The complete works, p.277
The Complete Works, page 277
The affair pervaded my existence for many weeks. I could not do my work and I could not rest at home. Night after night I promenaded up and down that Monkeys' Parade full of an unappeasable desire, with a thwarted sense of something just begun that ought to have gone on. I went backwards and forwards on the way to the vanishing place, and at last explored the forbidden road that had swallowed them up. But I never saw her again, except that later she came to me, my symbol of womanhood, in dreams. How my blood was stirred! I lay awake of nights whispering in the darkness for her. I prayed for her.
Indeed that girl, who probably forgot the last vestiges of me when her first real kiss came to her, ruled and haunted me, gave a Queen to my imagination and a texture to all my desires until I became a man.
I generalised her at last. I suddenly discovered that poetry was about her and that she was the key to all that had hitherto seemed nonsense about love. I took to reading novels, and if the heroine could not possibly be like her, dusky and warm and starlike, I put the book aside. . . .
I hesitate and add here one other confession. I want to tell this thing because it seems to me we are altogether too restrained and secretive about such matters. The cardinal thing in life sneaks in to us darkly and shamefully like a thief in the night.
One day during my Cambridge days--it must have been in my first year before I knew Hatherleigh--I saw in a print-shop window near the Strand an engraving of a girl that reminded me sharply of Penge and its dusky encounter. It was just a half length of a bare-shouldered, bare-breasted Oriental with arms akimbo, smiling faintly. I looked at it, went my way, then turned back and bought it. I felt I must have it. The odd thing is that I was more than a little shamefaced about it. I did not have it framed and hung in my room open to the criticism of my friends, but I kept it in the drawer of my writing-table. And I kept that drawer locked for a year. It speedily merged with and became identified with the dark girl of Penge. That engraving became in a way my mistress. Often when I had sported my oak and was supposed to be reading, I was sitting with it before me.
Obeying some instinct I kept the thing very secret indeed. For a time nobody suspected what was locked in my drawer nor what was locked in me. I seemed as sexless as my world required.
5
These things stabbed through my life, intimations of things above and below and before me. They had an air of being no more than incidents, interruptions.
The broad substance of my existence at this time was the City Merchants School. Home was a place where I slept and read, and the mooning explorations of the south-eastern postal district which occupied the restless evenings and spare days of my vacations mere interstices, giving glimpses of enigmatical lights and distant spaces between the woven threads of a school-boy's career. School life began for me every morning at Herne Hill, for there I was joined by three or four other boys and the rest of the way we went together. Most of the streets and roads we traversed in our morning's walk from Victoria are still intact, the storms of rebuilding that have submerged so much of my boyhood's London have passed and left them, and I have revived the impression of them again and again in recent years as I have clattered dinnerward in a hansom or hummed along in a motor cab to some engagement. The main gate still looks out with the same expression of ancient well-proportioned kindliness upon St. Margaret's Close. There are imposing new science laboratories in Chambers Street indeed, but the old playing fields are unaltered except for the big electric trams that go droning and spitting blue flashes along the western boundary. I know Ratten, the new Head, very well, but I have not been inside the school to see if it has changed at all since I went up to Cambridge.
I took all they put before us very readily as a boy, for I had a mind of vigorous appetite, but since I have grown mentally to man's estate and developed a more and more comprehensive view of our national process and our national needs, I am more and more struck by the oddity of the educational methods pursued, their aimless disconnectedness from the constructive forces in the community. I suppose if we are to view the public school as anything more than an institution that has just chanced to happen, we must treat it as having a definite function towards the general scheme of the nation, as being in a sense designed to take the crude young male of the more or less responsible class, to correct his harsh egotisms, broaden his outlook, give him a grasp of the contemporary developments he will presently be called upon to influence and control, and send him on to the university to be made a leading and ruling social man. It is easy enough to carp at schoolmasters and set up for an Educational Reformer, I know, but still it is impossible not to feel how infinitely more effectually--given certain impossibilities perhaps--the job might be done.
My memory of school has indeed no hint whatever of that quality of elucidation it seems reasonable to demand from it. Here all about me was London, a vast inexplicable being, a vortex of gigantic forces, that filled and overwhelmed me with impressions, that stirred my imagination to a perpetual vague enquiry; and my school not only offered no key to it, but had practically no comment to make upon it at all. We were within three miles of Westminster and Charing Cross, the government offices of a fifth of mankind were all within an hour's stroll, great economic changes were going on under our eyes, now the hoardings flamed with election placards, now the Salvation Army and now the unemployed came trailing in procession through the winter-grey streets, now the newspaper placards outside news-shops told of battles in strange places, now of amazing discoveries, now of sinister crimes, abject squalor and poverty, imperial splendour and luxury, Buckingham Palace, Rotten Row, Mayfair, the slums of Pimlico, garbage-littered streets of bawling costermongers, the inky silver of the barge-laden Thames--such was the background of our days. We went across St. Margaret's Close and through the school gate into a quiet puerile world apart from all these things. We joined in the earnest acquirement of all that was necessary for Greek epigrams and Latin verse, and for the rest played games. We dipped down into something clear and elegantly proportioned and time-worn and for all its high resolve of stalwart virility a little feeble, like our blackened and decayed portals by Inigo Jones.
Within, we were taught as the chief subjects of instruction, Latin and Greek. We were taught very badly because the men who taught us did not habitually use either of these languages, nobody uses them any more now except perhaps for the Latin of a few Levantine monasteries. At the utmost our men read them. We were taught these languages because long ago Latin had been the language of civilisation; the one way of escape from the narrow and localised life had lain in those days through Latin, and afterwards Greek had come in as the vehicle of a flood of new and amazing ideas. Once these two languages had been the sole means of initiation to the detached criticism and partial comprehension of the world. I can imagine the fierce zeal of our first Heads, Gardener and Roper, teaching Greek like passionate missionaries, as a progressive Chinaman might teach English to the boys of Pekin, clumsily, impatiently, with rod and harsh urgency, but sincerely, patriotically, because they felt that behind it lay revelations, the irresistible stimulus to a new phase of history. That was long ago.
A new great world, a vaster Imperialism had arisen about the school, had assimilated all these amazing and incredible ideas, had gone on to new and yet more amazing developments of its own. But the City Merchants School still made the substance of its teaching Latin and Greek, still, with no thought of rotating crops, sowed in a dream amidst the harvesting.
There is no fierceness left in the teaching now. Just after I went up to Trinity, Gates, our Head, wrote a review article in defence of our curriculum. In this, among other indiscretions, he asserted that it was impossible to write good English without an illuminating knowledge of the classic tongues, and he split an infinitive and failed to button up a sentence in saying so. His main argument conceded every objection a reasonable person could make to the City Merchants' curriculum. He admitted that translation had now placed all the wisdom of the past at a common man's disposal, that scarcely a field of endeavour remained in which modern work had not long since passed beyond the ancient achievement. He disclaimed any utility. But there was, he said, a peculiar magic in these grammatical exercises no other subjects of instruction possessed.
Nothing else provided the same strengthening and orderly discipline for the mind.
He said that, knowing the Senior Classics he did, himself a Senior Classic!
Yet in a dim confused way I think be was making out a case. In schools as we knew them, and with the sort of assistant available, the sort of assistant who has been trained entirely on the old lines, he could see no other teaching so effectual in developing attention, restraint, sustained constructive effort and various yet systematic adjustment. And that was as far as his imagination could go.
It is infinitely easier to begin organised human affairs than end them; the curriculum and the social organisation of the English public school are the crowning instances of that. They go on because they have begun. Schools are not only immortal institutions but reproductive ones. Our founder, Jabez Arvon, knew nothing, I am sure, of Gates' pedagogic values and would, I feel certain, have dealt with them disrespectfully. But public schools and university colleges sprang into existence correlated, the scholars went on to the universities and came back to teach the schools, to teach as they themselves had been taught, before they had ever made any real use of the teaching; the crowd of boys herded together, a crowd perpetually renewed and unbrokenly the same, adjusted itself by means of spontaneously developed institutions. In a century, by its very success, this revolutionary innovation of Renascence public schools had become an immense tradition woven closely into the fabric of the national life. Intelligent and powerful people ceased to talk Latin or read Greek, they had got what was wanted, but that only left the schoolmaster the freer to elaborate his point. Since most men of any importance or influence in the country had been through the mill, it was naturally a little difficult to persuade them that it was not quite the best and most ennobling mill the wit of man could devise. And, moreover, they did not want their children made strange to them. There was all the machinery and all the men needed to teach the old subjects, and none to teach whatever new the critic might propose. Such science instruction as my father gave seemed indeed the uninviting alternative to the classical grind. It was certainly an altogether inferior instrument at that time.
So it was I occupied my mind with the exact study of dead languages for seven long years. It was the strangest of detachments. We would sit under the desk of such a master as Topham like creatures who had fallen into an enchanted pit, and he would do his considerable best to work us up to enthusiasm for, let us say, a Greek play. If we flagged he would lash himself to revive us. He would walk about the class-room mouthing great lines in a rich roar, and asking us with a flushed face and shining eyes if it was not
"GLORIOUS." The very sight of Greek letters brings back to me the dingy, faded, ink-splashed quality of our class-room, the banging of books, Topham's disordered hair, the sheen of his alpaca gown, his deep unmusical intonations and the wide striding of his creaking boots. Glorious! And being plastic human beings we would consent that it was glorious, and some of us even achieved an answering reverberation and a sympathetic flush. I at times responded freely.
We all accepted from him unquestioningly that these melodies, these strange sounds, exceeded any possibility of beauty that lay in the Gothic intricacy, the splash and glitter, the jar and recovery, the stabbing lights, the heights and broad distances of our English tongue. That indeed was the chief sin of him. It was not that he was for Greek and Latin, but that he was fiercely against every beauty that was neither classic nor deferred to classical canons.
And what exactly did we make of it, we seniors who understood it best? We visualised dimly through that dust and the grammatical difficulties, the spectacle of the chorus chanting grotesquely, helping out protagonist and antagonist, masked and buskined, with the telling of incomprehensible parricides, of inexplicable incest, of gods faded beyond symbolism, of that Relentless Law we did not believe in for a moment, that no modern western European can believe in. We thought of the characters in the unconvincing wigs and costumes of our school performance. No Gilbert Murray had come as yet to touch these things to life again. It was like the ghost of an antiquarian's toy theatre, a ghost that crumbled and condensed into a gritty dust of construing as one looked at it.
Marks, shindies, prayers and punishments, all flavoured with the leathery stuffiness of time-worn Big Hall. . . .
And then out one would come through our grey old gate into the evening light and the spectacle of London hurrying like a cataract, London in black and brown and blue and gleaming silver, roaring like the very loom of Time. We came out into the new world no teacher has yet had the power and courage to grasp and expound. Life and death sang all about one, joys and fears on such a scale, in such an intricacy as never Greek nor Roman knew. The interminable procession of horse omnibuses went lumbering past, bearing countless people we knew not whence, we knew not whither. Hansoms clattered, foot passengers jostled one, a thousand appeals of shop and boarding caught the eye. The multi-coloured lights of window and street mingled with the warm glow of the declining day under the softly flushing London skies; the ever-changing placards, the shouting news-vendors, told of a kaleidoscopic drama all about the globe.
One did not realise what had happened to us, but the voice of Topham was suddenly drowned and lost, he and his minute, remote gesticulations. . . .
That submerged and isolated curriculum did not even join on to living interests where it might have done so. We were left absolutely to the hints of the newspapers, to casual political speeches, to the cartoons of the comic papers or a chance reading of some Socialist pamphlet for any general ideas whatever about the huge swirling world process in which we found ourselves. I always look back with particular exasperation to the cessation of our modern history at the year 1815. There it pulled up abruptly, as though it had come upon something indelicate. . . .
But, after all, what would Topham or Flack have made of the huge adjustments of the nineteenth century? Flack was the chief cricketer on the staff; he belonged to that great cult which pretends that the place of this or that county in the struggle for the championship is a matter of supreme importance to boys. He obliged us to affect a passionate interest in the progress of county matches, to work up unnatural enthusiasms. What a fuss there would be when some well-trained boy, panting as if from Marathon, appeared with an evening paper! "I say, you chaps, Middlesex all out for a hundred and five!"
Under Flack's pressure I became, I confess, a cricket humbug of the first class. I applied myself industriously year by year to mastering scores and averages; I pretended that Lords or the Oval were the places nearest Paradise for me. (I never went to either.) Through a slight mistake about the county boundary I adopted Surrey for my loyalty, though as a matter of fact we were by some five hundred yards or so in Kent. It did quite as well for my purposes.
I bowled rather straight and fast, and spent endless hours acquiring the skill to bowl Flack out. He was a bat in the Corinthian style, rich and voluminous, and succumbed very easily to a low shooter or an unexpected Yorker, hut usually he was caught early by long leg.
The difficulty was to bowl him before he got caught. He loved to lift a ball to leg. After one had clean bowled him at the practice nets one deliberately gave him a ball to leg just to make him feel nice again.
Flack went about a world of marvels dreaming of leg hits. He has been observed, going across the Park on his way to his highly respectable club in Piccadilly, to break from profound musings into a strange brief dance that ended with an imaginary swipe with his umbrella, a roofer, over the trees towards Buckingham Palace. The hit accomplished, Flack resumed his way.
Inadequately instructed foreigners would pass him in terror, needlessly alert.
6
These schoolmasters move through my memory as always a little distant and more than a little incomprehensible. Except when they wore flannels, I saw them almost always in old college caps and gowns, a uniform which greatly increased their detachment from the world of actual men. Gates, the head, was a lean loose-limbed man, rather stupid I discovered when I reached the Sixth and came into contact with him, but honest, simple and very eager to be liberal-minded. He was bald, with an almost conical baldness, with a grizzled pointed beard, small featured and, under the stresses of a Zeitgeist that demanded liberality, with an expression of puzzled but resolute resistance to his own unalterable opinions. He made a tall dignified figure in his gown. In my junior days he spoke to me only three or four times, and then he annoyed me by giving me a wrong surname; it was a sore point because I was an outsider and not one of the old school families, the Shoesmiths, the Naylors, the Marklows, the Tophams, the Pevises and suchlike, who came generation after generation. I recall him most vividly against the background of faded brown book-backs in the old library in which we less destructive seniors were trusted to work, with the light from the stained-glass window falling in coloured patches on his face. It gave him the appearance of having no colour of his own. He had a habit of scratching the beard on his cheek as he talked, and he used to come and consult us about things and invariably do as we said.
That, in his phraseology, was "maintaining the traditions of the school."
