No one does it like you, p.1
No One Does It Like You, page 1
Praise for
Bear with Me Now
“A funny, poignant, romantic exploration of mental health and of the way love can help us heal. Katie Shepard has a unique talent for mixing gentle humor, weighty topics, and swoony moments. You will fall in love with Darcy and Teagan on page one, and you will laugh and cry and cheer as they discover themselves and each other. A perfect, dazzling debut, and the start of my new favorite series! (And let’s not forget the bear, the wolves, and all the otters….)”
—Ali Hazelwood, #1 New York Times bestselling author of Not in Love
“I didn’t even have to play dead, because this book already killed me. Shepard’s nuanced wit and vibrant prose sparkle off the page. Readers will go wild for this sexy and heartfelt romance between two unforgettable characters as they help each other make it out of the woods of life.”
—Thea Guanzon, New York Times bestselling author of The Hurricane Wars
“Angsty, swoony, sharply written, and full of heart, Bear with Me Now is a deeply compassionate romance about finding love in the midst of profound struggles and vulnerabilities [and] discovering the gift of entrusting all of yourself to a worthy someone to love and be loved by in return.”
—Chloe Liese, USA Today bestselling author of Only and Forever
Praise for
Sweeten the Deal
“Katie Shepard’s writing is the perfect mix of gut-punching emotion, wit, vulnerability, and smut! Her sophomore effort is a delightfully sexy twist on the sugar-daddy trope, perfect for fans of The Kiss Quotient and opposites-attract books. A delicious, satisfying treat!”
—Ali Hazelwood, #1 New York Times bestselling author of Not in Love
“I lived inside this book…. I could not get enough of it. Shepard’s Sweeten the Deal shows how money can complicate everything—yes, even love—but the best things in life remain free.”
—Alicia Thompson, USA Today bestselling author of Love in the Time of Serial Killers
“Devastatingly tender and utterly sexy, Sweeten the Deal is a refreshingly unique romance about two flawed people finding love in the most unlikely of circumstances. Shepard plays with classic tropes in [a] new way that brings freshness and excitement to a stunning love story that had me turning the pages way past my bedtime to see what would happen next.”
—Mazey Eddings, author of Late Bloomer
“A tender, smart, and dazzling book featuring complex characters and a delicious slow burn of a love affair…. Katie Shepard’s writing is rich with humor, compassion, and grace, and it’s a pleasure to read anything she writes.”
—Sarah Hawley, author of A Werewolf’s Guide to Seducing a Vampire
“Readers will have no trouble rooting for this unexpected pair.”
—Publishers Weekly
“Fans of Helen Hoang’s The Kiss Quotient will be charmed by neurodivergent Caroline and worldly, handsome Adrian in Shepard’s latest.”
—Library Journal
“Laugh-out-loud charm and swoon-worthy moments abound in this sweet tale.”
—Woman’s World
Berkley titles by Katie Shepard
NO ONE DOES IT LIKE YOU
SWEETEN THE DEAL
BEAR WITH ME NOW
BERKLEY ROMANCE
Published by Berkley
An imprint of Penguin Random House LLC
penguinrandomhouse.com
Copyright © 2024 by Katie Shepard
Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.
BERKLEY and the BERKLEY & B colophon are registered trademarks of Penguin Random House LLC.
Library of Congress Cataloging-in-Publication Data
Names: Shepard, Katie, author.
Title: No one does it like you / Katie Shepard.
Description: New York: Berkley Romance, 2024.
Identifiers: LCCN 2023059759 (print) | LCCN 2023059760 (ebook) | ISBN 9780593549339 (trade paperback) | ISBN 9780593549346 (ebook)
Subjects: LCGFT: Romance fiction. | Novels.
Classification: LCC PS3619.H45425 N6 2024 (print) | LCC PS3619.H45425 (ebook) | DDC 813/.6—dc23/eng/20240116
LC record available at https://lccn.loc.gov/2023059759
LC ebook record available at https://lccn.loc.gov/2023059760
Ebook ISBN 9780593549346
Cover design and illustration by Vi-An Nguyen
Interior design adapted for ebook by Molly Jeszke
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
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CONTENTS
Dedication
Epigraph
Author's Note
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Acknowledgments
About the Author
_148115424_
For Jeeno, Rebecca, and Celia, my beloved fellow travelers
You were the perfection of my life
And I couldn’t have you. That is, I didn’t.
—Kenneth Koch, “To Marina,” On the Great Atlantic Rainway: Selected Poems 1950–1988
We are never, ever, ever getting back together.
—Taylor Swift, “We Are Never Ever Getting Back Together”
AUTHOR’S NOTE
This book deals with emotionally difficult topics, including pregnancy, fertility treatment, serious illness of an elderly relative, ableism and ableist language, alcohol use, misogyny, homophobia, explicit and graphic sexual content, and vulgar language. Any readers who believe that such content may upset them or trigger traumatic memories are encouraged to consider their emotional well-being when deciding whether to continue reading this book.
PROLOGUE
October
Long Island
Rosie would have been delighted with the Southampton house party, Tom mused, leaning against the twin bolsters of his seat belt and the cold windowpane. He had the romantic idea that drinking made him maudlin, and he seized that excuse to wallow in thoughts of her. Rosie loved corny shit like lawn games and Cards Against Humanity. She’d loved going with him to cast parties. She would have liked the big spread of imported cheeses and fancy pickles they’d eaten, and she would have been thrilled to be introduced to so many interesting theater people at the seated dinners, and she wouldn’t have told Tom to sit down and be quiet for the whole drive back, because she liked car games too.
More importantly, she would have made sure they left yesterday afternoon, before traffic got bad, and certainly before the hurricane arrived. But of course Rosie wasn’t there, which was why things were going to hell.
Three hours into their evacuation, with the road west jammed with cars and the first bands of torrential rain already tossing the branches of trees to the ground, Tom started getting worried. He’d sobered up into regrets, for both the delay in leaving and his own drinking. He was from Florida. He knew better. He would never have messed around with a Category 3 hurricane on purpose, but he hadn’t expected one on Long Island in late October, and neither had anyone else in the cast of the play whose run they’d just finished celebrating.
The car came to a sudden halt. The rain was falling so thick and heavy that Tom could barely see out the passenger window of the back seat, where he was crowded with two other members of the cast. The windshield was little better, even with the wipers on their maximum setting, so Tom saw only the brake lights of the car in front of them illuminating the gray dark.
“Shit,” said Ximena, the production’s female lead and the car’s driver. “Road’s flooded ahead.”
She rubbed her stomach nervously. Tom knew that Ximena was a couple months pregnant, a fact that had presumably not come as a surprise to her or her wife, but which she was not widely announcing. Even if her father-in-law was one of the producers, she had to wait like everyone else for her role to be secured in the forthcoming Broadway transfer.
Tom craned his head to look over the dashboard. The car in
front of them, a plucky little Kia Sorento rented by the show’s marquee actor, was stopped just in front of a rapidly moving brown stream where runoff from an overpass was flowing across the street and down the embankment to their left.
As he watched, the brake lights faded when Boyd put the car into park. There was no getting past the runoff, even for Boyd Kellagher.
Tom had been pleasantly surprised to land a big featured role in a well-funded Off Broadway debut even after he learned that the play was Boyd’s vanity project. At thirty-four, Tom’s stage credits were mostly regional, mostly supporting, and mostly undistinguished. Boyd Kellagher had only this single stage credit to his name, but he had acted in several multi-bazillion-dollar superhero franchise spectacles since being plucked from obscurity on the basis of his extraordinary physique and darkly brooding good looks. Boyd’s decision to pick up some more traditional acting chops in the New York theater scene had catapulted this production into undeserved fame and success. Tom frequently reminded himself to be grateful; Rosie would have called his role a stepping stone. She would have been thinking about next steps already.
Tom peered out his window, squinting away from Boyd’s car. He could see some dim lights through the trees, suggesting there were businesses or at least houses a few hundred feet away up the hill. They would need to ditch the cars before the main storm really hit.
Tom wiggled to get his battered denim jacket off, nearly knocking the actor sleeping to his left in the nose.
“Here,” he said, offering the jacket to Ximena. “I’ll get Boyd. You head out and start walking up the hill.”
Boyd had sworn he was sober enough to drive, and Tom was sure two hundred pounds of muscle could efficiently metabolize a great deal of alcohol, but still, nobody had wanted to ride with him. It wasn’t that they disliked Boyd, but he was like a big exotic cat raised in captivity: though he looked majestic, he was barely housebroken, he needed a lot of attention, and he always smelled kind of funny. So Tom and the other actors had crowded in with Ximena rather than ride with Boyd.
Tom sighed, imagining several more days trapped with Boyd in some emergency shelter or shitty motel. Boyd had decided that Tom was a real actor on the basis of his many years of scraping together a stage career and kept trying to corner him on their breaks to talk about Euripides when Tom just wanted to mindlessly scroll on his phone in peace.
Tom unlocked the car door and prepared to duck out into the rain to fetch the lead actor just as the brake lights in front of them flared back to red. He heard the engine turn over. Tom frowned. There was no place for Boyd to go. Ximena’s car wasn’t far behind him, and there was very little shoulder. In front of Boyd’s car the road dipped; the water was at least a couple of feet deep and rising.
“Shit,” Ximena said again, leaning forward over the steering wheel. She laid on the horn. “Don’t do it. Don’t do it, motherfucker.”
Ximena was from Missouri, so she didn’t know from hurricanes, but she surely knew about floods. She knew better than to drive through flowing water of any depth. Did Boyd?
“The water’s too deep,” Tom said, now really concerned. He fumbled for his cell phone, intending to call the big putz driving the car in front of them to tell him to wait, but he wasn’t fast enough on the screen. Before he could connect, Boyd revved the engine and began to creep slowly through the water on the road.
“Boyd, stop!” Ximena yelled. Tom doubted Boyd could hear her through the storm though, and they all knew he didn’t take direction well.
Tom hesitated with the door open and watched with morbid fascination, knowing what was coming.
Boyd made it no more than a dozen feet before the water rose above the level of the undercarriage, where it was sucked into the air intake and flooded the engine. The brake lights flared again, quickly followed by the cabin lights. The engine fell silent. Boyd’s car was dead.
Rolling his eyes, Tom turned his attention back to his phone, thumbing through his contacts for Boyd’s number. Boyd needed to bail out and be careful about it as he went through the floodwaters, which could knock him over even at only ankle-deep. Tom didn’t want to have to carry the guy up the hill to shelter.
“Oh shit,” Ximena whispered again, with additional feeling.
Tom jerked his eyes up, not understanding how the situation could be getting worse already.
The Kia was beginning to drift laterally as the water rose and carried it aloft, dangerously close to an embankment that dropped off ten feet into what had once been an empty drainage canal but was now a rapidly flowing stream.
“Get out now!” Tom immediately yelled, waving his arm, but Boyd either couldn’t hear him or still wasn’t listening. The car slowly, almost gently, drifted across the road and then began to slide down the hill. Ten feet over, it tipped sharply to the left, spun on one tire, and disappeared from view.
The other people in Tom’s car, drunk as they were, had finally cottoned on to what was happening and started to scream.
“Holy shit, holy shit,” Tom yelped, hand reflexively caught in his hair before he remembered to move.
He jumped out of the car and ran to the edge of the embankment, looking down in horror as he peered to see what had happened to the Kia. He spotted it at the bottom of the hill.
It wasn’t as bad as it could have been—the car had landed nose first on the concrete lip of the canal, the airbags had deployed, and Boyd’s arms were moving in front of the billowing white shapes of the airbags. He wouldn’t have taken severe injury from the crash.
But the water was flowing around the vehicle, threatening to dislodge the car again and tip it into the growing stream. The black floodwaters were deep and white-capped from their turbulence, more than halfway up the body of the car already.
Even if Boyd wasn’t already injured, he’d drown if he was still in the car when it was pushed off the slope it precariously rested on.
Tom tested the hillside with one toe, and it promptly gave way. He scrambled back a step. It had been a dry summer, and the water was running off the ground rather than saturating it, making the earth treacherous and unsteady. It would probably send him tumbling into the ditch before he made it halfway to the Kia.
Don’t die doing something that gets you described in the papers as “Florida Man.” That had been Rosie’s number one rule, first whispered into his ear as she prevented him from stumbling in front of a Boston trolley on the night they met.
Ximena ran up next to Tom, cursing in a creative mix of Spanish and English.
“I told everyone else to call 911,” she said, breath coming ragged with alarm. “I told them we need a tow. Or a crane. How is a fire truck or anything going to get here, though?”
“It won’t,” Tom said immediately. Emergency services wouldn’t—usually couldn’t—come in the middle of a hurricane. The roads were impassable, and nothing could fly in this.
“I guess we—we—we need to get down there and rescue him?” Ximena’s voice stuttered with fear.
Tom found clarity in the sudden rush of adrenaline. He turned enough to meet Ximena’s wide eyes for emphasis. “What do you mean we? You’re pregnant! You have a wife and a kid on the way. Get out of here.” He pointed up the hill.
Guilt flashed across her face.
“That doesn’t—I mean—are you going to climb down there?” she demanded. She gestured at the car. Boyd still hadn’t gotten his door open.
“Of course,” Tom blurted, looking at the smashed Kia. “I just—shit, I don’t know.”
He didn’t want to die saving Boyd Kellagher, who’d gotten himself into this classic Florida Man situation all on his own. He didn’t want to die at all.
That prime directive was only exceeded by the thought that it would be hard to live with himself if he stood by and watched a man die. Tom had managed to survive his lengthy history of big mistakes, bad decisions, and colossal fuckups, but he didn’t think there would be any coming back from this one if he didn’t climb down to the drainage canal.
“Tom?” Ximena asked, shaking his arm urgently.
