Complete works of willia.., p.473

Complete Works of William Morris, page 473

 

Complete Works of William Morris
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  Unto the western glory: close beside

  A babbling conduit, from its stone did glide.

  Well sang the birds; all was so sweet and fair,

  It melted those dull troublous thoughts within

  The old man’s heart, transmuted all his care

  Into a loving peace right hard to win:

  He murmured in his faded voice and thin,

  Mid the full sweetness of the spring; “Would God

  That man and I this peace together trod!

  “For he mayhap had things to say to me

  He could not say then, knowing not what I was;

  And I — God wot that there are things I see,

  To tell of; if the words my lips would pass:

  Things dimly seen, indeed, as in a glass —

  Woe’s me! for who shall help me if I erred!

  Yet God, I deemed, had given me that last word.

  “O God, if I have done thee deadly wrong,

  And lost a soul thou wouldst have saved and blessed,

  Yet other words thou knowest were on my tongue,

  When ‘twixt that soul and mine thine image pressed:

  Thou wilt remember this and give him rest!

  And as for me, thou knowest I fear thee nought,

  Since this my body and soul thine own hand wrought.”

  The sun was sunken now, the west was red,

  And still the birds poured forth their melody,

  A marvellous scent about him seemed to spread,

  Mid strange new bliss the tears his eyes drew nigh;

  He smiled and said; “Too old to weep am I;

  Unless the very end be drawing near,

  And unimagined sounds I soon shall hear.

  “And yet, before I die, I needs must go

  Back to my house, and try if I may write,

  For there are some things left for me to do,

  Ere my face glow with that ineffable light.”

  He moved and stooped down for his staff; still bright

  The sky was, as he cast his eyes adown,

  And his hand sought the well-worn wood and brown.

  With a great cry he sprang up; in his hand

  He held against the sky a wondrous thing,

  That might have been the bright archangel’s wand,

  Who brought to Mary that fair summoning;

  For lo, in God’s unfaltering timeless spring,

  Summer, and autumn, had that dry rod been,

  And from its barrenness the leaves sprang green,

  And on its barrenness grew wondrous flowers,

  That earth knew not; and on its barrenness

  Hung the ripe fruit of heaven’s unmeasured hours;

  And with strange scent the soft dusk did it bless,

  And glowed with fair light as earth’s light grew less, —

  Yea, and its gleam the old man’s face did reach,

  Too glad for smiles, or tears, or any speech.

  Who seeth such things and liveth? That high-tide

  The Pope was missed from throne and chapel-stall,

  And when his frightened people sought him wide,

  They found him lying by the garden wall,

  Set out on that last pilgrimage of all,

  Grasping his staff— “and surely,” all folk said,

  “None ever saw such joy on visage dead.”

  SAD eyes there were the while the tale was told,

  And few among the young folk were so bold

  As to speak out their thoughts concerning it,

  While still amidst that concourse they did sit.

  But some when to the fresh bright day they turned,

  And smooth cheeks even in that freshness burned,

  ‘Neath burning glances might find words to speak,

  Wondering that any tale should make love weak

  To rule the earth, all hearts to satisfy;

  Yet as they spake, perchance, some doubt went by

  Upon the breeze, till out of sight and sound

  Of other folk, their longing lips had found,

  If but a little while, some resting-place,

  On hand, on bosom, on bright eager face.

  But the old men learned in earth’s bitter lore,

  Were glad to leave untouched the too rich store

  Of hapless memories, if it might be done;

  And wandered forth into the noonday sun,

  To watch the blossoms budding on the wall,

  And hear the rooks among the elm-trees call,

  And note the happy voices on the breeze,

  And see the lithe forms; making out of these

  No tangled story, but regarding them

  As hidden elves upon the forest’s hem

  Gaze on the dancers through the May-night green,

  Not knowing aught what troubled looks may mean.

  EPILOGUE.

  SO is a year passed of the quiet life,

  That these old men from such mishap and strife,

  Such springing up, and dying out of dreams

  Had won at last. What further then? Meseems

  Whate’er the tale may know of what befell

  Their lives henceforth I would not have it tell;

  Since each tale’s ending needs must be the same:

  And we men call it Death. Howe’er it came

  To those, whose bitter hope hath made this book,

  With other eyes, I think, they needs must look

  On its real face, than when so long agone

  They thought that every good thing would be won,

  If they might win a refuge from it.

  Lo,

  A long life gone, and nothing more they know,

  Why they should live to have desire and foil,

  And toil, that overcome, brings yet more toil,

  Than that day of their vanished youth, when first

  They saw Death clear, and deemed all life accurst

  By that cold overshadowing threat, — the End.

  That night, when first they ‘gan their way to wend,

  And each dash in the moonlight of the sweep,

  That broke the green bay’s little-resting sleep,

  Drew their stern further from the plague-cursed shore,

  Did no cold doubt their gathering hope cross o’er

  Of sweet rest fled from? Or that day of days,

  When first the sun the veil of mist did raise,

  And showed the new land real before them there,

  Did no shame blot the victory over fear,

  (Ah, short-lived victory!) that, whate’er might grow

  And change, there changeless were they fettered now,

  And with blind eyes must gaze upon the earth,

  Forgetting every word that tells of birth,

  And still be dead-alive, while all things else

  Beat with the pulse that mid the struggle dwells?

  Ah, doubt and shame they well might have indeed.

  Cry out upon them, ye who have no need

  Of life to right the blindness and the wrong!

  Think scorn of these, ye, who are made so strong,

  That with no good-night ye can loose the hand

  That led you erst through love’s sweet flowery land!

  Laugh, ye whose eyes are piercing to behold

  What makes the silver seas and skies of gold!

  Pass by in hate, ye folk, who day by day

  Win all desires that lie upon your way!

  Yet mid your joyous wisdom and content,

  Methinks ye know not what those moments meant,

  When ye, yet children, mid great pleasure stayed,

  Wondering for why your hearts were so downweighed;

  Or if ye ever loved, then, when her eyes

  In happiest moments changed in sudden wise,

  And nought ye knew what she was thinking of;

  Yet, O belike, ye know not much of love,

  Who know not that this meant the fearful threat,

  The End, forgotten much, remembered yet

  Now and again, that all perfection mocks.

  “And yet the door of many a tale unlocks,

  Makes love itself,” saith one, “with all its bliss.”

  — Ah, could I speak the word that in me is! —

  I dare not, lest to cursing it should turn.

  But hearken — if Death verily makes Love burn,

  It is because we evermore should cry,

  If we had words, that we might never die:

  Words fail us: therefore, “O thou Death,” we say,

  “Thus do we work that thou mayst take away!

  Look at this beauty of young children’s mirth,

  Soon to be swallowed by thy noiseless dearth!

  Look at this faithful love that knows no end

  Unless thy cold thrill through it thou shouldst send!

  Look at this hand ripening to perfect skill

  Unless the fated measure thou didst fill;

  This eager knowledge that would stop for nought,

  Unless thy net both chase and hunter caught!

  — O Death! with deeds like these ‘gainst thee we pray,

  That thou, like those thou slewest, mayst pass away!”

  And these folk — these poor tale-tellers, who strove

  In their wild way the heart of Death to move,

  E’en as we singers, and failed, e’en as we, —

  Surely on their side I at least will be,

  And deem that when at last, their fear worn out,

  They fell asleep, all that old shame and doubt,

  Shamed them not now, nor did they doubt it good,

  That they in arms against that Death had stood.

  Ah me! all praise and blame, they heed it not

  Cold are the yearning hearts that once were hot;

  And all those images of love and pain,

  Wrought as the year did wax, perfect, and wane,

  If they were verily loving there alive,

  No pleasure to their tale-tellers could give.

  And thou, O tale of what these sleepers were,

  Wish one good-night to them thou holdest dear,

  Then die thyself, and let us go our ways,

  And live awhile amid these latter days!

  L’ENVOI.

  HERE are we for the last time face to face,

  Thou and I, Book, before I bid thee speed

  Upon thy perilous journey to that place

  For which I have done on thee pilgrim’s weed,

  Striving to get thee all things for thy need —

  — I love thee, whatso time or men may say

  Of the poor singer of an empty day.

  Good reason why I love thee, e’en if thou

  Be mocked or clean forgot as time wears on;

  For ever as thy fashioning did grow,

  Kind word and praise because of thee I won

  From those without whom were my world all gone,

  My hope fallen dead, my singing cast away,

  And I set soothly in an empty day.

  I love thee; yet this last time must it be

  That thou must hold thy peace and I must speak,

  Lest if thou babble I begin to see

  Thy gear too thin, thy limbs and heart too weak,

  To find the land thou goest forth to seek —

  — Though what harm if thou die upon the way,

  Thou idle singer of an empty day?

  But though this land desired thou never reach,

  Yet folk who know it mayst thou meet or death;

  Therefore a word unto thee would I teach

  To answer these, who, noting thy weak breath,

  Thy wandering eyes, thy heart of little faith,

  May make thy fond desire a sport and play,

  Mocking the singer of an empty day.

  That land’s name, say’st thou? and the road thereto?

  Nay, Book, thou mockest, saying thou know’st it not;

  Surely no book of verse I ever knew

  But ever was the heart within him hot

  To gain the Land of Matters Unforgot —

  — There, now we both laugh — as the whole world may,

  At us poor singers of an empty day.

  Nay, let it pass, and hearken! Hast thou heard

  That therein I believe I have a friend,

  Of whom for love I may not be afeard?

  It is to him indeed I bid thee wend;

  Yea, he perchance may meet thee ere thou end,

  Dying so far off from the hedge of bay,

  Thou idle singer of an empty day!

  Well, think of him, I bid thee, on the road,

  And if it hap that midst of thy defeat,

  Fainting beneath thy follies’ heavy load,

  My Master, GEOFFRY CHAUCER, thou do meet,

  Then shalt thou win a space of rest full sweet;

  Then be thou bold, and speak the words I say,

  The idle singer of an empty day!

  “O Master, O thou great of heart and tongue,

  Thou well mayst ask me why I wander here,

  In raiment rent of stories oft besung!

  But of thy gentleness draw thou anear,

  And then the heart of one who held thee dear

  Mayst thou behold! So near as that I lay

  Unto the singer of an empty day.

  “For this he ever said, who sent me forth

  To seek a place amid thy company;

  That howsoever little was my worth,

  Yet was he worth e’en just so much as I;

  He said that rhyme hath little skill to lie;

  Nor feigned to cast his worser part away

  In idle singing for an empty day.

  “I have beheld him tremble oft enough

  At things he could not choose but trust to me,

  Although he knew the world was wise and rough:

  And never did he fail to let me see

  His love, his folly and faithlessness, maybe;

  And still in turn I gave him voice to pray

  Such prayers as cling about an empty day.

  “Thou, keen-eyed, reading me, mayst read him through,

  For surely little is there left behind;

  No power great deeds unnameable to do;

  No knowledge for which words he may not find;

  No love of things as vague as autumn wind —

  — Earth of the earth lies hidden by my clay,

  The idle singer of an empty day!

  “Children we twain are, saith he, late made wise

  In love, but in all else most childish still,

  And seeking still the pleasure of our eyes,

  And what our ears with sweetest sounds may fill;

  Not fearing Love, lest these things he should kill;

  Howe’er his pain by pleasure doth he lay,

  Making a strange tale of an empty day.

  “Death have we hated, knowing not what it meant;

  Life have we loved, through green leaf and through sere,

  Though still the less we knew of its intent:

  The Earth and Heaven through countless year on year,

  Slow changing, were to us but curtains fair,

  Hung round about a little room, where play

  Weeping and laughter of man’s empty day.

  “O Master, if thine heart could love us yet,

  Spite of things left undone, and wrongly done,

  Some place in loving hearts then should we get,

  For thou, sweet-souled, didst never stand alone,

  But knew’st the joy and woe of many an one —

  — By lovers dead, who live through thee, we pray,

  Help thou us singers of an empty day!”

  Fearest thou, Book, what answer thou mayst gain

  Lest he should scorn thee, and thereof thou die?

  Nay, it shall not be. — Thou mayst toil in vain,

  And never draw the House of Fame anigh;

  Yet he and his shall know whereof we cry,

  Shall call it not ill done to strive to lay

  The ghosts that crowd about life’s empty day.

  Then let the others go! and if indeed

  In some old garden thou and I have wrought,

  And made fresh flowers spring up from hoarded seed,

  And fragrance of old days and deeds have brought

  Back to folk weary; all was not for nought.

  — No little part it was for me to play —

  The idle singer of an empty day.

  LOVE IS ENOUGH

  OR; THE FREEING OF PHARAMOND: A MORALITY

  CONTENTS

  DRAMATIS PERSONAE

  LOVE IS ENOUGH

  DRAMATIS PERSONAE

  GILES,

  JOAN, his Wife,

  Peasant-folk.

  THE EMPEROR.

  THE EMPRESS.

  THE MAYOR.

  A COUNCILLOR.

  MASTER OLIVER, King Pharamond’s Foster-father.

  A NORTHERN LORD.

  KING PHARAMOND.

  AZALAIS, his Love.

  KING THEOBALD.

  HONORIUS, the Councillor.

  LOVE.

  LOVE IS ENOUGH

  ARGUMENT

  This story, which is told by way of a morality set before an Emperor and Empress newly wedded, showeth of a King whom nothing but Love might satisfy, who left all to seek Love, and, having found it, found this also, that he had enough, though he lacked all else.

  In the streets of a great town where the people are gathered together thronging to see the Emperor and Empress pass.

  GILES

  Look long, Joan, while I hold you so,

  For the silver trumpets come arow.

  JOAN

  O the sweet sound! the glorious sight!

  O Giles, Giles, see this glittering Knight!

  GILES

  Nay ’tis the Marshalls’-sergeant, sweet —

  — Hold, neighbour, let me keep my feet! —

 

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