Isadora's family is seriously screwed up—which comes with the territory when you're the human daughter of the ancient Egyptian gods Isis and Osiris. Isadora is tired of living with crazy relatives who think she's only worthy of a passing glance—so when she gets the chance to move to California with her brother, she jumps on it. But her new life comes with plenty of its own dramatic—and dangerous—complications . . . and Isadora quickly learns there's no such thing as a clean break from family.

Annie and Fia are ready to fight back. The sisters have been manipulated and controlled by the Keane Foundation for years, trapped in a never ending battle for survival. Now they have found allies who can help them truly escape. After faking her own death, Annie has joined a group that is plotting to destroy the Foundation. And Fia is working with James Keane to bring his father down from the inside. But Annie's visions of the future can't show her who to trust in the present. And though James is Fia's first love, Fia knows he's hiding something. The sisters can rely only on each other - but that may not be enough to save them.

No one expects a princess to be brutal. And Lada Dragwlya likes it that way. Ever since she and her gentle younger brother, Radu, were wrenched from their homeland of Wallachia and abandoned by their father to be raised in the Ottoman courts, Lada has known that being ruthless is the key to survival. She and Radu are doomed to act as pawns in a vicious game, an unseen sword hovering over their every move. For the lineage that makes them special also makes them targets. Lada despises the Ottomans and bides her time, planning her vengeance for the day when she can return to Wallachia and claim her birthright. Radu longs only for a place where he feels safe. And when they meet Mehmed, the defiant and lonely son of the sultan, Radu feels that he’s made a true friend—and Lada wonders if she’s finally found someone worthy of her passion. But Mehmed is heir to the very empire that Lada has sworn to fight against—and that Radu now considers home. Together, Lada, Radu, and Mehmed form a toxic triangle that strains the bonds of love and loyalty to the breaking point.

Fia and Annie are as close as two sisters can be. They look out for each other. Protect each other. And most importantly, they keep each other's secrets, even the most dangerous ones: Annie is blind, but can see visions of the future; Fia was born with flawless intuition—her first impulse is always exactly right. When the sisters are offered a place at an elite boarding school, Fia realizes that something is wrong . . . but she doesn't grasp just how wrong. The Keane Institute is no ordinary school, and Fia is soon used for everything from picking stocks to planting bombs. If she tries to refuse, they threaten her with Annie's life. Now Fia's falling in love with a boy who has dark secrets of his own. And with his help, she's ready to fight back. They stole her past. They control her present. But she won't let them take her future.

Elizabeth Lavenza hasn't had a proper meal in weeks. Her thin arms are covered with bruises from her "caregiver," and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything--except a friend. Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable--and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable. But her new life comes at a price. As the years pass, Elizabeth's survival depends on managing Victor's dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness.

Once upon a time, a girl skipped into the forest and became a zombie. Wait, no, that's not how this story is supposed to go. Let's try again. Once upon a time, a boy did a horrible job as a sheep-sitter and burned his tongue on stolen pie. No, children in these stories are always good and virtuous. From the top. Once upon a time, a king and queen tried to find a princess for their son to marry, and he wound up fleeing from a group of very hairy vampires. Hmmm... What about, once upon a time, a bunch of fairy tales got twisted around to be completely hilarious, a tiny bit icky, and delightfully spooky scarytales... in other words, exactly what fairy tales were meant to be. Grab some flaming torches, maybe don't accept that bowl of pease porridge, and get ready for a wickedly fun ride with acclaimed author Kiersten White and fairy tales like you've never heard them before.

She never chose her deadly gift but now she’s forced to use it. How far would you go to protect the only family you have left? Annie is beset by fleeting strange visions and a guilty conscience. Blind and orphaned, she struggles to care for her feisty younger sister Fia, but things look up when both sisters are offered a place at Kessler School for Exceptional Girls. Born with flawless intuition, Fia immediately knows that something’s wrong, but bites her tongue… until it’s too late. For Fia is the perfect weapon to carry out criminal plans and there are those at Kessler who will do anything to ensure her co-operation. With Annie trapped in Kessler’s sinister clutches, instincts keep Fia from killing an innocent guy and everything unravels. Is manipulative James the key to the sisters’ freedom or an even darker prison? And how can Fia atone for the blood on her hands?

This thrilling short story from bestselling author Kiersten White is a prequel to the psychological thriller Mind Games. Annie has been blind since she was four. Suddenly—for an instant—she can see. And what she sees will change her life forever. Fia will do anything for Annie. But she never realized how far she would have to go to protect her sister. And now she can never go back. Also available in the Mind Games paperback and ebook (as of 12/3/13).

Lada Dracul has no allies. No throne. All she has is what she’s always had: herself. After failing to secure the Wallachian throne, Lada is out to punish anyone who dares to cross her blood-strewn path. Filled with a white-hot rage, she storms the countryside with her men, accompanied by her childhood friend Bogdan, terrorizing the land. But brute force isn’t getting Lada what she wants. And thinking of Mehmed brings little comfort to her thorny heart. There’s no time to wonder whether he still thinks about her, even loves her. She left him before he could leave her. What Lada needs is her younger brother Radu’s subtlety and skill. But Mehmed has sent him to Constantinople—and it’s no diplomatic mission. Mehmed wants control of the city, and Radu has earned an unwanted place as a double-crossing spy behind enemy lines. Radu longs for his sister’s fierce confidence—but for the first time in his life, he rejects her unexpected plea for help. Torn between loyalties to faith, to the Ottomans, and to Mehmed, he knows he owes Lada nothing. If she dies, he could never forgive himself—but if he fails in Constantinople, will Mehmed ever forgive him? As nations fall around them, the Dracul siblings must decide: what will they sacrifice to fulfill their destinies? Empires will topple, thrones will be won . . . and souls will be lost.

Antrobus, the hero of Sauve Qui Peut and Stiff Upper Lip, is featured in this novel, and represents the epitome of that most British of institutions, the Foreign Office.

This captivating Mediterranean novel was written by Lawrence Durrell immediately after finishing his exquisite vignette about Corfu, Prospero's Cell, and a decade before Justine. The story is set on Crete just after the War, as an odd assortment of English travellers come ashore from a cruise ship to explore the island and in particular to examine a dangerous local labyrinth. They include an extrovert painter, a spiritualist, a Protestant spinster with a fox terrier, an antiquarian peer and minor poet, a soldier with guilty memories of the Cretan resistance, a pretty convalescent and an eccentric married couple. To some extent the book is a roman à clef and Durrell's characters talk with great reality about their experiences, themselves and a certain psychological unease that has led most of them to embark on their journey. The climax is a disastrous visit to the labyrinth, with its reported minotaur. The novel is a gripping piece of story-telling, full of atmosphere and the vivid first-hand writing about Mediterranean landscape and people of which Durrell was a master. [ Cefalu (1947; republished as The Dark Labyrinth in 1958) ]

Durrell's third work, the original angry young novel, was first published by his good friend and long-time correspondent Henry Miller as the first title in the short-lived Villa Seurat imprint of the Paris-based Obelisk Press. Unpublishable by the more staid (and censored) presses across the Channel, no work better captures the anguish and death-consciousness of a Europe about to plunge, once again, into cataclysmic war and destruction. The Black Book first saw print in 1938.

Sent to Serbia to investigate the murder of a colleague, a British secret agent is caught in a life-and-death struggle between the Communists and a band of underground Royalists called the White Eagles. A 1950s spy novel from the author of The Alexandria Quartet.

I have arranged these poems, not according to chronology but in what I hope is the most easily readable form. Nothing has been included from the two earliest pamphlets. I date my poetic appearance from the publication of "A Private Country" in 1943. Poems from the following volumes have been included: "Poems" edited by Oswell Blakeston (Fortune Press, 1938); "A Private Country" (Faber and Faber, 1943); "Cities, Plains and People" (Faber and Faber, 1946); "On Seeming to Presume" (Faber and Faber, 1948); "Sappho: a play in verse" (Faber and Faber, 1950); "The Tree of Idleness" (Faber and Faber, 1955); and "Private Drafts" (privately printed in Nicosia, Cyprus, 1955). L.D.

A pair of lectures from one of the twentieth century’s most mesmerizing speakers Lawrence Durrell was in his early twenties when, tired of the stiffness of London life, he took his family to live in Corfu. Interwar Greece, whose hard beds and mosquito swarms Durrell documented so tenderly in Prospero’s Cell, was no more. In the first of this pair of lectures, given during a 1970s visit to California, Durrell recalls those days, talking of family, poetry, and the joy of the islands as no other writer can. When war came to the Mediterranean, Durrell was swept into diplomatic service, an adventure he recounts in his second lecture. Though a diplomat of the modern world, he served under men whose experience stretched back to the days before the telephone, when solutions for crises had to be devised by the ambassador, and not phoned in from London. These two lectures on long-vanished worlds are an elegant demonstration of the evocative power of Durrell’s unmatched storytelling.