Complete works of thomas.., p.818

Complete Works of Thomas Hardy (Illustrated), page 818

 

Complete Works of Thomas Hardy (Illustrated)
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931

Larger Font   Reset Font Size   Smaller Font  

  [He bends over the fire and makes some notes rapidly.]

  I move into Astorga; then turn back,

  [Though only in my person do I turn]

  And leave to you the destinies of Spain.

  SPIRIT OF THE YEARS

  More turning may be here than he design.

  In this small, sudden, swift turn backward, he

  Suggests one turning from his apogee!

  [The characters disperse, the fire sinks, and snowflakes and

  darkness blot out all.]

  SCENE III

  BEFORE CORUNA

  [The town, harbour, and hills at the back are viewed from an

  aerial point to the north, over the lighthouse known as the

  Tower of Hercules, rising at the extremity of the tongue of

  land on which La Coruna stands, the open ocean being in the

  spectator's rear.

  In the foreground the most prominent feature is the walled old

  town, with its white towers and houses, shaping itself aloft

  over the harbour. The new town, and its painted fronts, show

  bright below, even on this cloudy winter afternoon. Further

  off, behind the harbour—now crowded with British transports

  of all sizes—is a series of low broken hills, intersected by

  hedges and stone walls.

  A mile behind these low inner hills is beheld a rocky chain of

  outer and loftier heights that completely command the former.

  Nothing behind them is seen but grey sky.

  DUMB SHOW

  On the inner hills aforesaid the little English army—a pathetic

  fourteen thousand of foot only—is just deploying into line: HOPE'S

  division is on the left, BAIRD'S to the right. PAGET with the

  reserve is in the hollow to the left behind them; and FRASER'S

  division still further back shapes out on a slight rise to the right.

  This harassed force now appears as if composed of quite other than

  the men observed in the Retreat insubordinately straggling along

  like vagabonds. Yet they are the same men, suddenly stiffened and

  grown amenable to discipline by the satisfaction of standing to the

  enemy at last. They resemble a double palisade of red stakes, the

  only gaps being those that the melancholy necessity of scant numbers

  entails here and there.

  Over the heads of these red men is beheld on the outer hills the

  twenty thousand French that have been pushed along the road at the

  heels of the English by SOULT. They have an ominous superiority,

  both in position and in their abundance of cavalry and artillery,

  over the slender lines of English foot. The left of this background,

  facing HOPE, is made up of DELABORDE'S and MERLE'S divisions, while

  in a deadly arc round BAIRD, from whom they are divided only by the

  village of Elvina, are placed MERMET'S division, LAHOUSSAYE'S and

  LORGE'S dragoons, FRANCESCHI'S cavalry, and, highest up of all, a

  formidable battery of eleven great guns that rake the whole British

  line.

  It is now getting on for two o'clock, and a stir of activity has

  lately been noticed along the French front. Three columns are

  discerned descending from their position, the first towards the

  division of SIR DAVID BAIRD, the weakest point in the English line,

  the next towards the centre, the third towards the left. A heavy

  cannonade from the battery supports this advance.

  The clash ensues, the English being swept down in swathes by the

  enemy's artillery. The opponents meet face to face at the village

  in the valley between them, and the fight there grows furious.

  SIR JOHN MOORE is seen galloping to the front under the gloomy sky.

  SPIRIT OF THE PITIES

  I seem to vision in San Carlos' garden,

  That rises salient in the upper town,

  His name, and date, and doing, set within

  A filmy outline like a monument,

  Which yet is but the insubstantial air.

  SPIRIT OF THE YEARS

  Read visions as conjectures; not as more.

  When MOORE arrives at the front, FRASER and PAGET move to the right,

  where the English are most sorely pressed. A grape-shot strikes

  off BAIRD'S arm. There is a little confusion, and he is borne to

  the rear; while MAJOR NAPIER disappears, a prisoner.

  Intelligence of these misfortunes is brought to SIR JOHN MOORE.

  He goes further forward, and precedes in person the Forty-second

  regiment and a battalion of the Guards who, with fixed bayonets,

  bear the enemy back, MOORE'S gestures in cheering them being

  notably energetic. Pursuers, pursued, and SIR JOHN himself pass

  out of sight behind the hill. Dumb Show ends.

  [The point of vision descends to the immediate rear of the

  English position. The early January evening has begun to spread

  its shades, and shouts of dismay are heard from behind the hill

  over which MOORE and the advancing lines have vanished.

  Straggling soldiers cross in the gloom.]

  FIRST STRAGGLER

  He's struck by a cannon-ball, that I know; but he's not killed,

  that I pray God A'mighty.

  SECOND STRAGGLER

  Better he were. His shoulder is knocked to a bag of splinters.

  As Sir David was wownded, Sir John was anxious that the right

  should not give way, and went forward to keep it firm.

  FIRST STRAGGLER

  He didn't keep YOU firm, howsomever.

  SECOND STRAGGLER

  Nor you, for that matter.

  FIRST STRAGGLER

  Well, 'twas a serious place for a man with no priming-horn, and

  a character to lose, so I judged it best to fall to the rear by

  lying down. A man can't fight by the regulations without his

  priming-horn, and I am none of your slovenly anyhow fighters.

  SECOND STRAGGLER

  'Nation, having dropped my flit-pouch, I was the same. If you'd

  had your priming-horn, and I my flints, mind ye, we should have

  been there now? Then, forty-whory, that we are not is the fault

  o' Government for not supplying new ones from the reserve!

  FIRST STRAGGLER

  What did he say as he led us on?

  SECOND STRAGGLER

  "Forty-second, remember Egypt!" I heard it with my own ears. Yes,

  that was his strict testament.

  FIRST STRAGGLER

  "Remember Egypt." Ay, and I do, for I was there!... Upon my

  salvation, here's for back again, whether or no!

  SECOND STRAGGLER

  But here. "Forty-second, remember Egypt," he said in the very

  eye of that French battery playing through us. And the next omen

  was that he was struck off his horse, and fell on his back to the

  ground. I remembered Egypt, and what had just happened too, so

  thorough well that I remembered the way over this wall!—Captain

  Hardinge, who was close to him, jumped off his horse, and he and

  one in the ranks lifted him, and are now bringing him along.

  FIRST STRAGGLER

  Nevertheless, here's for back again, come what will. Remember

  Egypt! Hurrah!

  [Exit First straggler. Second straggler ponders, then suddenly

  follows First. Enter COLONEL ANDERSON and others hastily.]

  AN OFFICER

  Now fetch a blanker. He must be carried in.

  [Shouts heard.]

  COLONEL ANDERSON

  That means we are gaining ground! Had fate but left

  This last blow undecreed, the hour had shone

  A star amid these girdling days of gloom!

  [Exit. Enter in the obscurity six soldiers of the Forty-second

  bearing MOORE on their joined hands. CAPTAIN HARDINGE walks

  beside and steadies him. He is temporarily laid down in the

  shelter of a wall, his left shoulder being pounded away, the arm

  dangling by a shred of flesh.

  Enter COLONEL GRAHAM and CAPTAIN WOODFORD.]

  GRAHAM

  The wound is more than serious, Woodford, far.

  Ride for a surgeon—one of those, perhaps,

  Who tend Sir David Baird? [Exit Captain Woodford.]

  His blood throbs forth so fast, that I have dark fears

  He'll drain to death ere anything can be done!

  HARDINGE

  I'll try to staunch it—since no skill's in call.

  [He takes off his sash and endeavours to bind the wound with it.

  MOORE smiles and shakes his head.]

  There's not much checking it! Then rent's too gross.

  A dozen lives could pass that thoroughfare!

  [Enter a soldier with a blanket. They lift MOORE into it. During

  the operation the pommel of his sword, which he still wears, is

  accidentally thrust into the wound.]

  I'll loose the sword—it bruises you, Sir John.

  [He begins to unbuckle it.]

  MOORE

  No. Let it be! One hurt more matters not.

  I wish it to go off the field with me.

  HARDINGE

  I like the sound of that. It augurs well

  For your much-hoped recovery.

  MOORE [looking sadly at his wound]

  Hardinge, no:

  Nature is nonplussed there! My shoulder's gone,

  And this left side laid open to my lungs.

  There's but a brief breath now for me, at most....

  Could you—move me along—that I may glimpse

  Still how the battle's going?

  HARDINGE

  Ay, Sir John—

  A few yard higher up, where we can see.

  [He is borne in the blanket a little way onward, and lifted so

  that he can view the valley and the action.]

  MOORE [brightly]

  They seem to be advancing. Yes, it is so!

  [Enter SIR JOHN HOPE.]

  Ah, Hope!—I am doing badly here enough;

  But they are doing rarely well out there. [Presses HOPE'S hand.]

  Don't leave! my speech may flag with this fierce pain,

  But you can talk to me.—Are the French checked?

  HOPE

  My dear friend, they are borne back steadily.

  MOORE [his voice weakening]

  I hope England—will be satisfied—

  I hope my native land—will do me justice!...

  I shall be blamed for sending Craufurd off

  Along the Orense road. But had I not,

  Bonaparte would have headed us that way....

  HOPE

  O would that Soult had but accepted battle

  By Lugo town! We should have crushed him there.

  MOORE

  Yes... yes.—But it has never been my lot

  To owe much to good luck; nor was it then.

  Good fortune has been mine, but [bitterly] mostly so

  By the exhaustion of all shapes of bad!...

  Well, this does not become a dying man;

  And others have been chastened more than I

  By Him who holds us in His hollowed hand!...

  I grieve for Zaragoza, if, as said,

  The siege goes sorely with her, which it must.

  I heard when at Dahagun that late day

  That she was holding out heroically.

  But I must leave such now.—You'll see my friends

  As early as you can? Tell them the whole;

  Say to my mother.... [His voice fails.]

  Hope, Hope, I have so much to charge you with,

  But weakness clams my tongue!... If I must die

  Without a word with Stanhope, ask him, Hope,

  To—name me to his sister. You may know

  Of what there was between us?...

  Is Colonel Graham well, and all my aides?

  My will I have made—it is in Colborne's charge

  With other papers.

  HOPE

  He's now coming up.

  [Enter MAJOR COLBORNE, principal aide-de-camp.]

  MOORE

  Are the French beaten, Colborne, or repulsed?

  Alas! you see what they have done too me!

  COLBORNE

  I do, Sir John: I am more than sad thereat!

  In brief time now the surgeon will be here.

  The French retreat—pushed from Elvina far.

  MOORE

  That's good! Is Paget anywhere about?

  COLBORNE

  He's at the front, Sir John.

  MOORE

  Remembrance to him!

  [Enter two surgeons.]

  Ah, doctors,—you can scarcely mend up me.—

  And yet I feel so tough—I have feverish fears

  My dying will waste a long and tedious while;

  But not too long, I hope!

  SURGEONS [after a hasty examination]

  You must be borne

  In to your lodgings instantly, Sir John.

  Please strive to stand the motion—if you can;

  They will keep step, and bear you steadily.

  MOORE

  Anything.... Surely fainter ebbs that fire?

  COLBORNE

  Yes: we must be advancing everywhere:

  Colbert their General, too, they have lost, I learn.

  [They lift him by stretching their sashes under the blanket, and

  begin moving off. A light waggon enters.]

  MOORE

  Who's in that waggon?

  HARDINGE

  Colonel Wynch, Sir John.

  He's wounded, but he urges you to take it.

  MOORE

  No. I will not. This suits.... Don't come with me;

  There's more for you to do out here as yet. [Cheerful shouts.]

  A-ha! 'Tis THIS way I have wished to die!

  [Exeunt slowly in the twilight MOORE, bearers, surgeons, etc.,

  towards Coruna. The scene darkens.]

  SCENE IV

  CORUNA. NEAR THE RAMPARTS

  [It is just before dawn on the following morning, objects being

  still indistinct. The features of the elevated enclosure of San

  Carlos can be recognized in dim outline, and also those of the

  Old Town of Coruna around, though scarcely a lamp is shining.

  The numerous transports in the harbour beneath have still their

  riding-lights burning.

  In a nook of the town walls a lantern glimmers. Some English

  soldiers of the Ninth regiment are hastily digging a grave there

  with extemporized tools.]

  A VOICE [from the gloom some distance off]

  "I am the resurrection and the life, saith the Lord: he that

  believeth in me, though he were dead, yet shall he live."

  [The soldiers look up, and see entering at the further end of the

  patch of ground a slow procession. It advances by the light of

  lanterns in the hands of some members of it. At moments the fitful

  rays fall upon bearers carrying a coffinless body rolled in a

  blanket, with a military cloak roughly thrown over by way of pall.

  It is brought towards the incomplete grave, and followed by HOPE,

  GRAHAM, ANDERSON, COLBORNE, HARDINGE, and several aides-de-camp,

  a chaplain preceding.]

  FIRST SOLDIER

  They are here, almost as quickly as ourselves.

  There is no time to dig much deeper now:

  Level a bottom just as far's we've got.

  He'll couch as calmly in this scrabbled hole

  As in a royal vault!

  SECOND SOLDIER

  Would it had been a foot deeper, here among foreigners, with strange

  manures manufactured out of no one knows what! Surely we can give

  him another six inches?

  FIRST SOLDIER

  There is no time. Just make the bottom true.

  [The meagre procession approaches the spot, and waits while the

  half-dug grave is roughly finished by the men of the Ninth.

  They step out of it, and another of them holds a lantern to the

  chaplain's book. The winter day slowly dawns.]

  CHAPLAIN

  "Man that is born of a woman hath but a short time to live, and is

  full of misery. He cometh up, and is cut down, like a flower; he

  fleeth as it were a shadow, and never continueth in one stay."

  [A gun is fired from the French battery not far off; then another.

  The ships in the harbour take in their riding lights.]

  COLBORNE [in a low voice]

  I knew that dawn would see them open fire.

  HOPE

  We must perforce make swift use of out time.

  Would we had closed our too sad office sooner!

  [As the body is lowered another discharge echoes. They glance

  gloomily at the heights where the French are ranged, and then

  into the grave.]

  CHAPLAIN

  "We therefore commit his body to the ground. Earth to earth, ashes

  to ashes, dust to dust." [Another gun.]

  [A spent ball falls not far off. They put out their lanterns.

  Continued firing, some shot splashing into the harbour below

  them.]

  HOPE

  In mercy to the living, who are thrust

  Upon our care for their deliverance,

  And run much hazard till they are embarked,

  We must abridge these duties to the dead,

  Who will not mind be they abridged or no.

  HARDINGE

  And could he mind, would be the man to bid it....

  HOPE

  We shall do well, then, curtly to conclude

  These mutilated prayers—our hurried best!—

  And what's left unsaid, feel.

  CHAPLAIN [his words broken by the cannonade]

  ".... We give Thee hearty thanks for that it hath pleased

  Thee to deliver this our brother out of the miseries of this

  sinful world.... Who also hath taught us not to be sorry, as

  men without hope, for them that sleep in Him.... Grant this,

  through Jesus Christ our Mediator and Redeemer."

  OFFICERS AND SOLDIERS

  Amen!

  [The diggers of the Ninth hastily fill in the grave, and the scene

 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183