Delphi collected works o.., p.315

Delphi Collected Works of Grant Allen, page 315

 

Delphi Collected Works of Grant Allen
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 1006 1007 1008 1009 1010 1011 1012 1013 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 1032 1033 1034 1035 1036 1037 1038 1039 1040 1041 1042 1043 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1055 1056 1057 1058 1059

Larger Font   Reset Font Size   Smaller Font  

  CHAPTER XI.

  BUSINESS IS BUSINESS.

  It reconciled Cleer to leaving London for awhile when she learnt that Eustace Le Neve was going north to Yorkshire, with Walter Tyrrel, to inspect the site of the proposed Wharfedale viaduct. Not that she ever mentioned his companion’s name in her father’s presence. Mrs. Trevennack had warned her many times over, with tears in her eyes, but without cause assigned, never to allude to Tyrrel’s existence before her father’s face; and Cleer, though she never for one moment suspected the need for such reticence, obeyed her mother’s injunction with implicit honesty. So they parted two ways, Eustace and Tyrrel for the north, the Trevennacks for Devonshire. Cleer needed a change indeed; she’d spent the best part of a year in London. And for Cleer, that was a wild and delightful holiday. Though Eustace wasn’t there, to be sure, he wrote hopefully from the north; he was maturing his ideas; he was evolving a plan; the sense of the magnitude of his stake in this attempt had given him an unwonted outburst of inspiration. As she wandered with her father among those boggy uplands, or stood on the rocky tors that so strangely crest the low flat hill-tops of the great Devonian moor. She felt a marvelous exhilaration stir her blood — the old Cornish freedom making itself felt through all the restrictions of our modern civilization. She was to the manner born, and she loved the Celtic West Country.

  But to Michael Trevennack it was life, health, vigor. He hated London. He hated officialdom. He hated the bonds of red tape that enveloped him. It’s hard to know yourself an archangel —

  “One of the seven who nearest to the throne

  Stand ready at command, and are as eyes

  That run through all the heavens, or down to the earth,”

  and yet to have to sit at a desk all day long, with a pen in your hand, in obedience to the orders of the First Lord of the Admiralty! It’s hard to know you can

  “Bear swift errands over moist and dry,

  O’er sea and land,”

  as his laureate Milton puts it, and yet be doomed to keep still hour after hour in a stuffy office, or to haggle over details of pork and cheese in a malodorous victualing yard. Trevennack knew his “Paradise Lost” by heart — it was there, indeed, that he had formed his main ideas of the archangelic character; and he repeated the sonorous lines to himself, over and over again, in a ringing, loud voice, as he roamed the free moor or poised light on the craggy pinnacles. This was the world that he loved, these wild rolling uplands, these tall peaks of rock, these great granite boulders; he had loved them always, from the very beginning of things; had he not poised so of old, ages and ages gone by, on that famous crag

  “Of alabaster, piled up to the clouds,

  Conspicuous far, winding with one ascent

  Accessible from earth, one entrance high;

  The rest was craggy cliff that overhung

  Still as it rose, impossible to climb.”

  So he had poised in old days; so he poised himself now, with Cleer by his side, an angel confessed, on those high tors of Dartmoor.

  But amid all the undulations of that great stony ocean, one peak there was that delighted Trevennack’s soul more than any of the rest — a bold russet crest, bursting suddenly through the heathery waste in abrupt ascent, and scarcely to be scaled, save on one difficult side, like its Miltonic prototype. Even Cleer, who accompanied her father everywhere on his rambles, clad in stout shoes and coarse blue serge gown — . for Dartmoor is by no means a place to be approached by those who, like Agag, “walk delicately” — even Cleer didn’t know that this craggy peak, jagged and pointed like some Alpine or dolomitic aiguille, was known to all the neighboring shepherds around as St. Michael’s Tor, from its now forgotten chapel. A few wild Moorland sheep grazed now and again on the short herbage at its base; but for the most part father and daughter found themselves alone amid that gorse-clad solitude. There Michael Trevennack would stand erect, with head bare and brows knit, in the full eye of the sun, for hour after hour at a time, fighting the devil within him. And when he came back at night, tired out with his long tramp across the moor and his internal struggle, he would murmur to his wife, “I’ve conquered him to-day. It was a hard, hard fight! But I conquered! I conquered him!”

  Up in the north, meanwhile, Eustace Le Neve worked away with a will at the idea for his viaduct. As he rightly wrote to Cleer, the need itself inspired him. Love is a great engineer, and Eustace learned fast from him. He was full of the fresh originality of youth; and the place took his fancy and impressed itself upon him. Gazing at it each day, there rose up slowly by degrees in his mind, like a dream, the picture of a great work on a new and startling principle — a modification of the cantilever to the necessities of the situation. Bit by bit he worked it out, and reduced his first floating conception to paper; then he explained it to Walter Tyrrel, who listened hard to his explanations, and tried his best to understand the force of the technical arguments. Enthusiasm is catching; and Le Neve was enthusiastic about his imaginary viaduct, till Walter Tyrrel in turn grew almost as enthusiastic as the designer himself over its beauty and utility. So charmed was he with the idea, indeed, that when Le Neve had at last committed it all to paper, he couldn’t resist the temptation of asking leave to show it to Sir Edward Jones, whom he had already consulted as to Eustace’s prospects.

  Eustace permitted him, somewhat reluctantly, to carry the design to the great railway king, and on the very first day of their return to London, in the beginning of October, Tyrrel took the papers round to Sir Edward’s house in Onslow Gardens. The millionaire inspected it at first with cautious reserve. He was a good business man, and he hated enthusiasm — except in money matters. But gradually, as Walter Tyrrel explained to him the various points in favor of the design, Sir Edward thawed. He looked into it carefully. Then he went over the calculations of material and expense with a critical eye. At the end he leant back in his study chair, with one finger on the elevation and one eye on the figures, while he observed with slow emphasis: “This is a very good design. Why, man, its just about twenty times better than Erasmus Walker’s.”

  “Then you think it may succeed?” Tyrrel cried, with keen delight, as anxious for Cleer’s sake as if the design were his own. “You think they may take it?”

  “Oh dear, no,” Sir Edward answered, confidently, with a superior smile. “Not the slightest chance in the world of that. They’d never even dream of it. It’s novel, you see, novel, while Walker’s is conventional. And they’ll take the conventional one. But its a first rate design for all that, I can tell you. I never saw a better one.”

  “Well, but how do you know what Walker’s is like?” Tyrrel asked, somewhat dismayed at the practical man’s coolness.

  “Oh, he showed it me last night,” Sir Edward answered, calmly. “A very decent design, on the familiar lines, but not fit to hold a candle to Le Neve’s, of course; any journeyman could have drafted it. Still, it has Walker’s name to it, don’t you see — it has Walker’s name to it; that means everything.”

  “Is it cheaper than this would be,” Tyrrel asked, for Le Neve had laid stress on the point that for economy of material, combined with strength of weight-resisting power, his own plan was remarkable.

  “Cheaper!” Sir Edward echoed. “Oh dear, no. By no means. Nothing could very well be cheaper than this. There’s genius in its construction, don’t you see? It’s a new idea, intelligently applied to the peculiarities and difficulties of a very unusual position, taking advantage most ingeniously of the natural support afforded by the rock and the inequalities of the situation; I should say your friend is well within the mark in the estimate he gives.” He drummed his finger and calculated mentally. “It’d save the company from a hundred and fifty to two hundred thousand pounds, I fancy,” he said, ruminating, after a minute.

  “And do you mean to tell me,” Tyrrel exclaimed, taken aback, “men of business like the directors of the Great North Midland will fling away two hundred thousand pounds of the shareholder’s money as if it were dirt, by accepting Walker’s plan when they might accept this one?”

  Sir Edward opened his palms, like a Frenchman, in front of him. It was a trick he had picked up on foreign bourses.

  “My dear fellow,” he answered, compassionately, “directors are men, and to err is human. These great North Midland people are mere flesh and blood, and none of them very brilliant. They know Walker, and they’ll be largely guided by Walker’s advice in the matter. If he saw his way to make more out of contracting for carrying out somebody else’s design, no doubt he’d do it. But failing that, he’ll palm his own off upon them, and Stillingfleet’ll accept it. You see with how little wisdom the railways of the world are governed! People think, if they get Walker to do a thing for them, they shift the responsibility upon Walker’s shoulders. And knowing nothing themselves, they feel that’s a great point; it saves them trouble and salves their consciences.”

  A new idea seemed to cross Tyrrel’s mind. He leant forward suddenly.

  “But as to safety,” he asked, with some anxiety, “viewed as a matter of life and death, I mean? Which of these two viaducts is likely to last longest, to be freest from danger, to give rise in the end to least and fewest accidents?”

  “Why, your friend Le Neve’s, of course,” the millionaire answered, without a moment’s hesitation.

  “You think so?”

  “I don’t think so at all, my dear fellow, I know it. I’m sure of it. Look here,” and he pulled out a design from a pigeon-hole in his desk; “this is in confidence, you understand. I oughtn’t to show it to you; but I can trust your honor. Here’s Walker’s idea. It isn’t an idea at all, in fact, it’s just the ordinary old stone viaduct, with the ordinary dangers, and the ordinary iron girders — nothing in any way new or original. It’s respectable mediocrity. On an affair like that, and with this awkward curve, too, just behind taking-off point, the liability to accident is considerably greater than in a construction like Le Neve’s, where nothing’s left to chance, and where every source of evil, such as land-springs, or freshets, or weakening, or concussion, is considered beforehand and successfully provided against. If a company only thought of the lives and limbs of its passengers — which it never does, of course — and had a head on its shoulders, which it seldom possesses, Le Neve’s is undoubtedly the design it would adopt in the interests of security.”

  Tyrrel drew a long breath. “And you know all this,” he said, “and yet you won’t say a word for Le Neve to the directors. A recommendation from YOU, you see—”

  Sir Edward shrugged his shoulders. “Impossible!” he answered, at once. “It would be a great breach of confidence. Remember, Walker showed me his design as a friend, and after having looked at it I couldn’t go right off and say to Stillingfleet, ‘I’ve seen Walker’s plans, and also another fellow’s, and I advise you, for my part, not to take my friend’s.’ It wouldn’t be gentlemanly.”

  Tyrrel paused and reflected. He saw the dilemma. And yet, what was the breach of confidence or of etiquette to the deadly peril to life and limb involved in choosing the worst design instead of the better one? It was a hard nut to crack. He could see no way out of it.

  “Besides,” Sir Edward went on, musingly, “even if I told them they wouldn’t believe me. Whatever Walker sends in they’re sure to accept it. They’ve more confidence, I feel sure, in Walker than in anybody.”

  A light broke in on Walter Tyrrel’s mind.

  “Then the only way,” he said, looking up, “would be … to work upon Walker; induce him NOT to send in, if that can be managed.”

  “But it can’t be,” Sir Edward answered, with brisk promptitude. “Walker’s a money-grubbing chap. If he sees a chance of making a few thousands more anywhere, depend upon it he’ll make ’em. He’s a martyr to money, he is. He toils and slaves for L. s. d. {money} all his life. He has no other interests.”

  “What can he want with it?” Tyrrel exclaimed. “He’s a bachelor, isn’t he, without wife or child? What can a man like that want to pile up filthy lucre for?”

  “Can’t say, I’m sure,” Sir Edward answered, good humoredly. “I have my quiver full of them myself, and every guinea I get I find three of my children are quarreling among themselves for ten and sixpence apiece of it. But what Walker can want with money heaven only knows. If I were a bachelor, now, and had an estate of my own in Cornwall, say, or Devonshire, I’m sure I don’t know what I’d do with my income.”

  Tyrrel rose abruptly. The chance words had put an idea into his head.

  “What’s Walker’s address?” he asked, in a very curt tone.

  Sir Edward gave it him.

  “You’ll find him a tough nut, though,” he added, with a smile, as he followed the enthusiastic young Cornishman to the door. “But I see you’re in earnest. Good luck go with you!”

  CHAPTER XII.

  A HARD BARGAIN.

  Tyrrel took a hansom, and tore round in hot haste to Erasmus Walker’s house. He sent in his card. The famous engineer was happily at home. Tyrrel, all on fire, found himself ushered into the great man’s study. Mr. Walker sat writing at a luxurious desk in a most luxurious room — writing, as if for dear life, in breathless haste and eagerness. He simply paused for a second in the midst of a sentence, and looked up impatiently at the intruder on his desperate hurry. Then he motioned Tyrrel into a chair with an imperious wave of his ivory penholder. After that, he went on writing for some moments in solemn silence. Only the sound of his steel nib, traveling fast as it could go over the foolscap sheet, broke for several seconds the embarrassing stillness.

  Walter Tyrrel, therefore, had ample time meanwhile to consider his host and to take in his peculiarities before Walker had come to the end of his paragraph. The great engineer was a big-built, bull-necked, bullet-headed sort of person, with the self-satisfied air of monetary success, but with that ominous hardness about the corners of the mouth which constantly betrays the lucky man of business. His abundant long hair was iron-gray and wiry — Erasmus Walker had seldom time to waste in getting it cut — his eyes were small and shrewd; his hand was firm, and gripped the pen in its grasp like a ponderous crowbar. His writing, Tyrrel could see, was thick, black, and decisive. Altogether the kind of man on whose brow it was written in legible characters that it’s dogged as does it. The delicately organized Cornishman felt an instinctive dislike at once for this great coarse mountain of a bullying Teuton. Yet for Cleer’s sake he knew he mustn’t rub him the wrong way. He must put up with Erasmus Walker and all his faults, and try to approach him by the most accessible side — if indeed any side were accessible at all, save the waistcoat pocket.

  At last, however, the engineer paused a moment in his headlong course through sentence after sentence, held his pen half irresolute over a new blank sheet, and turning round to Tyrrel, without one word of apology, said, in a quick, decisive voice, “This is business, I suppose, business? for if not, I’ve no time. I’m very pressed this morning. Very pressed, indeed. Very pressed and occupied.”

  “Yes, it is business,” Tyrrel answered, promptly, taking his cue with Celtic quickness. “Business that may be worth a good deal of money.” Erasmus Walker pricked up his ears at that welcome sound, and let the pen drop quietly into the rack by his side. “Only I’m afraid I must ask for a quarter of an hour or so of your valuable time. You will not find it thrown away. You can name your own price for it.”

  “My dear sir,” the engineer replied, taking up his visitor’s card again and gazing at it hard with a certain inquiring scrutiny, “if it’s business, and business of an important character, of course I need hardly say I’m very glad to attend to you. There are so many people who come bothering me for nothing, don’t you know — charitable appeals or what not — that I’m obliged to make a hard and fast rule about interviews. But if it’s business you mean, I’m your man at once. I live for public works. Go ahead. I’m all attention.”

  He wheeled round in his revolving chair, and faced Tyrrel in an attitude of sharp practical eagerness. His eye was all alert. It was clear, the man was keen on every passing chance of a stray hundred or two extra. His keenness disconcerted the conscientious and idealistic Cornishman. For a second or two Tyrrel debated how to open fire upon so unwonted an enemy. At last he began, stammering, “I’ve a friend who has made a design for the Wharfedale Viaduct.”

  “Exactly,” Erasmus Walker answered, pouncing down upon him like a hawk. “And I’ve made one too. And as mine’s in the field, why, your friend’s is waste paper.”

  His sharpness half silenced Tyrrel. But with an effort the younger man went on, in spite of interruption. “That’s precisely what I’ve come about,” he said; “I know that already. If only you’ll have patience and hear me out while I unfold my plan, you’ll find what I have to propose is all to your own interest. I’m prepared to pay well for the arrangement I ask. Will you name your own price for half an hour’s conversation, and then listen to me straight on and without further interruption?”

 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 1006 1007 1008 1009 1010 1011 1012 1013 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 1032 1033 1034 1035 1036 1037 1038 1039 1040 1041 1042 1043 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1055 1056 1057 1058 1059
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183