July 1193. King Richard Lionheart lies in a German prison, held for ransom by the emperor. His mother, Dowager Queen Eleanor, ransacks England for gold to buy his freedom, while his younger brother, John, plots with King Philippe of France to ensure that he rots and dies in chains. When a ransom payment vanishes, Eleanor hastily dispatches young Justin de Quincy to investigate. In wild, beautiful Wales, his devotion to the queen will be supremely tested–as an arrogant border earl, a cocky Welsh prince, an enchanting lady, and a traitor of the deepest dye welcome him with false smiles and deadly conspiracies. The queen’s treasure is nowhere to be found, but assassins are everywhere . . . and blood runs red in the dragon’s lair.

The long-awaited and highly anticipated final volume in Penman’s trilogy of Henry II and Eleanor of Aquitaine—a tumultuous conclusion to this timeless story of love, power, ambition, and betrayal. Where the second novel in the trilogy, Time And Chance, dealt with the extraordinary politics of the twelfth century, climaxing with the murder of Thomas Becket and Henry’s confrontation with the Church and self-imposed exile to Ireland, Devil’s Brood centers on the implosion of a family. And because it is a royal family whose domains span the English Channel and whose alliances encompass the Christian world, that collapse will have dire consequences. This is a story of betrayal as Henry’s three eldest sons and his wife enter into a rebellion against him, aligning themselves with his bitterest enemy, King Louis of France. But it is also the story of a great king whose brilliance forged an empire but whose personal blind spots led him into the most serious mistake of his life. Sharon Kay Penman has created a novel of tremendous power, as two strong-willed, passionate people clash, a family divides, and a marriage ends in all but name. Curiously, it is a novel without villains—only flawed human beings caught up in misperceptions and bad judgment calls. Most devastating to Henry was not his sons’ rebellion but his wife’s betrayal in joining them. How could it happen that two people whose love for each other was all consuming end up as bitter adversaries? That is the heart of Penman’s tale in Devil’s Brood.

From the New York Times-bestselling author of Lionheart comes the dramatic sequel, telling of the last dangerous years of Richard, Coeur de Lion’s life. This long-anticipated sequel to the national bestseller Lionheart is a vivid and heart-wrenching story of the last event-filled years in the life of Richard, Coeur de Lion. Taken captive by the Holy Roman Emperor while en route home—in violation of the papal decree protecting all crusaders—he was to spend fifteen months chained in a dungeon while Eleanor of Aquitaine moved heaven and earth to raise the exorbitant ransom. But a further humiliation awaited him: he was forced to kneel and swear fealty to his bitter enemy. For the five years remaining to him, betrayals, intrigues, wars, and illness were ever present. So were his infidelities, perhaps a pattern set by his father’s faithlessness to Eleanor. But the courage, compassion, and intelligence of this warrior king became the stuff of legend, and A King’s Ransom brings the man and his world fully and powerfully alive.

Seventeen-year-old Bianca Piper is cynical and loyal, and she doesn’t think she’s the prettiest of her friends by a long shot. She’s also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her “the Duff,” she throws her Coke in his face. But things aren’t so great at home right now, and Bianca is desperate for a distraction. She ends up kissing Wesley. Worse, she likes it. Eager for escape, Bianca throws herself into a closeted enemies-with-benefits relationship with him. Until it all goes horribly awry. It turns out Wesley isn’t such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she’s falling for the guy she thought she hated more than anyone.

Sonny Ardmore is an excellent liar. She lies about her dad being in prison. She lies about her mom kicking her out. And she lies about sneaking into her best friend's house every night because she has nowhere else to go. Amy Rush might be the only person Sonny shares everything with -- secrets, clothes, even a nemesis named Ryder Cross. Ryder's the new kid at Hamilton High and everything Sonny and Amy can't stand -- a prep-school snob. But Ryder has a weakness: Amy. So when Ryder emails Amy asking her out, the friends see it as a prank opportunity not to be missed. But without meaning to, Sonny ends up talking to Ryder all night online. And to her horror, she realizes that she might actually like him. Only there's one small catch: he thinks he's been talking to Amy. So Sonny comes up with an elaborate scheme to help Ryder realize that she's the girl he's really wanted all along. Can Sonny lie her way to the truth, or will all her lies end up costing her both Ryder and Amy?

Bo Dickinson is a girl with a wild reputation, a deadbeat dad, and a mama who’s not exactly sober most of the time. Everyone in town knows the Dickinsons are a bad lot, but Bo doesn’t care what anyone thinks. Agnes Atwood has never gone on a date, never even stayed out past ten, and never broken any of her parents’ overbearing rules. Rules that are meant to protect their legally blind daughter—protect her from what, Agnes isn’t quite sure. Despite everything, Bo and Agnes become best friends. And it’s the sort of friendship that runs truer and deeper than anything else. So when Bo shows up in the middle of the night, with police sirens wailing in the distance, desperate to get out of town, Agnes doesn’t hesitate to take off with her. But running away and not getting caught will require stealing a car, tracking down Bo’s dad, staying ahead of the authorities, and—worst of all—confronting some ugly secrets.

Most high school sports teams have rivalries with other schools. At Hamilton High, it's a civil war: the football team versus the soccer team. And for her part, Lissa is sick of it. Her quarterback boyfriend, Randy, is always ditching her to go pick a fight with the soccer team or to prank their locker room. And on three separate occasions Randy's car has been egged while he and Lissa were inside, making out. She is done competing with a bunch of sweaty boys for her own boyfriend's attention. Lissa decides to end the rivalry once and for all: She and the other players' girlfriends go on a hookup strike. The boys won't get any action from them until the football and soccer teams make peace. What they don't count on is a new sort of rivalry: an impossible girls-against-boys showdown that hinges on who will cave to their libidos first. And Lissa never sees her own sexual tension with the leader of the boys, Cash Sterling, coming.

Nola Sutton has been best friends and neighbors with the Swift boys for practically her whole life. There’s the youngest, Kevin, who never stops talking; the oldest, Brian, who’s always kind and calm; and then there’s Canaan, the ringleader and Nola’s best-best friend. Nola can’t imagine her life without the Swift boys — they’ll always be like this, always be friends. But then everything changes overnight. When the Swifts’ daddy leaves without even saying good-bye, it completely destroys the boys, and all Nola can do is watch. Kevin stops talking and Brian is never around. Even Canaan is drifting away from Nola — hanging out with the neighborhood bullies instead of her. Nola just wants things to go back to the way they were — the way they’ve always been. She tries to pull the boys back to her, only the harder she pulls, the further away they seem. But it’s not just the Swifts whose family is changing, so is Nola’s, and she needs her best friends now more than ever. Can Nola and the Swift boys survive this summer with their friendships intact, or has everything fallen apart for good? Nola’s struggle to save her friends, her unwavering hope, and her belief in the power of friendship make Kody Keplinger’s middle-grade debut a poignant story of loss and redemption.

Kody Keplinger both returns to the halls of Hamilton High and explores new territory in her collection of two e-book exclusive novellas. In these short stories, the author revisits a familiar cast of characters from THE DUFF (Designated Ugly Fat Friend) and A Midsummer's Nightmare. Explore the uniquely teen world of high school drama, secrets, and romantic entanglements from completely fresh perspectives that will intrigue fans of Kody Keplinger and new readers alike.

Whitley Johnson's dream summer with her divorce dad has turned into a nightmare. She's just met his new fiancee and her kids. The fiancee's son? Whitley's one-night stand from graduation night. Just freakin' great. Worse, she totally doesn't fit in with her dad's perfect new country-club family. So Whitley acts out. She parties. Hard. So hard she doesn't even notice the good things right under her nose: a sweet little future stepsister who is just about the only person she's ever liked, a best friend (even though Whitley swears she doesn't "do" friends), and a smoking-hot guy who isn't her stepbrother...at least, not yet. It will take all three of them to help Whitley get through her anger and begin to put the pieces of her family together. Filled with authenticity and raw emotion, Whitley is Kody Keplinger's most compelling character to date: a cynical Holden Caulfield-esque girl you will wholly care about.

Heartfelt, funny, and ultimately uplifting, one father discusses the life of a single dad raising a son who just so happens to have autism My Son's Not Rainman is a heartfelt and uplifting account of everyday events in the life of John and his son (The Boy). The Boy is 12 years old and autistic. He isn't a genius. His only special power is making his dad laugh. A lot. Following the success of the blog of the same name, John talks not just about the difficulties of having a child who is considered "different" but also the joy of living with someone who looks at the world in a unique way. This isn't a story about autism. It's a story about a young boy who happens to have autism, and there is a big difference. It does relate the struggles of getting a diagnosis for The Boy and the dismay of having his child excluded from schools. However, John very rarely dwells on the downside of his son's condition, preferring instead to look at the happiness and insight his son has given him. Funny and heart-warming, this is a book about living with the often frustrating and bewildering, but always fascinating, world of the autistic mind. It's about finding the positive in everything, from the joy and wonder of the Special School Disco to the unadulterated thrill of getting the front seat on the Docklands Light Railway. Ultimately, it's a celebration of what it really means to be different.

In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America. It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

Winner of the 1973 National Book Award In Augustus, the third of his great novels, John Williams took on an entirely new challenge, a historical novel set in classical Rome, exploring the life of the founder of the Roman Empire, whose greatness was matched by his brutality. To tell the story, Williams also turned to a genre, the epistolary novel, that was new to him, transforming and transcending it just as he did the western in Butcher's Crossing and the campus novel in Stoner. Augustus is the final triumph of a writer who has come to be recognized around the world as an American master. "[In Augustus,] John Williams re-creates the Roman Empire from the death of Julius Caesar to the last days of Augustus, the machinations of the court, the Senate, and the people, from the sickly boy to the sickly man who almost dies during expeditions to what would seem to be the ruthless ruler. He uses an epistolary, polylogic format, and in the end all these voices, like a collage, meld together around the main character. Monologue becomes action, but action never becomes character. Instead, an image of brutality questions its own origins. Read it in conjunction with Robert Graves's more flamboyant Claudius and Claudius the God, Hermann Broch's * The Death of Virgil, and Marguerite Yourcenar's Memoirs of Hadrian*." —Harold Augenbraum, Executive Director of the National Book Foundation

The son of a Midwestern farmer, William Stoner comes to the University of Missouri in 1910 to study agriculture. He had intended to return home and take over his father's farm - but instead, inspired by the professor of English literature, he remains at the university to teach. Stoner tells of love and conflict, passion and responsibility against the backdrop of academic life in the early 20th century. Powerfully and movingly written, Stoner is a study of a dedicated man relentlessly committed to honesty in himself and in his dealings with others. The truth of one man's unassuming life can rarely have been captured with such skill and beauty.