Orchards, p.9
Orchards, page 9
as it turns out
in Lisa’s pocket
was a printout
of an email
from Jake
who wrote
we can’t hate ourselves
just find a way to make this
turn you into someone
better than you were
that’s what we all have to do
that’s all we can do
I translate this to Baachan
who squeezes her eyes shut
shakes her head
mournful, slow
and uses that handkerchief
that’s always tucked and ready
in her front
apron pocket
Newton’s third law
of reciprocal action
says
for every action there is an equal
and opposite
reaction
that all forces are interactions
all forces come in pairs
Physics and You
spells it out
says
if body A exerts a force
on body B
then body B will exert a force
of the same magnitude
on body A
push and pull
I think
maybe this
is what happened
with Lisa
and you, Ruth—
body A
and body B
After two and a half days
Baachan tells me to get up
and shower
and then come help
in the kitchen
start your body moving she says
your mind will follow
Yurie has left for work
Aunt, Uncle and Koichi are in the groves
they’ve all eaten
Baachan’s washing up
I sit at the table alone
I eat rice, miso soup
then Baachan and I
go for a walk
up to the temple
before the heat starts
before the cicadas
are deafening
when there is still
coolness to be found
in shade
we trudge uphill
Baachan pausing often
to wipe her brow and neck
with her handkerchief
as we climb higher
beyond the temple
up terraces
of stone monuments
we bow before the Mano grave
Baachan standing in prayer
long after I have opened my eyes
to stare at family names
at the temple
closed and quiet
we ascend stone steps
and sit down
on the weathered boards
of the veranda
under the deep eave
facing the bay
and faint gray hint
of Mount Fuji
suicide can spread
Baachan finally says
utsuru she adds
like a virus
you have to stop it
put up barriers
I rock back and forth
exhale
ask
do you think it was a mistake—
the letter to Jake
the email from Jake
to Lisa?
a hot wind gusts
behind us
from the south
curling over the mountaintop
brushing tree canopies
and rolling down the slopes
to breathe on us like dragon fire
there
on the veranda
no she says
what I think was a mistake
was sending a girl
of fourteen away
to a different state
to live in a dormitory
by herself
during a summer like this
meaning a summer
after what you did
with the rope
in Osgoods’ orchard
I say to Baachan
but I was sent away, too
to another country
far from home
and Baachan looks at me
like I’m truly twisted
says
far from home?
what are you saying?
you came home, Kana-chan,
you came home to family
That afternoon
I start work again
in the groves
thinning
and solving problems
with Koichi
in the mountain air
above the bay
and some mikan
in the lowest groves
are just turning color
the stubborn green
finally going yellow
we take a day off
during my last week
all six of us
and drive the van
up the Shonan coast
to Kamakura
to visit the
Big Buddha
where I light incense
and for once
know what to say
when I pray
which is for you
and Lisa both
to find peace
then two days before
my flight home
there is a surprise
a farewell dinner
for me
at Asuka’s house
sliding doors have been removed
in several rooms
to make a long hall
for two rows
of low tables
with men down the farthest ends
and women toward the entrance
sitting and rising and going
back and forth and
in and out of the kitchen
there are heaps of food
and bottles of drinks
brought by cousins
and second cousins
and aunts and uncles
and people from the village
and a few from beyond
and Asuka and Rika and Ai
and even a few girls
from my class at the
middle school
everyone spilling out into
side rooms
the entryway
the driveway even
on cue from Yurie
I take bottles
of beer and sake and
oolong tea and juice
and go from person to person
pouring into their glasses
speaking my thanks
bowing
smiling
chatting
whether I remember
who
they are
or not
and they start to talk
about my mother
and my father
and someone says that
it is time for them
to visit
and someone else says
that a party with them
would be good
but I mention that
with my mother’s business
winter is better
since it’s difficult
for her to leave in summer
and suddenly they ask
if I will be back
next summer
the room goes quiet
I hadn’t thought
about that
I look toward Uncle then
because I know that such respect
is what’s expected
and I look at Aunt
and Baachan
and Koichi
and Yurie
and they, too
are waiting
I bow
and say
if they will have me
then add
and if they will have Emi, too
some handkerchiefs come out
and there are cheers
and Asuka and Rika and Ai rush
to pour more drinks
and then the men
joke that Uncle’s fall harvest
will be bigger next year
with all that extra summer help
that they will have to work hard
to keep up and will have to see
what relatives they can get
to come help, too
Then I’m back
in New York
in my room with Emi
talking about the groves
and missing the scent
of mikan on my hands
wishing I could have stayed
a few more weeks
for the start of the fall harvest
just to see those mountain slopes
with row after terraced row of trees
with mikan all turned orange
the day after I arrive
I go see Jake
riding my bike up
the hill you climbed
alone that night
his mom hugs me
in the driveway
then shakes her head
and gives me a deep look
and I know
he’s been having a hard time
he and I
sit on wicker chairs
on their porch
but neither of us
speaks
can we walk? I finally ask
he nods
and we go down the steps
after we’ve walked
away from their house
along the road that continues uphill
and that has hardly any traffic
ever
I stop on the rough edge of the asphalt
turn to him and am about to say
that I’m sorry and more
but Jake warns
don’t
he glares then looks off, way off
to where the road dips
and beyond where a hill rises
to a wooded dome
he eyes me
his look hard, steely
then softer
pained
can I ask a favor? I finally ask
he waits, suspicious
and I almost don’t ask
but I do
the tree …
can I see it?
he seems to inflate with anger
and I think he’s going to send me away
as he exhales and inhales
like a squall
I wait
for the weather in his eyes
to shift
when it finally does
he leads me back down the road
up their driveway
behind their house
and into the orchard
we walk down
the central rutted road
ahead of me Jake
dragging his feet
kicking up dust
when he turns left into a row
I pause
follow again
and stop when he stops
at the third tree
he exhales
then raises his arm
and points upward
I follow with my eyes
and can’t help
but cry out
because somehow, Ruth,
I’d pictured
a branch still
spring-bare
and nearly empty
but the branch
Jake points to
is full
heavy
drooping with
the most stunning
abundance
of ripe apples
Jake and I sit down beneath
that abundance and
for a long time we don’t talk
when I do finally speak
I tell Jake that
later this month
we will visit
our cousins for Rosh Hashanah
and join the Tashlich walk
along the river
as we do each year
to focus on the past year
casting crumbs of bread
symbolizing our sins, our mistakes
into the water
and I say I will have to cast a whole
loaf of bread
or several
to equal enough crumbs
for all my mistakes
this past year
he nods
then says
I’d need a loaf, too
no, I say
not you
there’s just one important crumb
you need to cast
which one’s that? he asks
and I say
the one for blaming yourself
Two days later is
the memorial service
for Lisa, delayed so all of us
who’ve been away can attend
and where your mother
gives a moving speech to us all
has us hold hands, Ruth,
until everyone in the chapel
is connected
in one big
tangled chain
she begs us
each link
in that community chain
to make a pact to do
what you can’t do
what Lisa can’t do
anymore—
which is
live
then when she speaks of her idea to create
a memorial among some trees
in a section of orchard
that Jake’s family has offered to
donate
I start
thinking
seeing
sketching
in my head
as the service goes on
tearful speeches one after another
tributes to Lisa
pleas to us all
it is like
I am drawing in the dirt
in the mikan groves
with Koichi
later I tell
Emi
my mother
my father
and they tell me to draw
in earnest
and take me to an art store
for supplies
and then I do a difficult thing
which is to call
your mother
to tell her
my idea
she invites me to come
to your house the next week
after school
and there
in your dining room
your dogs checking me out
I unroll and show her
my plan
which is
for a path
of flat stones
that meanders
through the orchard
one stone to represent
each of us former
eighth-grade girls
stones leading to a gazebo
with benches for
sitting
talking
watching the trees
the rhythm of the year
in sap, leaves, buds, fruit
the cycle of growth and rest
growth and rest
I tell her that
every year when the
apples are in blossom
we’ll gather
decorate the gazebo
with new greens
bring you and Lisa
your favorite foods
and light small welcome fires
for you both
to join us
and maybe we’ll sing
or play some music
maybe we’ll dance
or at least walk
around the gazebo
and maybe we’ll picnic
in the orchard
or maybe not
but definitely we’ll share
our hopes
dreams
goals
all the ways we promise
to survive
another year
without you both
your mother
nods
and starts to move her mouth
but then she furrows her brow
and says
just one thing—
can you make
those stepping stones enough
for all the eighth-grade girls
and boys?
I say
of course
not knowing why
I didn’t think of that myself
then I wait
as your mother studies my drawings
leans over them
runs her fingers over my
careful pen lines and letters
and underneath
the dogs sigh and
settle down
at my feet
she sits up straight
breathes in deep
with effort it seems
yes
she finally says
she would be pleased
if I shared the plan with
Jake and his family
and if they approve
and your father and brother approve
and if Lisa’s godparents approve
she would be especially pleased
if I made the design
and built the memorial
with everyone’s help
as I leave your house
to bike home
in Lisa’s pocket
was a printout
of an email
from Jake
who wrote
we can’t hate ourselves
just find a way to make this
turn you into someone
better than you were
that’s what we all have to do
that’s all we can do
I translate this to Baachan
who squeezes her eyes shut
shakes her head
mournful, slow
and uses that handkerchief
that’s always tucked and ready
in her front
apron pocket
Newton’s third law
of reciprocal action
says
for every action there is an equal
and opposite
reaction
that all forces are interactions
all forces come in pairs
Physics and You
spells it out
says
if body A exerts a force
on body B
then body B will exert a force
of the same magnitude
on body A
push and pull
I think
maybe this
is what happened
with Lisa
and you, Ruth—
body A
and body B
After two and a half days
Baachan tells me to get up
and shower
and then come help
in the kitchen
start your body moving she says
your mind will follow
Yurie has left for work
Aunt, Uncle and Koichi are in the groves
they’ve all eaten
Baachan’s washing up
I sit at the table alone
I eat rice, miso soup
then Baachan and I
go for a walk
up to the temple
before the heat starts
before the cicadas
are deafening
when there is still
coolness to be found
in shade
we trudge uphill
Baachan pausing often
to wipe her brow and neck
with her handkerchief
as we climb higher
beyond the temple
up terraces
of stone monuments
we bow before the Mano grave
Baachan standing in prayer
long after I have opened my eyes
to stare at family names
at the temple
closed and quiet
we ascend stone steps
and sit down
on the weathered boards
of the veranda
under the deep eave
facing the bay
and faint gray hint
of Mount Fuji
suicide can spread
Baachan finally says
utsuru she adds
like a virus
you have to stop it
put up barriers
I rock back and forth
exhale
ask
do you think it was a mistake—
the letter to Jake
the email from Jake
to Lisa?
a hot wind gusts
behind us
from the south
curling over the mountaintop
brushing tree canopies
and rolling down the slopes
to breathe on us like dragon fire
there
on the veranda
no she says
what I think was a mistake
was sending a girl
of fourteen away
to a different state
to live in a dormitory
by herself
during a summer like this
meaning a summer
after what you did
with the rope
in Osgoods’ orchard
I say to Baachan
but I was sent away, too
to another country
far from home
and Baachan looks at me
like I’m truly twisted
says
far from home?
what are you saying?
you came home, Kana-chan,
you came home to family
That afternoon
I start work again
in the groves
thinning
and solving problems
with Koichi
in the mountain air
above the bay
and some mikan
in the lowest groves
are just turning color
the stubborn green
finally going yellow
we take a day off
during my last week
all six of us
and drive the van
up the Shonan coast
to Kamakura
to visit the
Big Buddha
where I light incense
and for once
know what to say
when I pray
which is for you
and Lisa both
to find peace
then two days before
my flight home
there is a surprise
a farewell dinner
for me
at Asuka’s house
sliding doors have been removed
in several rooms
to make a long hall
for two rows
of low tables
with men down the farthest ends
and women toward the entrance
sitting and rising and going
back and forth and
in and out of the kitchen
there are heaps of food
and bottles of drinks
brought by cousins
and second cousins
and aunts and uncles
and people from the village
and a few from beyond
and Asuka and Rika and Ai
and even a few girls
from my class at the
middle school
everyone spilling out into
side rooms
the entryway
the driveway even
on cue from Yurie
I take bottles
of beer and sake and
oolong tea and juice
and go from person to person
pouring into their glasses
speaking my thanks
bowing
smiling
chatting
whether I remember
who
they are
or not
and they start to talk
about my mother
and my father
and someone says that
it is time for them
to visit
and someone else says
that a party with them
would be good
but I mention that
with my mother’s business
winter is better
since it’s difficult
for her to leave in summer
and suddenly they ask
if I will be back
next summer
the room goes quiet
I hadn’t thought
about that
I look toward Uncle then
because I know that such respect
is what’s expected
and I look at Aunt
and Baachan
and Koichi
and Yurie
and they, too
are waiting
I bow
and say
if they will have me
then add
and if they will have Emi, too
some handkerchiefs come out
and there are cheers
and Asuka and Rika and Ai rush
to pour more drinks
and then the men
joke that Uncle’s fall harvest
will be bigger next year
with all that extra summer help
that they will have to work hard
to keep up and will have to see
what relatives they can get
to come help, too
Then I’m back
in New York
in my room with Emi
talking about the groves
and missing the scent
of mikan on my hands
wishing I could have stayed
a few more weeks
for the start of the fall harvest
just to see those mountain slopes
with row after terraced row of trees
with mikan all turned orange
the day after I arrive
I go see Jake
riding my bike up
the hill you climbed
alone that night
his mom hugs me
in the driveway
then shakes her head
and gives me a deep look
and I know
he’s been having a hard time
he and I
sit on wicker chairs
on their porch
but neither of us
speaks
can we walk? I finally ask
he nods
and we go down the steps
after we’ve walked
away from their house
along the road that continues uphill
and that has hardly any traffic
ever
I stop on the rough edge of the asphalt
turn to him and am about to say
that I’m sorry and more
but Jake warns
don’t
he glares then looks off, way off
to where the road dips
and beyond where a hill rises
to a wooded dome
he eyes me
his look hard, steely
then softer
pained
can I ask a favor? I finally ask
he waits, suspicious
and I almost don’t ask
but I do
the tree …
can I see it?
he seems to inflate with anger
and I think he’s going to send me away
as he exhales and inhales
like a squall
I wait
for the weather in his eyes
to shift
when it finally does
he leads me back down the road
up their driveway
behind their house
and into the orchard
we walk down
the central rutted road
ahead of me Jake
dragging his feet
kicking up dust
when he turns left into a row
I pause
follow again
and stop when he stops
at the third tree
he exhales
then raises his arm
and points upward
I follow with my eyes
and can’t help
but cry out
because somehow, Ruth,
I’d pictured
a branch still
spring-bare
and nearly empty
but the branch
Jake points to
is full
heavy
drooping with
the most stunning
abundance
of ripe apples
Jake and I sit down beneath
that abundance and
for a long time we don’t talk
when I do finally speak
I tell Jake that
later this month
we will visit
our cousins for Rosh Hashanah
and join the Tashlich walk
along the river
as we do each year
to focus on the past year
casting crumbs of bread
symbolizing our sins, our mistakes
into the water
and I say I will have to cast a whole
loaf of bread
or several
to equal enough crumbs
for all my mistakes
this past year
he nods
then says
I’d need a loaf, too
no, I say
not you
there’s just one important crumb
you need to cast
which one’s that? he asks
and I say
the one for blaming yourself
Two days later is
the memorial service
for Lisa, delayed so all of us
who’ve been away can attend
and where your mother
gives a moving speech to us all
has us hold hands, Ruth,
until everyone in the chapel
is connected
in one big
tangled chain
she begs us
each link
in that community chain
to make a pact to do
what you can’t do
what Lisa can’t do
anymore—
which is
live
then when she speaks of her idea to create
a memorial among some trees
in a section of orchard
that Jake’s family has offered to
donate
I start
thinking
seeing
sketching
in my head
as the service goes on
tearful speeches one after another
tributes to Lisa
pleas to us all
it is like
I am drawing in the dirt
in the mikan groves
with Koichi
later I tell
Emi
my mother
my father
and they tell me to draw
in earnest
and take me to an art store
for supplies
and then I do a difficult thing
which is to call
your mother
to tell her
my idea
she invites me to come
to your house the next week
after school
and there
in your dining room
your dogs checking me out
I unroll and show her
my plan
which is
for a path
of flat stones
that meanders
through the orchard
one stone to represent
each of us former
eighth-grade girls
stones leading to a gazebo
with benches for
sitting
talking
watching the trees
the rhythm of the year
in sap, leaves, buds, fruit
the cycle of growth and rest
growth and rest
I tell her that
every year when the
apples are in blossom
we’ll gather
decorate the gazebo
with new greens
bring you and Lisa
your favorite foods
and light small welcome fires
for you both
to join us
and maybe we’ll sing
or play some music
maybe we’ll dance
or at least walk
around the gazebo
and maybe we’ll picnic
in the orchard
or maybe not
but definitely we’ll share
our hopes
dreams
goals
all the ways we promise
to survive
another year
without you both
your mother
nods
and starts to move her mouth
but then she furrows her brow
and says
just one thing—
can you make
those stepping stones enough
for all the eighth-grade girls
and boys?
I say
of course
not knowing why
I didn’t think of that myself
then I wait
as your mother studies my drawings
leans over them
runs her fingers over my
careful pen lines and letters
and underneath
the dogs sigh and
settle down
at my feet
she sits up straight
breathes in deep
with effort it seems
yes
she finally says
she would be pleased
if I shared the plan with
Jake and his family
and if they approve
and your father and brother approve
and if Lisa’s godparents approve
she would be especially pleased
if I made the design
and built the memorial
with everyone’s help
as I leave your house
to bike home



