Gunmen terrorize women in the Cathedral town of Lafferton. What — if anything — links apparently random murders? Is rifle marksman same person as killer with handgun? Simon Serrailler uses well-tried police methods - questions neighbors, searches house-to-house. His sister Cat is back with family from Australia but tragedy strikes her warm farmhouse.

Susan Hill—the Man Booker Prize nominee and winner of the Whitbread, Somerset Maugham, and John Llewellyn Rhys awards—returns with a gripping new novel, the latest chapter in one of the most acclaimed mystery series of our time. From the outside, the cathedral town of Lafferton seems idyllic, but in many ways it is just like any other place. It suffers from the same kinds of crime, is subject to the same pressures from a rapidly changing world, and has the same hopes and fears as any number of towns up and down the land. When Simon Serrailler is called in by Lafferton’s new Chief Constable, Kieran Bright, he is met by two plainclothes officers, who ask him to take the principal role in a difficult, potentially dangerous undercover operation. He must leave town immediately, without telling anyone—not even his girlfriend Rachel, who has only just moved in with him. Meanwhile, Simon's sister Cat is facing difficult choices at work, as Lafferton’s hospice closes its bedded units—and at home, as her daughter is presented with a glittering opportunity that they would have to struggle to afford. And all is not well with Simon and Cat's stepmother, Judith, either. To complete his special operation, Simon must inhabit the mind of the worst kind of criminal. This takes its toll on Simon and—as the investigation unfolds—also on the town and some of its most respected citizens.

Susan Hill's most exciting crime novel yet, another gripping and psychologically acute story set in the darker side of a Cathedral town. Now available in trade paperback from Vintage Canada.Simon Serrailler is on a sabbatical when he is recalled to Lafferton to investigate the murders of two local prostitutes. By the time he returns, another girl has disappeared. Is this a vendetta against prostitutes by someone with a warped mind? Or a series of killings by an angry customer? But then one of the Cathedral wives goes missing, followed by another young married woman, on her way to work. Serrailler follows lead after lead, all of which become dead ends. It is only through a piece of luck, a chance meeting and a life put in grave danger that he finally gets a result...Susan Hill has a genius for evoking atmosphere and suspense, and her characters are so real that the reader is caught up not only in the mystery but in the drama of their lives. --This text refers to an out of print or unavailable edition of this title. --This text refers to an out of print or unavailable edition of this title.

An extraordinary ghost story from a modern master, published just in time for Halloween. In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty. By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

A young school boy visiting his aunt's country house finds company and friendship with the gentle beekeeper and begins teaching the man to read, so that it seems nothing can ever intrude upon their closeness. A young country girl fights against becoming a downtrodden domestic skivvy like her dead mother, while another young girl reaches a delicate understanding with an elderly blind man as they walk along the beach together. On another beach a more sinister plot unfolds as a gang of boys plans the most wicked deed.

When Adrian and Paula move to a cottage in the countryside, they don't know what to expect. At first, Adrian finds their new life idyllic, and insists on lots of long walks and fresh air, while Paula finds rural life lonely and dull. Then some small and oddly silent children start showing up -- in the woods, the garden, and eventually inside the house itself. Their presence proves disturbing to Adrian, who is having second thoughts about the move they've made. It's Paula now who seems more at home with country life, and Paula who starts to take a peculiar comfort from the mysterious new arrivals. Hunger is a haunting account of a marriage unsettled by a move -- from a master of psychological suspense.

Susan Hill's classic novel Strange Meeting tells of the power of love amidst atrocities. 'He was afraid to go to sleep. For three weeks, he had been afraid of going to sleep . . .' Young officer John Hilliard returns to his battalion in France following a period of sick leave in England. Despite having trouble adjusting to all the new faces, the stiff and reserved Hilliard forms a friendship with David Barton, an open and cheerful new recruit who has still to be bloodied in battle. As the pair approach the front line, to the proximity of death and destruction, their strange friendship deepens. But each knows that soon they will be separated . . . 'A remarkable feat of imaginative and descriptive writing' The Times 'The feeling of men under appalling stress at a particular moment in history is communicated with almost uncanny power' Sunday Times 'Truly Astonishing' Daily Telegraph

Celibate, irreproachable and distinguished, Thomas Cavendish is in his mid-fifties and the obvious man to become Master of his college. But, walking by the river, Thomas sees a young girl standing on the bridge. It is an apocalyptic vision, one that alters Thomas's life irrevocably and tragically, but with the beauty and joy of a love never previously imagined.

When we spend so much of our time immersed in books, who's to say where reading ends and living begins? The two are impossibly and gloriously wedded, as Hill shows in Jacob's Room Is Full of Books. Considering everything from Edith Wharton's novels through to Alan Bennett's diaries, Virginia Woolf and the writings of twelfth century monk Aelred of Rievaulx, Susan Hill charts a year of her life through the books she has read, reread or returned to the shelf. From beneath a shady tree in a hot French summer, or the warmth of a kitchen during an English winter, Hill reflects on what her reading throws up, from writing and writers to politics and religion, as well as the joy of dandies or the pleasure of watching a line of geese cross a meadow. Full of wry observations and warm humour, as well as strong opinions freely aired, this is a rare and wonderful insight into the rich world of reading from one of the nation's most accomplished authors.

After just a year of close, loving marriage, Ruth has been widowed. Her beloved husband, Ben, has been killed in a tragic accident and Ruth is left, suddenly and totally bereft. Unable to share her sorrow and grief with Ben's family, who are dealing with their pain in their own way, Ruth becomes increasingly isolated, burying herself in her cottage in the countryside as the seasons change around her. Only Ben's young brother Jo, is able to reach out beyond his own grief, to offer Ruth the compassion which might reclaim her from her own devastating unhappiness. The result is a moving, lyrical exploration of love and loss, of grief and mourning, from a masterful writer.

A terrifying ghost story by the author of *The Woman in Black...* One dark and rainy night, Sir James Monmouth returns to London after years spent travelling alone. Intent on uncovering the secrets of his childhood hero, the mysterious Conrad Vane, he begins to investigate Vane’s life, but he finds himself warned off at every turn. Before long he realises he is being followed too. A pale, thin boy is haunting his every step but every time he tries to confront the boy he disappears. And what of the chilling scream and desperate sobbing only he can hear? His quest leads him eventually to the old lady of Kittiscar Hall, where he discovers something far more terrible at work than he could ever have imagined.

This is a year of reading from home, by one of Britain's most distinguished authors. Early one autumn afternoon in pursuit of an elusive book on her shelves, Susan Hill encountered dozens of others that she had never read, or forgotten she owned, or wanted to read for a second time. The discovery inspired her to embark on a year-long voyage through her books, forsaking new purchases in order to get to know her own collection again. A book which is left on a shelf for a decade is a dead thing, but it is also a chrysalis, packed with the potential to burst into new life. Wandering through her house that day, Hill's eyes were opened to how much of that life was stored in her home, neglected for years. 'Howards End is on the Landing' charts the journey of one of the nation's most accomplished authors as she revisits the conversations, libraries and bookshelves of the past that have informed a lifetime of reading and writing.

You're a young woman. You can choose. Which career to pursue. Who to have sex with. Who to marry and have children — or not — with. This is now. Step into the shoes of Olive. You're a happy, open-hearted girl. Your (tricky) mother is dead and you live with your father in a solid, Edwardian house with apple trees in the garden. Your passion for books gets you easily into university, where the world is surely waiting for you. There, you meet a boy. But then you make a mistake – the kind any one of us could make – and face an impossible choice. You are young, still, and full of hope. You can't possibly know how that mistake will sit in your heart. Or that when you get a job at a school you will fall in love with an older colleague. But the affair must stay secret; the world won't have it any other way. All you have ever wanted is for your heart to be free. But you are living in a time and place where freedoms we now take for granted had...

The classic ghost story by Susan Hill: a chilling tale about a menacing spectre haunting a small English town. Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip he anticipated quickly takes a horrifying turn when he finds himself haunted by a series of mysterious sounds and images—a rocking chair in a deserted nursery, the eerie sound of a pony and trap, a child’s scream in the fog, and, most terrifying of all, a ghostly woman dressed all in black. Psychologically terrifying and deliciously eerie, The Woman in Black is a remarkable thriller of the first rate.

One hot summer's day, an old flame turns up at Lafferton HQ and Simon Serrailler is catapulted back to his days as a fresh-faced PC in the Met.That long febrile summer in the early 1990s, London was reeling from one IRA bomb warning after another. Sirens. Blue lights. Tyres screaming. People running. The army called in. And Simon in the thick of it. Until he's pulled aside and put on a very different kind of job: his first undercover op awaits. Will the young Simon be able to hold his nerve? Or is he walking into a trap?