Universal law never befo.., p.38
Universal Law Never Before Revealed, page 38
"A wire made of sections of silver, gold and platinum, respectively, is peculiarly adapted to transmit concordant vibrations in the relations of thirds, their range of molecular oscillation being in the proportion of 3:6:9 respectively. The Trexar is this wire composed of: a first section of silver, a second section of gold and a third section of platinum, all uniform in size, which is used as a conductor in vibratory transmission and for the multiplication of vibrational frequencies.
Silver represents the third, gold the sixth and platinum the ninth, in their respective relative molecular oscillating ranges. This triune condition will equate thirds in vibratory frequencies, that is, chords in intervals of thirds will set up disturbances in the Trexar and these disturbances will be equated so as to be transmitted as thirds from the positive or farthest end of the wire.
"There is no medium used in vibratory research so unerringly exact in effecting sympathetic negative attraction as the Trexar. This combination as accurately indicates the action of the earth's sympathetic envelope in its triple focalized action towards the earth’s neutral center. as the magnet unfailingly indicates the dominant electric flow."
"Differential molecular volume is required to equate differentiation of sympathetic flows. This condition is satisfied by the Trexar. Two differing molecular densities, represented by two different mediums, make possible the harmonious adjustment of the thirds."
When an introductory transmissive sympathetic chord (say B flat) is conducted along a sectional transmitting wire the molecular triple (intermolecule) is carried along by induced differentiation and it in turn excites high sympathy with the polar terrestrial stream which, being triune in character, requires a triune differential sympathizer of the same ratio of frequency. This is satisfied by the Trexar, consisting of sections of silver the harmonic, gold the enharmonic and platinum the dominant. When the Trexar is properly sensitized by any chord on the dominant, molecular differentiation is induced, the phenomena approaching magnetism is effect, but without a trace of true magnetism being present."
By means of sympathetic vibrations transmitted through the Trexar, which is elsewhere mentioned as consisting of "German silver, etc." Keely elaborated a system of inducing great range of motion on metallic masses by sympathetic negative attraction, and by periodic vibratory change of their neutral centers instantly depolarized them, thus securing rotation.
Trexnonar
It took Keely eight years to perfect the Trexar and the Trexnonar (Trexar used with nine nodes, the first three of silver, the second three of gold and the third three of platinum). He states that during the time he was perfecting the Trexnonar the intermissions of vibratory transmission through the wire were so frequent and of such length, preventing continuity of mechanical motion, that he was about to give up when a seeming accident revealed the truth of his former theory of the law governing the atomic triplets in their association. He states that compound negative vibration of the neutral centers of the molecules in the Trexar and Trexnonar causes antagonism by differentiation and the attractive power of aggregation becomes radiant force with immense rotational velocity, carrying the "force" beyond the molecular inner one-third sphere of coincidence.
When using the Trexar or Trexnonar, a "slight tap on the Chladni wave plate" accelerates the normal molecular frequency from 20,000 to 180,000 or 9 times. The sectional ratio is 3:6:9 or (9/3)2 or 9 times. Here the nine nodes touch the extreme end, and next to the mass being operated on, in which position they are not in use.
"Now if we shift a gold node along the third or platinum section the oscillatory multiplication will be 9x9 or 81 times the normal 20,000 or 1,620,000 oscillations per second. A gold node shifted over the extreme section will hold the frequency to 1,620,000 per second with the introductory chord of B third octave."
"When using nine nodes, silver, gold and platinum nodes come in the order given, but when associating the seventh node (Trisexar ) the gold node comes first and platinum, its third higher, comes last. I always end with the triplet higher."
"Using the second node of platinum raises this frequency to the 81st power, or 1,620,00081 or far beyond computation and represents the effect of only two nodes."
Harmony is concerned with chords, and every chord is a combination of intervals sounded simultaneously. Any systematic study of harmony must therefore begin with an examination of intervals. The intervals that form the basis of music, and their measurements relative to one another are as follows:
Unison............................................................1 : 1
Schisma....................................................10240 : 10125
Comma (Minor)......................................10240 : 10125
Diaschisma...............................................10240 : 10125
Komma...........................................................81 : 80
Comma of Pythagoras ................................81 : 80
Comma (Major).............................................81 : 80
Enharmonic Diesis......................................128 : 125
Enharmonic................................................128 : 125
Chromatic Diesis...........................................25 : 24
Semitone Minimus.......................................25 : 24
Minor Semitone.............................................25 : 24
Semitone or Diesis........................................25 : 24
Lesser Chromatic Semitone.........................25 : 24
Leimma (Plato, Theon)..............................256 : 243
Pythagorean Semitone...............................256 : 243
Greater Chromatic Semitone.....................135 : 128
Semitone Medius........................................135 : 128
Chromatic Semitone...................................135 : 128
Semitone Maximus.......................................27 : 25
Major Semitone.............................................16 : 15
Limma............................................................16 : 15
Diatonic Semitone.........................................16 : 15
Apotome Pythagorica..............................2187 : 2048
Minor Second................................................27 : 25
Minor Tone....................................................10 : 9
Smaller Step or Minor Tone........................10 : 9
Augmented Fourth.......................................25 : 18
Tritone.................................................-.........45 : 32
Diminished Fifth...........................................64 : 45
Diminished Fifth...........................................36 : 25
Tonic Seventh...................................-.............9 : 5
Major Seventh...............................................15 : 8
Diminished Octave.......................................48 : 25
Augmented Seventh...................................125 : 64
Augmented Twelfth.....................................25 : 8
Minor Thirteenth..........................................16 : 5
Harmonic Thirteenth....................................13 : 4
Major Thirteenth...........................................10 : 3
Harmonic Fourteenth.....................................7 : 2
Dominant Fourteenth..................................32 : 9
Tonic Fourteenth...........................................18 : 5
Major Fourteenth..........................................15 : 4
Double Octave.................................................4 : 1
'Transmitting the order of sympathetic atomic vibration through a three-node transmitter (Trextrinar) induces interatomic percussion re- suiting in triple atomic subdivision not by oscillation of the atoms across their diameter but by infinite acceleration of the atomic film or etheric capsule, and at the same time permitting the extension of atomic vibration far enough to set free the gaseous atomic element. (This last must refer to the force generated by multiplication of vibratory frequencies in the Trexar as used with the different node combinations. This disintegration Keely claimed was caused chiefly by accelerating the atomic envelope.)
'To rotate the neutral center indicator of the focalizing disk (of the magnetic engine) through a soft steel attractor requires transmission of the full triple-triple chord, or 156,057,552,198,220,000 corpuscular oscillations per second, resulting in 110 revolutions per minute on the neutral center indicator. This is only multiplication by the one gold node."
"By using the second node of platinum we can raise this frequency to its 81st power, or 156,057,552,198,220,-00081 or infinitely beyond computation. This frequency represents the effect of only two nodes."
"I have induced rotation up to 123 revolutions per second on a neutral indicator, which required billions of vibrations per second, but even this frequency is only a minute fraction of the frequencies governing the vitality of the far-luminous centers.”
"The compounding of the triple-triple or chords in three octaves, will give from the ninth node a frequency that, set down in figures, would represent a number a mile long."
JOHN KEELY A Personal Interview
(Scientific Arena, January 1887)
From a personal interview with Mr. Keely in his laboratory in Philadelphia, the associate editor of THE ARENA gathered the data for the following brief sketch of his life and lobors.
Bom in Philadelphia, September 3, 1837, he suffered the loss of both parents in his infancy, his mother never recovering from his birth, and his father dying before John was three years old.
From the this time his home was with his grandmother and an aunt. But the latter dying before he was sixteen, and the former a year later, the young man was thus early throuwn upon his own resources. His educational opportunities were limited to the city schools of Philadelphia, which he left at the age of twelve to take up the battle of life, not as "the dumb driven cattle," but "as a hero in strife."
Mr. Keely states that from his earliest recollection he was drawn to the study of sound as related to force, and commenced his first systematic investigation when hardly ten years of age, making his first encouraging discovery at thirteen. As a child he noticed how powerfully windows often were agitated by the heavy tones of an organ, and this led him to place various objects about the room, suspending glass dishes, etc., and then watch for any effect that might be produced by the various chords he was able to secure by the combination of different tones. He soon found that certain chords invariably resulted in the forcible agitation of objects at a distance. His earliest mechanism for noting the uniform force of sound vibrations was a steel bar set full of pins of various lengths, while his first "resonator," or "intensifier," consisted of a shingle screwed to two hollow wooden tubes. The first "engine" was a simple ring of steel with 300 pins set into it, and this first wheel ran in an open box, into and through which an observer was free to look while the wheel was in motion.
For upward of sixteen years Mr. Keely pursued his investigations in the effort to work out his discovery, using the two elements water and air in connection with sound vibrations.
And during this period of progressive research, writes the inventor, every medium known to science was thoroughly investigated to find what, if any, sympathetic link of association could be brought to bear on the phenomenal conditions that controlled this true but then paradoxical medium, but all the highest concentrative efforts proved unavailing toward inducing even the lowest condition of molecular sympathetic association or assimilation.
The sympathetic atomic flows induced even by the first order of vibratory disassociation, using an atmospheric medium in conjunction with an aqueous, one of thirty-three per cent, showed a condition of tenuity infinitely greater than electricity. These conditions have been successfully proven by passing the flow through fifteen inches of solid glass with as much freedom as if the glass was not present - using a steel rod, three-sixteenths of an inch in diameter and three feet long, as a transmitter, the steel rod being pointed on the other end, and having the point bearing on the center of these glass plates, the plate being two feet square. If this is not a triumph over electrical tenuity, where will you find it?
And, again, passing into the first etheric by certain compound chords vibratorily induced even by percussion the luminous field is revealed and an etheric light of a most beauteous character is evolved (not phosphorescent if you please), but one that passes through opaque bodies - leaving no shadow. I am reserving these experiments for my closing exhibition which I intend associating with and showing up the conditions governing planetary suspension, and the music required to harmonize with the spheres - celestial music, I call it.
IN the liberation of etheric ozone an apparatus of wonderful strength and peculiar mechanical parts had to be used, and the difficulty of conceiving such a one can only be appreciated properly by knowing that an atomic percussive resistance has to be controlled of over 110,000 pounds per square inch to effect it. At this point the second order of etheric luminosity presents itself of wonderful intensity.
The condition necessary to produce this effect is to induce an antagonistic relation between the liberators, chords of masses, and chord of mass of one of the steel spheres, used for that purpose (of which there are two), the negative one as the introductory one, of 331/3 against 662/3, or 662/3 against 100 = of the volume of 100, on any and all molecular masses.
These conditions produce the highest order of repellant antagonism at the point of unition. The fact of the sympathetic chord leading the antagonistic ones on the triple introductory vibratory impulse accounts for the wonderful percussion that takes place at the point of repulsion and thus breaks up and subdivides on the compound etheric position, and it is at this point that high luminiferous ether is evolved, as also etheric ozone. The spheres that carry this rotating force contain each nearly four hundred pounds of decarbonized steel to carry a volume of the size of an ordinary billiard ball. Three years of experiment was absorbed in getting the proper transmitting leads and compressors necessary to hold under control the force during its evolution, and yet the cry has been, why don't Keely hurry up and get through?
I thank God that the season of experiment is over, and that the great finale is near at hand.
Here is Mr. Keely's statement of the manipulation of liberators to produce the effect above described:
"First, the arrangement of the quadruple chords - on turret, first, A flat, first octave; second B flat, second octave, 331/3 of a tone below the harmonic; third, B flat on the third octave, 662/3 of a tone above the inharmonic; and fourth, E flat on the fourth octave, 1/3 of a tone below the full harmonic. This arrangement coincides with the chord-mass of the wave plate when free of percussion; but percussion induces in conjunction with the intensification of the 640 forks - a compound degree of atomic antagonism, which must be governed by the rotating nest of sympathizer in the head of liberators to induce sympathetic disassociation by sympathetic association. This setting only applies to the liberation of ozone. The settings of the liberator can be varied hundreds of millions of times."
The first gratifying result in the direction of a solution and its practical application was called the "Hydro-Pneumatic-Pulsatting-Vacuuo-Engine." With this device Mr. Keely was able to produce a power of 500 pounds to the square inch, as shown by the best pressure gauges. Out of this first success sprang the present enterprise in 1872. Before discarding the use of water in the production of his force, twelve "generators" were constructed varying in weight from 175 pounds up to 34,000 pounds, with a "receiver" weighing 7,000 pounds additional! and by which he was able to develop the enourmous power of 30,000 pounds to the square inch.
For this "generator" seven or eight engines were constructed, with varying success in their operation. They all would "run," but not to the satisfaction of this indefatigable worker. At last, about four years ago, the discovery was made that air alone was better than the combined air and water before employed. This at once resulted in important changes in the mechanism. The clumsy generator of several tons weight gave place to the lighter "liberator." Of these, three have been constructed, each one more slight than its predecessor, until that at present in his laboratory weights less than 150 pounds.
while the inventor has in process of construction the foureth and last one, which "is a perfect machine of its kind," weighing less than seventy-five pounds, and with which he expects to produce a greater force than has ever before been shown.
Some idea of the wide experimental field that has been covered by this tireless man may be gained by Mr. Keely's statement that "since 1872 there have been over thirty changes in the progressive development of the mechanical to reach the present, and what I call the perfect system." And as many as 124 different machines or "engines" have been constructed in experimenting with one "liberator." The reader will readily believe Mr. Keely's statement that these researches and experiments have "absorbed over a quarter of a million dollars, along with more than twenty-five years of the most intense study and unremitted application."
In trying to get a clear idea of the nature of his new force from the lips of the only man living capable of explaining it, the discoverer himself, one must labor at the outset with this - to me - insurmountable difficulty, Mr. Keely talks with the rapid fluency begotten of his thirty years' study, and consequent familiarity with a subject that is wholly new to his listener, while his thoughts are often clothed in words rarely joined together in framing a sentence. As an illustration. In giving a description of the nature of his force and what has been involved in the multitudinous changes necessitated in its development - omitting all thought of the methods of its practical application, which has ever been a problem of itself - Mr. Keely says, "The different conditions include the change of the mediums for disturbing equilibrium under different mediums of intensifing vibration as associated with them progressively from the molecular to the interetheric: first, percussion; second, undulation; third, vibratory undulation; fourth, vibratory percussion; fifth, water and air; sixth, air alone." Now let the reader imagine the above statement poured into him at the rate of 250 words per minute, with no stop for refreshments, and he will experience solid relief to be assured by Mr. Keely that he is preparing for publication a complete explanation of these various changes. It is simply impossible to reproduce more than a fraction of what is freely put at one’s disposal a chat of an hour with this remarkable man, but here are the simple facts as they appear to the writer.
