Roberto Calasso, "a literary institution of one" (The Paris Review), tells the story of the eternal life of Utnapishtim, the savior of man, in the eleventh part of his great literary project.A long time ago, the gods grew tired of humans, who were making too much noise and disturbing their sleep, and they decided to send a Flood to destroy them. But Ea, the god of fresh underground water, didn't agree and advised one of his favorite mortals, Utnapishtim, to build a quadrangular boat to house humans and animals. So Utnapishtim saved living creatures from the Flood. Rather than punish Utnapishtim, Enlil, king of the gods, granted him eternal life and banished him to the island of Dilmun. Thousands of years later, Sindbad the Sailor is shipwrecked on that very same island, and the two begin a conversation about courage, loss, salvation, and sacrifice. What Utnapishtim tells Sindbad is the subject of this book, the eleventh part of Roberto Calasso's great...

Presenting the stories of Zeus and Europa, Theseus and Ariadne, the birth of Athens and the fall of Troy, in all their variants, Calasso also uncovers the distant origins of secrets and tragedy, virginity, and rape. "A perfect work like no other. (Calasso) has re-created . . . the morning of our world."--Gore Vidal. 15 engravings.From Publishers WeeklyThat Greco-Roman mythology should shape a contemporary novel is hardly unusual, but the way this breath-takingly ambitious work shapes--and reshapes--classical mythology is remarkable indeed. Calasso, publisher of the intellectual Milanese house Adelphi, revisits the theogonies set forth by Hesiod, Homer, Ovid et al. and then recasts them for a postmodern audience. Gods and men enact the cosmic mysteries as the narrator comments aphoristically on the progress of ancient and divine history ("With time, men and gods would develop a common language made up of hierogamy and sacrifice . . . . And, when it became a dead language, people started talking about mythology"). Calasso presents the abduction of Europa by a bull, analyzes the Trojan war, discusses the meaning of the word "tragedy" and charts the fall of classical Athens. Into this elegant chronology he also interpolates quotations from and allusions to a pantheon of classical writers, in the same weightless manner in which those writers made use of standard formulaic tropes; he extends his territory by planting modern points of reference ("Jason would have preferred to live a bourgeois life at home, just as Nietzsche would have preferred to be a professor in Basel, rather than God"). Readers who don't know their Theseus from their Thyestes shouldn't be discouraged--Calasso's work bridges the perceived distance from the origins of Western culture. Illustrations not seen by PW. BOMC alternate. Copyright 1993 Reed Business Information, Inc. From Library JournalA reconsideration and recombination of Greek mythology, this scholarly tome--which is being billed as both fiction and mythology by the publisher--reaches back extensively through the works of Plutarch, Ovid, Homer, and Plato, to name only a few of the classical writers referenced here. This interweaving of gods and goddesses and of their actions moves back and forth in time, with many comments from Calasso about both the action and its interpretation by scholars. The storytelling style is interesting, but novices of Greek mythology will soon find themselves awash in names and places and activities that are exceedingly difficult to keep straight. An extensive "family tree" of characters, an index, and even chapter titles, none of which are included, would have served as useful guideposts. Students of Greek mythology will be intrigued. Primarily for academic collections.- Olivia Opello, Onondaga Cty. P.L., Syracuse, N.Y.Copyright 1993 Reed Business Information, Inc.