Delphi complete works of.., p.283

Delphi Complete Works of Stephen Leacock, page 283

 

Delphi Complete Works of Stephen Leacock
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  This, of course, is the grand snoopopathic climax, when the author gets all three of them — The Man, The Woman, and The Woman’s Husband — in a hotel room at night. But notice what happens.

  He stood in the opening of the doorway looking at them, a slight smile upon his lips. “Well?” he said. Then he entered the room and stood for a moment quietly looking into The Man’s face.

  “So,” he said, “it was you.” He walked into the room and laid the light coat that he had been carrying over his arm upon the table. He drew a cigar case from his waistcoat pocket.

  “Try one of these Havanas,” he said.

  Observe the calm of it. This is what the snoopopath loves — no rage, no blustering — calmness, cynicism. He walked over towards the mantel-piece and laid his hat upon it. He set his boot upon the fender.

  “It was cold this evening,” he said. He walked over to the window and gazed a moment into the dark.

  “This is a nice hotel,” he said. (This scene is what the author and the reader love; they hate to let it go. They’d willingly keep the man walking up and down for hours saying “Well!”)

  The Man raised his head! “Yes, it’s a good hotel,” he said. Then he let his head fall again.

  This kind of thing goes on until, if possible, the reader is persuaded into thinking that there is nothing going to happen. Then: —

  “He turned to The Woman. ‘Go in there,’ he said, pointing to the bedroom door. Mechanically she obeyed.” This, by the way, is the first intimation that the reader has that the room in which they were sitting was not a bedroom. The two men were alone. Dangerfield walked over to the chair where he had thrown his coat.

  “I bought this coat in St. Louis last fall,” he said. His voice was quiet, even passionless. Then from the pocket of the coat he took a revolver and laid it on the table. Marsden watched him without a word.

  “Do you see this pistol?” said Dangerfield.

  Marsden raised his head a moment and let it sink.

  Of course the ignorant reader keeps wondering why he doesn’t explain. But how can he? What is there to say? He has been found out of his own room at night. The penalty for this in all the snoopopathic stories is death. It is understood that in all the New York hotels the night porters shoot a certain number of men in the corridors every night.

  “When we married,” said Dangerfield, glancing at the closed door as he spoke, “I bought this and the mate to it — for her — just the same, with the monogram on the butt — see! And I said to her, ‘If things ever go wrong between you and me, there is always this way out.’ ”

  He lifted the pistol from the table, examining its mechanism. He rose and walked across the room till he stood with his back against the door, the pistol in his hand, its barrel pointing straight at Marsden’s heart. Marsden never moved. Then as the two men faced one another thus, looking into one another’s eyes, their ears caught a sound from behind the closed door of the inner room — a sharp, hard, metallic sound as if someone in the room within had raised the hammer of a pistol — a jewelled pistol like the one in Dangerfield’s hand.

  And then —

  A loud report, and with a cry, the cry of a woman, one shrill despairing cry —

  Or no, hang it — I can’t consent to end up a story in that fashion, with the dead woman prone across the bed, the smoking pistol, with a jewel on the hilt, still clasped in her hand — the red blood welling over the white laces of her gown — while the two men gaze down upon her cold face with horror in their eyes. Not a bit. Let’s end it like this: —

  “A shrill despairing cry,— ‘Ed! Charlie! Come in here quick! Hurry! The steam coil has blown out a plug! You two boys quit talking and come in here, for Heaven’s sake, and fix it.’ ”

  And, indeed, if the reader will look back he will see there is nothing in the dialogue to preclude it. He was misled, that’s all. I merely said that Mrs. Dangerfield had left her husband a few days before. So she had — to do some shopping in New York. She thought it mean of him to follow her. And I never said that Mrs. Dangerfield had any connection whatever with The Woman with whom Marsden was in love. Not at all. He knew her, of course, because he came from Brick City. But she had thought he was in Philadelphia, and naturally she was surprised to see him back in New York. That’s why she exclaimed “Back!” And as a matter of plain fact, you can’t pick up a revolver without its pointing somewhere. No one said he meant to fire it.

  In fact, if the reader will glance back at the dialogue — I know he has no time to, but if he does — he will see that, being something of a snoopopath himself, he has invented the whole story.

  My Affair with My Landlord

  AS IT IS now pretty generally known that I have murdered the landlord of our flat, I feel that I should like to make some sort of public explanation of the matter.

  I have been assured on all sides that there is no need to do this, but my own feelings on the question were so acute that I felt myself compelled to call upon the Superintendent of Police and offer him an exact account of what I had done. He told me that there is absolutely no need to offer any explanation at all. It is neither customary nor desirable.

  “You have killed your landlord,” he said, “very good, what of it?” I asked him whether it was not, in a sense, a matter for the law to deal with. But he shook his head. “In what way?” he asked.

  I told him that I felt that the affair was putting me in a somewhat false position; that the congratulations that I have been receiving from my friends, and even from strangers, were perhaps, if the full circumstances were known, hardly merited; in short, that I should like a certain publicity given to the whole surroundings of the act.

  “Very good,” said the Superintendent, “you are entitled to fill out a form if you wish to do so.” He searched among his papers.

  “Did you say,” he asked, “that you have killed your landlord, or that you are going to kill him?” “I have killed him,” I said firmly. “Very good,” said the officer, “we use separate forms.” He gave me a long printed slip with blanks to fill in — my age, occupation, reasons (if any) for the killing, etc.

  “What shall I put,” I asked, “under the heading of reasons?”

  “I think,” he answered, “that it will be better to put simply, ‘no reasons,’ or if you like, the ‘usual reasons’!” With that he bowed me politely out of his office, expressing, as he did so, the hope that I would bury the landlord and not leave him lying about.

  To me the interview was unsatisfactory. I am well aware that the Superintendent was within the strict nicety of the law. No doubt if every case of the shooting of a landlord were made a matter of inquiry the result would be embarrassing and tedious.

  The shooting is generally done in connection with a rise of rent, and nothing more needs to be said about it. “I am increasing your rent another $10.00 a month,” says the landlord. “All right,” says the tenant, “I’ll shoot you.” Sometimes he does, sometimes he forgets to.

  But my own case was quite different. The proposal of the National Tenant League to give me a gold medal next Saturday has brought things to a head and forces an explanation.

  I recall distinctly the time, now some five years ago, when my wife and I first took our flat. The landlord showed us over it himself, and I am free to confess that there was nothing in his manner, or very little indeed, to suggest anything out of the normal.

  Only one small incident stuck in my mind. He apologized for the lack of cupboard space.

  “There are not enough cupboards in this flat,” he said.

  It made me slightly uncomfortable to hear him speak in this way. “But look,” I said, “how large and airy this pantry is. It is at least four feet each way.”

  He shook his head and repeated that the cupboards were small. “I must build in better ones,” he said.

  Two months later he built in new cupboards. It gave me a shock of surprise — a touch of the uncanny — to notice that he did not raise the rent. “Are you not raising the rent because of the cupboards?” I asked. “No,” he said, “they only cost me fifty dollars.” “But, my dear fellow,” I objected, “surely the interest of fifty dollars is sixty dollars a year?”

  He admitted this, but said that he would rather not raise the rent. Thinking it over, I decided that his conduct might be due to incipient paresis or coagulation of the arteries of the head. At that time I had no idea of killing him. That came later.

  I recall no incident of importance till the spring of the year following. My landlord appeared unexpectedly one day with apologies for intruding (a fact which of itself seemed suspicious), and said that he proposed to repaper the entire apartment. I expostulated in vain.

  “The paper,” I said, “is only ten years old.” “It is,” he said, “but wall paper has gone up to double its value since that time.” “Very good, then,” I said firmly, “you must raise the rent twenty dollars a month for the paper.” “I shall not,” he answered. The incident led to a distinct coolness between us for some months.

  The next episodes were of a more pronounced character. Everybody recalls the great increases of rent due to the terrific rise in building costs. My landlord refused to raise the rent of my flat.

  “The cost of building,” I said, “has increased at least one hundred per cent.”

  “Very good,” he answered, “but I am not building. I have always been getting ten per cent on my investment in this property, and I am still getting it.”

  “Think of your wife,” I said.

  “I won’t,” he answered.

  “It is your duty,” I went on, “to think of her. Let me tell you that only yesterday I saw in the papers a letter from a landlord, one of the most beautiful letters I ever saw (from a landlord), in which he said the rise in the cost of building materials compelled him to think of his wife and children. It was a touching appeal.”

  “I don’t care,” my landlord answered, “I’m not married.”

  “Ah,” I said, “not married.” It was, I think, at this moment that the idea first occurred to me that the man might be put out of the way.

  There followed the episode of November. My readers will all remember the fifty per cent increase of rents made to celebrate Armistice Day. My landlord refused to join in the celebrations.

  This lack of patriotism in the fellow irritated me greatly. The same thing happened at the time of the rise of rents that was instituted to celebrate the visit of Marshal Foch, and the later rise — twenty-five per cent, if I remember rightly — that was made as a tribute to the ex-service men.

  It was purely a patriotic movement, done in a spontaneous way without premeditation.

  I have heard many of the soldiers say that it was their first welcome home, and that they would never forget it.

  It was followed a little later by the rise of rents held as a welcome to the Prince of Wales. No better congratulation could have been planned.

  My landlord, alas, remained outside of all this. He made no increase in his rent. “I have,” he said, “my ten per cent, and that is enough.”

  I know now that the paresis or coagulation must have overwhelmed one entire lobe or hemisphere of his head.

  I was meditating action.

  The crisis came last month. A sharp rise in rent had been very properly instituted to counterbalance the fall in the German mark. It was based quite evidently on the soundest business reasoning.

  If the fall in the mark is not countered in this way, it is plain that we are undone. The cheap German mark will enable the Germans to take away our houses.

  I waited for three days, looking in vain for a notice of increase in my rent.

  Then I went to visit my landlord in his office. I admit that I was armed, but in extenuation I want to say that I knew that I had to deal with an abnormal, aberrated man, one-half of whose brain was now coagulated.

  I wasted no words on preliminaries.

  “You have seen,” I said, “this fall of the German mark.”

  “Yes,” he answered, “what of it?”

  “Simply this,” I said. “Are you going to raise my rent or are you not?”

  “No,” he said doggedly, “I am not.”

  I raised the revolver and fired. He was sitting sideways to me as I did so. I fired, in all, four shots. I could see through the smoke that one, at least, of the shots had cut his waistcoat into strips, a second had ripped off his collar, while the third and fourth had cut through his braces at the back. He was visibly in a state of collapse. It was doubtful if he could reach the street. But even if he could, it was certain that he couldn’t walk upon it.

  I left him as he was and reported, as I have said, to the police.

  If the Tenant League medal is given to me, I want it to be with full understanding of the case.

  The Give and Take of Travel. A Study in Petty Larceny, Pro and Con

  I HAVE RECENTLY noted among my possessions a narrow black comb and a flat brown hairbrush. I imagine they must belong to the Pullman Car Company. As I have three of the Company’s brushes and combs already, I shall be glad to hand these back at any time when the company cares to send for them.

  I have also a copy of the New Testament in plain good print which is marked “put here by the Gibbons” and which I believe I got from either the Ritz-Carlton Hotel in Montreal or the Biltmore in New York. I do not know any of the Gibbons. But the hotel may have the book at any time, as I have finished with it. I will bring it to them.

  On the other hand, I shall be very greatly obliged if the man who has my winter overshoes (left on the Twentieth Century Limited) will let me have them back again. As the winter is soon coming I shall need them. If he will leave them at any agreed spot three miles from a town I will undertake not to prosecute him.

  I mention these matters not so much for their own sake as because they form part of the system of give and take which plays a considerable part in my existence.

  Like many people who have to travel a great deal I get absent-minded about it. I move to and fro among trains and hotels shepherded by red-caps and escorted by bell boys. I have been in so many hotels that they all look alike. If there is any difference in the faces of the hotel clerks I can’t see it. If there is any way of distinguishing one waiter from another I don’t know it. There is the same underground barber surrounded by white marble and carrying on the same conversation all the way from Halifax to Los Angeles. In short I have been in so many towns that I never know where I am.

  Under these circumstances a man of careless disposition and absent mind easily annexes and easily loses small items of property. In a Pullman car there is no difficulty whatever, if one has the disposition for it, in saying to a man sitting beside you, “Good morning, sir. It looks like a beautiful day,” and then reaching over and packing his hair brush into your valise. If he is the right kind of man he will never notice it, or at best he will say in return, “A beautiful morning,” and then take away your necktie.

  There is, let it be noticed, all the difference in the world between this process and petty larceny.

  The thing I mean couldn’t possibly be done by a thief. He wouldn’t have the nerve, the quiet assurance, the manner. It is the absolute innocence of the thing that does it.

  For example, if a man offers me a cigarette I find that I take his cigarette case and put it in my pocket. When I rise from my hotel dinner I carry away the napkin. When I leave my hotel room I always take away the key.

  There is no real sense in this: I have more hotel keys than I can use as it is. But the fault is partly with our hotels. So many of them put up a little notice beside the door that reads, “Have You Forgotten Anything?” Whenever I see this I stand in thought a minute then it occurs to me, “Why, of course, the Key!” and I take it with me.

  I am aware that there is a class of persons — women mostly — who carry away spoons and other things deliberately as souvenirs. But I disclaim all connection with that kind of thing. That is not what I meant at all.

  I would never take a valuable spoon, unless I happened to be using it at the table to open the back of my watch, or something of the sort. But when I sign my name on the hotel book I keep the pen. Similarly and in all fairness, I give up my own fountain pen to the telegraph clerk. The theory works both ways.

  As a rule, there is nothing more in all this than a harmless give and take, a sort of profit and loss account to which any traveler easily becomes accustomed. But at the same time one should be careful. The theory may go a little too far. I remember not long ago coming home from a theatre in Trenton, New Jersey, with a lady’s white silk scarf about my neck.

  I had no notion how it had got there. Whether the woman had carelessly wrapped it about my neck in mistake for her own, or whether I had unwound it off her, I cannot say. But I regret the incident and will gladly put the scarf back on her neck at any time. I will also take this occasion to express my regret for the pair of boots which I put on in a Pullman car in Syracuse in the dark of a winter morning.

  There is a special arrangement on the New York Central whereby at Syracuse passengers making connections for the South are allowed to get up at four and dress while the others are still asleep. There are signs put up adjuring everybody to keep as quiet as possible. Naturally, these passengers get the best of everything and, within limits, it is fair enough as they have to get up so early. But the boots of which I speak outclass anything I ever bought for myself and I am sorry about them.

  Our American railways have very wisely taken firm grounds on this problem of property mislaid or exchanged or lost on the Pullman cars. As everybody knows when one of our trains reaches a depot the passengers leave it with as mad a haste as if it were full of smallpox. In fact, they are all lined up at the door like cattle in a pen ready to break loose before the train stops. What happens to the car itself afterwards they don’t care. It is known only to those who have left a hair brush in the car and tried to find it.

  But in reality, the car is instantly rushed off to a siding, its number-placard taken out of the window so that it cannot be distinguished, after which a vacuum cleaner is turned on and sucks up any loose property that is left in it. Meantime the porter has avoided all detection by an instantaneous change of costume in which he appears disguised as a member of the Pittsburgh Yacht Club. If he could be caught at this time his pockets would be found to be full of fountain pens, rings and current magazines.

 

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