Steinbeck's only work of political satire turns the French Revolution on its head, as amateur astronomer Pippin Heristal is drafted in to rule the unruly French. Enchanting comedy ensues as Steinbeck creates the most hilarious royal court ever around the brief, bold reign of the corduroy-clad Pippin, his social-climbing wife Maria, his star-struck daughter Clotilde and her Californian beau, Todd.

Nobel laureate John Steinbeck's bracing from-the-frontlines account of World War II-now with a new cover and introduction In 1943 John Steinbeck was on assignment for The New York Herald Tribune, writing from Italy and North Africa, and from England in the midst of the London blitz. In his dispatches he focuses on the human-scale effect of the war, portraying everyone from the guys in a bomber crew to Bob Hope on his USO tour and even fighting alongside soldiers behind enemy lines. Taken together, these writings create an indelible portrait of life in wartime.

Just after the iron curtain fell on Eastern Europe John Steinbeck and acclaimed war photographer, Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A RUSSIAN JOURNAL is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpse of two artists at the height of their powers, answering their need to document human struggle

No amount of drama between the Dark and Penhallow families can prepare them for what follows when Aunt Becky bequeaths her prized heirloom jug - the owner to be revealed in one year's time. The intermarriages, and resulting fighting and feuding, that have occurred over the years grow more intense as Gay Penhallow's fiancé leaves her for the devious Nan Penhallow; Peter Penhallow and Donna Dark find love after a lifelong hatred of each other; and Joscelyn and Hugh Dark, inexplicably separated on their wedding night, are reunited. Hopes and shortcomings are revealed as we follow the fates of the clan for an entire year. The legendary jug sits amid this love, heartbreak, and hilarity as each family member works to acquire the heirloom. But on the night that the eccentric matriarch's wishes are to be revealed, both families find the biggest surprise of all.

Patricia Gardiner loved Silver Bush more than anything else in the world. She was born and raised in the beautiful old-fashioned house on Prince Edward Island, "where things always seemed the same" and good things never changed. But things do change at Silver Bush--from her first day at school to the arrival of her new own first romance. Through it all, Pat shares her experiences with her beloved friends and discovers the one thing that truly never changes: the beauty and peace she will always find at Silver Bush--the house that remembers her whole life.

When she was twenty, nearly everyone thought Patricia Gardiner ought to be having beaus--except of course, Pat herself. For Pat, Silver Bush was both home and heaven. All she could ever ask of life was bound in the magic of the lovely old house on Prince Edward Island, "where good things never change." And now there was more than ever to do, what with planning for the Christmas family reunion, entertaining a countess, playing matchmaker, and preparing for the arrival of the new hired man. Yet as those she loved so dearly started to move away, Pat began to question the wisdom of her choice of Silver Bush over romance. Was it possible to be lonely at Silver Bush?

For as long as she could remember, Jane Stuart and her mother lived with her grandmother in a dreary mansion in Toronto. Jane always believed her father was dead until she accidentally learned he was alive and well and living on Prince Edward Island. When Jane spends the summer at his cottage on Lantern Hill, doing all the wonderful things Grandmother deems unladylike, she dares to dream that there could be such a house back in Toronto...a house where she, Mother, and Father could live together without Grandmother directing their lives -- a house that could be called home.

The eccentric Lesley family could not agree on what to name Lorraine's new baby girl even after four months. Lorraine secretly liked the name Marigold, but who would ever agree to such a fanciful name as that? When the baby falls ill and gentle Dr. M. Woodruff Richards saves her life, the family decides to name the child after the good doctor. But a girl named Woodruff? How fortunate that Dr. Richards's seldom-used first name turns out to be . . . Marigold! A child with such an unusual name is destined for adventure. It all begins the day Marigold meets a girl in a beautiful green dress who claims to be a real-life princess. . . .

Nestled between the ocean and the hills of Prince Edward Island is a road that leads to the house where a girl named Anne grew up, Green Gables, and to the wonderful place called Avonlea. In this second volume of heartwarming tales a Persian cat plays an astonishing part in a marriage proposal . . . a ghostly appearance in a garden leads a woman to the fulfillment of her youthful dreams . . . a young girl risks losing her mother to find the father she never knew . . . and a foolish lie threatens to make an unattached woman the town's laughingstock when an imaginary lover comes to town for real! Filled with warmth, humor, and mystery, these unforgettable stories re-create the enchanting world of Avonlea.

The Blythes Are Quoted is the last work of fiction by the internationally celebrated author of Anne of Green Gables. Intended by L.M. Montgomery to be the ninth volume in her bestselling series featuring her beloved heroine Anne – and delivered to her publisher on the very day she died – it has never before been published in its entirety. This rediscovered volume marks the final word of a writer whose work continues to fascinate readers all over the world. Adultery, illegitimacy, revenge, murder, and death – these are not the first terms we associate with L.M. Montgomery. But in The Blythes Are Quoted, completed at the end of her life,the author brings topics such as these to the fore. Intended by Montgomery to be the ninth volume in her bestselling series featuring Anne Shirley Blythe, The Blythes Are Quoted takes Anne and her family a full two decades beyond anything else she published about them, and some of its subject matter is darker than we might expect. Divided into two sections, one set before and one after the Great War of 1914–1918, it contains fifteen short stories set in and around the Blythes’ Prince Edward Island community of Glen St. Mary. Binding these stories are sketches featuring Anne and Gilbert Blythe discussing poems by Anne and their middle son, Walter, who dies as a soldier in the war. By blending together poetry, prose, and dialogue in this way, Montgomery was at the end of her career experimenting with storytelling methods in an entirely new manner. This publication of Montgomery's rediscovered original work – previously published only in severely abridged form as The Road to Yesterday – invites readers to return to her earlier books with a renewed appreciation and perspective.

The classic collection by one of the greatest essayists of our time. **

A Prescriptive American English Writing Style Guide The Elements of Style William Strunk, Jr. E. B. White This book aims to give in brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. In accordance with this plan it lays down three rules for the use of the comma, instead of a score or more, and one for the use of the semicolon, in the belief that these four rules provide for all the internal punctuation that is required by nineteen sentences out of twenty. Similarly, it gives in Chapter III only those principles of the paragraph and the sentence which are of the widest application. The book thus covers only a small portion of the field of English style. The experience of its writer has been that once past the essentials, students profit most by individual instruction based on the problems of their own work, and that each instructor has his own body of theory, which he may prefer to that offered by any textbook. The numbers of the sections may be used as references in correcting manuscript. The writer's colleagues in the Department of English in Cornell University have greatly helped him in the preparation of his manuscript. Mr. George McLane Wood has kindly consented to the inclusion under Rule 10 of some material from his Suggestions to Authors. The Elements of Style is a prescriptive American English writing style guide in numerous editions. The original was composed by William Strunk Jr., in 1918, and published by Harcourt, in 1920, comprising eight "elementary rules of usage," ten "elementary principles of composition," "a few matters of form," a list of 49 "words and expressions commonly misused," and a list of 57 "words often misspelled." E. B. White much enlarged and revised the book for publication by Macmillan, in 1959. That was the first edition of the so-called "Strunk; White," which Time named in 2011 one of the 100 best and most influential books written in English since 1923. Cornell University English professor William Strunk, Jr. wrote The Elements of Style in 1918 and privately published it in 1919, for in-house use at the university. (Harcourt republished it in 52-page format in 1920.) Later, for publication, he and editor Edward A. Tenney revised it as The Elements and Practice of Composition (1935). In 1957, at The New Yorker, the style guide reached the attention of E.B. White, who had studied writing under Strunk in 1919 but had since forgotten "the little book" that he described as a "forty-three-page summation of the case for cleanliness, accuracy, and brevity in the use of English." Weeks later, White wrote a feature story about Strunk's devotion to lucid English prose.

INCLUDES AN INTRODUCTION AND NEW GHOST STORY FROM AUDREY NIFFENEGGER Haunted houses, spectral chills, and of course, the odd cat… This is Audrey Niffenegger’s eclectic collection of the very best and creepiest ghost stories, by writers including M. R. James, Saki, Rudyard Kipling, Neil Gailman, Ray Bradbury, Edith Wharton and many more. Eerie, uncanny, witty and weird, welcome to a world most ghostly. A spookily beautiful hardback, designed and illustrated by Audrey Niffenegger herself.

A TABLE OF CONTENTS MY LAST FLAPPERS THE JELLY-BEAN Page 3 This is a Southern story, with the scene laid in the small city of Tarleton, Georgia. I have a profound affection for Tarlelon, but somehow whenever I write a story about it I receive letters from all over the South denouncing me in no uncertain terms. "The Jelly-Bean," published in "The Metropolitan," drew its full share of these admonitory notes. It was written under strange circumstances shortly after my first novel was published, and, moreover, it was the first story in which I had a collaborator. For, finding that I was unable to manage the crap-shooting episode, I turned it over to my wife, who, as a Southern girl, was presumably an expert on the technique and terminology of that great sectional pastime. I suppose tluil of all the stories I have ever written this one cost me the least travail and perhaps gave me the most amuse-ment. As to tlte labor involved, it was written during one day in the city of New Orle About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the difficult to read text. Read books online for free at