Delphi collected works o.., p.805
Delphi Collected Works of Grant Allen, page 805
Another and very different form of thunderbolt is the belemnite, a common English fossil often preserved in houses in the west country with the same superstitious reverence as the neolithic hatchets. The very form of the belemnite at once suggests the notion of a dart or lance-head, which has gained for it its scientific name. At the present day, when all our girls go to Girton and enter for the classical tripos, I need hardly translate the word belemnite ‘for the benefit of the ladies,’ as people used to do in the dark and unemancipated eighteenth century; but as our boys have left off learning Greek just as their sisters are beginning to act the ‘Antigone’ at private theatricals, I may perhaps be pardoned if I explain, ‘for the benefit of the gentlemen,’ that the word is practically equivalent to javelin-fossil. The belemnites are the internal shells of a sort of cuttle-fish which swam about in enormous numbers in the seas whose sediment forms our modern lias, oolite, and gault. A great many different species are known and have acquired charming names in very doubtful Attic at the hands of profoundly learned geological investigators, but almost all are equally good representatives of the mythical thunderbolt. The finest specimens are long, thick, cylindrical, and gradually tapering, with a hole at one end as if on purpose to receive the shaft. Sometimes they have petrified into iron pyrites or copper compounds, shining like gold, and then they make very noble thunderbolts indeed, heavy as lead, and capable of doing profound mischief if properly directed. At other times they have crystallised in transparent spar, and then they form very beautiful objects, as smooth and polished as the best lapidary could possibly make them. Belemnites are generally found in immense numbers together, especially in the marlstone quarries of the Midlands, and in the lias cliffs of Dorsetshire. Yet the quarrymen who find them never seem to have their faith shaken in the least by the enormous quantities of thunderbolts that would appear to have struck a single spot with such extraordinary frequency This little fact also tells rather hardly against the theory that the lightning never falls twice upon the same place.
Only the largest and heaviest belemnites are known as thunder stones; the smaller ones are more commonly described as agate pencils. In Shakespeare’s country their connection with thunder is well known, so that in all probability a belemnite is the original of the beautiful lines in ‘Cymbeline’: —
Fear no more the lightning flash, Nor the all-dreaded thunder stone,
where the distinction between the lightning and the thunderbolt is particularly well indicated. In every part of Europe belemnites and stone hatchets are alike regarded as thunderbolts; so that we have the curious result that people confuse under a single name a natural fossil of immense antiquity and a human product of comparatively recent but still prehistoric date. Indeed, I have had two thunderbolts shown me at once, one of which was a large belemnite, and the other a modern Indian tomahawk. Curiously enough, English sailors still call the nearest surviving relatives of the belemnites, the squids or calamaries of the Atlantic, by the appropriate name of sea-arrows.
Many other natural or artificial objects have added their tittle to the belief in thunderbolts. In the Himalayas, for example, where awful thunderstorms are always occurring as common objects of the country, the torrents which follow them tear out of the loose soil fossil bones and tusks and teeth, which are universally looked upon as lightning-stones. The nodules of pyrites, often picked up on beaches, with their false appearance of having been melted by intense heat, pass muster easily with children and sailor folk for the genuine thunderbolts. But the grand upholder of the belief, the one true undeniable reality which has kept alive the thunderbolt even in a wicked and sceptical age, is, beyond all question, the occasional falling of meteoric stones. Your meteor is an incontrovertible fact; there is no getting over him; in the British Museum itself you will find him duly classified and labelled and catalogued. Here, surely, we have the ultimate substratum of the thunderbolt myth. To be sure, meteors have no kind of natural connection with thunderstorms; they may fall anywhere and at any time; but to object thus is to be hypercritical. A stone that falls from heaven, no matter how or when, is quite good enough to be considered as a thunderbolt.
Meteors, indeed, might very easily be confounded with lightning, especially by people who already have the full-blown conception of a thunderbolt floating about vaguely in their brains. The meteor leaps upon the earth suddenly with a rushing noise; it is usually red-hot when it falls, by friction against the air; it is mostly composed of native iron and other heavy metallic bodies; and it does its best to bury itself in the ground in the most orthodox and respectable manner. The man who sees this parlous monster come whizzing through the clouds from planetary space, making a fiery track like a great dragon as it moves rapidly across the sky, and finally ploughing its way into the earth in his own back garden, may well be excused for regarding it as a fine specimen of the true antique thunderbolt. The same virtues which belong to the buried stone are in some other places claimed for meteoric iron, small pieces of which are worn as charms, specially useful in protecting the wearer against thunder, lightning, and evil incantations. In many cases miraculous images have been hewn out of the stones that have fallen from heaven; and in others the meteorite itself is carefully preserved or worshipped as the actual representative of god or goddess, saint or madonna. The image that fell down from Jupiter may itself have been a mass of meteoric iron.
Both meteorites and stone hatchets, as well as all other forms of thunderbolt, are in excellent repute as amulets, not only against lightning, but against the evil eye generally. In Italy they protect the owner from thunder, epidemics, and cattle disease, the last two of which are well known to be caused by witchcraft; while Prospero in the ‘Tempest’ is a surviving proof how thunderstorms, too, can be magically produced. The tongues of sheep-bells ought to be made of meteoric iron or of elf-bolts, in order to insure the animals against foot-and-mouth disease or death by storm. Built into walls or placed on the threshold of stables, thunderbolts are capital preventives of fire or other damage, though not perhaps in this respect quite equal to a rusty horseshoe from a prehistoric battlefield. Thrown into a well they purify the water; and boiled in the drink of diseased sheep they render a cure positively certain. In Cornwall thunderbolts are a sovereign remedy for rheumatism; and in the popular pharmacopœia of Ireland they have been employed with success for ophthalmia, pleurisy, and many other painful diseases. If finely powdered and swallowed piecemeal, they render the person who swallows them invulnerable for the rest of his lifetime. But they cannot conscientiously be recommended for dyspepsia and other forms of indigestion.
As if on purpose to confuse our already very vague ideas about thunderbolts, there is one special kind of lightning which really seems intentionally to simulate a meteorite, and that is the kind known as fireballs or (more scientifically) globular lightning. A fireball generally appears as a sphere of light, sometimes only as big as a Dutch cheese, sometimes as large as three feet in diameter. It moves along very slowly and demurely through the air, remaining visible for a whole minute or two together; and in the end it generally bursts up with great violence, as if it were a London railway station being experimented upon by Irish patriots. At Milan one day a fireball of this description walked down one of the streets so slowly that a small crowd walked after it admiringly, to see where it was going. It made straight for a church steeple, after the common but sacrilegious fashion of all lightning, struck the gilded cross on the topmost pinnacle, and then immediately vanished, like a Virgilian apparition, into thin air.
A few years ago, too, Dr. Tripe was watching a very severe thunderstorm, when he saw a fire-ball come quietly gliding up to him, apparently rising from the earth rather than falling towards it. Instead of running away, like a practical man, the intrepid doctor held his ground quietly and observed the fiery monster with scientific nonchalance. After continuing its course for some time in a peaceful and regular fashion, however, without attempting to assault him, it finally darted off at a tangent in another direction, and turned apparently into forked lightning. A fire-ball, noticed among the Glendowan Mountains in Donegal, behaved even more eccentrically, as might be expected from its Irish antecedents. It first skirted the earth in a leisurely way for several hundred yards like a cannon-ball; then it struck the ground, ricochetted, and once more bounded along for another short spell; after which it disappeared in the boggy soil, as if it were completely finished and done for. But in another moment it rose again, nothing daunted, with Celtic irrepressibility, several yards away, pursued its ghostly course across a running stream (which shows, at least, there could have been no witchcraft in it), and finally ran to earth for good in the opposite bank, leaving a round hole in the sloping peat at the spot where it buried itself. Where it first struck, it cut up the peat as if with a knife, and made a broad deep trench which remained afterwards as a witness of its eccentric conduct. If the person who observed it had been of a superstitious turn of mind we should have had here one of the finest and most terrifying ghost stories on the entire record, which would have made an exceptionally splendid show in the ‘Transactions of the Society for Psychical Research.’ Unfortunately, however, he was only a man of science, ungifted with the precious dower of poetical imagination; so he stupidly called it a remarkable fire-ball, measured the ground carefully like a common engineer, and sent an account of the phenomenon to that far more prosaic periodical, the ‘Quarterly Journal of the Meteorological Society.’ Another splendid apparition thrown away recklessly, for ever!
There is a curious form of electrical discharge, somewhat similar to the fire-ball but on a smaller scale, which may be regarded as the exact opposite of the thunderbolt, inasmuch as it is always quite harmless. This is St. Elmo’s fire, a brush of lambent light, which plays around the masts of ships and the tops of trees, when clouds are low and tension great. It is, in fact, the equivalent in nature of the brush discharge from an electric machine. The Greeks and Romans looked upon this lambent display as a sign of the presence of Castor and Pollux, ‘fratres Helenæ, lucida sidera,’ and held that its appearance was an omen of safety, as everybody who has read the ‘Lays of Ancient Rome’ must surely remember. The modern name, St. Elmo’s fire, is itself a curiously twisted and perversely Christianised reminiscence of the great twin brethren; for St. Elmo is merely a corruption of Helena, made masculine and canonised by the grateful sailors. It was as Helen’s brothers that they best knew the Dioscuri in the good old days of the upper empire; and when the new religion forbade them any longer to worship those vain heathen deities, they managed to hand over the flames at the masthead to an imaginary St. Elmo, whose protection stood them in just as good stead as that of the original alternate immortals.
Finally, the effects of lightning itself are sometimes such as to produce upon the mind of an impartial but unscientific beholder the firm idea that a bodily thunderbolt must necessarily have descended from heaven. In sand or rock, where lightning has struck, it often forms long hollow tubes, known to the calmly discriminating geological intelligence as fulgurites, and looking for all the world like gigantic drills such as quarrymen make for putting in a blast. They are produced, of course, by the melting of the rock under the terrific heat of the electric spark; and they grow narrower and narrower as they descend till they finally disappear. But to a casual observer, they irresistibly suggest the notion that a material weapon has struck the ground, and buried itself at the bottom of the hole. The summit of Little Ararat, that weather-beaten and many-fabled peak (where an enterprising journalist not long ago discovered the remains of Noah’s Ark), has been riddled through and through by frequent lightnings, till the rock is now a mere honeycombed mass of drills and tubes, like an old target at the end of a long day’s constant rifle practice. Pieces of the red trachyte from the summit, a foot long, have been brought to Europe, perforated all over with these natural bullet marks, each of them lined with black glass, due to the fusion of the rock by the passage of the spark. Specimens of such thunder-drilled rock may be seen in most geological museums. On some which Humboldt collected from a peak in Mexico, the fused slag from the wall of the tube has overflowed on to the surrounding surface, thus conclusively proving (if proof were necessary) that the holes are due to melting heat alone, and not to the passage of any solid thunderbolt.
But it was the introduction and general employment of lightning-rods that dealt a final deathblow to the thunderbolt theory. A lightning-conductor consists essentially of a long piece of metal, pointed at the end whose business it is, not so much (as most people imagine) to carry off the flash of lightning harmlessly, should it happen to strike the house to which the conductor is attached, but rather to prevent the occurrence of a flash at all, by gradually and gently drawing off the electricity as fast as it gathers before it has had time to collect in sufficient force for a destructive discharge. It resembles in effect an overflow pipe which drains off the surplus water of a pond as soon as it runs in, in such a manner as to prevent the possibility of an inundation, which might occur if the water were allowed to collect in force behind a dam or embankment. It is a flood-gate, not a moat: it carries away the electricity of the air quietly to the ground, without allowing it to gather in sufficient amount to produce a flash of lightning. It might thus be better called a lightning-preventer than a lightning-conductor: it conducts electricity, but it prevents lightning. At first, all lightning-rods used to be made with knobs on the top, and then the electricity used to collect at the surface until the electric force was sufficient to cause a spark. In those happy days, you had the pleasure of seeing that the lightning was actually being drawn off from your neighbourhood piecemeal. Knobs, it was held, must be the best things, because you could incontestably see the sparks striking them with your own eyes. But as time went on, electricians discovered that if you fixed a fine metal point to the conductor of an electric machine it was impossible to get up any appreciable charge because the electricity kept always leaking out by means of the point. Then it was seen that if you made your lightning-rods pointed at the end, you would be able in the same way to dissipate your electricity before it ever had time to come to a head in the shape of lightning. From that moment the thunderbolt was safely dead and buried. It was urged, indeed, that the attempt thus to rob Heaven of its thunders was wicked and impious; but the common-sense of mankind refused to believe that absolute omnipotence could be sensibly defied by twenty yards of cylindrical iron tubing. Thenceforth the thunderbolt ceased to exist, save in poetry, country houses, and the most rural circles; even the electric fluid was generally relegated to the provincial press, where it still keeps company harmoniously with caloric, the devouring element, nature’s abhorrence of a vacuum, and many other like philosophical fossils: while lightning itself, shorn of its former glories, could no longer wage impious war against cathedral towers, but was compelled to restrict itself to blasting a solitary rider now and again in the open fields, or drilling more holes in the already crumbling summit of Mount Ararat. Yet it will be a thousand years more, in all probability, before the last thunderbolt ceases to be shown as a curiosity here and there to marvelling visitors, and takes its proper place in some village museum as a belemnite, a meteoric stone, or a polished axe-head of our neolithic ancestors. Even then, no doubt, the original bolt will still survive as a recognised property in the stock-in-trade of every well-equipped poet.
HONEY-DEW
Place, the garden. Time, summer. Dramatis personæ, a couple of small brown garden-ants, and a lazy clustering colony of wee green ‘plant-lice,’ or ‘blight,’ or aphides. The exact scene is usually on the young and succulent branches of a luxuriant rose-bush, into whose soft shoots the aphides have deeply buried their long trunk-like snouts, in search of the sap off which they live so contentedly through their brief lifetime. To them, enter the two small brown ants, their lawful possessors; for ants, too, though absolutely unrecognised by English law (‘de minimis non curat lex,’ says the legal aphorism), are nevertheless in their own commonwealth duly seised of many and various goods and chattels; and these same aphides, as everybody has heard, stand to them in pretty much the same position as cows stand to human herdsmen. Throw in for sole spectator a loitering naturalist, and you get the entire mise-en-scène of a quaint little drama that works itself out a dozen times among the wilted rose-trees beneath the latticed cottage windows every summer morning.
It is a delightful sight to watch the two little lilliputian proprietors approaching and milking these their wee green motionless cattle. First of all, the ants quickly scent their way with protruded antennæ (for they are as good as blind, poor things!) up the prickly stem of the rose-bush, guided, no doubt, by the faint perfume exhaled from the nectar above them. Smelling their road cautiously to the ends of the branches, they soon reach their own particular aphides, whose bodies they proceed gently to stroke with their outstretched feelers, and then stand by quietly for a moment in happy anticipation of the coming dinner. Presently, the obedient aphis, conscious of its lawful master’s friendly presence, begins slowly to emit from two long horn-like tubes near the centre of its back a couple of limpid drops of a sticky pale yellow fluid. Honey-dew our English rustics still call it, because, when the aphides are not milked often enough by ants, they discharge it awkwardly of their own accord, and then it falls as a sweet clammy dew upon the grass beneath them. The ant, approaching the two tubes with cautious tenderness, removes the sweet drops without injuring in any way his little protégé, and then passes on to the next in order of his tiny cattle, leaving the aphis apparently as much relieved by the process as a cow with a full hanging udder is relieved by the timely attention of the human milkmaid.
