible ambivalence about appetite, about bounty. We are the wealthiest, most educated, most powerful, plugged-in, well-fed, sheltered, and pampered generation in history, and we’re always hungry. In fact, I believe that hunger and loneliness define us in some basic way. There’s no better place to see that reflected than in our uneasy relationship with food. One minute it’s our friend, it’s going to help us live forever; the next minute it’s a drug, getting us through the day. And finally, it’s the enemy. Food is going to kill us. Even with all the abundance surrounding us in this country, our nutritional intake is woefully deficient. Why? Because we try to combine minimal meals with excess—the rich dessert followed by days of lunching on nothing but a Diet Coke and a cigarette. Excess is the fashion in all age groups—either excessive indulgence or an excess of denial.”
“Where does meat loaf fit in to all that?” asked Bram, scratching his chest through his Egyptian-cotton shirt.
“A perfect example of boomer food,” Bernice continued. “It’s where nostalgia and culinary evolution meet. More than any other country in the world, Americans are constantly reinventing what they eat. Old ideas are given a modern twist. Perhaps nothing reflects our fragmented, multicultural, contradictory, patchwork society more than the simple meat loaf. Instead of the more traditional beef, or beef, pork, and veal, it’s often made today with lean ground turkey, lentils, tofu, spiced Mexican or Oriental, Greek or Italian, or a million other ways. Meat loaf is such an old standard, such an integral part of the American culinary psyche, that we can’t leave it alone. Each generation tinkers with it, while at the same time demanding that someone, somewhere, cook it just the way mom used to make.”



