Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious Rachel like a moth to the flame. And yet... might she have had a hand in Ambrose's death?

The coachman tried to warn her away from the ruined, forbidding place on the rainswept Cornish coast. But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn. From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls -- or that a handsome, mysterious stranger would so incite her passions ... tempting her to love a man whom she dares not trust.

Based on a cult thriller, also well known as a film.

'Someone jolted my elbow as I drank and said, "*Je vous demande pardon,*" and as I moved to give him space he turned and stared at me and I at him, and I realised, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well. I was looking at myself.' By chance, two men - one English, the other French - meet in a provincial railway station. Their resemblance is uncanny, and they spend the next few hours talking and drinking - until at last John, the Englishman, falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.

A classic of alienation and horror, *The Birds* was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

In the third volume of the Millennium series, Lisbeth Salander lies in critical condition in a Swedish hospital, a bullet in her head. But she's fighting for her life in more ways than one: if and when she recovers, she'll stand trial for three murders. With the help of Mikael Blomkvist, she'll need to identify those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she'll seek revenge—against the man who tried to killer her and against the corrupt government institutions that nearly destroyed her life. --publisher's description

'Everything is finished. I have nothing but you now. Remember that' Anna Karenina seems to have everything - beauty, wealth, popularity and an adored son. But she feels that her life is empty until the moment she encounters the impetuous officer Count Vronsky. Their subsequent affair scandalizes society and family alike and soon brings jealously and bitterness in its wake. Contrasting with this tale of love and self-destruction is the vividly observed story of Levin, a man striving to find contentment and a meaning to his life - and also a self-portrait of Tolstoy himself.

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption, achieved through loving forgiveness and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes, and a substantial introduction based on the most recent scholarship in the field.

A Confession -- an essay by Leo Tolstoy on his religious thoughts -- shows the great author in process of looking for answers to profound questions that trouble all who take them on: "What will come of my life?" and "What is the meaning of life?" these are questions whose answers were an absolute requirement for Tolstoy. In the course of the essay, Tolstoy shows different attempts to find answers on the examples of science, philosophy, eastern wisdom and the opinions of his fellow novelists. . . . finding no workable solution in any of these, Tolstoy recognizes the deep religious convictions of ordinary people as containing the key to true answers. The first attempt at its publication took place in 1882 (Russkaya Mysl, No 5), but Tolstoy's work was removed virtually from the whole edition of the journal by Orthodox Church censorship. The text was later published in Geneva (1884), in Russia as late as 1906 (Vsemirnyj Vestnik, No 1).

"The Cossacks" is one of Tolstoy's greatest works. In this semi-autobiographical work we meet the central character of Olenin, a young man of twenty-four who has yet to make anything of himself in life. Olenin joins the Russian army and is assigned to a remote post. There he falls in love with a beautiful young Cossack woman who has already been promised to another man, a Cossack warrior. What will become of Olenin? Will he fight for the love that he has found? Read this gripping narrative set in pre-revolutionary Russia and find out for yourself. **

From the award-winning translators of *Anna Karenina* and *The Brothers Karamazov* comes this magnificent new translation of Tolstoy's masterwork. **War and Peace*** *broadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both men. A s Napoleon’s army invades, Tolstoy brilliantly follows characters from diverse backgrounds—peasants and nobility, civilians and soldiers—as they struggle with the problems unique to their era, their history, and their culture. And as the novel progresses, these characters transcend their specificity, becoming some of the most moving—and human—figures in world literature.

Hailed as one of the world's supreme masterpieces on the subject of death and dying, The Death of Ivan Ilyich is the story of a worldly careerist, a high court judge who has never given the inevitability of his dying so much as a passing thought. But one day, death announces itself to him, and to his shocked surprise, he is brought face to face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth? This short novel was an artistic culmination of a profound spiritual crisis in Tolstoy's life, a nine-year period following the publication of Anna Karenina during which he wrote not a word of fiction. A thoroughly absorbing and, at times, terrifying glimpse into the abyss of death, it is also a strong testament to the possibility of finding spiritual salvation.

Adored bestselling author Diana Gabaldon brings us the first book in a new trilogy featuring many of the characters from her wildly popular Outlander series. In her *New York Times* bestselling Outlander novels, Diana Gabaldon introduced millions of readers to a dazzling world of history and adventure—a world of vibrant settings and utterly unforgettable characters. Now one of these characters, Major Lord John Grey, opens the door to his own part of this world—eighteenth-century London, a seething anthill of nobility and rabble peopled by soldiers and spies, whores and dukes. Great Britain is battling France for supremacy on three continents—and life is good for a soldier. The year is 1757. On a clear morning in mid-June, Lord John Grey emerges from London’s Beefsteak Club, his mind in turmoil. A nobleman and a high-ranking officer in His Majesty’s Army, Grey has just witnessed something shocking. But his efforts to avoid a scandal that might destroy his family are interrupted by something still more urgent: the Crown appoints him to investigate the brutal murder of a comrade in arms, who may have been a traitor. Obliged to pursue two inquiries at once, Major Grey finds himself ensnared in a web of treachery and betrayal that touches every stratum of English society—and threatens all he holds dear. From the bawdy houses of London’s night-world to the stately drawing rooms of the nobility, and from the blood of a murdered corpse to the thundering seas ruled by the majestic fleet of the East India Company, Lord John pursues the elusive trails of a vanishing footman and a woman in green velvet, who may hold the key to everything—or nothing. The early days of the Seven Years War come brilliantly to life in this historical mystery by an author whose unique and compelling storytelling has engrossed millions of readers worldwide.

**Includes a preview of the new novel in the Outlander series.** London, 1760. For Jamie Fraser, paroled prisoner-of-war in the remote Lake District, life could be worse: He’s not cutting sugar cane in the West Indies, and he’s close enough to the son he cannot claim as his own. But Jamie Fraser’s quiet existence is coming apart at the seams, interrupted first by dreams of his lost wife, then by the appearance of Tobias Quinn, an erstwhile comrade from the Rising. Like many of the Jacobites who aren’t dead or in prison, Quinn still lives and breathes for the Cause. His latest plan involves an ancient relic that will rally the Irish. Jamie is having none of it—he’s sworn off politics, fighting, and war. Until Lord John Grey shows up with a summons that will take him away from everything he loves—again. Lord John Grey—aristocrat, soldier, and occasional spy—finds himself in possession of a packet of explosive documents that exposes a damning case of corruption against a British officer. But they also hint at a more insidious danger. Time is of the essence as the investigation leads to Ireland, with a baffling message left in “Erse,” the tongue favored by Scottish Highlanders. Lord John, who oversaw Jacobite prisoners when he was governor of Ardsmiur prison, thinks Jamie may be able to translate—but will he agree to do it? Soon Lord John and Jamie are unwilling companions on the road to Ireland, a country whose dark castles hold dreadful secrets, and whose bogs hide the bones of the dead. A captivating return to the world Diana Gabaldon created in her Outlander and Lord John series, *The Scottish Prisoner* is another masterpiece of epic history, wicked deceit, and scores that can only be settled in blood. *From the Hardcover edition.*