Ode to murder, p.1
Ode to Murder, page 1
ODE TO MURDER
A LARKIN DAY MYSTERY
BOOK 1
NICOLE DIEKER
Ode to Murder is a work of fiction. The characters, incidents, and dialogue are creations of the author’s imagination or are used fictitiously. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
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Copyright © 2022 by Nicole Dieker
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All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review.
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Cover design and interior design by Alan Lastufka.
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First Edition published October 2022.
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10 9 8 7 6 5 4 3 2 1
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ISBN 978-1-7336919-5-6
CONTENTS
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Author’s Note
Acknowledgments
About the Author
For my parents, who taught me to
love both mysteries and music.
CHAPTER 1
“I’m not going to choir practice tonight,” Larkin told her mother.
“Yes, you are,” Josephine Day said, not looking up from her laptop. “I already told Ed you’d be there.”
“You can’t tell people I’ll be places,” Larkin said, not getting up from the sofa. “That’s not how this is going to work.”
“I think I get at least some say in how it’s going to work,” Josephine said. “Since you are living in my house.”
“Temporarily,” Larkin said.
“I’m well aware.”
“And I’m supposed to be taking some time off,” Larkin continued, shifting position just enough to activate her core and project her voice towards the kitchen table. “To think about what I want to do with the rest of my life.”
“Are you thinking about it?”
“I’m thinking that I don’t want to sing in community choir.” Larkin was actually thinking that it had been a very long time since she had activated her core.
“It’s not a community choir. We’re bringing together all of the choruses between Cedar Rapids and Iowa City. There will be singers from all over the Corridor.” At least her mother had not called it the Creative Corridor this time, emphasis on creative, as if that would entice Larkin to get off the sofa and get back to creating. Larkin did not want to make art in Pratincola, Iowa. She didn’t want to make art in any city where you had to say the name of the state afterwards.
Larkin didn’t even know if what she did qualified as making art, anymore. At one point Larkin was very sure she was going to make art, staging plays and musicals that revealed truths no one in her audience had ever considered. At a different, slightly later point, she’d told herself it was just as worthwhile to teach other people how to make art—although she’d also asked herself how she could teach something she hadn’t actually done. Larkin had considered this truth and then ignored it, not that it mattered. At this point, nobody was interested in hiring Larkin to teach or make anything.
“Are we getting paid?”
“Of course not.”
“Then it’s a community choir.”
“It is a community event,” Josephine said, finally looking over the top of her laptop. Larkin was thirty-five years old; her mother’s glare could make her feel thirteen again. “We are celebrating. Do you know how often orchestras perform Beethoven’s Ninth?”
“Did you know before you looked it up online?” Now she was acting thirteen again, too.
“The Corridorchestra is going to be a very big deal for us, and I think you should participate.” Josephine shifted her gaze back down to her laptop, and Larkin knew that meant her mother assumed the argument was over. That’s how she would have staged it, back when she had assumed she would become a theater director at a university, a tenured faculty member, and the second Dr. Day. Instead, she was Dr. Day’s daughter, on Dr. Day’s sofa, watching Dr. Day return to academic administrata because her mother knew that Larkin was, in fact, going to choir practice tonight.
“Did you tell them I haven’t sung in a choir since high school?”
“It’s ‘Ode to Joy,’” Larkin’s mother said. “I think you’ll know the tune.”
Three hours later Larkin found herself thirteen pages into a thick green score, struggling to sight-read the alto line while mentally rehearsing various devastatingly clever ways to tell her mother that Beethoven’s famous melody only took up a small portion of the last movement of the symphony. None of this was familiar, not to mention that it was in German—though right now they had been instructed to ignore the lyrics and sing the entire thing on “no.” It felt exactly like what Larkin wanted to shout at her mother, at Ed the choral director who had waved at her like he already knew her, at her dissertation adviser who had suggested she take a break, at all of the department chairs at all of the interviews who had politely listened to her ask questions about their various campuses even though they all knew there was no chance in hell that she’d get hired.
Larkin glanced up at the framed portraits that hugged the speckled ceiling like a wallpaper border. The Cedar Rapids segment of what Ed had called the “megachoir” was in a church basement, because of course it was, and they were surrounded by visages of previous pastors who, as the decades proceeded, shifted from stiff lips to soft smiles, sepia to grayscale, male to female. All white, of course; Ed, wearing a T-shirt that read “this is my choir rehearsal shirt,” was one of the few black people in the room.
And now Ed was looking at her because she’d lost her place. “Focus,” he said, just like her mother and her dissertation adviser and everyone else in her life. The tiny towheaded woman sitting to Larkin’s left, who had introduced herself as “Anni with an I” in the kind of voice that made Larkin suspect the I had a heart on top of it, quickly and quietly pointed at the correct part of the score. “Nooooooo,” Larkin sang, sustaining the note and letting it crescendo.
At the break, while Larkin was reaching into her bag for her phone and hoping she could spend the next ten minutes learning about celebrities who had worse lives than hers, Ed walked right up to her metal folding chair and introduced himself. “I’m Ed Jackson,” he said, holding out his hand. He was younger than Larkin had figured a man named Ed would be. Also jacked, which she wasn’t expecting. She watched his bicep expand and contract as they shook hands. “I’m so glad you’re here,” Ed told her, and Larkin’s eyes quickly went up to his face. “Your mother’s said so many good things about you.”
Larkin could no longer imagine what her mother said about her. My daughter, who’s in Los Angeles pursuing her PhD in theater would have become my daughter, who’s working on her dissertation and now my daughter, who lives in my guest bedroom. It didn’t even have the decency of being her childhood bedroom; when Larkin was growing up, they’d lived in a bungalow that faced the Puget Sound.
But Dr. Day had wanted to be a college president, and was willing to move to Iowa to be a college dean, and when Anni-with-an-I said something about Dr. Ed being part of the Pratincola music faculty—“it’s your third year, right?”—Larkin put it all together. She was in this church basement right now because her mother wanted her to do something besides take up the length of the living room sofa, and because Dr. Ed Jackson wanted her mother to approve his bid for tenure.
So Larkin stood up, because the folding chair was uncomfortable and because she was taller than Anni by two heads and taller than Dr. Ed by two inches. “I’m only here for a couple of months, really. But I’m glad I could help.” Her theater training, as useless as it had turned out to be, had at least taught her how to tell a convincing lie.
“You have all of the information about the concerts, right?”
“Yes,” Larkin said. Just because she hadn’t looked at any of the information didn’t mean she didn’t have it. There would be one performance in Iowa City and one performance in Cedar Rapids, and at some point she’d put those dates on her currently empty calendar.
“I can help you get on the email list, if you want,” Anni said.
Larkin did not want, but it didn’t matter—Ed was already explaining to Anni how he’d gotten Larkin’s email address from her mother, and Larkin was simply waiting until Ed and Anni paused long enough for her to excuse herself from this conversation. Up the stairs, past the line of women waiting to use the restroom, and out the door.
It was still light out, and still warm; a cluster of gnats hovered in front of the glowing church sign and the air felt like the city had just taken a shower. Easy for Larkin to forget that it was September; that everyone was back in school except for her.
“Want a light?” It was the accompanist; salt-and-pepper hair, rolled shirt
“I don’t smoke.”
“So you’re just out here to enjoy the night air.” He took a drag off his cigarette; exhaled. “I’m Harrison,” he said, putting his lighter into his satchel and offering his hand.
“Larkin.” They shook, and then Harrison reached into his satchel again. “Don’t tell anyone,” he told her, as he unscrewed the top of a battered flask.
“I don’t know anyone,” Larkin said, watching him drink and then shaking her head as he held the flask in her direction.
“I thought I hadn’t seen you before,” Harrison said, and Larkin saw his body tense just enough to reveal the truth; he was well aware that he hadn’t seen her before, and was pretending to be casual. Still, he was doing a good job of it. Larkin didn’t often get the chance to flirt with people. She had her father’s height and her mother’s hips, which seemed to ward off the majority of men; plus, as a theater director and graduate student she had been exceptionally sensitive to the power dynamics, unethicality, and general ickiness involved in pursuing a relationship with anyone in her cast or crew or classroom or cohort, male or female. So she’d enjoy this opportunity, even if Harrison was a little old for her.
Larkin smiled, with subtext. “I suppose I’m new in town.”
“Which town?”
“Pratincola.”
“Ah,” Harrison said. “Home of the Fighting Roses.”
“They have thorns,” Larkin said. She had seen as much, from the banners strung around her mother’s college. Her mother had explained that it was a small, liberal arts school; while the students themselves were sharp, the football team was lucky to win one game per season.
“Pratincola was the big city, when I was growing up,” Harrison said. “It had a coffee shop.”
“Now it’s got everything,” Larkin said. “Or so my mother tells me.” She instantly regretted bringing her mother into the conversation; it felt like the antithesis of flirting. She followed up with the kind of coy banality that would make herself sound mysterious and Harrison sound clever. “But you already figured out that I’m not from around here.” Larkin wished she had an excuse to shake her long, dark hair out of its last-minute ponytail, but that would be the kind of staging that she would describe as a gesture overused to the point at which its symbolic meaning prevents the audience from experiencing the truth of the moment—the academic way of saying cliché—if someone else did it. She let her weight shift onto one leg instead, angling her torso and positioning herself to share the scene.
“Where are you from, Larkin?”
It had been years since Larkin had known how to answer this question. “Los Angeles,” she said. “New York. Minneapolis, for six months. Cambridge”—which had also been for six months, but she left that part out—“and Portland and Seattle.” She’d actually grown up south of Seattle, in Tacoma, which meant that she had just listed six cities without naming the one that most people would consider the correct answer to “where are you from,” but she figured nobody in Eastern Iowa would know where Tacoma was. She hadn’t known where Pratincola was until her mother moved there.
“A rolling stone,” Harrison said. “I admire it. Sometimes I wish I’d lived in a few more places.” He glanced at Larkin again, eyes crinkling to match his smile. “I suppose there’s still time.” Then he glanced at his watch: silver, not smart. “Speaking of which—”
“We should go.”
“Yes,” Harrison said, stubbing out his cigarette under a scuffed leather shoe, adjusting his satchel, and opening the church door. “Oh, joy.”
Over the next week, mostly to spite her mother, Larkin only left the house to go to choir rehearsal. If it wasn’t Thursday evening or Sunday afternoon, she stayed indoors and under the air conditioning vent; outside felt like walking through one of the thick, chewy brownie mug cakes Larkin kept microwaving for herself, shaking a mug’s worth of brownie mix out of the box at a time. When Josephine suggested that Larkin go pick up some groceries, Larkin downloaded an app and ordered them online. When Josephine asked if Larkin had gotten a chance to check out the library yet, Larkin said that she could still use her Los Angeles library card to check out e-books—“and I bet they have a better selection.” When Josephine asked if Larkin was making new friends in the choir, Larkin said “Well, some old lady named Marlene baked us all scotcheroos, which is apparently what this town calls chocolate-covered Rice Krispies treats, which is what I called them, and I’m pretty sure she hates me now.”
“No one could hate you,” her mother replied, the two of them at their usual spots; Larkin with her phone on the sofa and Josephine with her laptop at the kitchen table. “You’re so pleasant.”
There was silence, for a moment, and then Larkin’s mother spoke again. “There’s also butterscotch,” she said. “In a scotcheroo. And peanut butter.”
“Okay, Mom.”
“I’m just saying—”
“I know,” Larkin said. Her mother had just said it often enough. “Pay attention to the details.”
“Well, they’re important,” Josephine said. Her specialty, before it was administration, had been poetry; she had no patience for any Shakespeare production where the actors spoke the language naturally, and loved telling her students—and her daughter—that the feelings were carried on the feet. Dr. Day was all about feet and meter and iamb and caesura; she’d never had to worry about making art because she’d been so good at explaining what it was made of.
“Especially in a place like Pratincola,” her mother continued, still explaining. “The way you treat people, the way you behave—people remember. For years, sometimes.”
“You’re not doing a very good sales job, Mom.”
“I love it here,” Josephine said. “It’d be nice if you tried to like it.”
“I don’t have to like it,” Larkin said. “I have to get my life together.”
“Fine,” Larkin’s mother said. “Then get your life together. Did you get any work done today?”
“Yes,” Larkin said, because she had spent roughly fifteen minutes looking at open faculty positions that she no longer considered herself qualified to pursue, and then spent roughly fifteen seconds asking herself what kind of job she could get with a resume that included four years of theater and food service gigs followed by five years of graduate school and two years of—well, the past two years could be explained, everyone would understand that story. Then Larkin had opened her bank app to see the number that represented her checking account balance, closed it before she could see the numbers that represented her student loan and credit card debt, and spent the rest of the afternoon watching Baz Luhrmann’s Romeo + Juliet on her phone. Her mother was wrong about Shakespeare, which meant she could be wrong about anything.
“I’m not going to stay here forever,” Larkin said, staring at the sofa.
“I never said you would,” her mother said, looking at her laptop.
“I’m going to finish my dissertation and then leave,” Larkin said, but although she put plenty of dramatic emphasis into the words, she was fairly sure that her audience didn’t believe her.
CHAPTER 2
Larkin was almost late to Thursday’s rehearsal because she hadn’t paid attention to the details; she drove to Cedar Rapids, noticed the church parking lot was empty, and then pulled out her phone to check the three choir-related emails she had received that week, none of which she had read carefully, all of which reminded her that rehearsal would now take place at the orchestra hall. “First time with the megachoir!” Ed had written. “I hope you’re all practicing at home. We don’t want those Iowa City singers to show us up!”
