Knowing you, p.1
Knowing You, page 1

Books by Tracie Peterson
PICTURES OF THE HEART
Remember Me
Finding Us
Knowing You
THE JEWELS OF KALISPELL*
The Heart’s Choice
LOVE ON THE SANTA FE
Along the Rio Grande
Beyond the Desert Sands
Under the Starry Skies
LADIES OF THE LAKE
Destined for You
Forever My Own
Waiting on Love
WILLAMETTE BRIDES
Secrets of My Heart
The Way of Love
Forever by Your Side
THE TREASURES OF NOME*
Forever Hidden
Endless Mercy
Ever Constant
BROOKSTONE BRIDES
When You Are Near
Wherever You Go
What Comes My Way
GOLDEN GATE SECRETS
In Places Hidden
In Dreams Forgotten
In Times Gone By
HEART OF THE FRONTIER
Treasured Grace
Beloved Hope
Cherished Mercy
THE HEART OF ALASKA*
In the Shadow of Denali
Out of the Ashes
Under the Midnight Sun
SAPPHIRE BRIDES
A Treasure Concealed
A Beauty Refined
A Love Transformed
BRIDES OF SEATTLE
Steadfast Heart
Refining Fire
Love Everlasting
LONE STAR BRIDES
A Sensible Arrangement
A Moment in Time
A Matter of Heart
LAND OF SHINING WATER
The Icecutter’s Daughter
The Quarryman’s Bride
The Miner’s Lady
Beyond the Silence*
Serving Up Love**
*with Kimberley Woodhouse **with Karen Witemeyer, Regina Jennings, and Jen Turano
For a complete list of Tracie’s books, visit traciepeterson.com.
© 2023 by Peterson Ink, Inc.
Published by Bethany House Publishers
Minneapolis, Minnesota
www.bethanyhouse.com
Bethany House Publishers is a division of
Baker Publishing Group, Grand Rapids, Michigan
www.bakerpublishinggroup.com
Ebook edition created 2023
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—for example, electronic, photocopy, recording—without the prior written permission of the publisher. The only exception is brief quotations in printed reviews.
ISBN 978-0-7642-3744-7 (paperback)
ISBN 978-0-7642-3745-4 (cloth)
ISBN 978-0-7642-3746-1 (large print)
ISBN 978-1-4934-4364-2 (ebook)
Library of Congress Cataloging-in-Publication Control Number: 2023018332
Scripture quotations are from the King James Version of the Bible.
This is a work of historical reconstruction; the appearances of certain historical figures are therefore inevitable. All other characters, however, are products of the author’s imagination, and any resemblance to actual persons, living or dead, is coincidental.
Baker Publishing Group publications use paper produced from sustainable forestry practices and post-consumer waste whenever possible.
Contents
Cover
Half Title Page
Books by Tracie Peterson
Title Page
Copyright Page
Prologue
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
Epilogue
Read on for an excerpt from “The Hearts Choice”
About the Author
Back Ads
Back Cover
Prologue
SEATTLE, WASHINGTON
MAY 1899
“Leave her alone!”
Thirteen-year-old May Parker hurried to get to her feet. She dusted off the skirt of her dress and scurried to stand behind Leander Munro.
“Why are you standing up for her, Lee? She’s Japanese.”
“She’s also my friend, and if you bother her again, I’ll knock your teeth out. All of you.”
May’s three attackers stood their ground. “There’s three of us, Lee, and just the two of you.”
“Bradley Anderson, I don’t care if there are six of you. I can hold my own and take you all on. You’ve seen me fight, and you know I can do it. Leave her alone, or I’ll make sure you never bother her again.”
“I don’t understand why you’d stand up for her. She’s not one of us.”
May peeked around Lee. “I’m half white.”
“Yeah, but you’re also half Japanese,” Bradley replied and spit on the ground. “You people were banned from Seattle, and I don’t know why you’re still here.”
“You’re talking about the Chinese Exclusion Act. It wasn’t for the Japanese,” Lee countered. “Learn your history, Bradley, before you go spouting it off and prove just how ignorant you really are.”
“They’re all the same. The yellow menace. My father works with other businessmen to rid the city of the Japanese, as well as the Chinese. They’ve put some five hundred Japanese out of Seattle’s Southside. He’s very proud of that.”
“It’s hardly a thing to be proud of,” Lee replied.
“We don’t need their kind here. This is a white man’s world, and the only reason her parents were able to buy into this neighborhood is because her father is white,” Bradley said, and his companions nodded. “But she isn’t, and neither is her mother. They need to go back to where they come from.”
“I was born in America!” May exclaimed. “Right here in Seattle. I am where I come from.”
“Doesn’t matter. You belong in Japan.”
“Bradley, you’d do well to take your friends and go home. If I hear that you so much as look at May with a frown, I’ll finish this once and for all.”
May so admired Lee’s strength and bravery. At fifteen, he was everything she thought a man should be. Just like her father.
Bradley seemed to consider Lee a moment, then shrugged. “Come on, fellas, let’s go to my house. Cook is fixing us a grand lunch with cherry pie for dessert.”
The other two went without protest, and May came out from behind Lee. She watched the boys move off down the street. Bradley lived only three doors down. His father was a wealthy investor who owned properties all over Seattle. Most of them commercial. Father said the man had more money than he knew what to do with, yet he still wouldn’t fix up his buildings to be safer.
May’s and Lee’s families had plenty too. She knew they were blessed. Father had told her that over and over. His work in Asian imports had earned him good money, and he’d invested it wisely over the years. Lee’s father owned one of the largest fish canneries on the West Coast, and he, too, had invested wisely and now had an entire fishing fleet that provided for his cannery. He was, as Lee had once said, “Dependent on no one but God.”
“Are you all right?” Lee asked, looking at May as if for any sign of injury.
“I’m fine. He’d just started on me when you showed up.” May dusted off her clothes once again.
“I don’t know what you’re going to do after I move away.”
“That won’t be for a long time.” May looked up into his blue eyes and frowned when they narrowed. He was hiding something. “What is it?” she asked.
“Walk with me, May.”
She nodded and kept in step with him as they headed back toward her house. She waited, wondering when he would answer her. Something was clearly not right.
“Lee, what’s wrong?”
“I don’t know how to say what I must tell you. We’ve been friends for such a long time, and I’ve never had this trouble before now.”
“We have been friends for a long time, since I was very little.” Some of May’s first memories were of Lee, her next-door neighbor. They had been boon companions, often sneaking out to meet in the garden at night and gaze up at the stars for hours on end. Lee had talked of how he wished they could fly up into the skies and see the stars up close. Sometimes they accidentally fell asleep and were discovered by the servants in the morning. Their mothers had been appalled when they found out.
May could see that he was very upset and put her hand on his. “Just tell me what you must, and we will talk it through.”
“My parents bought another house, and we’re moving away. I won’t be around to protect you.”
The pain in his expression matched the ache in her heart. May felt the air go out of her lungs. How could this be true? She twisted one of her black braids. “But why?”
“You know the answer to that as well as I do. They hate people who aren’t white. There are now three families in the neighborhood who have either a mix of races or aren’t white at all. My mother says it’s ruined everything. She said it was hard enough living next to a woman who was Japanese. You know the things she’s said about your folks.”
“Yes, Mother is a snob. She thinks that because she was born the daughter of wealthy New Yorkers she has a right to look down on everyone else. She was raised that way.”
“So we must forgive her.” May frowned, and her shoulders drooped. “I can’t believe you’re going to leave me. You’ve been my best friend. None of the other children will even speak to me. Or if they do, they call me all sorts of names and tell me to go back to Japan. What they don’t know is that I would actually love to see it and meet my Japanese family there. My mother, however, will not even consider it. She hates Japan, although I don’t really know why. She won’t talk of it, and Father says we must respect her wishes. We both have difficult mothers.”
“Perhaps, but yours is kind. She has always been nice to me.”
“That’s because you are nice to me. But now I’ll have no one. I suppose I will stay in the house and paint and never come outside again.”
Lee shook his head and touched her shoulder. “You must be brave. You mustn’t let other children make you feel bad. You are a wonderful girl, May, and you belong to Jesus. Because you are His, you will always have the best of friends right here with you—in your heart. Jesus won’t let you face the world alone.”
Tears came to May’s eyes. “But it won’t be the same. I thought you and me . . . I thought we’d always be friends.”
“We will be. I’ll always be your friend, May. No matter how far away I move or how much time passes. I will be your friend until the day I die.”
“I promise to be yours too.” She wiped the tears away and forced a smile. “But it won’t be the same.”
“No.” Lee’s voice was edged with sorrow and resignation. “It won’t ever be the same.”
1
SEPTEMBER 1909
“That’s such lovely work, May.” Mrs. Pearl Fisher stepped forward to better observe the photograph that May was touching up. People were often willing to pay for color to be added to their exposition photographs, and May was just the artist to handle the matter.
“I’m so glad we hired you to do this.” Mrs. Fisher dabbed a cloth to her throat. The warmth of the day had left all of them perspiring.
May glanced up at the older woman. “Thank you.”
Mrs. Fisher was such a nice woman to work for at Fisher Photography, temporarily set up at the Alaska-Yukon-Pacific Exposition. The expo had only a month to go until it would close down on October sixteenth, and Seattle would go back to the way things were before all the hoopla and planning of a world’s fair took over the minds of its citizens.
The expo had been an amazing experience for May. Not only because she was able to put her interest in painting to use and be paid for it, but because of the incredible display on Japanese history in the Japan building. May had gone there every day during her break at lunch. She had sometimes taken her sketch pad along and drawn pictures of the various garments displayed. There was also a Japanese village on the Pay Streak Avenue walkway, and May had gone there on many occasions. It was fascinating to see the history of her mother’s people presented at the fair.
“Otis and I have talked about having you come work for us at the new shop downtown. Would you be interested in continuing to touch up photographs?”
May smiled. “I would. It’s such an enjoyable way to pass the time.”
Mrs. Fisher rubbed her oversized abdomen. She was expecting her first baby in a matter of weeks. “We can speak more about it later,” she said as two of the Camera Girls came into the shop.
Mary and Esther put the cameras they carried on the counter and waited to be given two more. This was the routine. The Camera Girls would go out and take pictures of tourists and their families with Kodak’s new Brownie camera, then when the ten pictures of film were used, they would bring the cameras back with little notes about the pictures. Mrs. Fisher or Mrs. Hanson, the Camera Girls’ supervisor, would oversee the development of the photographs and take the notes made by the girls to ensure the right picture was marked for the correct family. Some of the people paid ahead of time for their photos to be mailed, while many showed up in the shop later to see the photographs before buying them. When they saw what May could do, some paid extra money to have colored paint added to their souvenir pictures.
“Here you are, Mrs. Fisher,” Mary said, putting several coins on the counter. “I marked who paid and wants the photos mailed. Their addresses are in the notes.”
“Thank you, Mary.” Mrs. Fisher moved to the far end of the counter and brought her another camera, already loaded with fresh, unused film.
Mary took the camera and headed for the door. “See you later.”
Esther followed suit. “Most of my people wanted to see the photographs first. I only had one who wanted the postcard mailed.”
“That’s quite fine, Esther. Let me get you a camera.” Mrs. Fisher went to retrieve another Brownie while Esther came to where May was working in the front window. A couple of people had stopped outside the little building to watch her work.
“You have fans,” Esther said.
“People have been stopping by pretty regularly,” May admitted. “I think they are surprised to see someone painting on the postcards. Then they realize what I’m doing and sometimes get very excited about it.”
“Do you suppose we will ever have film that takes colored pictures?”
May shrugged and picked up a brush that barely had any bristles. “I suppose the right person will have to figure it all out, but I don’t know why it couldn’t be done.”
“They’ve already created a process, but I don’t think it’s readily available,” Mrs. Fisher said, returning with the camera. “Here you are, Esther.”
“Thank you, Mrs. Fisher.” Esther didn’t quite look the woman in the eyes.
May had heard that Esther had been a bothersome girl in the first weeks of her working for the Fishers. There had been some trouble with Addie’s brothers, and Esther had gotten herself involved with the oldest one. The entire matter was quite the sensation of the expo. Addie’s brothers had held her hostage, knowing their sister had hidden gold she brought back from the Yukon. They nearly killed her, but in the end, it was they who died.
May felt sorry for Esther. None of the other girls seemed to want to get close to her, despite Addie encouraging everyone to forgive and befriend her. May had taken it upon herself to be extra nice to Esther. She knew what it was to be ignored or worse, bullied and picked on for being different.
“Are you having any luck selling the camera?” May asked.
“I’ve tried. We never know until Mrs. Fisher tells us later because we don’t take the cameras out with us to sell on the grounds.”
May nodded. She knew how the system worked. The girls handed out souvenir business cards with the Fisher Photography studio information on one side and the official Alaska-Yukon-Pacific Exposition logo on the other. Each girl would pencil her name at the top, and when someone bought a camera, it was credited to her as being the official salesperson. They each earned a commission on the cameras they sold, and this constituted the better part of their salary.
Thankfully, the cameras had been popular at the AYP, as the employees of the expo called it. The girls had done well with their commissions, and the Fishers had sold enough of the cameras that Kodak had made their shop an official provider. Mr. Fisher was even going to take the train back east, where Kodak was located, for some special training regarding the cameras once the expo was concluded.
“I’ll see you later,” Esther said, heading for the door.
May gave her a little wave, then gently touched her brush, what little there was of it, into the honey-brown color she’d created and dabbed it onto the photograph to highlight the woman’s hair. She’d seen the couple earlier and thought the woman’s hair quite pretty. She hoped to capture that in her work.
When the clock chimed five, May put away her paints and brushes as the Camera Girls filed back in one by one. There was a great deal of chattering about the day and all that had taken place.
“Tomorrow is Japan Day,” Mary told May as she took off the camera from around her neck.
“I know. I’m very excited to see what all they do.” May continued cleaning her station.
“I heard there would be a parade from the Japanese village to the Japan building,” Mary added. “It’s first thing in the morning.”












