Universal law never befo.., p.20
Universal Law Never Before Revealed, page 20
THE ROLE OF ATOMIC FORCES IN HEALING
Below we quote a few of the many readings given by Edgar Cayce on the role atomic forces have in the field of healing. Much thought and research have gone into these readings in the attempt to decipher the uncanny accuracy that was sometimes evidenced in the healing manifested through following material from this source. When one realizes that the human body is composed of molecular, atomic and subatomic particles and that energies are manifested in these particles, one can then begin to see that to evoke a harmonious condition (health) in the bodily functions these particles must not be left out of any prognosis. Next month we will publish a series of readings wherein many conditions are described as being the result of sympathetic conditions arising from disharmony in other parts of the body.
"In every physical being, the whole body is made up of the atomic forces of the system, with the mind of each atom, at it is builded, supervised by the whole mental mind of the body, varied by its different phases and attributes, for, as is seen in its analysis, an atom of the body is a whole universe in itself, in the minutest state. The attitude, then, of all the attributes of the mind toward self, and the forces as manifest through same, become paramount. As to any healing in the body, or any application of any source, nature, character, kind, or condition, is only to create that incentive in that same atomic force to create the better condition in a body, whether it be medicinal properties, whether it be of manipulation to induce incentive reaction, whether it be of an operative nature, or what not, is to create that same condition in the atomic forces of the body to bring about the better physical conditions in the system. Then, necessarily, it is paramount. How to go about same? May be through self and self s attitude towards those conditions which are of the physical and spiritual natures in an individual, and to this individual especially." (137-81)
"The consideration that is to be given in making any application for corrective forces, that there may be the better coordination in the mental, the superficial, the imaginative and the physical being, would be to create within the system itself that as makes for the proper coordination of atomic forces as control the functioning of, and the changing of, those material conditions, as are taken, for substance, into the physical body, into such vibratory forces as to create a normal equilibrium between the matter in the body and that of a normal, or near normal functioning of that matter in a material plane and in a material body.
"As is seen and known, all atomic forces are of an electrical nature in their effect and effect upon a physical organism. Not all portions of the system function in the same vibratory rate, as the nerves of the sensory organism are made - as it were - in a series of necessary portions of system for the proper alteration of vibration of atomic forces to create either that of vision, hearing, so also, in the assimilation as for gland functioning - as creates in the system those elements that add to either the nerve energies in their activity those necessary elements for the coordination of the muscular forces within the system, as to produce functioning in a nominal or normal manner, or they are overcharged or undercharged - that prevent their functioning in a nominal manner. Hence, as is seen, in a manner, as how the activity of the physical body can be altered by the concerted activity of minds that are directed to the atomic forces of an individual, in raising their vibrations to a normal or normal manner. Hence we have that of spiritual healing to a body.
"Now, the same vibrations may be raised for a physical body, in the physical sense, as may be raised in a mental or spiritual body by its association or its connection with that that creates a necessary element of vibration for corrective forces in a system.
"Then, to find the correct vibration for elements that are lacking in their sustaining forces for a living organism, and to create that within the enlivening portions of the system in such a way and manner as for same to be assimilated by, or become effective in, a living organism, is to be able to change that environ of that physical organism as to be creative and evoluting in its activity in that system.
"For this body, then, we would find that we would add those vibrations from the low form of the electrical vibration as comes from that known or called in the wet cell vibration from those atomic forces necessary in the forces of the body itself." (5576-1).
"As is understood, Life - God - in its essence is Vibration, and - as the physical beings are of that atomic force, a portion of the same - the awareness of same is as to how conscious that vibration may be made, even as we find in the physical body that sight, hearing, taste, speech, are but an alteration of vibration attuned to those portions in the consciousness of the physical body, becoming aware of things, of vibrations, reaching same from within or from without. Hence one may not hear the prayer or the thought sent by an individual whose attunement is not sufficient to raise that vibration in an individual, but the combined - as we have in numbers - raise to such an extent that the awakening comes by this continuing of this direction of the spiritual forces to an individual; even as the small drop may wear away the hardest stone." (281-4)
"Here, let's analyze for the moment, to those that must consciously - as this body - see and reason, see a material demonstration, occasionally at least! Each atomic force of a physical body is made up of its units of positive and negative forces, that brings it into a material plane. These are of the ether, or atomic forces, being electrical in nature as they enter into a material basis, or become matter in its ability to take on or throw off. So, as a group may raise the atomic vibrations that make for those positive forces as bring divine forces in action into a material plane, those that are destructive are broken down by the raising of that vibration! That's material, see? This is done through Creative Forces, which are God in manifestation! Hence, as self brings those little things necessary, as each is found to be necessary, for position, posture, time, period, place, name, understanding, study each, and assist each in their respective sphere. So does the entity become the healer." (2813)
Keely's Frequencies...
Last month we published a listing of some of the frequencies mentioned throughout the Keely literature. Subscribers have written in with some accurate observations and a few valid questions that need answering. Even though we don't possess the right and proper answer, we will attempt to arrange things in order that these questions can best be addressed.
To begin with we list again the same frequencies as before, with a few additions:
Commentary August, 1989
Taking an aggregate, say a molecule, and analyzing its component frequencies one would, according to this law, find many frequencies other than harmonic derivatives of the fundamental. This may explain why it is difficult to find harmonic derivatives in such an analysis just as it has often proven to be.
This law embodies the ideas previously and repeatedly stressed herein about musical note progressions. Hughes' Harmonies of Tones and Colors, Ramsay’s Scientific Basis and Build of Music and Harris' Acoustics all give substance to unravel this "discords from harmony."
It is not such a difficult concept to grasp. It is, however, complex and exacting. The Musical Ratios spreadsheet found in the SVP catalog was designed to derive these ratios of one frequency relative to another. The above mentioned books also give illustrated essays on the subject.
It is believed that this is perhaps the greatest "secret" to be revealed concerning Keely's work. Once these musical progressions are deciphered in a coherent and logical manner - all sorts of "mysteries" are to be revealed to the seeker of truth.
Electrical and mechanical engineers are all very familiar with finding the harmonics of fundamentals. The harmonic is an obvious discernment and it is easy to divide or multiply by 2. However, to find a third or sixth or Perfect Fifth is not as easy - unless one is trained to discern them - much as a musician is trained in the art. Remember that Keely was a musician before he became a physicist!
The exact deciphering of this problem has eluded this author for a number of years. Hughes comes the closest to giving the exact methodology yet. The basic premise is that a fundamental, in its progression to a higher frequency, creates from within itself these higher frequencies such as its octave. The other notes or frequencies produced are similar or inverse to the Fibonacci series. If these notes are constrained to a single measure as is used in music notation we would see within this measure the seven basic notes of an octave with the octave appearing in the next measure. Now these seven notes are not written down from the lowest to the highest in an ever increasing (in frequency) manner. They are however, evenly spaced, linearly speaking, from the left side to the right side of the measure. These spacings are referred to as "periods" or "steps." The fundamental occupies the first period, space or step of the measure. This progression is better illustrated in the evolution of keynotes and not through individual notes. Hughes has some beautiful charts clearly illustrating this concept.
One interesting metaphysical correlation derived from all this is F is the root of C and C is the root of G. Each step being a Fifth and one of great harmony. F whose color is green may be symbolic of Eden giving birth to Man (C or red) who in turn gives birth to Women (G or blue). So we may say that F being the fertile neutral center first expands out (male-ish activity) creating an everlasting male influence in the environment. All the while this male influence continues expanding it causes its own pole to be created as no thing can exist in and by itself. The female counterpart is thus called into existence. This is something like minting coins - as soon as one side of the coin is minted the other side comes into being simply because no coin can possess one side only.
Looking back to the beginning it has been stated that darkness was in the beginning. Ultraviolet may be taken as dark because the human eye cannot really see deep ultraviolet. Ultraviolet corresponds to B. B is the root of all keys (frequencies, notes, etc.). From B the second step in our progression is the note E - its color is yellow. Yellow of course is the Sun or the light of day. Hence was created day and night at the same time because day cannot exist without the lack of day or night. Thus we can see the development of the first trinity of the greatest harmony - C, red, man; E, yellow, sun; and G, blue, woman. This trinity also corresponds to the Holy Trinity of the Bible as "Him first," the son of God; "Him midst," the Almighty Father, and "Him last," the Holy Spirit, proceeding from the Father and the Son, Trinity in Unity. The correlation with the biblical scenes as depicted in Genesis (first three octaves of creation) is plain to see. Remember that Genesis is the story of creation - creation of the material realm and is part of our study of how atoms and molecules evolve themselves. This understanding will help to understand how atoms and molecules may be taken apart and modified in our materialistic world. It is this study of the creative forces to which we have devoted ourselves.
Though at times it appears as though I write about religion - this is not so - I write about the creative forces. Religious teachings have preserved these ideas through the centuries because they tell of man’s association with and how he is part of these forces and processes. By understanding the above creation and progression of forces one begins to grasp the idea that nothing is by accident - that each and every thing is done according to Law - natural Law as it unfolds itself through time and space.
Rotating Resonator, weight, 780 lbs., and Vibratory Globe.
Keely’s final motor on left. This machine operates via amplified gluonic bonding/repulsing forces as near as we can understand Keely’s explanations.
Law of Harmonic Pitch
"Any aggregate in a state of vibration develops in addition to its fundamental pitch a series of vibration in symmetrical sub-multiple portions of itself, bearing ratios of one, two, three, or more times its fundamental pitch."
Keely, 1894
Commentary July, 1986
What we begin to see through this law is the unfolding of the inner relationships between the evidenced eigenfrequencies of an aggregated mass and the subtler, less evident vibrations of its makeup. Quite clearly we have seen and discussed the vibrations and the fundamental origins of those vibrations. This law indicates there are more vibrations not necessarily perceived as such. We perceive here a series of motions that may be categorized as a quality perpetuating itself by simple number ratios, i.e., a "quantization" (condensation and rarefaction) seems to be taking place. What are being described here are the harmonic pitches that arise from the fundamental pitch of the aggregate. However, in reviewing last months law, "The Law of Cycles," we see that there are also, in any given aggregate, another parallel group of vibrations. These other vibrations, we saw, are developed as BEAT frequencies, summation or resultant tones. See issue 9 for examples.
So here we have a description of two types of frequencies arising from the same fundamental or source of all other vibrations as appear in a given aggregate. Harmonic pitches and summation or difference pitches make up the whole of the vibrating spectrum.
The next step in dealing with these multiple frequencies is to determine how and why any given vibration of frequency arises from another or in this case the fundamental. The answer lies in Music Theory. A fundamental will, when sounded, give rise to its harmonic and the other summation or beat tones. Any sophomore music theory student knows this! The Key question still remains - HOW DOES ONE NOTE BECOME ANOTHER? The creation of harmonics is simply the fundamental dividing itself by two over and over again. The next step is the harmonics sounding together and with the fundamental causing the summation and difference tones. For instance: 2 as a fundamental gives rise to 4 or 8 or 16 as harmonics. 8 minus 2 gives us a difference tone of 6 whose lower harmonic is 3 and several higher harmonics of 9, 12, 18 etc. Where these frequencies match we get higher amplitudes or lower amplitudes as they "mis-match". Below we have a listing done by Sir James Jeans of music theory renown wherein he calculates some of the generated frequencies from a fundamental. The root is C at 64. Ramsay and Hughes both differ from this system.
The above list of frequencies is only partially complete. It is revealing to note that all these notes are generated from sounding the single note of C (64 cps). This single fundamental gives rise to its harmonics Cl, C2, etc. and all the rest are derived from it "spontaneously". Therefore, when we say no thing can or does exist in and by itself, the evidence is now before us. All things are related SYMPATHETICALLY. One can even say that all the above notes are ONE, because they have arisen from ONE source, C.
A more accurate statement would be that they are from ONE family or ONE origin, but not ONE single separate unit. This evolutionary process of musical notes will be further explored in future issues.
Commentary September, 1989
This law of one of the more recognized and accepted laws in use today. All fields of engineering use it extensively in calculations both derivative and functional.
The use of the word pitch is also accurate as a pitch is a relative frequency where frequency alone is simply a number of cycles per second. Again the use of musical terminology is fundamental to the in-depth study of vibratory phenomena. Being relative is the state of relating to something else - another frequency, the fundamental or key note, in this case.
It is not known when electronic and other engineers began using harmonics in their work. Certainly this usage began some time ago. What is even more puzzling is why hasn't this well-known law of physics been identified as a law? When something always and invariably takes place as a result of a given action it is without a doubt a law. A vibratory occurrence will always and at all times produce these harmonics. They can be calculated by doubling the frequency and the subharmonics can be calculated by halving the frequency. The Electromagnetic Scale commonly seen in school class rooms and engineering departments is based entirely on this concept. These scales begin with 1 cycle per second and doubles at each octave resulting in a sequence of numbers: 1, 2, 4, 8, 16, 32, 64... .
All of the above is just dandy - what is a vibration anyway? Is it a periodic motion back and forth or to and fro? Or is it an alternating pulsation? It may be either, both and even other modes of periodic changing of state. Various objects in motion and under consideration may behave in different motions. However, what remains the same in all cases is the object changes state from what may be considered a positive state, to a negative state and also the neutral state. For instance a stretched piano or guitar wire may be said to swing back and forth. Upon consideration it may be seen to also shorten and length as the string increases its swing further away from the neutral or rest position. Thus a simple guitar string vibrates in at least two different directions at 90° to each other. As the string moves towards is furthest distance away from the neutral position the ends tend to draw closer together simultaneously (if they were not rigidly fixed they would approach each other).
Another fundamental principle of harmonic creation is that of tension. Increase the tension the string and the frequency also increases. Therefore as the string swings again to its furthest extension away from the neutral position it tends to increase the tension. as it approaches its furthest extension the frequency again changes to a higher rate.
The law of harmonics even applies to gravity. For every 16 feet an object falls its velocity doubles. Would this mean that gravity is a function of velocity? Accelerate an object to a given velocity (escape velocity) and it will escape the pull of gravity. Velocity therefore may be a rate of change from one polarity (state) to another. Polarity is a difference of state, harmonic, dominant (neutral) or enharmonic.
