Works of e f benson, p.553
Works of E F Benson, page 553
CHAPTER IV
Michael practised a certain mature and rather elderly precision in the ordinary affairs of daily life. His habits were almost unduly tidy and punctual; he answered letters by return of post, he never mislaid things nor tore up documents which he particularly desired should be preserved; he kept his gold in a purse and his change in a trousers-pocket, and in matters of travelling he always arrived at stations with plenty of time to spare, and had such creature comforts as he desired for his journey in a neat Gladstone bag above his head. He never travelled first-class, for the very simple and adequate reason that, though very well off, he preferred to spend his money in ways that were more productive of usefulness or pleasure; and thus, when he took his place in the corner of a second-class compartment of the Dover-Ostend express on the Wednesday morning following, he was the only occupant of it.
Probably he had never felt so fully at liberty, nor enjoyed a keener zest for life and the future. For the first time he had asserted his own indisputable right to stand on his own feet, and though he was genuinely sorry for his father’s chagrin at not being able to tuck him up in the family coach, his own sense of independence could not but wave its banners. There had been a second interview, no less fruitless than the first, and Lord Ashbridge had told him that when next his presence was desired at home, he would be informed of the fact. His mother had cried in a mild, trickling fashion, but it was quite obvious that in her heart of hearts she was more concerned with a bilious attack of peculiar intensity that had assailed Petsy. She wished Michael would not be so disobedient and vex his father, but she was quite sure that before long some formula, in diplomatic phrase, would be found on which reconciliation could be based; whereas it was highly uncertain whether any formula could be found that would produce the desired effect on Petsy, whose illness she attributed to the shock of Og’s sudden and disconcerting appearance on Saturday, when all Petsy’s nervous force was required to digest the copious cream. Consequently, though she threw reproachful glances at Michael, those directed at Barbara, who was the cause of the acuter tragedy, were pointed with more penetrating blame. Indeed, it is questionable whether Lady Ashbridge would have cried at all over Michael’s affairs had not Petsy’s also been in so lamentable and critical a state.
Just as the train began to move out of the station a young man rushed across the platform, eluded the embrace of the guard who attempted to stop him with amazing agility, and jumped into Michael’s compartment. He slammed the door after him, and leaned out, apparently looking for someone, whom he soon saw.
“Just caught it, Sylvia,” he shouted. “Send on my luggage, will you? It’s in the taxi still, I think, and I haven’t paid the man. Good-bye, darling.”
He waved to her till the curving line took the platform out of sight, and then sat down with a laugh, and eyes of friendly interest for Michael.
“Narrow squeak, wasn’t it?” he said gleefully. “I thought the guard had collared me. And I should have missed Parsifal.”
Michael had recognised him at once as he rushed across the platform; his shouting to Sylvia had but confirmed the recognition; and here on the day of his entering into his new kingdom of liberty was one of its citizens almost thrown into his arms. But for the moment his old invincible habit of shyness and sensitiveness forbade any responsive lightness of welcome, and he was merely formal, merely courteous.
“And all your luggage left behind,” he said. “Won’t you be dreadfully uncomfortable?”
“Uncomfortable? Why?” asked Falbe. “I shall buy a handkerchief and a collar every day, and a shirt and a pair of socks every other day till it arrives.”
Michael felt a sudden, daring impulse. He remembered Aunt Barbara’s salutary remarks about crossness being the equivalent of thinking about oneself. And the effort that it cost him may be taken as the measure of his solitary disposition.
“But you needn’t do that,” he said, “if — if you will be good enough to borrow of me till your things come.”
He blurted it out awkwardly, almost brusquely, and Falbe looked slightly amused at this wholly surprising offer of hospitality.
“But that’s awfully good of you,” he said, laughing and saying nothing direct about his acceptance. “It implies, too, that you are going to Baireuth. We travel together, then, I hope, for it is dismal work travelling alone, isn’t it? My sister tells me that half my friends were picked up in railway carriages. Been there before?”
Michael felt himself lured from the ordinary aloofness of attitude and demeanour, which had been somewhat accustomed to view all strangers with suspicion. And yet, though till this moment he had never spoken to him, he could hardly regard Falbe as a stranger, for he had heard him say on the piano what his sister understood by the songs of Brahms and Schubert. He could not help glancing at Falbe’s hands, as they busied themselves with the filling and lighting of a pipe, and felt that he knew something of those long, broad-tipped fingers, smooth and white and strong. The man himself he found to be quite different to what he had expected; he had seen him before, eager and intent and anxious-faced, absorbed in the task of following another mind; now he looked much younger, much more boyish.
“No, it’s my first visit to Baireuth,” he said, “and I can’t tell you how excited I am about it. I’ve been looking forward to it so much that I almost expect to be disappointed.”
Falbe blew out a cloud of smoke and laughter.
“Oh, you’re safe enough,” he said. “Baireuth never disappoints. It’s one of the facts — a reliable fact. And Munich? Do you go to Munich afterwards?”
“Yes. I hope so.”
Falbe clicked with his tongue
“Lucky fellow,” he said. “How I wish I was. But I’ve got to get back again after my week. You’ll spend the mornings in the galleries, and the afternoons and evenings at the opera. O Lord, Munich!”
He came across from the other side of the carriage and sat next Michael, putting his feet up on the seat opposite.
“Talk of Munich,” he said. “I was born in Munich, and I happen to know that it’s the heavenly Jerusalem, neither more nor less.”
“Well, the heavenly Jerusalem is practically next door to Baireuth,” said Michael.
“I know; but it can’t be managed. However, there’s a week of unalloyed bliss between me now and the desolation of London in August. What is so maddening is to think of all the people who could go to Munich and don’t.”
Michael held debate within himself. He felt that he ought to tell his new acquaintance that he knew who he was, that, however trivial their conversation might be, it somehow resembled eavesdropping to talk to a chance fellow-passenger as if he were a complete stranger. But it required again a certain effort to make the announcement.
“I think I had better tell you,” he said at length, “that I know you, that I’ve listened to you at least, at your sister’s recital a few days ago.”
Falbe turned to him with the friendliest pleasure.
“Ah! were you there?” he asked. “I hope you listened to her, then, not to me. She sang well, didn’t she?”
“But divinely. At the same time I did listen to you, especially in the French songs. There was less song, you know.”
Falbe laughed.
“And more accompaniment!” he said. “Perhaps you play?”
Michael was seized with a fit of shyness at the idea of talking to Falbe about himself.
“Oh, I just strum,” he said.
Throughout the journey their acquaintanceship ripened; and casually, in dropped remarks, the two began to learn something about each other. Falbe’s command of English, as well as his sister’s, which was so complete that it was impossible to believe that a foreigner was speaking, was explained, for it came out that his mother was English, and that from infancy they had spoken German and English indiscriminately. His father, who had died some dozen years before, had been a singer of some note in his native land, but was distinguished more for his teaching than his practice, and it was he who had taught his daughter. Hermann Falbe himself had always intended to be a pianist, but the poverty in which they were left at his father’s death had obliged him to give lessons rather than devote himself to his own career; but now at the age of thirty he found himself within sight of the competence that would allow him to cut down his pupils, and begin to be a pupil again himself.
His sister, moreover, for whom he had slaved for years in order that she might continue her own singing education unchecked, was now more than able, especially after these last three months in London, where she had suddenly leaped into eminence, to support herself and contributed to the expenses of their common home. But there was still, so Michael gathered, no great superabundance of money, and he guessed that Falbe’s inability to go to Munich was due to the question of expense.
All this came out by inference and allusion rather than by direct information, while Michael, naturally reticent and feeling that his own uneventful affairs could have no interest for anybody, was less communicative. And, indeed, while shunning the appearance of inquisitiveness, he was far too eager to get hold of his new acquaintance to think of volunteering much himself. Here to him was this citizen of the new country who all his life had lived in the palace of art, and that in no dilettante fashion, but with set aim and serious purpose. And Falbe abounded in such topics; he knew the singers and the musicians of the world, and, which was much more than that, he was himself of them; humble, no doubt, in circumstances and achievement as yet, but clearly to Michael of the blood royal of artistry. That was the essential thing about him as regards his relations with his fellow-traveller, though, when next morning the spires of Cologne and the swift river of his Fatherland came into sight, he burst out into a sort of rhapsody of patriotism that mockingly covered a great sincerity.
“Ah! beloved land!” he cried. “Soil of heaven and of divine harmony! Hail to thee! Hail to thee! Rhine, Rhine deep and true and steadfast.” . . . And he waved his hat and sang the greeting of Brunnhilde. Then he turned laughingly to Michael.
“I am sufficiently English to know how ridiculous that must seem to you,” he said, “for I love England also, and the passengers on the boat would merely think me mad if I apostrophised the cliffs of Dover and the mud of the English roads. But here I am a German again, and I would willingly kiss the soil. You English — we English, I may say, for I am as much English as German — I believe have got the same feeling somewhere in our hearts, but we lock it up and hide it away. Pray God I shall never have to choose to which nation I belong, though for that matter there in no choice in it at all, for I am certainly a German subject. Guten Tag, Koln; let us instantly have our coffee. There is no coffee like German coffee, though the French coffee is undeniably pleasanter to the mere superficial palate. But it doesn’t touch the heart, as everything German touches my heart when I come back to the Fatherland.”
He chattered on in tremendous high spirits.
“And to think that to-night we shall sleep in true German beds,” he said. “I allow that the duvet is not so convenient as blankets, and that there is a watershed always up the middle of your bed, so that during the night your person descends to one side while the duvet rolls down the other; but it is German, which makes up for any trifling inconvenience. Baireuth, too; perhaps it will strike you as a dull and stinking little town, and so I dare say it is. But after lunch we shall go up the hillside to where the theatre stands, at the edge of the pine-woods, and from the porch the trumpets will give out the motif of the Grail, and we shall pass out of the heat into the cool darkness of the theatre. Aren’t you thrilled, Comber? Doesn’t a holy awe pervade you! Are you worthy, do you think?”
All this youthful, unrestrained enthusiasm was a revelation to Michael. Intentionally absurd as Falbe’s rhapsody on the Fatherland had been, Michael knew that it sprang from a solid sincerity which was not ashamed of expressing itself. Living, as he had always done, in the rather formal and reticent atmosphere of his class and environment, he would have thought this fervour of patriotism in an English mouth ridiculous, or, if persevered in, merely bad form. Yet when Falbe hailed the Rhine and the spires of Cologne, it was clear that there was no bad form about it at all. He felt like that; and, indeed, as Michael was beginning to perceive, he felt with a similar intensity on all subjects about which he felt at all. There was something of the same vivid quality about Aunt Barbara, but Aunt Barbara’s vividness was chiefly devoted to the hunt of the absurdities of her friends, and it was always the concretely ridiculous that she pursued. But this handsome, vital young man, with his eagerness and his welcome for the world, who had fallen with so delightful a cordiality into Michael’s company, had already an attraction for him of a sort he had never felt before.
Dimly, as the days went by, he began to conjecture that he who had never had a friend was being hailed and halloed to, was being ordered, if not by precept, at any rate by example, to come out of the shell of his reserve, and let himself feel and let himself express. He could see how utterly different was Falbe’s general conception and practice of life from his own; to Michael it had always been a congregation of strangers — Francis excepted — who moved about, busy with each other and with affairs that had no allure for him, and were, though not uncivil, wholly alien to him. He was willing to grant that this alienation, this absence of comradeship which he had missed all his life, was of his own making, in so far as his shyness and sensitiveness were the cause of it; but in effect he had never yet had a friend, because he had never yet taken his shutters down, so to speak, or thrown his front door open. He had peeped out through chinks, and felt how lonely he was, but he had not given anyone a chance to get in.
Falbe, on the other hand, lived at his window, ready to hail the passer-by, even as he had hailed Michael, with cheerful words. There he lounged in his shirt-sleeves, you might say, with elbows on the window-sill; and not from politeness, but from good fellowship, from the fact that he liked people, was at home to everybody. He liked people; there was the key to it. And Michael, however much he might be capable of liking people, had up till now given them no sign of it. It really was not their fault if they had not guessed it.
Two days passed, on the first of which Parsifal was given, and on the second Meistersinger. On the third there was no performance, and the two young men had agreed to meet in the morning and drive out of the town to a neighbouring village among the hills, and spend the day there in the woods. Michael had looked forward to this day with extraordinary pleasure, but there was mingled with it a sort of agony of apprehension that Falbe would find him a very boring companion. But the precepts of Aunt Barbara came to his mind, and he reflected that the certain and sure way of proving a bore was to be taken up with the idea that he might be. And anyhow, Falbe had proposed the plan himself.
They lunched in a little restaurant near a forest-enclosed lake, and since the day was very hot, did no more than stroll up the hill for a hundred yards, where they would get some hint of breeze, and disposed themselves at length on the carpet of pine-needles. Through the thick boughs overhead the sunlight reached them only in specks and flakes, the wind was but as a distant sea in the branches, and Falbe rolled over on to his face, and sniffed at the aromatic leaves with the gusto with which he enjoyed all that was to him enjoyable.
“Ah; that’s good, that’s good!” he said. “How I love smells — clean, sharp smells like this. But they’ve got to be wild; you can’t tame a smell and put it on your handkerchief; it takes the life out of it. Do you like smells, Comber?”
“I — I really never thought about it,” said Michael.
“Think now, then, and tell me,” said Falbe. “If you consider, you know such a lot about me, and, as a matter of fact, I know nothing whatever about you. I know you like music — I know you like blue trout, because you ate so many of them at lunch to-day. But what else do I know about you? I don’t even know what you thought of Parsifal. No, perhaps I’m wrong there, because the fact that you’ve never mentioned it probably shows that you couldn’t. The symptom of not understanding anything about Parsifal is to talk about it, and say what a tremendous impression it has made on you.”
“Ah! you’ve guessed right there,” said Michael. “I couldn’t talk about it; there’s nothing to say about it, except that it is Parsifal.”
“That’s true. It becomes part of you, and you can’t talk of it any more than you can talk about your elbows and your knees. It’s one of the things that makes you. . . .”
He turned over on to his back, and laid his hands palm uppermost over his eyes.
“That’s part of the glory of it all,” he said; “that art and its emotions become part of you like the food you eat and the wine you drink. Art is always making us; it enters into our character and destiny. As long as you go on growing you assimilate, and thank God one’s mind or soul, or whatever you like to call it, goes on growing for a long time. I suppose the moment comes to most people when they cease to grow, when they become fixed and hard; and that is what we mean by being old. But till then you weave your destiny, or, rather, people and beauty weave it for you, as you’ll see the Norns weaving, and yet you never know what you are making. You make what you are, and you never are because you are always becoming. You must excuse me; but Germans are always metaphysicians, and they can’t help it.”
“Go on; be German,” said Michael.
“Lieber Gott! As if I could be anything else,” said Falbe, laughing. “We are the only nation which makes a science of experimentalism; we try everything, just as a puppy tries everything. It tries mutton bones, and match-boxes, and soap and boots; it tries to find out what its tail is for, and bites it till it hurts, on which it draws the conclusion that it is not meant to eat. Like all metaphysicians, too, and dealers in the abstract, we are intensely practical. Our passion for experimentalism is dictated by the firm object of using the knowledge we acquire. We are tremendously thorough; we waste nothing, not even time, whereas the English have an absolute genius for wasting time. Look at all your games, your sports, your athletics — I am being quite German now, and forgetting my mother, bless her! — they are merely devices for getting rid of the hours, and so not having to think. You hate thought as a nation, and we live for it. Music is thought; all art is thought; commercial prosperity is thought; soldiering is thought.”
