The complete works, p.98
The Complete Works, page 98
of the European Piggeries. On the second day
after dinner he made the acquaintance of a latter-day dancing girl, and found her an astonishing artist. And after that, more hypnotic wonders. On the third day
Lincoln was moved to suggest that the Master should
repair to a Pleasure City, but this Graham declined, nor would he accept the services of the hypnotists in his aeronautical experiments. The link of locality held him to London; he found a perpetual wonder in
topographical identifications that he would have missed abroad. "Here--or a hundred feet below here," he could say, "I used to eat my midday cutlets during my London University days. Underneath here was
Waterloo and the perpetual hunt for confusing trains.
Often have I stood waiting down there, bag in hand,
and stared up into the sky above the forest of signals, little thinking I should walk some day a hundred yards in the air. And now in that very sky that was once a grey smoke canopy, I circle in an aeropile."
During those three days Graham was so occupied
with such distractions that the vast political
movements in progress outside his quarters had but a small share of his attention. Those about him told him
little. Daily came Ostrog, the Boss, his Grand Vizier, his mayor of the palace, to report in vague terms the steady establishment of his rule; "a little trouble"
soon to be settled in this city, "a slight disturbance"
in that. The song of the social revolt came to him no more; he never learned that it had been forbidden in the municipal limits; and all the great emotions of the crow's nest slumbered in his mind.
But on the second and third of the three days
he found himself, in spite of his interest in the
daughter of the Pig Manager, or it may be by,
reason of the thoughts her conversation suggested,
remembering the girl Helen Wotton, who had
spoken to him so oddly at the Wind-Vane
Keeper's gathering. The impression she had made was a deep one, albeit the incessant surprise of novel
circumstances had kept him from brooding upon it for a space. But now her memory was coming to its own.
He wondered what she had meant by those broken
half-forgotten sentences; the picture of her eyes and the earnest passion of her face became more vivid as his mechanical interests faded. Her beauty came
compellingly between him and certain immediate
temptations of ignoble passion. But he did not see her again until three full days were past.
CHAPTER XVIII
GRAHAM REMEMBERS
She came upon him at last in a little gallery that
ran from the Wind Vane Offices toward his state
apartments. The gallery was long and narrow, with a
series of recesses, each with an arched fenestration that looked upon a court of palms. He came upon her
suddenly in one of these recesses. She was seated.
She turned her head at the sound of his footsteps and started at the sight of him. Every touch of colour
vanished from her face. She rose instantly, made a
step toward him as if to address him, and hesitated.
He stopped and stood still, expectant. Then he perceived that a nervous tumult silenced her, perceived
too, that she must have sought speech with him to be waiting for him in this place.
He felt a regal impulse to assist her. "I have wanted to see you," he said. "A few days ago you wanted to tell me something--you wanted to tell me of the
people. What was it you had to tell me?"
She looked at him with troubled eyes.
"You said the people were unhappy?"
For a moment she was silent still.
"It must have seemed strange to you," she said abruptly.
"It did. And yet--"
"It was an impulse."
"Well?"
"That is all."
She looked at him with a face of hesitation. She
spoke with an effort. "You forget," she said, drawing a deep breath.
"What?"
"The people--"
"Do you mean--?"
"You forget the people."
He looked interrogative.
"Yes. I know you are surprised. For you do not
understand what you are. You do not know the things
that are happening."
"Well? "
"You do not understand."
"Not clearly, perhaps. But--tell me."
She turned to him with sudden resolution." It is so hard to explain. I have meant to, I have wanted to.
And now--I cannot. I am not ready with words.
But about you--there is something. It is Wonder.
Your sleep--your awakening. These things are
miracles. To me at least--and to all the common
people. You who lived and suffered and died, you
who were a common citizen, wake again, live again, to find yourself Master almost of the earth."
"Master of the earth," he said. "So they tell me.
But try and imagine how little I know of it."
"Cities--Trusts--the Labour Company--"
"Principalities, powers, dominions--the power and the glory. Yes, I have heard them shout. I know.
I am Master. King, if you wish. With Ostrog, the
Boss--"
He paused.
She turned upon him and surveyed his face with a
curious scrutiny. "Well?"
He smiled. "To take the responsibility."
"That is what we have begun to fear." For a moment she said no more. "No," she said slowly. "You will take the responsibility. You will take the
responsibility. The people look to you."
She spoke softly." Listen! For at least half the years of your sleep--in every generation--multitudes of people, in every generation greater multitudes
of people, have prayed that you might awake--
prayed."
Graham moved to speak and did not.
She hesitated, and a faint colour crept back to her
cheek. "Do you know that you have been to myriads
--King Arthur, Barbarossa--the King who would
come in his own good time and put the world right for them?"
"I suppose the imagination of the people--"
"Have you not heard our proverb, 'When the
Sleeper wakes?' While you lay insensible and motionless there--thousands came. Thousands. Every
first of the month you lay in state with a white robe upon you and the people filed by you. When I was a
little girl I saw you like that, with your face white and calm."
She turned her face from him and looked steadfastly
at the painted wall before her. Her voice fell. "When I was a little girl I used to look at your face. . . .it seemed to me fixed and waiting, like the patience of God."
"That is what we thought of you," she said. "That is how you seemed to us."
She turned shining eyes to him, her voice was clear
and strong." In the city, in the earth, a myriad myriad men and women are waiting to see what you
will do, full of strange incredible expectations."
"Yes? "
"Ostrog--no one--can take that responsibility."
Graham looked at her in surprise, at her face lit
with emotion. She seemed at first to have spoken with an effort, and to have fired herself by speaking.
"Do you think," she said, "that you who have lived that little life so far away in the past, you who have fallen into and risen out of this miracle of sleep -- do you think that the wonder and reverence and hope of
half the world has gathered about you only that you
may live another little life? . . . That you may
shift the responsibility to any other man?"
"I know how great this kingship of mine is," he said haltingly. "I know how great it seems. But is it real? It is incredible--dreamlike. Is it real, or is it only a great delusion?"
"It is real," she said; "if you dare."
"After all, like all kingship, my kingship is Belief.
It is an illusion in the minds of men."
"If you dare!" she said.
"But--"
"Countless men," she said, "and while it is in their minds--they will obey."
"But I know nothing. That is what I had in mind.
I know nothing. And these others--the Councillors,
Ostrog. They are wiser, cooler, they know so much,
every detail. And, indeed, what are these miseries of which you speak? What am I to know? Do you
mean--"
He stopped blankly.
"I am still hardly more than a girl," she said. "But to me the world seems full of wretchedness. The world has altered since your day, altered very strangely. I have prayed that I might see you and tell you these
things. The world has changed. As if a canker had
seized it--and robbed life of--everything worth
having."
She turned a flushed face upon him, moving suddenly.
"Your days were the days of freedom. Yes--
I have thought. I have been made to think, for my
life--has not been happy. Men are no longer free--
no greater, no better than the men of your time. That is not all. This city--is a prison. Every city now is a prison. Mammon grips the key in his hand.
Myriads, countless myriads, toil from the cradle to
the grave. Is that right? Is that to be--for ever?
Yes, far worse than in your time. All about us, beneath us, sorrow and pain. All the shallow delight of
such life as you find about you, is separated by just a little from a life of wretchedness beyond any telling Yes, the poor know it--they know they suffer. These
countless multitudes who faced death for you two
nights since--! You owe your life to them."
"Yes," said Graham, slowly. "Yes. I owe my life to them."
"You come," she said, "from the days when this new tyranny of the cities was scarcely beginning.
It is a tyranny--a tyranny. In your days the
feudal war lords had gone, and the new lordship of
wealth had still to come. Half the men in the world
still lived out upon the free countryside. The cities had still to devour them. I have heard the stories
out of the old books--there was nobility! Common
men led lives of love and faithfulness then--they
did a thousand things. And you--you come from
that time."
"It was not--. But never mind. How is it
now--? "
"Gain and the Pleasure Cities! Or slavery--unthanked, unhonoured, slavery."
"Slavery!" he said.
"Slavery."
"You don't mean to say that human beings are
chattels."
"Worse. That is what I want you to know, what
I want you to see. I know you do not know. They
will keep things from you, they will take you presently to a Pleasure City. But you have noticed men and
women and children in pale blue canvas, with thin
yellow faces and dull eyes? "
"Everywhere."
"Speaking a horrible dialect, coarse and weak."
"I have heard it."
"They are the slaves--your slaves. They are the slaves of the Labour Company you own."
"The Labour Company! In some way--that is
familiar. Ah! now I remember. I saw it when I was
wandering about the city, after the lights returned, great fronts of buildings coloured pale blue. Do you really mean--?"
"Yes. How can I explain it to you? Of course
the blue uniform struck you. Nearly a third of our
people wear it--more assume it now every day. This
Labour Company has grown imperceptibly."
"What is this Labour Company?" asked Graham.
"In the old times, how did you manage with staning people?"
"There was the workhouse--which the parishes
maintained."
"Workhouse! Yes--there was something. In
our history lessons. I remember now. The Labour
Company ousted the workhouse. It grew--partly--
out of something--you, perhaps, may remember it--
an emotional religious organisation called the
Salvation Army--that became a business company. In the first place it was almost a charity. To save people
from workhouse rigours. Now I come to think of it,
it was one of the earliest properties your Trustees
acquired. They bought the Salvation Army and reconstructed it as this. The idea in the first place was to
give work to starving homeless people."
"Yes."
"Nowadays there are no workhouses, no refuges
and charities, nothing but that Company. Its offices are everywhere. That blue is its colour. And any
man, woman or child who comes to be hungry and
weary and with neither home nor friend nor resort,
must go to the Company in the end--or seek some
way of death. The Euthanasy is beyond their means
--for the poor there is no easy death. And at any
hour in the day or night there is food, shelter and a blue uniform for all comers--that is the first
condition of the Company s incorporation--and in return for a day's shelter the Company extracts a day's work, and then returns the visitor's proper clothing and
sends him or her out again."
"Yes?"
"Perhaps that does not seem so terrible to you. In your days men starved in your streets. That was bad.
But they died--men. These people in blue--. The
proverb runs: 'Blue canvas once and ever.' The
Company trades in their labour, and it has taken care to assure itself of the supply. People come to
it starving and helpless--they eat and sleep for
a night and day, they -work for a day, and at the
end of the day they go out again. If they have worked well they have a penny or so--enough for a
theatre or a cheap dancing place, or a kinematograph story, or a dinner or a bet. They wander about after that is spent. Begging is prevented by the police of the ways. Besides, no one gives. They come back
again the next day or the day after--brought back
by the same incapacity that brought them first. At
last their proper clothing wears out, or their rags get so shabby that they are ashamed. Then they must
work for months to get fresh. If they want fresh. A
great number of children are born under the
Company's care. The mother owes them a month
thereafter--the children they cherish and educate until they are fourteen, and they pay two years' service.
You may be sure these children are educated for the
blue canvas. And so it is the Company works."
"And none are destitute in the city? "
"None. They are either in blue canvas or in
prison."
"If they will not work? "
" Most people will work at that pitch, and the
Company has powers. There are stages of unpleasantness in the work--stoppage of food--and a man or
woman who has refused to work once is known by a
thumb-marking system in the Company's offices all
over the world. Besides, who can leave the city
poor? To go to Paris costs two Lions. And for
insubordination there are the prisons--dark and
miserable--out of sight below. There are prisons now for many things."
"And a third of the people wear this blue canvas? "
"More than a third. Toilers, living without pride or delight or hope, with the stories of Pleasure Cities ringing in their ears, mocking their shameful lives, their privations and hardships. Too poor even for the
Euthanasy, the rich man's refuge from life. Dumb,
crippled millions, countless millions, all the world about, ignorant of anything but limitations and
unsatisfied desires. They are born, they are thwarted and they die. That is the state to which we have come."
For a space Graham sat downcast.
"But there has been a revolution," he said. "All these things will be changed." Ostrog--"
"That is our hope. That is the hope of the world.
But Ostrog will not do it. He is a politician. To him it seems things must be like this. He does not mind.
He takes it for granted. All the rich, all the influential, all who are happy, come at last to take these miseries for granted. They use the people in their politics,
they live in ease by their degradation. But you
--you who come from a happier age--it is to you the
people look. To you."
He looked at her face. Her eyes were bright with
unshed tears. He felt a rush of emotion. For a moment he forgot this city, he forgot the race, and all
