A large anthology of sci.., p.946

A Large Anthology of Science Fiction, page 946

 

A Large Anthology of Science Fiction
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  “We’re free,” she said, at last. “That’s all that matters.”

  “We’ll never be free.” Johanna’s tone was dark, intense. “Your records have a mark that says ‘Institution’. And even if it didn’t—do you honestly believe we would blend right in?”

  There was no one quite like them on Prime, where Dai Viet were unwelcome; not with those eyes, not with that skin colour—not with that demeanour, which even years of Institution hadn’t been enough to erase.

  “Do you ever wonder . . .” Johanna’s voice trailed off into silence, as if she were contemplating something too large to put into words.

  “Wonder what?” Catherine asked.

  Johanna bit her lip. “Do you ever wonder what it would have been like, with our parents? Our real parents.”

  The parents they couldn’t remember. They’d done the maths, too—no children at the Institution could remember anything before coming there. Matron had said it was because they were really young when they were taken away—that it had been for the best. Johanna, of course, had blamed something more sinister, some fix-up done by the Institution to its wards to keep them docile.

  Catherine thought, for a moment, of a life among the Dai Viet—an idyllic image of a harmonious family like in the holo-movies—a mirage that dashed itself to pieces against the inescapable reality of the birth vid. “They’d have used us like brood mares,” Catherine said. “You saw—”

  “I know what I saw,” Johanna snapped. “But maybe . . .” Her face was pale. “Maybe it wouldn’t have been so bad, in return for the rest.”

  For being loved; for being made worthy; for fitting in, being able to stare at the stars without wondering which was their home—without dreaming of when they might go back to their families.

  Catherine rubbed her belly, thinking of the vid—and the thing crawling out of the woman’s belly, all metal edges and shining crystal, coated in the blood of its mother—and, for a moment she felt as though she were the woman—floating above her body, detached from her cloak of flesh, watching herself give birth in pain. And then the sensation ended, but she was still feeling spread out, larger than she ought to have been—looking at herself from a distance and watching her own life pass her by, petty and meaningless, and utterly bounded from end to end.

  Maybe Johanna was right. Maybe it wouldn’t have been so bad, after all.

  The ship was smaller than Lan Nhen had expected—she’d been going by her experience with The Cinnabar Mansions, which was an older generation, but The Turtle’s Citadel was much smaller for the same functionalities.

  Lan Nhen went up from the hangar to the living quarters, her equipment slung over her shoulders. She’d expected a sophisticated defence system like the drones, but there was nothing. Just the familiar slimy feeling of a quickened ship on the walls, a sign that the Mind that it hosted was still alive—albeit barely. The walls were bare, instead of the elaborate decoration Lan Nhen was used to from The Cinnabar Mansions—no scrolling calligraphy, no flowing paintings of starscapes or flowers; no ambient sound of zither or anything to enliven the silence.

  She didn’t have much time to waste—Cuc had said they had two hours between the moment the perimeter defences kicked in, and the moment more hefty safeguards were manually activated—but she couldn’t help herself: she looked into one of the living quarters. It was empty as well, its walls scored with gunfire. The only colour in the room was a few splatters of dried blood on a chair, a reminder of the tragedy of the ship’s fall—the execution of its occupants, the dragging of its wreck to the derelict ward—dried blood, and a single holo of a woman on a table, a beloved mother or grandmother: a bare, abandoned picture with no offerings or incense, all that remained from a wrecked ancestral altar. Lan Nhen spat on the ground, to ward off evil ghosts, and went back to the corridors.

  She truly felt as though she were within a mausoleum—like that one time her elder sister had dared her and Cuc to spend the night within the family’s ancestral shrine, and they’d barely slept—not because of monsters or anything, but because of the vast silence that permeated the whole place amidst the smell of incense and funeral offerings, reminding them that they, too, were mortal.

  That Minds, too, could die—that rescues were useless—no, she couldn’t afford to think like that. She had Cuc with her, and together they would . . .

  She hadn’t heard Cuc for a while.

  She stopped, when she realised—that it wasn’t only the silence on the ship, but also the deathly quiet of her own comms system. Since—since she’d entered The Turtle’s Citadel—that was the last time she’d heard her cousin, calmly pointing out about emergency standby and hangar doors and how everything was going to work out, in the end . . .

  She checked her comms. There appeared to be nothing wrong; but whichever frequency she selected, she could hear nothing but static. At last, she managed to find one slot that seemed less crowded than others. “Cousin? Can you hear me?”

  Noise on the line. “Very—badly.” Cuc’s voice was barely recognisable. “There—is—something—interference—”

  “I know,” Lan Nhen said. “Every channel is filled with noise.”

  Cuc didn’t answer for a while; and when she did, her voice seemed to have become more distant—a problem had her interest again. “Not—noise. They’re broadcasting—data. Need—to . . .” And then the comms cut. Lan Nhen tried all frequencies, trying to find one that would be less noisy; but there was nothing. She bit down a curse—she had no doubt Cuc would find a way around whatever blockage the Outsiders had put on the ship, but this was downright bizarre. Why broadcast data? Cutting down the comms of prospective attackers somehow didn’t seem significant enough—at least not compared to defence drones or similar mechanisms.

  She walked through the corridors, following the spiral path to the heartroom—nothing but the static in her ears, a throbbing song that erased every coherent thought from her mind—at least it was better than the silence, than that feeling of moving underwater in an abandoned city—that feeling that she was too late, that her great-aunt was already dead and past recovery, that all she could do here was kill her once and for all, end her misery . . .

  She thought, incongruously, of a vid she’d seen, which showed her great-grandmother ensconced in the heartroom—in the first few years of The Turtle’s Citadel’s life, those crucial moments of childhood when the ship’s mother remained onboard to guide the Mind to adulthood. Great-grandmother was telling stories to the ship—and The Turtle’s Citadel was struggling to mimic the spoken words in scrolling texts on her walls, laughing delightedly whenever she succeeded—all sweet and young, unaware of what her existence would come to, in the end.

  Unlike the rest of the ship, the heartroom was crowded—packed with Outsider equipment that crawled over the Mind’s resting place in the centre, covering her from end to end until Lan Nhen could barely see the glint of metal underneath. She gave the entire contraption a wide berth—the spikes and protrusions from the original ship poked at odd angles, glistening with a dark liquid she couldn’t quite identify—and the Outsider equipment piled atop the Mind, a mass of cables and unfamiliar machines, looked as though it was going to take a while to sort out.

  There were screens all around, showing dozens of graphs and diagrams, shifting as they tracked variables that Lan Nhen couldn’t guess at—vital signs, it looked like, though she wouldn’t have been able to tell what.

  Lan Nhen bowed in the direction of the Mind, from younger to elder—perfunctorily, since she was unsure whether the Mind could see her at all. There was no acknowledgement, either verbal or otherwise.

  Her great-aunt was in there. She had to be.

  “Cousin.” Cuc’s voice was back in her ears—crisp and clear and uncommonly worried.

  “How come I can hear you?” Lan Nhen asked. “Because I’m in the heartroom?”

  Cuc snorted. “Hardly. The heartroom is where all the data is streaming from. I’ve merely found a way to filter the transmissions on both ends. Fascinating problem . . .”

  “Is this really the moment?” Lan Nhen asked. “I need you to walk me through the reanimation—”

  “No you don’t,” Cuc said. “First you need to hear what I have to say.”

  The call came during the night: a man in the uniform of the Board asked for Catherine George—as if he couldn’t tell that it was her, that she was standing dishevelled and pale in front of her screen at three in the morning. “Yes, it’s me,” Catherine said. She fought off the weight of nightmares—more and more, she was waking in the night with memories of blood splattered across her entire body; of stars collapsing while she watched, powerless—of a crunch, and a moment where she hung alone in darkness, knowing that she had been struck a death blow—

  The man’s voice was quiet, emotionless. There had been an accident in Steele; a regrettable occurrence that hadn’t been meant to happen, and the Board would have liked to extend its condolences to her—they apologised for calling so late, but they thought she should know . . .

  “I see,” Catherine said. She kept herself uncomfortably straight—aware of the last time she’d faced the board—when Jason had told her her desire for space would have been unproductive. When they’d told Johanna . . .

  Johanna.

  After a while, the man’s words slid past her like water on glass—hollow reassurances, empty condolences, whereas she stood as if her heart had been torn away from her, fighting a desire to weep, to retch—she wanted to turn back time, to go back to the previous week and the sprigs of apricot flowers Jason had given her with a shy smile—to breathe in the sharp, tangy flavour of the lemon cake he’d baked for her, see again the carefully blank expression on his face as he waited to see if she’d like it—she wanted to be held tight in his arms and told that it was fine, that everything was going to be fine, that Johanna was going to be fine.

  “We’re calling her other friends,” the man was saying, “but since you were close to each other . . .”

  “I see,” Catherine said—of course he didn’t understand the irony, that it was the answer she’d given the Board—Jason—the last time.

  The man cut off the communication; and she was left alone, standing in her living room and fighting back the feeling that threatened to overwhelm her—a not-entirely unfamiliar sensation of dislocation in her belly, the awareness that she didn’t belong here among the Galactics; that she wasn’t there by choice, and couldn’t leave; that her own life should have been larger, more fulfilling than this slow death by inches, writing copy for feeds without any acknowledgement of her contributions—that Johanna’s life should have been larger . . .

  Her screen was still blinking—an earlier message from the Board that she hadn’t seen? But why—

  Her hands, fumbling away in the darkness, made the command to retrieve the message—the screen faded briefly to black while the message was decompressed, and then she was staring at Johanna’s face.

  For a moment—a timeless, painful moment—Catherine thought with relief that it had been a mistake, that Johanna was alive after all; and then she realised how foolish she’d been—that it wasn’t a call, but merely a message from beyond the grave.

  Johanna’s face was pale, so pale Catherine wanted to hug her, to tell her the old lie that things were going to be fine—but she’d never get to say those words now, not ever.

  “I’m sorry, Catherine,” she said. Her voice was shaking; and the circles under her eyes took up half of her face, turning her into some pale nightmare from horror movies—a ghost, a restless soul, a ghoul hungry for human flesh. “I can’t do this, not anymore. The Institution was fine; but it’s got worse. I wake up at night, and feel sick—as if everything good has been leeched from the world—as if the food had no taste, as if I drifted like a ghost through my days, as if my entire life held no meaning or truth. Whatever they did to our memories in the Institution—it’s breaking down now. It’s tearing me apart. I’m sorry, but I can’t take any more of this. I—” she looked away from the camera for a brief moment, and then back at Catherine. “I have to go.”

  “No,” Catherine whispered, but she couldn’t change it. She couldn’t do anything.

  “You were always the strongest of us,” Johanna said. “Please remember this. Please. Catherine.” And then the camera cut, and silence spread through the room, heavy and unbearable, and Catherine felt like weeping, though she had no tears left.

  “Catherine?” Jason called in a sleepy voice from the bedroom. “It’s too early to check your work inbox . . .”

  Work. Love. Meaningless, Johanna had said. Catherine walked to the huge window pane, and stared at the city spread out below her—the mighty Prime, centre of the Galactic Federation, its buildings shrouded in light, its streets crisscrossed by floaters; with the bulky shape of the Parliament at the centre, a proud statement that the Galactic Federation still controlled most of their home galaxy.

  Too many lights to see the stars; but she could still guess; could still feel their pull—could still remember that one of them was her home.

  A lie, Johanna had said. A construction to keep us here.

  “Catherine?” Jason stood behind her, one hand wrapped around her shoulder—awkwardly tender as always, like that day when he’d offered to share a flat, standing balanced on one foot and not looking at her.

  “Johanna is dead. She killed herself.”

  She felt rather than saw him freeze—and, after a while, he said in a changed voice, “I’m so sorry. I know how much she meant . . .” His voice trailed off, and he too, fell silent, watching the city underneath.

  There was a feeling—the same feeling she’d had when waking up as a child, a diffuse sense that something was not quite right with the world; that the shadows held men watching, waiting for the best time to snatch her; that she was not wholly back in her body—that Jason’s hand on her shoulder was just the touch of a ghost, that even his love wasn’t enough to keep her safe. That the world was fracturing around her, time and time again—she breathed in, hoping to dispel the sensation. Surely it was nothing more than grief, than fatigue—but the sensation wouldn’t go away, leaving her on the verge of nausea.

  “You should have killed us,” Catherine said. “It would have been kinder.”

  “Killed you?” Jason sounded genuinely shocked.

  “When you took us from our parents.”

  Jason was silent for a while. Then: “We don’t kill. What do you think we are, monsters from the fairytales, killing and burning everyone who looks different? Of course we’re not like that.” Jason no longer sounded uncertain or awkward; it was as if she’d touched some wellspring, scratched some skin to find only primal reflexes underneath.

  “You erased our memories.” She didn’t make any effort to keep the bitterness from her voice.

  “We had to.” Jason shook his head. “They’d have killed you, otherwise. You know this.”

  “How can I trust you?” Look at Johanna, she wanted to say. Look at me. How can you say it was all worth it?

  “Catherine . . .” Jason’s voice was weary. “We’ve been over this before. You’ve seen the vids from the early days. We didn’t set out to steal your childhood, or anyone’s childhood. But when you were left—intact . . . accidents happened. Carelessness. Like Johanna.”

  “Like Johanna.” Her voice was shaking now; but he didn’t move, didn’t do anything to comfort her or hold her close. She turned at last, to stare into his face; and saw him transfixed by light, by faith, his gaze turned away from her and every pore of his being permeated by the utter conviction that he was right, that they were all right and that a stolen childhood was a small price to pay to be a Galactic.

  “Anything would do.” Jason’s voice was slow, quiet—explaining life to a child, a script they’d gone over and over in their years together, always coming back to the same enormous, inexcusable choice that had been made for them. “Scissors, knives, broken bottles. You sliced your veins, hanged yourselves, pumped yourselves full of drugs . . . We had to . . . we had to block your memories, to make you blank slates.”

  “Had to.” She was shaking now; and still he didn’t see. Still she couldn’t make him see.

  “I swear to you, Catherine. It was the only way.”

  And she knew, she’d always known he was telling the truth—not because he was right, but because he genuinely could not envision any other future for them.

  “I see,” she said. The nausea, the sense of dislocation, wouldn’t leave her—disgust for him, for this life that trapped her, for everything she’d turned into or been turned into. “I see.”

  “Do you think I like it?” His voice was bitter. “Do you think it makes me sleep better at night? Every day I hate that choice, even though I wasn’t the one who made it. Every day I wonder if there was something else the Board could have done, some other solution that wouldn’t have robbed you of everything you were.”

  “Not everything,” Catherine said—slowly, carefully. “We still look Dai Viet.”

  Jason grimaced, looking ill at ease. “That’s your body, Catherine. Of course they weren’t going to steal that.”

  Of course; and suddenly, seeing how uneasy he was, it occurred to Catherine that they could have changed that, too, just as easily as they’d tampered with her memories; made her skin clearer, her eyes less distinctive; could have helped her fit into Galactic society. But they hadn’t. Holding the strings to the last, Johanna would have said. “You draw the line at my body, but stealing my memories is fine?”

  Jason sighed; he turned towards the window, looking at the streets. “No, it’s not, and I’m sorry. But how else were we supposed to keep you alive?”

  “Perhaps we didn’t want to be alive.”

  “Don’t say that, please.” His voice had changed, had become fearful, protective. “Catherine. Everyone deserves to live. You especially.”

  Perhaps I don’t, she thought, but he was holding her close to him, not letting her go—her anchor to the flat—to the living room, to life. “You’re not Johanna,” he said. “You know that.”

 

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