Portrait of a murder, p.1

Portrait of a Murder, page 1

 

Portrait of a Murder
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Portrait of a Murder


  Table of Contents

  Cover

  Also by Michael Jecks

  Title Page

  Copyright

  Dedication

  Chapter One: Out With a Bang

  Chapter Two: Party Time

  Chapter Three: An Interview

  Chapter Four: The Commission

  Chapter Five: Meet the Sitter

  Chapter Six: First Impressions

  Chapter Seven: The Moors

  Chapter Eight: Back to the Bar

  Chapter Nine: She’d Prefer an Artist

  Chapter Ten: Colombia

  Chapter Eleven: The Curse of the Pigeon – Seriously

  Chapter Twelve: A Figure in the Dark

  Chapter Thirteen: Memories Are Made of This

  Chapter Fourteen: A Visitor

  Chapter Fifteen: Cats and Commissions

  Chapter Sixteen: Hawkwood

  Chapter Seventeen: Evesham

  Chapter Eighteen: Jean Robart

  Chapter Nineteen: Taken to Lunch Again

  Chapter Twenty: Whose Money?

  Chapter Twenty-One: The Stalker

  Chapter Twenty-Two: Devon and Court

  Chapter Twenty-Three: Elizabeth’s Story

  Chapter Twenty-Four: Invited to Watch Another Meal

  Chapter Twenty-Five: Champagne and Colombia

  Chapter Twenty-Six: Peter’s Club

  Chapter Twenty-Seven: Peter’s on His Way

  Chapter Twenty-Eight: Breakfast Meeting

  Chapter Twenty-Nine: Harry’s Place

  Chapter Thirty: Thorogood Shares the Pain

  Chapter Thirty-One: Elizabeth’s Friend

  Chapter Thirty-Two: Two Whores

  Chapter Thirty-Three: Elizabeth’s Story

  Chapter Thirty-Four: Russian Return

  Chapter Thirty-Five: Ear, Ear

  Chapter Thirty-Six: They Pay With Their Souls

  Chapter Thirty-Seven: Peter’s Surprise

  Chapter Thirty-Eight: Elizabeth’s Confession

  Chapter Thirty-Nine: Brandy and a Book

  Chapter Forty: Cherchez la Femme

  Chapter Forty-One: Russian Justice

  Chapter Forty-Two: My Finger

  Chapter Forty-Three: Ponzi

  Chapter Forty-Four: The Colombians

  Chapter Forty-Five: The Garden of Eden

  Chapter Forty-Six: Mark

  Chapter Forty-Seven: Recovery

  Chapter Forty-Eight: Epilogue

  Also by Michael Jecks

  The Jack Blackjack mysteries

  REBELLION’S MESSAGE *

  A MURDER TOO SOON *

  A MISSED MURDER *

  THE DEAD DON’T WAIT *

  DEATH COMES HOT *

  THE MOORLAND MURDERERS *

  THE MERCHANT MURDERERS *

  The Templar mysteries

  NO LAW IN THE LAND

  THE BISHOP MUST DIE

  THE OATH

  KING’S GOLD

  CITY OF FIENDS

  TEMPLAR’S ACRE

  Vintener trilogy

  FIELDS OF GLORY

  BLOOD ON THE SAND

  BLOOD OF THE INNOCENTS

  * available from Severn House

  Visit www.michaeljecks.co.uk for a full list of titles

  PORTRAIT OF A MURDER

  Michael Jecks

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  First world edition published in Great Britain and the USA in 2023

  by Severn House, an imprint of Canongate Books Ltd,

  14 High Street, Edinburgh EH1 1TE.

  Trade paperback edition first published in Great Britain and the USA in 2023

  by Severn House, an imprint of Canongate Books Ltd.

  This eBook edition first published in 2023 by Severn House Digital

  an imprint of Severn House Publishers Limited

  severnhouse.com

  Copyright © Michael Jecks, 2023

  All rights reserved including the right of reproduction in whole or in part in any form. The right of Michael Jecks to be identified as the author of this work has been asserted in accordance with the Copyright, Designs & Patents Act 1988.

  British Library Cataloguing-in-Publication Data

  A CIP catalogue record for this title is available from the British Library.

  ISBN-13: 978-1-4483-1037-1 (cased)

  ISBN-13: 978-1-4483-1054-8 (trade paper)

  ISBN-13: 978-1-4483-10395 (e-book)

  This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously. Except where actual historical events and characters are being described for the storyline of this novel, all situations in this publication are fictitious and any resemblance to actual persons, living or dead, business establishments, events or locales is purely coincidental.

  This ebook produced by

  Palimpsest Book Production Limited, Falkirk,

  Stirlingshire, Scotland.

  This book is for my brothers:

  Clive and Keith,

  and in loving memory of Alan.

  With thanks to them and the New Zealand contingent:

  Gwynn, Rachelle, Vicki, Chris and Dri.

  ONE

  Out with a Bang

  They tell me you can sense someone’s aura. It’s a coloured haze all around them, from the skin to about five inches out. Not that I’ve ever seen one.

  Mine is blue, apparently. Nothing to do with my mood; it’s just the colour I have, according to a friend who’s a shaman – yes, I have a friend who’s a shaman. Get over it. Some folks have deep auras, others have thinner ones, but it’s always there. Mind you, if that’s the case, why can’t we sense each other’s? And since, apparently, the aura will let other people guess your inner nature, why aren’t more people repelled by men like Jason?

  Jason’s was red. Just like his blood.

  I was once in Kingston-on-Thames when a lorry axle snapped like a cannon’s blast. That was different: that was a strange sound that no one was accustomed to. Every head turned, not in fear necessarily, but with an awareness of the uniqueness of that sudden crack. Hearts accustomed to stories of US shootings were set pounding.

  But this was no axle shearing in a rush hour.

  I will remember that morning till the day I die. It was just gone nine thirty, and Jason was late again. I was in the studio sketching, waiting for him, when I heard it. A gunshot.

  My first reaction? No fear, to be honest. This was the countryside, after all, and I know about guns. I’d been a keen shooter since the day I joined the local rifle club. Over the years, I’ve used pistols, rifles and shotguns, and I’ve seen what they can do. One thing I was sure of was that the thing should not have gone off so close to the buildings. This was rural, close to fields, and I wasn’t surprised to hear a shotgun nearish, but this sounded very close. It had not been that long since the latest shootings in America, and although I knew logically that a madman running around with a gun would almost certainly be in London, not a small village in Devon, logic doesn’t intrude when you’ve just heard a gunshot.

  This wasn’t the US. I was in rural England, with my feet firmly placed on granite flags in a hotel on a cool summer’s morning. I listened, breathing so shallowly that I got quite light-headed, but there was nothing – only a weird expectancy. I kind of expected at any moment to hear bullets crash through the glass of the windows, perhaps feel the agony of metal tearing through my flesh, and when there was nothing, I felt almost desolate. As I said: weird.

  How long I stood there, I couldn’t say, but I was sure that there was something wrong. It felt wrong. There was a hot, sweaty feeling all over my body, but I felt frozen to the core, as though I had a fever. I know that for some time I was unable to move, but then I heard an anxious shout, a man’s call, a nervous woman’s voice. I wasn’t the only one on edge.

  I shook myself out of it. There were no terrorists here. That wasn’t a high-velocity rifle or a pistol; it was a shotgun. A solid, flat bang. No echo, and a certain dullness to the noise, which made it sound as if it was partially muffled. Not very near, but not far away.

  Opening the door, I made my way to the rear yard.

  I heard a door slam. Birdsong lilted on the air. High overhead, a buzzard cried mournfully. There were several cars parked in covered bays. A gateway to the right was the one I’d seen Elizabeth take the previous night in the dark with a friend. Opposite was another that gave on to a smaller yard where the logs and gardening equipment were stored.

  There was a clattering of plates and cutlery from the kitchens, and a sense of unreality washed through me. There was only mundane, normal life. The maid, Debbie, came through the door behind me and I nearly jumped out of my skin. The petite, dark-haired girl gave me a fleeting nod, a shy smile, and I felt my panic subside.

  ‘Where are you off to?’ I said.

  ‘We need logs for the bar. Do you want anything?’

  ‘No, I’m … Just a coffee. Do you know where Jason is?’ I asked.

  ‘In the yard, I think,’ she sai

d. ‘Do you want him?’

  ‘Yes. Did you hear a noise a little while ago?’

  She made a little moue. ‘What sort of noise?’

  ‘A loud bang. Were you in the bar?’

  ‘Yes, I’ve been clearing up after last night,’ she said, frowning.

  If the shot had been from the front, she would have heard it; since she hadn’t, it was more likely to have come from out back.

  ‘I’ll come with you,’ I said.

  There was no sound from the log piles. Behind them, there were buildings with workshops and maintenance sheds, well hidden from the public eye. Perhaps someone was shooting rats? But who would be stupid enough to use a twelve-bore on rats in an enclosed area? I crossed the yard with Debbie close behind. The sheds out there were little more than open-fronted barns. There was no door, no front wall, only broad two-storey storage rooms. I walked in, calling, ‘Jason?’

  Something fell to the floor, startling me. In my mind, I had visions of bats, perhaps some thick, ancient crud falling from the ceiling.

  The rafters and corrugated iron roof held more spatters and flecks. As I stared, another piece fell, and I followed it with my eyes as it dropped into a pool, making lazy ripples. I turned, but too late. Debbie, her eyes wide in horror, was staring, her hands at her mouth as though to trap the squeal of terror before it could leave her. I grabbed her, pulled her from the scene and out to the yard, where I held her tightly as she began to scream, trying to pull away from me, staring at my shoulder like a demented patient seeing a straitjacket.

  Jason was in there, slumped at the far wall – well, most of him was. The muck on the ceiling and walls were his blood and bone and brains. His head had been blown off by the shotgun at his feet.

  Then I realized what she was staring at. Some of the crud had hit my shoulder. There are many things a man should never see, and of all of them, the leading contender for top prize in the ‘I never want to see that again’ stakes would be that lump of flesh on my shoulder and the bloody tuft of moustache hair on it.

  I’ll never forget that sight. I doubt Debbie will either.

  TWO

  Party Time

  I first met Jason Robart at his birthday party in London. I get invited to some parties, you see. Just not many.

  This was a big do, in an old tea warehouse off an alley south of the river near Tower Bridge. It was one of those uber-pretentious joints where you could tell how expensive it was by its shabbiness. Tables were upended tea chests; chairs were rare. It was a bar that catered to those with lots of money, who craved the simplicity of the truly impoverished. I wasn’t in the mood for millionaire faux-poverty that evening. I was more keen on the idea of getting outside a large drink while I figured out how to pay the month’s rent.

  I didn’t see anyone I knew, and was still standing at the door, gazing at the throng, when he appeared at my side, an aggressive presence with a smile like a Rottweiler trapping a postman.

  ‘Hello. I’m Jason.’

  ‘Good to meet you,’ I said. ‘I’m Nick.’

  He shook hands the way a fighter would. His hand scythed forward and grasped mine. OK, he didn’t squeeze too tightly like some Donald Trump sort, trying to prove they’re top dog and all that, but he did grip just a little too hard. It was a subtle form of intimidation, telling me that, if he wanted to, he could crush my hand.

  And from his build, he could have, too. Broad-shouldered, like a man used to carrying a hod all his life, he had the slim waist of a boxer. His hands were large but soft-fleshed, and I got the impression of a man used more to an office and a gym than genuine hard work in the open air. He was strong enough, though, and there was a look in his eye that told me he would not be a good enemy. He had blue eyes: very dark, almost indigo, with ultramarine flecks. And over his upper lip, a ludicrous anomaly: a drooping Viva Zapata moustache.

  That moustache spoke to me. He was a larger-than-life character, it said. This guy is powerful; this guy is important.

  Or, rather, this gorilla has an over-inflated opinion of himself.

  And he could speak, too. ‘I wanted to introduce myself because this is my party. And I don’t remember inviting you, Nick.’

  ‘Hardly surprising: you didn’t.’

  ‘Well, since this is a private party, people are expected to have an invitation. No invitation, as they say, no party.’

  You know those guys who carry a ‘Sod you’ look with them all day long? He was one. After delivering his little speech, he planted himself in front of me. It would have been easier to shove aside an oak.

  ‘So, since you appear to have gatecrashed my party, what do you want before you leave?’

  ‘I was hoping for a drink.’

  He peered at me. ‘At least that’s honest! Why should I buy you a drink? You could be a mafioso or a pickpocket.’

  I had the impression he wouldn’t be surprised if I was. There was a strange undercurrent of tension, as though he really thought I could be an assassin. Yes – it had seemed laughable then. Less so now.

  ‘Off the top of my head, because you’re already paying a fortune for this place and one more glass here or there won’t make a blind bit of difference.’

  ‘Cheeky bastard! Well, you’ve got balls, coming in here and demanding a drink!’ He gave a sudden laugh, and his face eased. The grimness and suspicion left him, and he grinned like a burglar who’s just recognized a fellow. ‘All right, then, you thieving git. What do you want?’

  ‘A glass of red would be good, thanks.’

  ‘Coming up.’

  That was how I met the man who would soon be dead.

  His friend was there.

  Peter Thorogood was slim and dapper, and he wore a dark blue suit that must have cost well north of a thousand pounds. It looked good on him. Then again, that suit was worth more than I would spend on food in a year. It should look good.

  He caught my eye and strode over to welcome me. A shortish woman, maybe five two or three, walked at his side. She had honey-gold hair cut into a sensible bob, and beneath it she was built like a fine yacht: all smooth, flowing lines and hellishly expensive.

  But it was her eyes that got me. I remember, years ago, my Gran seeing Steve McQueen on TV, and saying, ‘Doesn’t this television bring out blue eyes?’ None of us had the courage to say they were probably tinted contact lenses. With this woman, I was convinced that they were genuine, a brilliant violet-blue that entranced me. I’d love to have caught them on paper.

  ‘Mr Morris! I’m glad to see you. You got my invitation, then? Excellent!’

  Peter Thorogood had a triangular face, rather like an alien from a fifties B movie, but his eyes missed little. They were curiously reptilian. The whole of the iris was visible, and he didn’t blink. I don’t mean he didn’t blink much; I mean he just didn’t blink at all that I noticed. It was off-putting.

  She, on the other hand, was glorious. And it wasn’t only my opinion. Men all over the room had their eyes fixed on parts of her anatomy. One had his chin grabbed by his partner and pulled back to face her, a pair at the bar stopped talking to leer, and two Italian mafia-types couldn’t take their eyes off her.

  ‘No, I only got here a short time ago.’

  ‘This is Elizabeth. She’s Jason’s partner. Let me get you a drink. What’ll you have?’

  He waved a hand at Elizabeth, and I noticed she took the opportunity to sidle a short distance from him. I got the distinct feeling that he had tried his luck with her and failed. She had better taste than that, clearly. Maybe she’d prefer an artist?

  ‘Thanks, but birthday boy is getting me one.’

 

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