The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backwards, as woman after woman gives birth to infants that appear to be primitive species of humans. Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant. Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe living on the reservation, to understand both her and her baby’s origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity. There are rumors of martial law, of Congress confining pregnant women. Of a registry, and rewards for those who turn these wanted women in. Flickering through the chaos are signs of increasing repression: a shaken Cedar witnesses a family wrenched apart when police violently drag a mother from her husband and child in a parking lot. The streets of her neighborhood have been renamed with Bible verses. A stranger answers the phone when she calls her adoptive parents, who have vanished without a trace. It will take all Cedar has to avoid the prying eyes of potential informants and keep her baby safe. A chilling dystopian novel both provocative and prescient, Future Home of the Living God is a startlingly original work from one of our most acclaimed writers: a moving meditation on female agency, self-determination, biology, and natural rights that speaks to the troubling changes of our time.

Erdrich has added five new ``chapters'' to what in 1984 was originally called a novel. Then, and especially now (given the easy add-ons, the ready slotting of the new material), this formal insistence seems hollow and a bit pointless. The stories--which is what they are: none comes with narrative inter-hooks other than the times and constellation of Indian characters they encompass--remain vivid, often haunting, as at ease with the spirit world as they are able to mourn yet not discount the awful worldly circumstances that surround. The new stories are not equal to the best of the old here, but also do no particular damage to the net effect.

One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface as Geraldine Coutts is traumatized and reluctant to relive or reveal what happened, either to the police or to her husband, Bazil, and thirteen-year-old son, Joe. In one day, Joe's life is irrevocably transformed. He tries to heal his mother, but she will not leave her bed and slips into an abyss of solitude. Increasingly alone, Joe finds himself thrust prematurely into an adult world for which he is ill prepared. While his father, who is a tribal judge, endeavors to wrest justice from a situation that defies his efforts, Joe becomes frustrated with the official investigation and sets out with his trusted friends, Cappy, Zack, and Angus, to get some answers of his own. Their quest takes them first to the Round House, a sacred space and place of worship for the Ojibwe. And this is only the beginning. Written with undeniable urgency, and illuminating the harsh realities of contemporary life in a community where Ojibwe and white live uneasily together, The Round House is a brilliant and entertaining novel, a masterpiece of literary fiction. Louise Erdrich embraces tragedy, the comic, a spirit world very much present in the lives of her all-too-human characters, and a tale of injustice that is, unfortunately, an authentic reflection of what happens in our own world today. Amazon.com ReviewLikely to be dubbed the Native American To Kill a Mockingbird, Louise Erdrich’s moving, complex, and surprisingly uplifting new novel tells of a boy’s coming of age in the wake of a brutal, racist attack on his mother. Drawn from real-life statistics about racially inspired attacks on our country’s reservations, this tale is forceful but never preachy, thanks in large part to Erdrich’s understated but glorious prose and her apparent belief in the redemptive power of storytelling. --Sara NelsonReview“Erdrich threads a gripping mystery and multilayered portrait of a community through a deeply affecting coming-of-age novel.” (Karen Holt, O, the Oprah Magazine )“A sweeping, suspenseful outing from this prizewinning, generation-spanning chronicler of her Native American people, the Ojibwe of the northern plains...a sumptuous tale.” (Elle )“A stunning and devastating tale of hate crimes and vengeance…Erdrich covers a vast spectrum of history, cruel loss, and bracing realizations. A preeminent tale in an essential American saga.” (Donna Seaman, Booklist, Starred Review of THE ROUND HOUSE )“The story pulses with urgency as she [Erdrich] probes the moral and legal ramifications of a terrible act of violence.” (Publishers Weekly, Starred Review of THE ROUND HOUSE )“Erdrich skillfully makes Joe’s coming-of-age both universal and specific…the story is also ripe with detail about reservation life, and with her rich cast of characters, Erdrich provides flavor, humor and depth. Joe’s relationship with his father, Bazil, a judge, has echoes of TO KILL A MOCKINGBIRD.” (Library Journal, Starred Review of THE ROUND HOUSE )“Moving, complex, and surprisingly uplifting…likely to be dubbed the Native American TO KILL A MOCKINGBIRD” (Parade, Fall's Best Books )“Riveting…One of Erdrich’s most suspenseful novels.... It vividly portrays both the deep tragedy and crazy comedy of life.” (BookPage, Cover/Feature Review )“A gripping mystery with a moral twist: Revenge might be the harshest punishment, but only for the victims. A-” (Entertainment Weekly )

Louise Erdrich's The Master Butchers Singing Club is a powerfully told story of love, death, redemption, and resurrection. After German soldier Fidelis Waldvogel returns home from World War I to marry his best friend's pregnant widow, he packs up his father's butcher knives and sets sail for America. He settles in Argus, North Dakota, where he sets up a meat shop with his wife Eva, who quickly befriends the struggling yet resourceful Delphine Watzka. Delphine, who runs a vaudeville show with her balancing partner Cyprian Lazarre, has returned home to Argus to care for her alcoholic father. While most of this emotionally rich novel focuses on the changing landscape of small-town life as seen through Delphine and Fidelis's eyes, Erdrich does a masterful job of illuminating hidden dramas through her secondary characters. Erdrich's portrayal of these various townsfolk, including members of the Master Butchers Singing Club, truly shows off her storytelling talent. Her ability to infuse each character with a distinct and multifaceted personality makes this novel an intimate and thought-provoking adventure. --Gisele Toueg

A strange and compelling unkillable woman decides to leave home, and the story begins. Fleur Pillager takes her mother's name, Four Souls, for strength and walks from her Ojibwe reservation to the cities of Minneapolis and Saint Paul. She is seeking restitution from and revenge on the lumber baron who has stripped her reservation. But revenge is never simple, and she quickly finds her intentions complicated by her own dangerous compassion for the man who wronged her. Four Souls reminds us of the deep spirituality and the ordinary humanity of this world, and is as beautiful and lyrical as anything Louise Erdrich has written.