A sisters promise, p.1

A Sister's Promise, page 1

 

A Sister's Promise
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A Sister's Promise


  PAM WEAVER

  A Sister’s

  Promise

  Published by AVON

  A Division of HarperCollinsPublishers Ltd

  1 London Bridge Street

  London SE1 9GF

  www.harpercollins.co.uk

  First published in Great Britain by HarperCollinsPublishers 2024

  Copyright © Pam Weaver 2024

  Cover design by Claire Ward/HarperCollinsPublishers Ltd

  Cover photographs © Gordon Crabb (girl) and © Victor Habbick/Trevillion Images (background)

  Pam Weaver asserts the moral right to be identified as the author of this work.

  A catalogue copy of this book is available from the British Library.

  This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

  Source ISBN: 9780008542351

  Ebook Edition © July 2024 ISBN: 9780008542368

  Version: 2024-05-27

  I dedicate this book to all my readers. Without you, dear reader, I’m a ship without a rudder, a bike without a chain, a biro with no ink . . .

  Contents

  Cover

  Title page

  Copyright

  Dedication

  Muntham Court, 1920

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Author’s Note

  Acknowledgements

  Keep Reading

  About the Author

  Also by Pam Weaver

  About the Publisher

  Muntham Court, 1920

  Agatha stretched herself luxuriantly and lifted her face towards the early morning sun. Ah, she thought, this is the life. She was on the veranda and still in her nightgown and negligee, but she didn’t care. After yesterday, it was unlikely that anyone would call on her, not at this time of the morning anyway.

  Following the evening celebrations the day before, Muntham Court was peaceful and quiet. Inside the house, a team of staff were busy cleaning and putting everything back in order, but she couldn’t hear them. The only sounds came from the doves – or was it pigeons (she would never get used to living in the country) – cooing on the rooftop and the odd bleat from one of the sheep in the field opposite the long drive.

  Agatha smiled to herself. She had done it. Her mother said everything was lost but it wasn’t. She had secured her position in society at last and she couldn’t help feeling more than a little smug about it. She had it all. The big house, money, status . . . Of course it had come at a cost, but all that stress had ceased the moment she’d given birth to Charles’s baby. Her confinement and the birth had been straightforward, but he would never know. Better that he thought she had had a protracted and difficult delivery. Who would tell him anything different? They wouldn’t dare. She allowed herself a sly smile. No one could touch her now.

  She opened her eyes as Faulkner came out of the house with the breakfast tray. She was eating light today. She’d refused anything cooked. She had to get her figure back, so it was simply toast, marmalade and a pot of tea – Earl Grey, of course. She loved the flavour made distinct by oil of bergamot, a type of orange; its connection with the one-time prime minister, Charles Grey, gave her a chance to show off her knowledge. ‘It was gifted to him by the Chinese, don’t you know. You may have heard of him. He was the prime minister who presided over the abolition of slavery in the British Empire.’

  The butler laid the tray on the table and Agatha noted the tremble of his gnarled hands. He must be way past retirement age. It didn’t look good, keeping on someone so obviously past his prime. She must remember to ask Charles what the family did with ‘old retainers’. ‘Thank you, Faulkner.’

  ‘Madam,’ he said, turning back unsteadily.

  Agatha reached for a cigarette. ‘Is my husband in the breakfast room?’

  ‘I’m sorry, madam. The master left for London early this morning. He said he’d be back at the weekend, I believe.’

  Reaching for the cigarette lighter, Agatha dismissed him. ‘Thank you, Faulkner.’

  As soon as the old man had gone, she poured herself some tea and relaxed again. Thank goodness she was alone. Now she could enjoy her lazy day. She yawned. A lazy and peaceful day.

  The sound of a baby’s cry came floating across the lawn. Agatha looked up to see the nurse striding towards the house with the child in her arms. What the hell was she doing? She sat up straight and waited until the woman reached the patio. ‘What do you want?’ she said harshly.

  The nurse, all smiles, glanced down at the squawking baby in her arms and said in a singsong voice, ‘We thought we would come and see Mummy, didn’t we?’

  Agatha laid her cigarette on the ashtray and reached for her toast. ‘Well, now you’ve seen me, you can go back,’ she said without looking up.

  The nurse blinked in surprise. ‘Wouldn’t madam like to hold her baby?’

  ‘No she would not,’ Agatha said coldly. ‘I employed you, Nurse Cowdray, to look after her.’

  ‘Madam is obviously tired after the birth. We’ll come back later in the afternoon.’

  ‘No, Nurse, you shall not,’ Agatha said firmly. ‘You feed her, you bathe her and you see that her things are washed; in short, she is your responsibility.’

  ‘But surely . . .’ Nurse Cowdray spluttered.

  ‘But nothing,’ Agatha snapped. ‘Now, will you please take the baby back to the cottage and remain there for the rest of the day.’ She pulled her negligee over her bound breasts but already the milk was seeping from her nipples. Damn the woman for bringing the child so near to her. The last thing she wanted was lactating mammary glands. She flushed with embarrassment. Thank the Lord that old fool Faulkner wasn’t still around to see it.

  ‘Mrs Shepherd,’ Nurse Cowdray began again, ‘it’s really important for mother and baby to bond with each other in the early days. I know you’d rather not feed her yourself’ – she had seen Agatha shudder at the thought – ‘but it really is no trouble to bring her up to the house for a little cuddle. That’s why I thought—’

  Agatha drew herself up. ‘And I thought I had made myself perfectly clear at your interview, Nurse Cowdray. You are paid to look after the baby. You are the one to comfort it. When I want the child in the house, I shall send someone to tell you. Until then, will you please go back to the cottage and do your job!’

  Visibly shocked, the nurse turned on her heel and walked back across the grass. With not one ounce of regret, Agatha shook the napkin out and laid it in her lap. For the next few minutes, she ate her toast and sipped her tea.

  When she had finished, she leaned back in the chair. She would have to go back into the house in a minute. Already the leaking milk was drying into a stiff globule on her nightgown. She supposed it must have been her body’s reaction to hearing the baby’s cry. There was a slight sound in the doorway. Irritated, Agatha opened her eyes. A little soon-to-be three-year-old was hovering by the French doors, one foot on the patio and the other inside the sitting room. Agatha sat up. ‘Hello, sweetheart. What are you doing here?’

  She could see a crisp white apron just behind her. ‘I hope it’s all right, madam,’ said Nanny Bloom, ‘but Pearl spotted you from the nursery window and was so desperate to see you.’

  ‘Of course she was,’ Agatha said, her tone softening. ‘Come over here, my darling. Come and give Mummy a cuddle.’

  Chapter 1

  26 April 1930

  The cat flattened its ears back, hissing angrily, but thirteen-year-old Pearl ignored the warning. Pulling the doll’s skirt over the cat’s tail and back legs, sh

e rearranged it so that it covered the animal’s lower abdomen. Cleo let out a throaty growl.

  ‘She doesn’t like it,’ Milly, her younger sister, cautioned.

  The sisters were together in the summerhouse, which was at the other end of the extensive gardens surrounding their parents’ home. An old-fashioned building, dating from pre-Victorian times, it had four rooms: a bedroom, a fairly large living area and a small kitchen. There was also a tiny boxroom for storage. Their mother had spent the whole of the previous year, when Pearl and Milly were twelve and nine respectively, refurbishing it for them. When it was finished, it looked better than some of the cottages in the village and, best of all as far as Pearl was concerned, it was the envy of all their friends.

  Though none of it was new, the cottage was elegantly furnished. It had a sofa and matching chair in the sitting room, a chest of drawers painted pale grey in the bedroom, lace curtains at the windows, and an assortment of rugs on the floor. The kitchen area had everything they might need for a meal: plates, cups and saucers, pots and pans. Not that the girls cooked for themselves. Even though they considered themselves quite grown up, their mother wouldn’t allow it.

  ‘But Martha in the kitchen cooks sometimes,’ Pearl had protested. Martha was only fourteen and in service. ‘I’ve seen her boiling eggs and helping Cook.’

  ‘You are a young lady,’ her mother insisted, ‘and young ladies do not work in kitchens.’ So that was an end to it. Nobody argued with Agatha, so they had to content themselves with Martha bringing a box of food over from the kitchen if they wanted to eat in the summerhouse.

  Now the cat, its eyes wide in terror, growled again.

  ‘Oh Pearl,’ Milly protested. ‘She doesn’t want to dress up. You’re hurting her.’

  ‘She’s just a cat,’ Pearl snapped, ‘and she’ll do what I want.’ She was putting a bonnet over the cat’s head. Under the skirt, Cleo’s tail swished back and forth.

  Pearl and Milly may have been sisters, but they weren’t at all alike. They didn’t even look alike. Of the two of them, Pearl was the stronger personality. Blonde with a slightly round face and green eyes, everybody agreed she was going to be tall and elegant when she grew up. Pearl was confident and authoritative, whereas Milly had a gentler disposition. Slightly on the plump side, Milly had long straight hair that was quite dark, and her eyes were brown. Her mother said her only asset was her pert little nose but, because she was forced to wear glasses, even that was spoiled.

  ‘Dorothy Parker says, “Men seldom make passes at girls who wear glasses”,’ her mother had told her. At ten, Milly wasn’t sure what that meant but, judging by her mother’s expression, it wasn’t good.

  The two girls also had very different tastes when it came to the games they played. Milly enjoyed dressing up in her mother’s old cast-offs. She would don one of her mother’s dresses and parade in front of the long mirror in the summerhouse, or dance to the music of the gramophone and pretend she was at a ball. Right now, she was wearing an old blue and red cocktail dress which was much too long for her, while on her head she wore a white turban with a long ostrich feather at the front. She also had a pair of her mother’s shoes (her whole foot fitted in the toe) which made a very satisfying click-clack sound as she walked about. Pearl never dressed up, and she had some strange ideas about what she considered ‘fun’.

  Milly sighed. Surely her big sister was too old to be dressing an animal. Milly gave up doing that sort of thing when she was six. It was beginning to distress her as she watched Pearl put her whole weight onto poor Cleo’s body so that she could force the sleeve of a doll’s cardigan over her front legs. The cat’s ears flattened once more as she tried to wriggle herself away, her back arched.

  ‘Please, Pearl . . .’ Milly whimpered.

  Her sister looked up crossly. ‘Oh, will you shut up!’

  And then it happened. With a sudden movement, Cleo jerked her body forward and lashed out with her paws, letting out a loud and angry yowl as she did so. Pearl screamed as Cleo raked her claws down the girl’s face and bit her arm. Milly took in her breath noisily. There was a moment of stunned silence as Pearl let go of the cat and blood pooled on her chin.

  Cleo jumped down from the sofa, pausing for a moment to growl angrily as the doll’s bonnet, still tied around her neck, rolled from her head and fell to the floor. Pearl buried her head in her hands and bawled.

  Milly was stunned. Her sister never cried. Never!

  The cat managed to shake the cardigan off but the ribbons on the bonnet and the skirt remained in place. Milly bent to remove them, but the cowering cat spat at her and bared her teeth. Milly snatched her hand away as she watched Cleo going backwards, putting as much distance between herself and Milly as she could. By the time she’d reached relative safety underneath the chest of drawers, the offending hat was dislodged.

  Milly turned her attention back to her sister. Pearl had pressed her handkerchief to her face and was holding it out to inspect it. When she saw all the blood, Pearl gasped.

  ‘Look what she’s done!’ she shrieked. ‘I’m bleeding to death. I shall have a scar. She’s ruined my face.’ As she leapt to her feet, her expression changed from pain to anger and Milly guessed what was coming. ‘I’ll kill her! I’ll kill the stupid animal.’

  Milly made a dash for the door and, as soon as she opened it, Cleo flew outside.

  ‘Why did you do that, you stupid idiot?’ her sister gasped. ‘Now you’ve let the damned thing get away.’

  ‘Sorry,’ Milly murmured, although of course she wasn’t one bit sorry. She glanced anxiously at her sister. There was every likelihood that Pearl would lash out and hit her now, but she didn’t regret letting Cleo escape to safety.

  Pearl stood in front of the tall mirror dabbing her face. There was a long scratch from her cheek to her chin, but it wasn’t bleeding quite so much now. However, the bite on her arm looked pretty bad. Milly asked if it hurt and, by way of response, Pearl threw herself over the arm of the sofa and howled.

  Milly recalled the tale she’d overheard the butcher boy telling Mrs Cunningham the cook. Apparently, Old Sam Clark (whoever he was) found a cat stuck in the ’edge but when he pulled the animal free, it scratched him. His wife had washed the wound and put on a bandage but Old Sam got blood poisoning. ‘Two days,’ the butcher boy said as Mrs Cunningham shook her head sadly, ‘that’s all it took and ’e was a goner.’

  Milly was suddenly worried. Supposing Pearl got blood poisoning? Supposing she only lasted two days? ‘You should get that bite seen to,’ Milly ventured. ‘We need to get help.’

  ‘I can’t walk all the way to the house,’ Pearl groaned. ‘You’ll have to fetch somebody.’

  ‘But what if you’re a goner by the time I get back?’

  Pearl sat up, her eyes wide. ‘Fine, but you’ll have to help me,’ she said dramatically. ‘I think I might faint.’

  Milly hitched up her mother’s dress and, putting one arm around her sister, they set off across the garden. As they reached the ha-ha, a steep, manmade dip in the grass, designed to stop sheep roaming into their grounds, she was forced to kick off her mother’s high-heeled shoes. Milly helped her whimpering and tearful sister over the change in ground levels and they continued towards the house.

  When they got to the gravel path, they could hear raised voices coming from the house. Milly was walking gingerly. The gravel dug into her feet and it wasn’t easy with Pearl leaning on her so heavily.

  ‘Sounds like Mummy and Daddy are having an argument,’ Milly remarked.

  With a scoff, Pearl pooh-poohed the idea. ‘Daddy wouldn’t dare argue with Mummy,’ she hissed. But sure enough, they could soon make out their father’s strident voice coming through the open French windows of the sitting room. He was speaking in a kind of authoritative tone that neither of them had ever heard from him before.

  ‘This is one time when I’m having my way, Agatha, so you had better get used to it.’

  ‘What did you say?’ their mother demanded.

  ‘You heard me,’ he replied. ‘She is coming here.’

  As they crept closer, the two girls saw their mother rising up sedately from her chair. ‘Now you listen to me, Charles,’ she said, her voice cutting the air like a knife. ‘If you think I’m going to disrupt the whole household so that you can entertain your floozy, you’ve got another think coming.’

 

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