Delphi complete works of.., p.66
Delphi Complete Works of Oscar Wilde (Illustrated), page 66
But I’ve never forgotten the ship love
I made as a childish toy
When you were a little girl love
And I was a sailor boy.
Ave Imperatrix
Set in this stormy Northern sea,
Queen of these restless fields of tide,
England! what shall men say of thee,
Before whose feet the worlds divide?
The earth, a brittle globe of glass,
Lies in the hollow of thy hand,
And through its heart of crystal pass,
Like shadows through a twilight land,
The spears of crimson-suited war,
The long white-crested waves of fight,
And all the deadly fires which are
The torches of the lords of Night.
The yellow leopards, strained and lean,
The treacherous Russian knows so well,
With gaping blackened jaws are seen
Leap through the hail of screaming shell.
The strong sea-lion of England’s wars
Hath left his sapphire cave of sea,
To battle with the storm that mars
The star of England’s chivalry.
The brazen-throated clarion blows
Across the Pathan’s reedy fen,
And the high steeps of Indian snows
Shake to the tread of armed men.
And many an Afghan chief, who lies
Beneath his cool pomegranate-trees,
Clutches his sword in fierce surmise
When on the mountain-side he sees
The fleet-foot Marri scout, who comes
To tell how he hath heard afar
The measured roll of English drums
Beat at the gates of Kandahar.
For southern wind and east wind meet
Where, girt and crowned by sword and fire,
England with bare and bloody feet
Climbs the steep road of wide empire.
O lonely Himalayan height,
Gray pillar of the Indian sky,
Where saw’st thou last in clanging fight,
Our winged dogs of Victory?
The almond groves of Samarcand,
Bokhara, where red lilies blow,
And Oxus, by whose yellow sand
The grave white-turbaned merchants go:
And on from thence to Ispahan,
The gilded garden of the sun,
Whence the long dusty caravan
Brings cedar and vermilion;
And that dread city of Cabool
Set at the mountain’s scarped feet,
Whose marble tanks are ever full
With water for the noon-day heat:
Where through the narrow straight Bazaar
A little maid Circassian
Is led, a present from the Czar
Unto some old and bearded khan, —
Here have our wild war-eagles flown,
And flapped wide wings in fiery fight;
But the sad dove, that sits alone
In England — she hath no delight.
In vain the laughing girl will lean
To greet her love with love-lit eyes:
Down in some treacherous black ravine,
Clutching his flag, the dead boy lies.
And many a moon and sun will see
The lingering wistful children wait
To climb upon their father’s knee;
And in each house made desolate
Pale women who have lost their lord
Will kiss the relics of the slain —
Some tarnished epaulet — some sword —
Poor toys to soothe such anguished pain.
For not in quiet English fields
Are these, our brothers, laid to rest.
Where we might deck their broken shields
With all the flowers the dead love best.
For some are by the Delhi walls,
And many in the Afghan land,
And many where the Ganges falls
Through seven mouths of shifting sand.
And some in Russian waters lie,
And others in the seas which are
The portals to the East, or by
The wind-swept heights of Trafalgar.
O wandering graves! O restless sleep!
O silence of the sunless day!
O still ravine! O stormy deep!
Give up your prey! Give up your prey!
And thou whose wounds are never healed,
Whose weary race is never won,
O Cromwell’s England! must thou yield
For every inch of ground a son?
Go! crown with thorns thy gold-crowned head,
Change thy glad song to song of pain;
Wind and wild wave have got thy dead,
And will not yield them back again.
Wave and wild wind and foreign shore
Possess the flower of English land —
Lips that thy lips shall kiss no more,
Hands that shall never clasp thy hand.
What profit now that we have bound
The whole round world with net of gold,
If hidden in our heart is found
The care that groweth never old?
What profit that our galleys ride,
Pine-forest-like, on every main?
Ruin and wreck are at our side,
Grim warders of the House of pain.
Where are the brave, the strong, the fleet
Where is our English chivalry?
Wild grasses are their burial-sheet,
And sobbing waves their threnody.
O loved ones lying far away,
What word of love can dead lips send!
O wasted dust! O senseless clay!
Is this the end! is this the end!
Peace, peace! we wrong the noble dead
To vex their solemn slumber so:
Though childless, and with thorn-crowned head,
Up the steep road must England go,
Yet when this fiery web is spun,
Her watchmen shall decry from far
The young Republic like a sun
Rise from these crimson seas of war.
To Milton
Milton! I think thy spirit hath passed away
From these white cliffs, and high embattled-towers;
This gorgeous fiery-colored world of ours
Seems fallen into ashes dull and gray,
And the age changed unto a mimic play,
Wherein we waste our else too-crowded hours:
For all our pomp and pageantry and powers
We are but fit to delve the common clay,
Seeing this little isle on which we stand,
This England, this sea-lion of the sea,
By ignorant demagogues is held in fee,
Who love her not: Dear God! is this the land
Which bare a triple empire in her hand
When Cromwell spake the word Democracy!
Louis Napoleon
Eagle of Austerlitz! where were thy wings
When far away upon a barbarous strand,
In fight unequal, by an obscure hand,
Fell the last scion of thy brood of Kings!
Poor boy! thou wilt not flaunt thy cloak of red,
Nor ride in state through Paris in the van
Of thy returning legions, but instead
Thy mother France, free and republican,
Shall on thy dead and crownless forehead place
The better laurels of a soldier’s crown,
That not dishonored should thy soul go down
To tell the mighty Sire of thy race
That France hath kissed the mouth of Liberty,
And found it sweeter than his honeyed bees,
And that the giant wave Democracy
Breaks on the shores where Kings lay couched at ease.
Sonnet
On the Massacre of the Christians in Bulgaria.
Christ, dost Thou live indeed? or are Thy bones
Still straightened in their rock-hewn sepulchre?
And was Thy Rising only dreamed by her
Whose love of Thee for all her sin atones?
For here the air is horrid with men’s groans,
The priests who call upon Thy name are slain,
Dost Thou not hear the bitter wail of pain
From those whose children lie upon the stones?
Come down, O Son of God! incestuous gloom
Curtains the land, and through the starless night
Over Thy Cross the Crescent moon I see!
If Thou in very truth didst burst the tomb
Come down, O Son of Man! and show Thy might
Lest Mahomet be crowned instead of Thee!
Quantum Mutata
There was a time in Europe long ago,
When no man died for freedom anywhere,
But England’s lion leaping from its lair
Laid hands on the oppressor! it was so
While England could a great Republic show.
Witness the men of Piedmont, chiefest care
Of Cromwell, when with impotent despair
The Pontiff in his painted portico
Trembled before our stern embassadors.
How comes it then that from such high estate
We have thus fallen, save that Luxury
With barren merchandise piles up the gate
Where nobler thoughts and deeds should enter by:
Else might we still be Milton’s heritors.
Libertatis Sacra Fames
Albeit nurtured in democracy,
And liking best that state republican
Where every man is Kinglike and no man
Is crowned above his fellows, yet I see
Spite of this modern fret for Liberty,
Better the rule of One, whom all obey,
Than to let clamorous demagogues betray
Our freedom with the kiss of anarchy.
Wherefore I love them not whose hands profane
Plant the red flag upon the piled-up street
For no right cause, beneath whose ignorant reign
Arts, Culture, Reverence, Honor, all things fade,
Save Treason and the dagger of her trade,
And Murder with his silent bloody feet.
Theoretikos
This mighty empire hath but feet of clay;
Of all its ancient chivalry and might
Our little island is forsaken quite:
Some enemy hath stolen its crown of bay,
And from its hills that voice hath passed away
Which spake of Freedom: O come out of it,
Come out of it, my Soul, thou art not fit
For this vile traffic-house, where day by day
Wisdom and reverence are sold at mart,
And the rude people rage with ignorant cries
Against an heritage of centuries.
It mars my calm: wherefore in dreams of Art
And loftiest culture I would stand apart,
Neither for God, nor for His enemies.
Flowers of Gold
Impressions
I
Les Silhouettes
The sea is flecked with bars of gray,
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.
Etched clear upon the pallid sand
The black boat lies: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.
And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.
II
La Fuite de la Lune
To outer senses there is peace,
A dreamy peace on either hand,
Deep silence in the shadowy land,
Deep silence where the shadows cease.
Save for a cry that echoes shrill
From some lone bird disconsolate;
A corncrake calling to its mate;
The answer from the misty hill.
And suddenly the moon withdraws
Her sickle from the lightening skies,
And to her sombre cavern flies,
Wrapped in a veil of yellow gauze.
The Grave of Keats
Rid of the world’s injustice, and his pain,
He rests at last beneath God’s veil of blue:
Taken from life when life and love were new
The youngest of the martyrs here is lain,
Fair as Sebastian, and as early slain.
No cypress shades his grave, no funeral yew,
But gentle violets weeping with the dew
Weave on his bones an ever-blossoming chain.
O proudest heart that broke for misery!
O sweetest lips since those of Mitylene!
O poet-painter of our English land!
Thy name was writ in water — it shall stand:
And tears like mine will keep thy memory green,
As Isabella did her Basil tree.
Rome
Theocritus
A Villanelle
O singer of Persephone!
In the dim meadows desolate
Dost thou remember Sicily?
Still through the ivy flits the bee
Where Amaryllis lies in state;
O Singer of Persephone!
Simaetha calls on Hecate
And hears the wild dogs at the gate:
Dost thou remember Sicily?
Still by the light and laughing sea
Poor Polypheme bemoans his fate:
O Singer of Persephone!
And still in boyish rivalry
Young Daphnis challenges his mate:
Dost thou remember Sicily?
Slim Lacon keeps a goat for thee,
For thee the jocund shepherds wait,
O Singer of Persephone!
Dost thou remember Sicily?
In the Gold Room
A Harmony
Her ivory hands on the ivory keys
Strayed in a fitful fantasy,
Like the silver gleam when the poplar trees
Rustle their pale leaves listlessly,
Or the drifting foam of a restless sea
When the waves show their teeth in the flying breeze.
Her gold hair fell on the wall of gold
Like the delicate gossamer tangles spun
On the burnished disk of the marigold,
Or the sun-flower turning to meet the sun
When the gloom of the jealous night is done,
And the spear of the lily is aureoled.
And her sweet red lips on these lips of mine
Burned like the ruby fire set
In the swinging lamp of a crimson shrine,
Or the bleeding wounds of the pomegranate,
Or the heart of lotus drenched and wet
With the spilt-out blood of the rose-red wine.
Ballade De Marguerite
Normande
I am weary of lying within the chase
When the knights are meeting in market-place.
Nay, go not thou to the red-roofed town
Lest the hooves of the war-horse tread thee down.
But I would not go where the Squires ride,
I would only walk by my Lady’s side.
Alack! and alack! thou art over bold,
A Forester’s son may not eat off gold.
Will she love me the less that my Father is seen
Each Martinmas day in a doublet green?
Perchance she is sewing at tapestrie,
Spindle and loom are not meet for thee.
Ah, if she is working the arras bright
I might ravel the threads by the firelight.
Perchance she is hunting of the deer,
Flow could you follow o’er hill and mere?
Ah, if she is riding with the court,
I might run beside her and wind the morte.
Perchance she is kneeling in S. Denys,
(On her soul may our Lady have gramercy!)
Ah, if she is praying in lone chapelle,
I might swing the censer and ring the bell.
Come in my son, for you look sae pale,
Thy father shall fill thee a stoup of ale.
But who are these knights in bright array?
Is it a pageant the rich folks play?
’Tis the King of England from over sea,
Who has come unto visit our fair countrie.
But why does the curfew tool sae low
And why do the mourners walk a-row?
O ’tis Hugh of Amiens my sister’s son
Who is lying stark, for his day is done.
Nay, nay, for I see white lilies clear,
It is no strong man who lies on the bier.
O ’tis old Dame Jeannette that kept the hall,
I knew she would die at the autumn fall.
Dame Jeannette had not that gold-brown hair,
Old Jeannette was not a maiden fair.
O ’tis none of our kith and none of our kin,
(Her soul may our Lady assoil from sin!)
But I hear the boy’s voice chanting sweet,
“Elle est morte, la Marguerite.”
Come in my son and lie on the bed,
And let the dead folk bury their dead.
O mother, you know I loved her true:
O mother, hath one grave room for two?
The Dole of the King’s Daughter
Breton
Seven stars in the still water,
And seven in the sky;
Seven sins on the King’s daughter,
Deep in her soul to lie.
Red roses are at her feet,
(Roses are red in her red-gold hair,)
And O where her bosom and girdle meet
Red roses are hidden there.
Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.
Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
