Delphi collected works o.., p.879

Delphi Collected Works of Grant Allen, page 879

 

Delphi Collected Works of Grant Allen
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  Pianosa, the island mentioned above, lies to the north of Elba, and gets its name from its almost level surface; for the highest point is said to be only eighty feet above the sea. Considering its apparent insignificance, it figures more than could be expected in history. The ill-fated son of Marcus Agrippa was banished here by Augustus, at the instigation of Livia, and after a time was more effectually put out of the way, in order to secure the succession of her son Tiberius. We read also that it was afterwards the property of Marcus Piso, who used it as a preserve for peacocks, which were here as wild as pheasants with us. Some remnants of Roman baths still keep up the memory of its former masters. Long afterwards it became a bone of contention between Pisa and Genoa, and the latter State, on permitting the former to resume possession of these islands of the Tuscan Archipelago, stipulated that Pianosa should be left forever uncultivated and deserted. To secure the execution of this engagement the Genoese stopped up all the wells with huge blocks of rock.

  Capraja, a lovely island to the northwest of Elba, is rather nearer to Corsica than to Italy. Though less than four miles long, and not half this breadth, it rivals either in hilliness, for its ridges rise in two places more than fourteen hundred feet above the sea. Saracen, Genoese, Pisan, and Corsican have caused it in bygone times to lead a rather troubled existence, and even so late as 1796 Nelson knocked to pieces the fort which defended its harbor, and occupied the island.

  “The ‘stagno,’ or lagoon, the sea-marsh of Strabo, is a vast expanse of stagnant salt water, so shallow that it may be forded in parts, yet never dried up by the hottest summer; the curse of the country around for the foul and pestilent vapour and the swarms of mosquitoes and other insects it generates at that season, yet compensating the inhabitants with an abundance of fish. The fishery is generally carried on at night, and in the way often practiced in Italy and Sicily, by harpooning the fish, which are attracted by a light in the prow of the boat. It is a curious sight on calm nights to see hundreds of these little skiffs or canoes wandering about with their lights, and making an ever-moving illumination on the surface of the lake.”

  Elba seems to maintain some relation with the mainland by means of the hilly promontory which supports the houses of Piombino, a small town, chiefly interesting as being at no great distance from Populonia, an old Etruscan city of which some considerable ruins still remain. Here, when the clans gathered to bring back the Tarquins to Rome, stood

  “Sea-girt Populonia,

  Whose sentinels descry

  Sardinia’s snowy mountain tops

  Fringing the southern sky.”

  But long after Lars Porsenna of Clusium had retreated baffled from the broken bridge Populonia continued to be a place of some importance, for it has a castle erected in the Middle Ages. But now it is only a poor village; it retains, however, fragments of building recalling its Roman masters, and its walls of polygonal masonry carry us back to the era of the Etruscans.

  It must not be forgotten that almost the whole of the coast line described in this chapter, from the river Magra to Civita Vecchia, belonged to that mysterious and, not so long since, almost unknown people, the Etruscans. Indeed, at one time their sway extended for a considerable distance north and south of these limits. Even now there is much dispute as to their origin, but they were a powerful and civilized race before Rome was so much as founded. They strove with it for supremacy in Italy, and were not finally subdued by that nation until the third century before our era. “Etruria was of old densely populated, not only in those parts which are still inhabited, but also, as is proved by remains of cities and cemeteries, in tracts now desolated by malaria and relapsed into the desert; and what is now the fen or the jungle, the haunt of the wild boar, the buffalo, the fox, and the noxious reptile, where man often dreads to stay his steps, and hurries away from a plague-stricken land, of old yielded rich harvests of corn, wine and oil, and contained numerous cities mighty and opulent, into whose laps commerce poured the treasures of the East and the more precious produce of Hellenic genius. Most of these ancient sites are now without a habitant, furrowed yearly by the plough, or forsaken as unprofitable wilderness; and such as are still occupied are, with few exceptions, mere phantoms of their pristine greatness, mere villages in the place of populous cities. On every hand are traces of bygone civilization, inferior in quality, no doubt, to that which at present exists but much wider in extent and exerting far greater influence on the neighboring nations and on the destinies of the world.”

  South of this headland the Maremma proper begins. Follonica, the only place for some distance which can be called a town, is blackened with smoke to an extent unusual in Italy, for here much of the iron ore from Elba is smelted. But the views in the neighborhood, notwithstanding the flatness of the marshy or scrub-covered plain, are not without a charm. The inland hills are often attractive; to the north lie the headland of Piombino and sea-girt Elba, to the south the promontory of Castiglione, which ends in a lower line of bluff capped by a tower, and the irregular little island of Formica. At Castiglione della Pescaia is a little harbor, once fortified, which exports wool and charcoal, the products of the neighboring hills. The promontory of Castiglione must once have been an island, for it is parted from the inland range by the level plain of the Maremma. Presently Grosseto, the picturesque capital of the Maremma, appears, perched on steeply rising ground above the enclosing plain, its sky-line relieved by a couple of low towers and a dome; it has been protected with defenses, which date probably from late in the seventeenth century. Then, after the Omborne has been crossed, one of the rivers, which issue from the Apennines, the promontory of Talamone comes down to the sea, protecting the village of the same name. It is a picturesque little place, overlooked by an old castle, and the anchorage is sheltered by the island of S. Giglio, quiet enough now, but the guide-book tells us that here, two hundred and twenty-five years before the Christian era, the Roman troops disembarked and scattered an invading Gaulish army. But to the south lies another promontory on a larger scale than Tlamone; this is the Monte Argentario, the steep slopes of which are a mass of forests. The views on this part of the coast are exceptionally attractive. Indeed, it would be difficult to find anything more striking than the situation of Orbitello. The town lies at the foot of the mountain, for Argentario, since it rises full two thousand feet above the sea, and is bold in outline, deserves the name. It is almost separated from the mainland by a great salt-water lagoon, which is bounded on each side by two low and narrow strips of land. The best view is from the south, where we look across a curve of the sea to the town and to Monte Argentario with its double summit, which, as the border of the lagoon is so low, seems to be completely insulated.

  Orbitello is clearly proved to have been an Etruscan town; perhaps, according to Mr. Dennis, founded by the Pelasgi, “for the foundations of the sea-wall which surrounds it on three sides are of vast polygonal blocks, just such as are seen in many ancient sites of central Italy (Norba, Segni, Palæstrina, to wit), and such as compose the walls of the neighboring Cosa.” Tombs of Etruscan construction have also been found in the immediate neighborhood of the city, on the isthmus of sand which connects it with the mainland. Others also have been found within the circuit of the walls. The tombs have been unusually productive; in part, no doubt, because they appear to have escaped earlier plunderers. Vases, numerous articles in bronze, and gold ornaments of great beauty have been found. Of the town itself, which from the distance has a very picturesque aspect, Mr. Dennis says: “It is a place of some size, having nearly six thousand inhabitants, and among Maremma towns is second only to Grosseto. It is a proof how much population tends to salubrity in the Maremma that Orbitello, though in the midst of a stagnant lagoon ten square miles in extent, is comparatively healthy, and has more than doubled its population in thirty years, while Telamona and other small places along the coast are almost deserted in summer, and the few people that remain become bloated like wine-skins or yellow as lizards.” But the inland district is full of ruins and remnants of towns which in many cases were strongholds long before Romulus traced out the lines of the walls of Rome with his plough, if indeed that ever happened. Ansedonia, the ancient Cosa, is a very few miles away, Rusellæ, Saturnia, Sovana at a considerably greater distance; farther to the south rises another of these forest-clad ridges which, whether insulated by sea or by fen, are so characteristic of this portion of the Italian coast. Here the old walls of Corno, another Etruscan town, may be seen to rise above the olive-trees and the holm-oaks.

  Beyond this the lowland becomes more undulating, and the foreground scenery a little less monotonous. Corneto now appears, crowning a gently shelving plateau at the end of a spur from the inland hills, which is guarded at last by a line of cliffs. Enclosed by a ring of old walls, like Cortona, it “lifts to heaven a diadem of towers.” In site and in aspect it is a typical example of one of the old cities of Etruria. Three hundred feet and more above the plain which parts it from the sea, with the gleaming water full in view on one side and the forest-clad ranges on the other, the outlook is a charming one, and the attractions within its walls are by no means slight. There are several old churches, and numerous Etruscan and Roman antiquities are preserved in the municipal museum. The town itself, however, is not of Etruscan origin, its foundation dates only from the Middle Ages; but on an opposite and yet more insulated hill the ruins of Tarquinii, one of the great cities of the Etrurian League, can still be traced; hardly less important than Veii, one of the most active cities in the endeavor to restore the dynasty of the Tarquins, it continued to flourish after it had submitted to Rome, but it declined in the dark days which followed the fall of the Empire, and never held up its head after it had been sacked by the Saracens, till at last it was deserted for Corneto, and met the usual fate of becoming a quarry for the new town. Only the remnants of buildings and of its defenses are now visible; but the great necropolis which lies to the southeast of the Corneto, and on the same spur with it, has yielded numerous antiquities. A romantic tale of its discovery, so late as 1823, is related in the guide-books. A native of Corneto in digging accidentally broke into a tomb. Through the hole he beheld the figure of a warrior extended at length, accoutred in full armour. For a few minutes he gazed astonished, then the form of the dead man vanished almost like a ghost, for it crumbled into dust under the influence of the fresh air. Numerous subterranean chambers have since been opened; the contents, vases, bronzes, gems and ornaments, have been removed to museums or scattered among the cabinets of collectors, but the mural paintings still remain. They are the works of various periods from the sixth to the second or third century before the Christian era, and are indicative of the influence exercised by Greek art on the earlier inhabitants of Italy.

  As the headland, crowned by the walls of Corneto, recedes into the distance a little river is crossed, which, unimportant as it seems, has a place in ecclesiastical legend, for we are informed that at the Torre Bertaldo, near its mouth, an angel dispelled St. Augustine’s doubts on the subject of the Trinity. Then the road approaches the largest port on the coast since Leghorn was left. Civita Vecchia, as the name implies, is an old town, which, after the decline of Ostia, served for centuries as the port of Rome. It was founded by Trajan, and sometimes bore his name in olden time, but there is little or nothing within the walls to indicate so great an antiquity. It was harried, like so many other places near the coast, by the Saracens, and for some years was entirely deserted, but about the middle of the ninth century the inhabitants returned to it, and the town, which then acquired its present name, by degrees grew into importance as the temporal power of the Papacy increased. If there is little to induce the traveller to halt, there is not much more to tempt the artist. Civita Vecchia occupies a very low and faintly defined headland. Its houses are whitish in color, square in outline, and rather flat-topped. There are no conspicuous towers or domes. It was once enclosed by fortifications, built at various dates about the seventeenth century. These, however, have been removed on the land side, but still remain fairly perfect in the neighborhood of the harbor, the entrance to which is protected by a small island, from which rises a low massive tower and a high circular pharos. There is neither animation nor commerce left in the place; what little there was disappeared when the railway was opened. It is living up to its name, and its old age cannot be called vigorous.

  South of Civita Vecchia the coast region, though often monotonous enough, becomes for a time slightly more diversified. There is still some marshy ground, still some level plain, but the low and gently rolling hills which border the main mass of the Apennines extend at times down to the sea, and even diversify its coast-line, broken by a low headland. This now and again, as at Santa Marinella, is crowned by an old castle. All around much evergreen scrub is seen, here growing in tufts among tracts of coarse herbage, there expanding into actual thickets of considerable extent, and the views sometimes become more varied, and even pretty. Santa Severa, a large castle built of grey stone, with its keep-like group of higher towers on its low crag overlooking the sea, reminds us of some old fortress on the Fifeshire coast. Near this headland, so antiquarians say, was Pyrgos, once the port of the Etruscan town of Cære, which lies away among the hills at a distance of some half-dozen miles. Here and there also a lonely old tower may be noticed along this part of the coast. These recall to mind in their situation, though they are more picturesque in their aspect, the Martello Towers on the southern coast of England. Like them, they are a memorial of troublous times, when the invader was dreaded. They were erected to protect the Tuscan coast from the descents of the Moors, who for centuries were the dread of the Mediterranean. Again and again these corsairs swooped down; now a small flotilla would attack some weakly defended town; now a single ship would land its boatload of pirates on some unguarded beach to plunder a neighboring village or a few scattered farms, and would retreat from the raid with a little spoil and a small band of captives, doomed to slavery, leaving behind smoking ruins and bleeding corpses. It is strange to think how long it was before perfect immunity was secured from these curses of the Mediterranean. England, whatever her enemies may say, has done a few good deeds in her time, and one of the best was when her fleet, under the command of Admiral Pellew, shattered the forts of Algiers and burnt every vessel of the pirate fleet.

  The scenery for a time continues to improve. The oak woods become higher, the inland hills are more varied in outline and are forest-clad. Here peeps out a crag, there a village or a castle. At Palo a large, unattractive villa and a picturesque old castle overlook a fine line of sea-beach, where the less wealthy classes in Rome come down for a breath of fresh air in the hot days of summer. It also marks the site of Alsium, where, in Roman times, one or two personages of note, of whom Pompey was the most important, had country residences. For a time there is no more level plain; the land everywhere shelves gently to the sea, covered with wood or with coarse herbage. But before long there is another change, and the great plain of the Tiber opens out before our eyes, extending on one hand to the not distant sea, on the other to the hills of Rome. It is flat, dreary, and unattractive, at any rate in the winter season, as is the valley of the Nen below Peterborough, or of the Witham beyond the Lincolnshire wolds. It is cut up by dykes, which are bordered by low banks. Here and there herds of mouse-colored oxen with long horns are feeding, and hay-ricks, round with low conical tops, are features more conspicuous than cottages. The Tiber winds on its serpentine course through this fenland plain, a muddy stream, which it was complimentary for the Romans to designate flavus, unless that word meant a color anything but attractive. One low tower in the distance marks the site of Porto, another that of Ostia and near the latter a long grove of pines is a welcome variation to the monotony of the landscape.

  These two towns have had their day of greatness. The former, as its name implies, was once the port of Rome, and in the early days of Christianity was a place of note. It was founded by Trajan, in the neighborhood of a harbor constructed by Claudius; for this, like that of Ostia, which it was designed to replace, was already becoming choked up. But though emperors may propose, a river disposes, especially when its mud is in question. The port of Trajan has long since met with the same fate; it is now only a shallow basin two miles from the sea. Of late years considerable excavations have been made at Porto on the estate of Prince Tortonia, to whom the whole site belongs. The port constructed by Trajan was hexagonal in form; it was surrounded by warehouses and communicated with the sea by a canal. Between it and the outer or Claudian port a palace was built for the emperor, and the remains of the wall erected by Constantine to protect the harbor on the side of the land can still be seen. The only mediæval antiquities which Porto contains are the old castle, which serves as the episcopal palace, and the flower of the church of Santa Rufina, which is at least as old as the tenth century.

  Ostia, which is a place of much greater antiquity than Porto, is not so deserted, though its star declined as that of the other rose. Founded, as some say, by Ancus Martius, it was the port of Rome until the first century of the present era. Then the silting up of its communication with the sea caused the transference of the commerce to Porto, but “the fame of the temple of Castor and Pollux, the numerous villas of the Roman patricians abundantly scattered along the coast, and the crowds of people who frequented its shores for the benefit of sea bathing, sustained the prosperity of the city for some time after the destruction of its harbor.” But at last it went down hill, and then invaders came. Once it had contained eighty thousand inhabitants; in the days of the Medici it was a poor village, and the people eked out their miserable existences by making lime of the marbles of the ruined temples! So here the vandalism of peasants, even more than of patricians, has swept away many a choice relic of classic days. Villas and temples alike have been destroyed; the sea is now at a distance; Ostia is but a small village, “one of the most picturesque though melancholy sites near Rome,” but during the greater part of the present century careful excavations have been made, many valuable art treasures have been unearthed, and a considerable portion of the ancient city has been laid bare. Shops and dwellings, temples and baths, the theater and the forum, with many a remnant of the ancient town, can now be examined, and numerous antiquities of smaller size are preserved in the museum at the old castle. This, with its strong bastions, its lofty circular tower and huge machicolations, is a very striking object as it rises above the plain “massive and gray against the sky-line.” It has been drawn by artists not a few, from Raffaelle, who saw it when it had not very long been completed, down to the present time.

 

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