Complete works of willia.., p.96
Complete Works of William Faulkner, page 96
“Goddamn you. Goddamn you.”
VARDAMAN
WE ARE GOING to town. Dewey Dell says it won’t be sold because it belongs to Santa Claus and he has taken it back with him until next Christmas. Then it will be behind the glass again, shining with waiting.
Pa and Cash are coming down the hill, but Jewel is going to the barn. “Jewel,” pa says. Jewel does not stop. “Where you going?” pa says. But Jewel does not stop. “You leave that horse here,” pa says. Jewel stops and looks at pa. Jewel’s eyes look like marbles. “You leave that horse here,” pa says. “We’ll all go in the wagon with ma, like she wanted.”
But my mother is a fish. Vernon seen it. He was there.
“Jewel’s mother is a horse,” Darl said.
“Then mine can be a fish, can’t it, Darl?” I said.
Jewel is my brother.
“Then mine will have to be a horse, too,” I said.
“Why?” Darl said. “If pa is your pa, why does your ma have to be a horse just because Jewel’s is?”
“Why does it?” I said. “Why does it, Darl?”
Darl is my brother.
“Then what is your ma, Darl?” I said.
“I haven’t got ere one,” Darl said. “Because if I had one, it is was. And if it is was, it can’t be is. Can it?”
“No,” I said.
“Then I am not,” Darl said. “Am I?”
“No,” I said.
I am. Darl is my brother.
“But you are, Darl,” I said.
“I know it,” Darl said. “That’s why I am not is. Are is too many for one woman to foal.”
Cash is carrying his tool-box. Pa looks at him. “I’ll stop at Tull’s on the way back,” Cash says. “Get on that barn roof.”
“It ain’t respectful,” pa says. “It’s a deliberate flouting of her and of me.”
“Do you want him to come all the way back here and carry them up to Tull’s afoot?” Darl says. Pa looks at Darl, his mouth chewing. Pa shaves every day now because my mother is a fish.
“It ain’t right,” pa says.
Dewey Dell has the package in her hand. She has the basket with our dinner too.
“What’s that?” pa says.
“Mrs. Tull’s cakes,” Dewey Dell says, getting into the wagon. “I’m taking them to town for her.”
“It ain’t right,” pa says. “It’s a flouting of the dead.”
It’ll be there. It’ll be there come Christmas, she says, shining on the track. She says he won’t sell it to no town boys.
DARL
HE GOES ON toward the barn, entering the lot, wooden-backed.
Dewey Dell carries the basket on one arm, in the other hand something wrapped square in a newspaper. Her face is calm and sullen, her eyes brooding and alert; within them I can see Peabody’s back like two round peas in two thimbles: perhaps in Peabody’s back two of those worms which work surreptitious and steady through you and out the other side and you waking suddenly from sleep or from waking, with on your face an expression sudden, intent, and concerned. She sets the basket into the wagon and climbs in, her leg coming long from beneath her tightening dress: that lever which moves the world; one of that caliper which measures the length and breadth of life. She sits on the seat beside Vardaman and sets the parcel on her lap.
Then he enters the barn. He has not looked back.
“It ain’t right,” pa says. “It’s little enough for him to do for her.”
“Go on,” Cash says. “Leave him stay if he wants. He’ll be all right here. Maybe he’ll go up to Tull’s and stay.”
“He’ll catch us,” I say. “He’ll cut across and meet us at Tull’s lane.”
“He would have rid that horse, too,” pa says, “if I hadn’t a stopped him. A durn spotted critter wilder than a cattymount. A deliberate flouting of her and of me.”
The wagon moves; the mules’ ears begin to bob. Behind us, above the house, motionless in tall and soaring circles, they diminish and disappear.
ANSE
I TOLD HIM not to bring that horse out of respect for his dead ma, because it wouldn’t look right, him prancing along on a durn circus animal and her wanting us all to be in the wagon with her that sprung from her flesh and blood, but we hadn’t no more than passed Tull’s lane when Darl begun to laugh. Setting back there on the plank seat with Cash, with his dead ma lying in her coffin at his feet, laughing. How many times I told him it’s doing such things as that that makes folks talk about him, I don’t know. I says I got some regard for what folks says about my flesh and blood even if you haven’t, even if I have raised such a durn passel of boys, and when you fixes it so folks can say such about you, it’s a reflection on your ma, I says, not me: I am a man and I can stand it; it’s on your womenfolks, your ma and sister that you should care for, and I turned and looked back at him setting there, laughing.
“I don’t expect you to have no respect for me,” I says. “But with your own ma not cold in her coffin yet.”
“Yonder,” Cash says, jerking his head toward the lane. The horse is still a right smart piece away, coming up at a good pace, but I don’t have to be told who it is. I just looked back at Darl, setting there laughing.
“I done my best,” I says. “I tried to do as she would wish it. The Lord will pardon me and excuse the conduct of them He sent me.” And Darl setting on the plank seat right above her where she was laying, laughing.
DARL
HE COMES UP the lane fast, yet we are three hundred yards beyond the mouth of it when he turns into the road, the mud flying beneath the flickering drive of the hooves. Then he slows a little, light and erect in the saddle, the horse mincing through the mud.
Tull is in his lot. He looks at us, lifts his hand. We go on, the wagon creaking, the mud whispering on the wheels. Vernon still stands there. He watches Jewel as he passes, the horse moving with a light, high-kneed driving gait, three hundred yards back. We go on, with a motion so soporific, so dreamlike as to be uninferant of progress, as though time and not space were decreasing between us and it.
It turns off at right angles, the wheel-marks of last Sunday healed away now: a smooth, red scoriation curving away into the pines; a white signboard with faded lettering: New Hope Church. 3 mi. It wheels up like a motionless hand lifted above the profound desolation of the ocean; beyond it the red road lies like a spoke of which Addie Bundren is the rim. It wheels past, empty, unscarred, the white signboard turns away its fading and tranquil assertion. Cash looks up the road quietly, his head turning as we pass it like an owl’s head, his face composed. Pa looks straight ahead, humped. Dewey Dell looks at the road too, then she looks back at me, her eyes watchful and repudiant, not like that question which was in those of Cash, for a smouldering while. The signboard passes; the unscarred road wheels on. Then Dewey Dell turns her head. The wagon creaks on.
Cash spits over the wheel. “In a couple of days now it’ll be smelling,” he says.
“You might tell Jewel that,” I say.
He is motionless now, sitting the horse at the junction, upright, watching us, no less still than the signboard that lifts its fading capitulation opposite him.
“It ain’t balanced right for no long ride,” Cash says.
“Tell him that, too,” I say. The wagon creaks on.
A mile farther along he passes us, the horse, arch-necked, reined back to a swift single-foot. He sits lightly, poised, upright, wooden-faced in the saddle, the broken hat raked at a swaggering angle. He passes us swiftly, without looking at us, the horse driving, its hooves hissing in the mud. A gout of mud, back-flung, plops on to the box. Cash leans forward and takes a tool from his box and removes it carefully. When the road crosses Whiteleaf, the willows leaning near enough, he breaks off a branch and scours at the stain with the wet leaves.
ANSE
IT’S A HARD country on man; it’s hard. Eight miles of the sweat of his body washed up outen the Lord’s earth, where the Lord Himself told him to put it. Nowhere in this sinful world can a honest, hard-working man profit. It takes them that runs the stores in the towns, doing no sweating, living off of them that sweats. It ain’t the hard-working man, the farmer. Sometimes I wonder why we keep at it. It’s because there is a reward for us above, where they can’t take their motors and such. Every man will be equal there and it will be taken from them that have and give to them that have not by the Lord.
But it’s a long wait, seems like. It’s bad that a fellow must earn the reward of his right-doing by flouting hisself and his dead. We drove all the rest of the day and got to Samson’s at dust-dark and then that bridge was gone, too. They hadn’t never seen the river so high, and it’s not done raining yet. There was old men that hadn’t never seen nor heard of it being so in the memory of man. I am the chosen of the Lord, for who He loveth, so doeth He chastiseth. But I be durn if He don’t take some curious ways to show it, seems like.
But now I can get them teeth. That will be a comfort. It will.
SAMSON
IT WAS JUST before sundown. We were sitting on the porch when the wagon came up the road with the five of them in it and the other one on the horse behind. One of them raised his hand, but they was going on past the store without stopping.
“Who’s that?” MacCallum says: I can’t think of his name: Rafe’s twin; that one it was.
“It’s Bundren, from down beyond New Hope,” Quick says. “There’s one of them Snopes horses Jewel’s riding.”
“I didn’t know there was ere a one of them horses left,” MacCallum says. “I thought you folks down there finally contrived to give them all away.”
“Try and get that one,” Quick says. The wagon went on.
“I bet old man Lon never gave it to him,” I says.
“No,” Quick says. “He bought it from pappy.” The wagon went on. “They must not a heard about the bridge,” he says.
“What’re they doing up here, anyway?” MacCallum says.
“Taking a holiday since he got his wife buried, I reckon,” Quick says. “Heading for town, I reckon, with Tull’s bridge gone too. I wonder if they ain’t heard about the bridge.”
“They’ll have to fly, then,” I says. “I don’t reckon there’s ere a bridge between here and Mouth of Ishatawa.”
They had something in the wagon. But Quick had been to the funeral three days ago and we naturally never thought anything about it except that they were heading away from home mighty late and that they hadn’t heard about the bridge. “You better holler at them,” MacCallum says. Durn it, the name is right on the tip of my tongue. So Quick hollered and they stopped and he went to the wagon and told them.
He come back with them. “They’re going to Jefferson,” he says. “The bridge at Tull’s is gone, too.” Like we didn’t know it, and his face looked funny, around the nostrils, but they just sat there, Bundren and the girl and the chap on the seat, and Cash and the second one, the one folks talks about, on a plank across the tail-gate, and the other one on that spotted horse. But I reckon they was used to it by then because when I said to Cash that they’d have to pass by New Hope again and what they’d better do, he just says,
“I reckon we can get there.”
I ain’t much for meddling. Let every man run his own business to suit himself, I say. But after I talked to Rachel about them not having a regular man to fix her and it being July and all, I went back down to the barn and tried to talk to Bundren about it.
“I give her my promise,” he says. “Her mind was set on it.”
I notice how it takes a lazy man, a man that hates moving, to get set on moving once he does get started off, the same as he was set on staying still, like it ain’t the moving he hates so much as the starting and the stopping. And like he would be kind of proud of whatever come up to make the moving or the setting still look hard. He set there on the wagon, hunched up, blinking, listening to us tell about how quick the bridge went and how high the water was, and I be durn if he didn’t act like he was proud of it, like he had made the river rise himself.
“You say it’s higher than you ever see it before?” he says. “God’s will be done,” he says. “I reckon it won’t go down much by morning, neither,” he says.
“You better stay here to-night,” I says, “and get a early start for New Hope to-morrow morning.” I was just sorry for them bone-gaunted mules. I told Rachel, I says, “Well, would you have had me turn them away at dark, eight miles from home? What else could I do,” I says. “It won’t be but one night, and they’ll keep it in the barn, and they’ll sholy get started by daylight.” And so I says, “You stay here to-night and early to-morrow you can go back to New Hope. I got tools enough, and the boys can go on right after supper and have it dug and ready if they want,” and then I found that girl watching me. If her eyes had a been pistols, I wouldn’t be talking now. I be dog if they didn’t blaze at me. And so when I went down to the barn I come on them, her talking so she never noticed when I come up.
“You promised her,” she says. “She wouldn’t go until you promised. She thought she could depend on you. If you don’t do it, it will be a curse on you.”
“Can’t no man say I don’t aim to keep my word,” Bundren says. “My heart is open to ere a man.”
“I don’t care what your heart is,” she says. She was whispering, kind of, talking fast. “You promised her. You’ve got to. You — —” Then she seen me and quit, standing there. If they’d been pistols, I wouldn’t be talking now. So when I talked to him about it, he says,
“I give her my promise. Her mind is set on it.”
“But seems to me she’d rather have her ma buried close by, so she could — —”
“It’s Addie I give the promise to,” he says. “Her mind is set on it.”
So I told them to drive it into the barn because it was threatening rain again, and that supper was about ready. Only they didn’t want to come in.
“I thank you,” Bundren says. “We wouldn’t discommode you. We got a little something in the basket. We can make out.”
“Well,” I says, “since you are so particular about your womenfolks, I am too. And when folks stops with us at meal-time and won’t come to the table, my wife takes it as a insult.”
So the girl went on to the kitchen to help Rachel. And then Jewel come to me.
“Sho,” I says. “Help yourself outen the loft. Feed him when you bait the mules.”
“I rather pay you for him,” he says.
“What for?” I says. “I wouldn’t begrudge no man a bait for his horse.”
“I rather pay you,” he says; I thought he said extra.
“Extra for what?” I says. “Won’t he eat hay and corn?”
“Extra feed,” he says. “I feed him a little extra and I don’t want him beholden to no man.”
“You can’t buy no feed from me, boy,” I says. “And if he can eat that loft clean, I’ll help you load the barn on to the wagon in the morning.”
“He ain’t never been beholden to no man,” he says. “I rather pay you for it.”
And if I had my rathers, you wouldn’t be here a-tall, I wanted to say. But I just says, “Then it’s high time he commenced. You can’t buy no feed from me.”
When Rachel put supper on, her and the girl went and fixed some beds. But wouldn’t any of them come in. “She’s been dead long enough to get over that sort of foolishness,” I says. Because I got just as much respect for the dead as ere a man, but you’ve got to respect the dead themselves, and a woman that’s been dead in a box four days, the best way to respect her is to get her into the ground as quick as you can. But they wouldn’t do it.
“It wouldn’t be right,” Bundren says. “ ’Course, if the boys wants to go to bed, I reckon I can set up with her. I don’t begrudge her it.”
So when I went back down there they were squatting on the ground around the wagon, all of them. “Let that chap come to the house and get some sleep, anyway,” I says. “And you better come too,” I says to the girl. I wasn’t aiming to interfere with them. And I sholy hadn’t done nothing to her that I knowed.
“He’s done already asleep,” Bundren says. They had done put him to bed in the trough in a empty stall.
“Well, you come on, then,” I says to her. But still she never said nothing. They just squatted there. You couldn’t hardly see them. “How about you boys?” I says. “You got a full day to-morrow.” After a while Cash says,
“I thank you. We can make out.”
“We wouldn’t be beholden,” Bundren says. “I thank you kindly.”
So I left them squatting there. I reckon after four days they was used to it. But Rachel wasn’t.
“It’s a outrage,” she says. “A outrage.”
“What could he ‘a’ done?” I says. “He give her his promised word.”
“Who’s talking about him?” she says. “Who cares about him?” she says, crying. “I just wish that you and him and all the men in the world that torture us alive and flout us dead, dragging us up and down the country — —”
“Now, now,” I says. “You’re upset.”
“Don’t you touch me!” she says. “Don’t you touch me!”
A man can’t tell nothing about them. I lived with the same one fifteen years and I be durn if I can. And I imagined a lot of things coming up between us, but I be durn if I ever thought it would be a body four days dead and that a woman. But they make life hard on them not taking it as it comes up, like a man does.
So I laid there, hearing it commence to rain, thinking about them down there, squatting around the wagon and the rain on the roof, and thinking about Rachel crying there until after a while it was like I could still hear her crying even after she was asleep, and smelling it even when I knowed I couldn’t. I couldn’t decide even then whether I could or not, or if it wasn’t just knowing it was what it was.
