Jonathan Argyll Series by Iain Pears
Jonathan Argyll #3
The Bernini Bust ja-3
Iain Pears
British art historian Jonathan Argyll is in sunny Los Angeles conducting some profitable business with the Moresby Museum. Then the museum's owner is murdered and a Bernini bust disappears. And while awaiting the arrival of his friends from the Italian National Art Theft Squad, Jonathan finds himself targeted by the killer...
From Publishers Weekly Jonathan Argyll, Pears's ( The Titian Committee ) endearingly incompetent British art historian and art dealer in Rome, falls into a large sale of a lesser Titian--with a hitch: he must take the oil painting to the private Moresby museum in L.A. without so much as a down payment. The museum lives up to its nouveau reputation, having a collection without focus, a curator with grandiose plans and some Moresby family members with personal agendas sniping at the budget. Jonathan and amiable but dodgy art dealer Hector di Souza are invited to a party to celebrate Moresby's commitment to the Big Museum, otherwise known as "the BM." As the acquisition of a lost Bernini bust of Pope Pius V is announced, di Souza is visibly distressed; moments later Moresby is dead and di Souza and the bust have disappeared. Jonathan calls his old love in Rome, Flavia de Stefano of the Italian National Art Theft Fund, to report on the smuggled and now missing bust and moments later just escapes being killed. Flavia, connecting the bust to an old war story involving some of the suspects, flies to L.A. and, joined by an Italian LAPD cop, tries to get Jonathan out of trouble, the killer in jail and the bust back to Roma. With sharply etched characters and art world lore, Pears's latest tale is a lark in grand British style.
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Jonathan Argyll #6
Death & Restoration ja-6
Iain Pears
General Bottando can't believe his rotten luck. He has just been promoted--to a position that's heavy on bureaucratic duties-but disturbingly light on investigative responsibilities. As if that wasn't annoying enough, he's received a tip about a planned raid at a nearby monastery. He's relying on his colleague Flavia di Stefano and her art-expert fiancé, Jonathan Argyll, to thwart the plot-but both are beyond baffled. The only valuable item in the monastery's art collection is a supposed Caravaggio that's currently being restored. There are no solid suspects-unless you count the endearing art thief, the flagrantly flamboyant "Rottweiler of Restoration," and the strangely shady icon expert. And there's really no reason to cause an unholy uproar-until someone commits an unconscionable crime...
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Jonathan Argyll #7
The Immaculate Deception ja-7
Iain Pears
From internationally bestselling author Iain Pears comes the seventh in his Jonathan Argyll series -- an intriguing mystery of love, loss, and artistic license. For newlywed and Italian art theft squad head Flavia di Stefano, the honeymoon is over when a painting, borrowed from the Louvre and en route to a celebratory exhibition, is stolen. Desperate to avoid public embarrassment -- and to avoid paying a ransom -- the Italian prime minister leans hard on Flavia to get it back quickly and quietly. Across town, her husband, art historian Jonathan Argyll, begins an investigation of his own, tracing the past of a small Renaissance painting -- an Immaculate Conception -- owned by Flavia's mentor, retired general Taddeo Bottando. Soon both husband and wife uncover astonishing and chilling secrets, and Flavia's investigation takes a sudden turn from the search for an art thief to the hunt for a murderer.
From Publishers Weekly Jonathan Argyll, accompanied by his new wife, Flavia di Stefano, makes his seventh appearance in this confusing case of a stolen painting, murder and intrigue, following 1998's well-received An Instance of the Fingerpost. Antonio Sabauda, the Italian prime minister, asks Flavia, now acting head of the national art squad, to recover Claude Lorraine's Landscape with Cephalis and Procris, stolen from an Italian museum while on loan from the Louvre. Flavia, however, must not use public money for the requested ransom. As Flavia's former boss, Gen. Taddeo Bottando, has told her, "Prime ministers? Oh, they can ruin your life." She finds this is true on many levels. Meanwhile, Argyll, the art expert, is snooping into the provenance of a small painting owned by Bottando. Soon Argyll and Flavia find that almost everyone they talk to in their respective investigations has a hidden agenda. Who is behind all the shady goings-on in the art world? Is it Prime Minister Sabauda, General Bottando or another person with something to protect? Ultimately, as people's motives become clearer and one corpse after another turns up, Argyll and Flavia find that they have to make some very disturbing choices involving their own sense of morality. A personal secret that Flavia harbors until the end adds some intrigue. While the author nicely portrays the Italian art world, readers looking for a scintillating mystery will have to seek elsewhere.
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