Experiencing sound, p.22
Experiencing Sound, page 22
Chalmers, David, 161
Chapman, George, 33–34, 93–94
Chopin, Frederic, 147; “Aeolian Harp” Etude, 157–159
Chorley, Henry, 100
Cole, Nat, 119
Coleridge, Samuel Taylor, 72; “Inscription for a Fountain on a Heath,” 24
Constantinople, fall of, 35–36
contralto voice, 98–109
coup d’oreille, 8–9, 32
Cowell, Henry: “Aeolian Harp,” 157–159
Crane, Hart: “Atlantis,” 38–40
Critchley, Simon, 20–21
Crosby, Bing, 111, 119
Daston, Lorraine, 8
deafness, 4, 62–63, 97, 123–124
Deleuze, Gilles, 120
Demetrios, Aristides, 143
Derrida, Jacques, 64, 88
Dickens, Charles, 17–18, 80, 94
Dickinson, Emily, 120
Doer, Anthony, 4
Dos Passos, John, 74
Doyle, Arthur Conan: “The Story of the Japanned Box,” 51, 97–98
Dryden, John: “Ode for St. Cecilia’s Day,” 75–76
Duarte, Leonora, 32, 34
Dubois, W. E. B.: “Of the Coming of John,” 109–110
Dylan, Bob, 156
Eastern State Penitentiary, 17–18
Edison, Thomas Alva, 41, 51, 53, 55–57, 68–69, 92
Eliot, George: Armgart, 101
Eliot, T. S., x; “The Dry Salvages,” 20–21
Emerson, Ralph Waldo: “Maiden Speech of the Aeolian Harp,” 142
Farago, Jason, 155
Faulkner, William, 125
Fawkes, Guy, 114–115
Ferrier, Kathleen, 98, 109
Finer, Jem: “Longplayer,” 140
Flanagan, Richard: The Narrow Road to the Deep North, 61, 63; The Sound of One Hand Clapping, 111
Florian, Sandy: “Phonograph,” 55–56
Fonseca-Wollheim, Corinna da, 13
Forster, E. M.: A Room with a View, 46
Foucault, Michel, 66, 151
Franklin, Benjamin, 76
Freud, Lucien, 123–124
Freud, Sigmund, 7, 151, 161
Friston, Karl, 161
Gibbon, Edward, 35–36
Ginzburg, Eugenia, 18–19
Glass, Philip, 145–146
glass armonica, 76–78, 81–82, 89, 91, 141, 156
Gluck, Christoph Willibald, 99, 101
Goethe, Johann Wolfgang von, 34; “Calm Sea” (Meerestille), 14–15, 17; Faust, 22–23; “Harz Journey in Winter,” 107–108
Gouraud, George, 42, 68
Grzinich, John, 143
gulag, 18–19
Hahn, Kimiko: “On Pleasing,” 134–136
half-heard, the, 29, 39–40, 45, 83, 154
Hallam, Arthur Henry, 54
Handel, George Frideric, 65; “A Song for St. Cecilia’s Day,” 75
hard problem, the, 161–162
Hardy, Thomas: “Apostrophe to an Old Psalm Tune,” 58–59; “The House of Silence,” 128–129; “In a Museum,” 101–103; “Lines to a Movement in Mozart’s E-flat Symphony,” 59–61
Hartmann, Karl Amadeus: Symphony no. 1, 108–109
Haweis, H. R., 41–42
Haydn, Franz Joseph: The Creation, 23
Heidegger, Martin, 82–83, 88
Hemans, Felicia, 44–46, 49, 78
Hitler, Adolf, 119
Hoffmann, E. T. A., 77
Holiday, Billie, 119
Holiday Inn (film), 111
Homer, 16, 33, 93–94
Hopkins, Gerard Manley: “The Wreck of the Deutschland,” 131–132
Houston, Whitney, 119
Huang, Junte, 79
Huizinga, Tom, 98
Huxley, Aldous: Point Counterpoint, 62–64
interpassivity, 63
Isherwood, Christopher: Goodbye to Berlin, 84–86
Jacobs, Harriet: Incidents in the Life of a Slave Girl, 95–96
James, Henry: The American, 3–4; The American Scene, 113–116; “The Turn of the Screw,” 12
Joyce, James, 74, 125; “The Dead,” 53; Finnegans Wake, 132, 136; Ulysses, 73
Keats, John: “On First Looking into Chapman’s Homer,” 93–94
Kepler, Johannes, 144–146
Kittler, Friedrich, 100
Kramer, Lawrence: The Hum of the World, ix–x, 1–2, 4–5, 8, 19, 21, 29, 33, 43, 68; Phantom Etudes, 90–91
Kristeva, Julia, 11
Lanzmann, Claude: Shoah, 117–118
Lassus, Orlande de, 145–146
Lear, Edward: “The Jumblies,” 136–137
Li Bai (Li Po), 78; “Bidding Good-Bye to Yin Shu,” 79
Lincoln, Abraham, 120
“Longplayer,” 140–144, 149, 155
Lowell, Amy: Fir-Flower Tablets, 78–80
Mahler, Gustav: Das Lied von der Erde, 103, 106; Symphony no. 2 (“Urlicht”), 104, 107; Symphony no. 3 (“Midnight Song”), 105, 107
McQueen, Steve: 12 Years a Slave (film), 88
Melville, Herman: Typee, 30–31
Mendelssohn, Felix, 14
Mesmer, Franz Anton, 76, 81–82
Messiaen, Olivier, 47
Mill, John Stuart, 93
Milton, John: “pure concent,” 74, 144
minstrelsy, blackface, 111
Mora, Luise, 81–82
Mozart, Wolfgang Amadeus, 65, 72, 85; Symphony no. 39, 58–61
music of the spheres, 73–77, 91, 150, 145, 160
Narcissus, 121–124
Nietzsche, Friedrich, 9, 34–35, 88; “Midnight Song,” 105–107
Norment, Camille, 155–156, 157
Northup, Solomon: Twelve Years a Slave, 86–88
Ovid, 123
Owen, Wilfred: “Anthem for Doomed Youth,” 48
Pärt, Arvo: Spiegel im Spiegel, 90–92
Pasta, Guiditta, 100
Pavarotti, Luciano, 119
Pfaller, Robert, 63
phonogram, 68–69
phonograph, 15, 41–42, 51, 53–57, 61, 63–65, 68–71, 83–84, 93, 97–98, 160
photography, 43, 46, 51, 66, 93, 152–153
Pitman, Isaac, 45–47
Plato, 35, 74–76, 135, 137, 138, 140–141, 145, 160; Allegory of the Cave, 10, 132–134
Poe, Edgar Allan, 52–53; “The Bells,” 37–38
Pope, Alexander: “Essay on Criticism,” 37–38
Pound, Ezra: “Separation on the River Kiang,” 79
Pourciau, Sara, 134
Powers, Horatio Nelson, 68–69, 71
Proclus: “Hymn to the Sun,” 146
Proust, Marcel, 120, 125
Purcell, Henry: “Ode for St. Cecilia’s Day,” 75–76
Rilke, Rainer Maria: “The Vast Night,” 85–86
Rimsky-Korsakov, Nicolai: Scheherazade, 144
Roethke, Theodore: “The Abyss,” 150–151
Roosevelt, Franklin D., 119
Rousseau, Jean-Jacques: Reveries of a Solitary Walker, 19–21, 162
Schnorr von Carolsfeld, Ludwig, 81–82
Schubert, Franz, 81–82, 89, 111, 144; “Meeres Stille” (Calm Sea), 14–17
Schuleit, Anna, 127
Schumann, Julie, 99
Schumann, Robert, 157–159
Shakespeare, William, 45; As You Like It, 129; Hamlet, 22; The Tempest, 22, 66
Shelley, Percy Bysshe, 45
Shklovsky, Victor, 55
shorthand, 55–57
Silverman, Kaja, 66–67
Sinatra, Frank, 119
Smith, Bessie, 119
Soldier, Dave: “Motet: Harmonies of the World,” 145–146
Solms, Mark, 161
spacing, 63–65
Srebnik, Simon, 117–118
Stevens, Wallace, 102
Strindberg, August: A Dream Play, 137–138
Styron, William, 102–103
Swinburne, Algernon Charles: “Italys,” 50
telegraph, 30–31, 57, 157
Tennyson, Alfred: “In the Valley of Cauteretz,” 54–55; “Ode on the Death of the Duke of Wellington,” 48; “Vastness,” 150
Thoreau, Henry David: “A Winter Walk,” 139–140
tintinnabulation: Pärt, 90; Poe, 37–38
Tolstoy, Leo, 45, 111
Toop, David, 96–97
Tyndall, John, 142
Virgil: Aeneid, 24
von Arnim, Achim, 100
Vuong, Ocean, 115; “Aubade with Burning City,” 111–113
Wagner, Richard, 108; Prelude to Lohengrin, 109–110; Ring cycle, 100–105
Whitman, Walt, 94, 108–109; “A Contralto Voice,” 101–103
Wilde, Oscar, 18, 43, 94
Wilson, David, 86–87
Wittgenstein, Ludwig, x, 47, 88–89, 108
Woolf, Virginia, 40, 125; Between the Acts, 63–66, 73–74; Mrs. Dalloway, 148
Wordsworth, William: “Airey-Force Valley,” 72–73; “Ode: Intimations of Immortality,” 29–30; The Prelude, 85
Yeats, William Butler, 150–151; “The Lake Isle of Innisfree,” 58, 83; The Words Upon the Window Pane, 22
Yiddish, 115
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Lawrence Kramer, Experiencing Sound
