In Which a Young Man Arrives at His Last Ditch and a Young Girl Jumps Over It Utterly unequipped for anything except to ornament his environment, the crash in Steel stunned him. Dazed but polite, he remained a passive observer of the sale which followed and which apparently realized sufficient to satisfy every creditor, but not enough for an income to continue a harmlessly idle career which he had supposed was to continue indefinitely. He had never earned a penny; he had not the vaguest idea of how people made money. To do something, however, was absolutely necessary. He wasted some time in finding out just how much aid he might expect from his late father's friends, but when he understood the attitude of society toward a knocked-out gentleman he wisely ceased to annoy society, and turned to the business world. Here he wasted some more time. Perhaps the time was not absolutely wasted, for during that period he learned that he could use nobody who could not use him; and as he appeared to be perfectly useless, except for ornament, and as a business house is not a kindergarten, and furthermore, as he had neither time nor money to attend any school where anybody could teach him anything, it occurred to him to take a day off for minute and thorough self-examination concerning his qualifications and even his right to occupy a few feet of space upon the earth's surface. Four years at Harvard, two more in postgraduate courses, two more in Europe to perfect himself in electrical engineering, and a year at home attempting to invent a wireless apparatus for intercepting and transmitting psychical waves had left him pitifully unfit for wage earning.

Charles Dana Gibson (September 14, 1867 – December 23, 1944) was an American graphic artist, best known for his creation of the Gibson Girl, an iconic representation of the beautiful and independent American woman at the turn of the 20th century. His wife, Irene Langhorne, and her four beautiful sisters, inspired his images. He published his illustrations in Life magazine and other major national publications for more than 30 years, becoming editor in 1918 and later owner of the general interest magazine.... Robert William Chambers (May 26, 1865 – December 16, 1933) was an American artist and fiction writer, best known for his book of short stories entitled The King in Yellow, published in 1895.He was born in Brooklyn, New York, to William P. Chambers (1827–1911), a corporate and bankruptcy lawyer, and Caroline Smith Boughton (1842-1913). His parents met when Caroline was twelve years old and William P. was interning with her father, Joseph Boughton, a prominent corporate lawyer. Eventually the two formed the law firm of Chambers and Boughton which continued to prosper even after Joseph's death in 1861. Robert's great-grandfather, William Chambers (birth unknown), a lieutenant in the British Royal Navy, was married to Amelia Saunders,(1765-1822), the great grand daughter of Tobias Saunders, of Westerly, Rhode Island. The couple moved from Westerly, to Greenfield, Massachusetts and then to Galway, New York, where their son, also William Chambers, (1798-1874) was born. The second William graduated from Union College at the age of 18, and then went to a college in Boston, where he studied to be a doctor. Upon graduating, he and his wife, Eliza P. Allen (1793-1880), a direct descendant of Roger Williams, the founder of Providence, Rhode Island were among the first settlers of Broadalbin, New York. His brother was architect Walter Boughton Chambers. Robert was first educated at the Brooklyn Polytechnic Institute, and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the École des Beaux-Arts, and at Académie Julian, in Paris from 1886 to 1893, and his work was displayed at the Salon as early as 1889. On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter (written in 1887 in Munich). His most famous, and perhaps most meritorious, effort is The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane.E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction.It was also strongly admired by H. P. Lovecraft and his circle. Chambers returned to the weird genre in his later short story collections The Maker of Moons, The Mystery of Choice and The Tree of Heaven, but none earned him as much success as The King in Yellow. Some of Chambers's work contains elements of science fiction, such as In Search of the Unknown and Police!!!, about a zoologist who encounters monsters. Chambers later turned to writing romantic fiction to earn a living. According to some estimates, Chambers had one of the most successful literary careers of his period, his later novels selling well and a handful achieving best-seller status. Many of his works were also serialized in magazines. His novel The Man They Hanged was about Captain Kidd, and argued that Kidd was not a pirate, and had been made a scapegoat by the British government.......

Mr. Keen is an enigmatic older man who promises to find anyone, anywhere. No find, no fee - and the fee is scaled appropriately based on the task and the client. He\'s aided in his task by a shadowy network of talented experts and a legion of attractive young typists. In the five interlinked stories of The Tracer of Lost Persons, the actual business of tracing goes on in the background. When Mr. Keen is introduced to each of the five protagonists, he does so in a curt, businesslike way - generally with a bit of showing off......... --This text refers to an alternate Paperback edition. --This text refers to an alternate Paperback edition.

The author\'s intention is to treat, in a series of four or five romances, that part of the war for independence which particularly affected the great landed families of northern New York: the Johnsons, represented by Sir William, Sir John, Guy Johnson, and Colonel Claus; the notorious Butlers, father and son; the Schuylers, Van Rensselaers, and others. The first romance of the series, Cardigan, was followed by the second, The Maid-at-Arms. The third in order is not completed. The fourth is the present volume.

Robert W. Chambers was a prolific American author who wrote a number of genres. His most famous work is the occult classic The King in Yellow. Quick Action is a Popular novel, first published in 1914. Includes vintage illustration!Robert W. Chambers was a prolific American author who wrote a number of genres. His most famous work is the occult classic The King in Yellow. Quick Action is a Popular novel, first published in 1914. Includes vintage illustration!

Robert William Chambers was an American artist and fiction writer best known for his book entitled The King in Yellow, a collection of short stories first published and copyrighted by F. Tennyson Neely in 1895. The book was reprinted in 1902 by Harpers and Brothers and copyrighted by the author. This second edition was illustrated, but omitted one of the original stories, “In the Court of the Dragon.” With one foot in the gothic horror genre and the other in early modern horror, The King in Yellow also touches on fantasy, mystery, war, mythology, and science fiction. The book had a profound influence on the work of Lovecraft and other similar writers of the early 20th Century. Unlike other authors of the past, Chambers was very successful in his lifetime, and The King in Yellow has seen brought back to the bestseller lists because of its tie with HBO’s TV show True Detective. Much has been written about The King in Yellow and readers interested can find several online articles, including Wikipedia, with links to yet more sources. This new printing is unique as it includes all the stories of the original 1895 book and all the illustrations of the illustrated 1902 edition.

I ain’t never knowed no one like him,” continued the station-agent reflectively. “He made us all look like monkeys, but he was good to us. Ever see a ginuine poet, sir?” “Years ago one was pointed out to me,” replied Briggs. “Was yours smooth shaved, with large, fat, white fingers?” inquired the station-agent. “If I remember correctly, he was thin,” said Briggs, sitting down on his suit-case and gazing apprehensively around at the landscape. There was nothing to see but low, forbidding mountains, and forests, and a railroad track curving into a tunnel. The station-agent shoved his hairy hands into the pockets of his overalls, jingled an unseen bunch of keys, and chewed a dry grass stem, ruminating the while in an undertone: “This poet come here five years ago with all them kids, an’ the fust thing he done was to dress up his girls in boys’ pants. Then he went an’ built a humpy sort o’ house out of stones and boulders. Then he went to work an’ wrote pieces for the papers about jay-birds an’ woodchucks an’ goddesses. He claimed the woods was full of goddesses. That was his way, sir.” The agent contemplated the railroad track, running his eye along the perspective of polished rails: “Yes, sir; his name was—and is—Clarence Guilford, an’ I fust seen it signed to a piece in the Uticy Star. An’ next I knowed, folks began to stop off here inquirin’ for Mr. Guilford. ‘Is this here where Guilford, the poet, lives?’ sez they; an’ they come thicker an’ thicker in warm weather. There wasn’t no wagon to take ’em up to Guilford’s, but they didn’t care, an’ they called it a lit’r’y shrine, an’ they hit the pike, women, children, men—’speshil the women, an’ I heard ’em tellin’ how Guilford dressed his kids in pants an’ how Guilford was a famous new lit’r’y poet, an’ they said he was fixin’ to lecture in Uticy.” The agent gnawed off the chewed portion of the grass stem, readjusted it, and fixed his eyes on vacancy.

Robert W. Chambers was a prolific American author who wrote a number of genres. His most famous work is the occult classic The King in Yellow.

Robert W. Chambers was a prolific American author who wrote a number of genres. His most famous work is the occult classic The King in Yellow.

In the personality and exploits of the Special Messenger, the author has been assured that a celebrated historical character is recognizable - Miss Boyd, the famous Confederate scout and spy. It is not uncommon that the readers of a book know more about that book than the author. R. W. C. Includes vintage illustration!

A beautiful gift edition of this cult classic of supernatural fiction.The weird tales in this slim volume are all linked by a play, the second act of which reveals truths so terrible and beautiful that it drives all who read it to despair: The King in Yellow.These four macabre, uncanny and unsettling stories are some of the most thrilling ever written in the field of weird fiction, and since their first publication in 1895 have become a cult classic, influencing many writers from the renowned master of cosmic horror H.P Lovecraft to the creators of HBO's True Detective.

Contents:Robert W. Chambers: The Repairer of Reputations (1895)Robert W. Chambers: The Mask (1895)Robert W. Chambers: In the Court of the Dragon (1895)Robert W. Chambers: The Yellow Sign (1895)Vincent Starrett: Cordelia's Song from "The King in Yellow" (1938)Karl Edward Wagner: The River of Night's Dreaming (1981)Kenneth Scroggins: Autumn Wind (2000)Craig Anthony: SCENE: A Room (1994?)Brian Keene: ‘The King’,in: YELLOW (2001)Lin Carter: Carcosa Story about Hali (fragment)

For the first time in one volume, the best stories of one of America's most popular classic authors of the supernatural. Robert William Chambers' The King in Yellow (1895) has long been recognised as a landmark work in the �?eld of the macabre, and has been described as the most important work of American supernatural fiction between Poe and the moderns. Despite the book's success, its author was to return only rarely to the genre during the remainder of a writing career which spanned four decades. When Chambers did return to the supernatural, however, he displayed all the imagination and skill which distinguished The King in Yellow. He created the enigmatic and seemingly omniscient Westrel Keen, the 'Tracer of Lost Persons', and chronicled the strange adventures of an eminent naturalist who scours the earth for 'extinct' animals – and usually finds them. One of his greatest creations, perhaps, was 1920's The Slayer of Souls, which features a monstrous conspiracy to take over the...