The complete works, p.278
The Complete Works, page 278
He had indeed an effect not of a man directing a school, but of a man captured and directed by a school. Dead and gone Elizabethans had begotten a monster that could carry him about in its mouth.
Yet being a man, as I say, with his hair a little stirred by a Zeitgeist that made for change, Gates did at times display a disposition towards developments. City Merchants had no modern side, and utilitarian spirits were carping in the PALL MALL GAZETTE
and elsewhere at the omissions from our curriculum, and particularly at our want of German. Moreover, four classes still worked together with much clashing and uproar in the old Big Hall that had once held in a common tumult the entire school. Gates used to come and talk to us older fellows about these things.
"I don't wish to innovate unduly," he used to say. But we ought to get in some German, you know,--for those who like it. The army men will be wanting it some of these days."
He referred to the organisation of regular evening preparation for the lower boys in Big Hall as a "revolutionary change," but he achieved it, and he declared he began the replacement of the hacked wooden tables, at which the boys had worked since Tudor days, by sloping desks with safety inkpots and scientifically adjustable seats, "with grave misgivings." And though he never birched a boy in his life, and was, I am convinced, morally incapable of such a scuffle, he retained the block and birch in the school through all his term of office, and spoke at the Headmasters' Conference in temperate approval of corporal chastisement, comparing it, dear soul! to the power of the sword. . . .
I wish I could, in some measure and without tediousness, convey the effect of his discourses to General Assembly in Big Hall. But that is like trying to draw the obverse and reverse of a sixpence worn to complete illegibility. His tall fine figure stood high on the days, his thoughtful tenor filled the air as he steered his hazardous way through sentences that dragged inconclusive tails and dropped redundant prepositions. And he pleaded ever so urgently, ever so finely, that what we all knew for Sin was sinful, and on the whole best avoided altogether, and so went on with deepening notes and even with short arresting gestures of the right arm and hand, to stir and exhort us towards goodness, towards that modern, unsectarian goodness, goodness in general and nothing in particular, which the Zeitgeist seemed to indicate in those transitional years.
7
The school never quite got hold of me. Partly I think that was because I was a day-boy and so freer than most of the boys, partly because of a temperamental disposition to see things in my own way and have my private dreams, partly because I was a little antagonised by the family traditions that ran through the school. I was made to feel at first that I was a rank outsider, and I never quite forgot it. I suffered very little bullying, and I never had a fight--in all my time there were only three fights--but I followed my own curiosities. I was already a very keen theologian and politician before I was fifteen. I was also intensely interested in modern warfare. I read the morning papers in the Reading Room during the midday recess, never missed the illustrated weeklies, and often when I could afford it I bought a PALL MALL GAZETTE on my way
home.
I do not think that I was very exceptional in that; most intelligent boys, I believe, want naturally to be men, and are keenly interested in men's affairs. There is not the universal passion for a magnified puerility among them it is customary to assume. I was indeed a voracious reader of everything but boys' books--which I detested--and fiction. I read histories, travel, popular science and controversy with particular zest, and I loved maps. School work and school games were quite subordinate affairs for me. I worked well and made a passable figure at games, and I do not think I was abnormally insensitive to the fine quality of our school, to the charm of its mediaeval nucleus, its Gothic cloisters, its scraps of Palladian and its dignified Georgian extensions; the contrast of the old quiet, that in spite of our presence pervaded it everywhere, with the rushing and impending London all about it, was indeed a continual pleasure to me. But these things were certainly not the living and central interests of my life.
I had to conceal my wider outlook to a certain extent--from the masters even more than from the boys. Indeed I only let myself go freely with one boy, Britten, my especial chum, the son of the Agent-General for East Australia. We two discovered in a chance conversation A PROPOS of a map in the library that we were both of us curious why there were Malays in Madagascar, and how the Mecca pilgrims came from the East Indies before steamships were available.
Neither of us had suspected that there was any one at all in the school who knew or cared a rap about the Indian Ocean, except as water on the way to India. But Britten had come up through the Suez Canal, and his ship had spoken a pilgrim ship on the way. It gave him a startling quality of living knowledge. From these pilgrims we got to a comparative treatment of religions, and from that, by a sudden plunge, to entirely sceptical and disrespectful confessions concerning Gates' last outbreak of simple piety in School Assembly.
We became congenial intimates from that hour.
The discovery of Britten happened to me when we were both in the Lower Fifth. Previously there had been a watertight compartment between the books I read and the thoughts they begot on the one hand and human intercourse on the other. Now I really began my higher education, and aired and examined and developed in conversation the doubts, the ideas, the interpretations that had been forming in my mind. As we were both day-boys with a good deal of control over our time we organised walks and expeditions together, and my habit of solitary and rather vague prowling gave way to much more definite joint enterprises. I went several times to his house, he was the youngest of several brothers, one of whom was a medical student and let us assist at the dissection of a cat, and once or twice in vacation time he came to Penge, and we went with parcels of provisions to do a thorough day in the grounds and galleries of the Crystal Palace, ending with the fireworks at close quarters. We went in a river steamboat down to Greenwich, and fired by that made an excursion to Margate and back; we explored London docks and Bethnal Green Museum, Petticoat Lane and all sorts of out-of-the-way places together.
We confessed shyly to one another a common secret vice, "Phantom warfare." When we walked alone, especially in the country, we had both developed the same practice of fighting an imaginary battle about us as we walked. As we went along we were generals, and our attacks pushed along on either side, crouching and gathering behind hedges, cresting ridges, occupying copses, rushing open spaces, fighting from house to house. The hillsides about Penge were honeycombed in my imagination with the pits and trenches I had created to cheek a victorious invader coming out of Surrey. For him West Kensington was chiefly important as the scene of a desperate and successful last stand of insurrectionary troops (who had seized the Navy, the Bank and other advantages) against a royalist army--
reinforced by Germans--advancing for reasons best known to themselves by way of Harrow and Ealing. It is a secret and solitary game, as we found when we tried to play it together. We made a success of that only once. All the way down to Margate we schemed defences and assailed and fought them as we came back against the sunset. Afterwards we recapitulated all that conflict by means of a large scale map of the Thames and little paper ironclads in plan cut out of paper.
A subsequent revival of these imaginings was brought about by Britten's luck in getting, through a friend of his father's, admission for us both to the spectacle of volunteer officers fighting the war game in Caxton Hall. We developed a war game of our own at Britten's home with nearly a couple of hundred lead soldiers, some excellent spring cannons that shot hard and true at six yards, hills of books and a constantly elaborated set of rules.
For some months that occupied an immense proportion of our leisure.
Some of our battles lasted several days. We kept the game a profound secret from the other fellows. They would not have understood.
And we also began, it was certainly before we were sixteen, to write, for the sake of writing. We liked writing. We had discovered Lamb and the best of the middle articles in such weeklies as the SATURDAY GAZETTE, and we imitated them. Our minds were full
of dim uncertain things we wanted to drag out into the light of expression. Britten had got hold of IN MEMORIAM, and I had disinterred Pope's ESSAY ON MAN and RABBI BEN EZRA, and these things
had set our theological and cosmic solicitudes talking. I was somewhere between sixteen and eighteen, I know, when he and I walked along the Thames Embankment confessing shamefully to one another that we had never read Lucretius. We thought every one who mattered had read Lucretius.
When I was nearly sixteen my mother was taken ill very suddenly, and died of some perplexing complaint that involved a post-mortem examination; it was, I think, the trouble that has since those days been recognised as appendicitis. This led to a considerable change in my circumstances; the house at Penge was given up, and my Staffordshire uncle arranged for me to lodge during school terms with a needy solicitor and his wife in Vicars Street, S. W., about a mile and a half from the school. So it was I came right into London; I had almost two years of London before I went to Cambridge.
Tehose were our great days together. Afterwards we were torn apart; Britten went to Oxford, and our circumstances never afterwards threw us continuously together until the days of the BLUE WEEKLY.
As boys, we walked together, read and discussed the same books, pursued the same enquiries. We got a reputation as inseparables and the nickname of the Rose and the Lily, for Britten was short and thick-set with dark close curling hair and a ruddy Irish type of face; I was lean and fair-haired and some inches taller than he.
Our talk ranged widely and yet had certain very definite limitations. We were amazingly free with politics and religion, we went to that little meeting-house of William Morris's at Hammersmith and worked out the principles of Socialism pretty thoroughly, and we got up the Darwinian theory with the help of Britten's medical-student brother and the galleries of the Natural History Museum in Cromwell Road. Those wonderful cases on the ground floor illustrating mimicry, dimorphism and so forth, were new in our times, and we went through them with earnest industry and tried over our Darwinism in the light of that. Such topics we did exhaustively. But on the other hand I do not remember any discussion whatever of human sex or sexual relationships. There, in spite of intense secret curiosities, our lips were sealed by a peculiar shyness. And I do not believe we ever had occasion either of us to use the word "love." It was not only that we were instinctively shy of the subject, but that we were mightily ashamed of the extent of our ignorance and uncertainty in these matters. We evaded them elaborately with an assumption of exhaustive knowledge.
We certainly had no shyness about theology. We marked the emancipation of our spirits from the frightful teachings that had oppressed our boyhood, by much indulgence in blasphemous wit. We had a secret literature of irreverent rhymes, and a secret art of theological caricature. Britten's father had delighted his family by reading aloud from Dr. Richard Garnett's TWILIGHT OF THE GODS, and Britten conveyed the precious volume to me. That and the BAB
BALLADS were the inspiration of some of our earliest lucubrations.
For an imaginative boy the first experience of writing is like a tiger's first taste of blood, and our literary flowerings led very directly to the revival of the school magazine, which had been comatose for some years. But there we came upon a disappointment.
8
In that revival we associated certain other of the Sixth Form boys, and notably one for whom our enterprise was to lay the foundations of a career that has ended in the House of Lords, Arthur Cossington, now Lord Paddockhurst. Cossington was at that time a rather heavy, rather good-looking boy who was chiefly eminent in cricket, an outsider even as we were and preoccupied no doubt, had we been sufficiently detached to observe him, with private imaginings very much of the same quality and spirit as our own. He was, we were inclined to think, rather a sentimentalist, rather a poseur, he affected a concise emphatic styl, played chess very well, betrayed a belief in will-power, and earned Britten's secret hostility, Britten being a sloven, by the invariable neatness of his collars and ties. He came into our magazine with a vigour that we found extremely surprising and unwelcome.
Britten and I had wanted to write. We had indeed figured our project modestly as a manuscript magazine of satirical, liberal and brilliant literature by which in some rather inexplicable way the vague tumult of ideas that teemed within us was to find form and expression; Cossington, it was manifest from the outset, wanted neither to write nor writing, but a magazine. I remember the inaugural meeting in Shoesmith major's study--we had had great trouble in getting it together--and how effectually Cossington bolted with the proposal.
"I think we fellows ought to run a magazine," said Cossington. "The school used to have one. A school like this ought to have a magazine."
"The last one died in '84," said Shoesmith from the hearthrug.
"Called the OBSERVER. Rot rather."
"Bad title," said Cossington.
"There was a TATLER before that," said Britten, sitting on the writing table at the window that was closed to deaden the cries of the Lower School at play, and clashing his boots together.
"We want something suggestive of City Merchants."
"CITY MERCHANDIZE," said Britten.
"Too fanciful. What of ARVONIAN? Richard Arvon was our founder, and it seems almost a duty--"
"They call them all -usians or -onians," said Britten.
"I like CITY MERCHANDIZE," I said. "We could probably find a quotation to suggest--oh! mixed good things."
Cossington regarded me abstractedly.
Don't want to put the accent on the City, do we?" said Shoesmith, who had a feeling for county families, and Naylor supported him by a murmur of approval.
"We ought to call it the ARVONIAN," decided Cossington, "and we might very well have underneath, 'With which is incorporated the OBSERVER.' That picks up the old traditions, makes an appeal to old boys and all that, and it gives us something to print under the title."
I still held out for CITY MERCHANDIZE, which had taken my fancy.
"Some of the chaps' people won't like it," said Naylor, "certain not to. And it sounds Rum."
"Sounds Weird," said a boy who had not hitherto spoken.
"We aren't going to do anything Queer," said Shoesmith, pointedly not looking at Britten.
The question of the title had manifestly gone against us. "Oh! HAVE
it ARVONIAN," I said.
"And next, what size shall we have?" said Cossington.
"Something like MACMILLAN'S MAGAZINE--or LONGMANS'; LONGMANS' is
better because it has a whole page, not columns. It makes no end of difference to one's effects."
"What effects?" asked Shoesmith abruptly.
"Oh! a pause or a white line or anything. You've got to write closer for a double column. It's nuggetty. You can't get a swing on your prose." I had discussed this thoroughly with Britten.
"If the fellows are going to write--" began Britten.
"We ought to keep off fine writing," said Shoesmith. "It's cheek.
I vote we don't have any."
"We sha'n't get any," said Cossington, and then as an olive branch to me, "unless Remington does a bit. Or Britten. But it's no good making too much space for it."
"We ought to be very careful about the writing," said Shoesmith.
"We don't want to give ourselves away."
"I vote we ask old Topham to see us through," said Naylor.
Britten groaned aloud and every one regarded him. "Greek epigrams on the fellows' names," he said. " Small beer in ancient bottles.
Let's get a stuffed broody hen to SIT on the magazine."
"We might do worse than a Greek epigram," said Cossington. "One in each number. It--it impresses parents and keeps up our classieal tradition. And the masters CAN help. We don't want to antagonise them. Of course--we've got to dcpartmentalise. Writing is only one section of the thing. The ARVONIAN has to stand for the school.
There's questions of space and questions of expense. We can't turn out a great chunk of printed prose like--like wet cold toast and call it a magazine."
Britten writhed, appreciating the image.
"There's to be a section of sports. YOU must do that."
"I'm not going to do any fine writing," said Shoesmith.
"What you've got to do is just to list all the chaps and put a note to their play:--'Naylor minor must pass more. Football isn't the place for extreme individualism.' 'Ammersham shapes well as half-back.' Things like that."
"I could do that all right," said Shoesmith, brightening and manifestly hecoming pregnant with judgments.
"One great thing about a magazine of this sort," said Cossington,
"is to mention just as many names as you can in each number. It keeps the interest alive. Chaps will turn it over looking for their own little bit. Then it all lights up for them."
"Do you want any reports of matches?" Shoesmith broke from his meditation.
"Rather. With comments."
"Naylor surpassed himself and negotiated the lemon safely home,"
