Complete works of samuel.., p.343
Complete Works of Samuel Johnson, page 343
King Henry the eighth (says that historian) having divorced queen Catherine, and married Anne Boleyn, or Boloine, who was descended from Godfrey Boloine, mayor of the city of London, and intending her coronation, sent to order the lord mayor, not only to make all the preparations necessary for conducting his royal consort from Greenwich, by water, to the Tower of London but to adorn the city after the most magnificent manner, for her passage through it to Westminster.
In obedience to the royal precept, the mayor and common council not only ordered the company of haberdashers, of which the lord mayor was a member, to prepare a magnificent state barge; but enjoined all the city corporations to provide themselves with barges, and to adorn them in the most superb manner, and especially to have them supplied with good bands of music.
On the 29th of May, the time prefixed for this pompous procession by water the mayor, aldermen, and commons, assembled at St. Mary hill; the mayor and aldermen in scarlet, with gold chains, and those who were knights, with the collars of SS. At one they went on board the city barge at Billingsgate, which was most magnificently decorated, and attended by fifty noble barges, belonging to the several companies of the city, with each its own corporation on board; and, for the better regulation of this procession, it was ordered, that each barge should keep twice their lengths asunder.
Thus regulated, the city barge was preceded by another mounted with ordnance, and the figures of dragons, and other monsters, incessantly emitting fire and smoke, with much noise. Then the city barge, attended on the right by the haberdashers’ state barge, called the bachelors’, which was covered with gold brocade, and adorned with sails of silk, with two rich standards of the king’s and queen’s arms at her head and stern, besides a variety of flags and streamers, containing the arms of that company, and those of the merchant adventurers; besides which, the shrouds and ratlines were hung with a number of small bells: on the left was a barge that contained a very beautiful mount, on which stood a white falcon crowned, perched upon a golden stump, enriched with roses, being the queen’s emblem; and round the mount sat several beautiful virgins, singing, and playing upon instruments. The other barges followed, in regular order, till they came below Greenwich. On their return the procession began with that barge which was before the last, in which were the mayor’s and sheriff’s officers, and this was followed by those of the inferior companies, ascending to the lord mayor’s, which immediately preceded that of the queen, who was attended by the bachelors’ or state barge, with the magnificence of which her majesty was much delighted; and being arrived at the Tower, she returned the lord mayor and aldermen thanks, for the pomp with which she had been conducted thither.
Two days after, the lord mayor, in a gown of crimson velvet, and a rich collar of SS, attended by the sheriffs, and two domestics in red and white damask, went to receive the queen at the Tower of London, whence the sheriffs returned to see that every thing was in order. The streets were just before new gravelled, from the Tower to Temple-bar, and railed in on each side, to the intent that the horses should not slide on the pavement, nor the people be hurt by the horses; within the rails near Gracechurch, stood a body of Anseatic merchants, and next to them the several corporations of the city, in their formalities, reaching to the alderman’s station at the upper end of Cheapside. On the opposite side were placed the city constables, dressed in silk and velvet, with staffs in their hands, to prevent the breaking in of the mob, or any other disturbance. On this occasion, Gracechurch street and Corn hill were hung with crimson and scarlet cloth, and the sides of the houses of a place then called Goldsmiths’ row, in Cheapside, were adorned with gold brocades, velvet, and rich tapestry.
The procession began from the Tower, with twelve of the French ambassador’s domestics in blue velvet, the trappings of their horses being blue sarsnet, interspersed with white crosses; after whom marched those of the equestrian order, two and two, followed by judges in their robes, two and two; then came the knights of the bath in violet gowns, purfled with menever. Next came the abbots, barons, bishops, earls, and marquises, in their robes, two and two.
Then the lord chancellor, followed by the Venetian ambassador and the archbishop of York; next the French ambassador and the archbishop of Canterbury, followed by two gentlemen representing the dukes of Normandy and Aquitain; after whom rode the lord mayor of London with his mace, and garter in his coat of arms; then the duke of Suffolk, lord high steward, followed by the deputy marshal of England, and all the other officers of state in their robes, carrying the symbols of their several offices: then others of the nobility in crimson velvet, and all the queen’s officers in scarlet, followed by her chancellor uncovered, who immediately preceded his mistress.
The queen was dressed in silver brocade, with a mantle of the same furred with ermine; her hair was dishevelled, and she wore a chaplet upon her head set with jewels of inestimable value. She sat in a litter covered with silver tissue, and carried by two beautiful pads cloathed in white damask, and led by her footmen. Over the litter was carried a canopy of cloth of gold, with a silver bell at each corner, supported by sixteen knights alternately, by four at a time.
After her majesty came her chamberlain, followed by her master of horse, leading a beautiful pad, with a side-saddle, and trappings of silver tissue. Next came seven ladies in crimson velvet, faced with gold brocade, mounted on beautiful horses with gold trappings. Then followed two chariots covered with cloth of gold, in the first of which were the duchess of Norfolk and the marchioness of Dorset, and in the second four ladies in crimson velvet; then followed seven ladies dressed in the same manner, on horseback, with magnificent trappings, followed by another chariot all in white, with six ladies in crimson velvet; this was followed by another all in red, with eight ladies in the same dress with the former; next came thirty gentlewomen, attendants to the ladies of honour; they were on horseback, dressed in silks and velvet; and the cavalcade was closed by the horse guards.
This pompous procession being arrived in Fenchurch street, the queen stopped at a beautiful pageant, crowded with children in mercantile habits, who congratulated her majesty upon the joyful occasion of her happy arrival in the city.
Thence she proceeded to Gracechurch corner, where was erected a very magnificent pageant, at the expense of the company of Anseatic merchants, in which was represented mount Parnassus, with the fountain of Helicon, of white marble, out of which arose four springs, about four feet high, centering at the top in a small globe, from whence issued plenty of Rhenish wine till night. On the mount sat Apollo, at his feet was Calliope, and beneath were the rest of the Muses, surrounding the mount, and playing upon a variety of musical instruments, at whose feet were inscribed several epigrams suited to the occasion, in letters of gold.
Her majesty then proceeded to Leadenhall, where stood a pageant, representing a hill encompassed with red and white roses; and above it was a golden stump, upon which a white falcon, descending from above, perched, and was quickly followed by an angel, who put a crown of gold upon his head. A little lower on the hillock sat St. Anne, surrounded by her progeny, one of whom made an oration, in which was a wish that her majesty might prove extremely prolific.
The procession then advanced to the conduit in Corn hill, where the Graces sat enthroned, with a fountain before them, incessantly discharging wine; and underneath, a poet, who described the qualities peculiar to each of these amiable deities, and presented the queen with their several gifts.
The cavalcade thence proceeded to a great conduit that stood opposite to Mercers’ hall in Cheapside, and, upon that occasion, was painted with a variety of emblems, and during the solemnity and remaining part of the day, ran with different sorts of wine, for the entertainment of the populace.
At the end of Wood street, the standard there was finely embellished with royal portraitures and a number of flags, on which were painted coats of arms and trophies, and above was a concert of vocal and instrumental music.
At the upper end of Cheapside was the aldermen’s station, where the recorder addressed the queen in a very elegant oration, and, in the name of the citizens, presented her with a thousand marks, in a purse of gold tissue, which her majesty very gracefully received.
At a small distance, by Cheapside conduit, was a pageant, in which
were seated Minerva, Juno, and Venus; before whom stood the god
Mercury, who, in their names, presented the queen a golden apple.
At St. Paul’s gate was a fine pageant, in which sat three ladies richly dressed, with each a chaplet on her head, and a tablet in her hand, containing Latin inscriptions.
At the east end of St. Paul’s cathedral, the queen was entertained by some of the scholars belonging to St. Paul’s school, with verses in praise of the king and her majesty, with which she seemed highly delighted.
Thence proceeding to Ludgate, which was finely decorated, her majesty was entertained with several songs adapted to the occasion, sung in concert by men and boys upon the leads over the gate.
At the end of Shoe lane, in Fleet street, a handsome tower with four turrets, was erected upon the conduit, in each of which stood one of the cardinal virtues, with their several symbols; who, addressing themselves to the queen, promised they would never leave her, but be always her constant attendants. Within the tower was an excellent concert of music, and the conduit all the while ran with various sorts of wine.
At Temple-bar she was again entertained with songs, sung in concert by a choir of men and boys; and having from thence proceeded to Westminster, she returned the lord mayor thanks for his good offices, and those of the citizens, that day. The day after, the lord mayor, aldermen, and sheriffs, assisted at the coronation, which was performed with great splendour. — Stow’s Annals.
Note. The same historian informs us, that queen Elizabeth passed in the like manner, through the city, to her coronation.
The admirers of the descriptions of pageants may be amply gratified in Henry’s History of England. The field of the cloth of gold shines “luna inter minora sidera.” — Ed.
PREFACE TO THE ARTISTS’ CATALOGUE, FOR 1762.
The publick may justly require to be informed of the nature and extent of every design, for which the favour of the publick is openly solicited. The artists, who were themselves the first projectors of an exhibition in this nation, and who have now contributed to the following catalogue, think it, therefore, necessary to explain their purpose, and justify their conduct. An exhibition of the works of art, being a spectacle new in this kingdom, has raised various opinions and conjectures, among those who are unacquainted with the practice in foreign nations. Those who set out their performances to general view, have been too often considered as the rivals of each other, as men actuated, if not by avarice, at least by vanity, and contending for superiority of fame, though not for a pecuniary prize: it cannot be denied or doubted, that all who offer themselves to criticism are desirous of praise; this desire is not only innocent, but virtuous, while it is undebased by artifice, and unpolluted by envy, and of envy or artifice these men can never be accused, who, already enjoying all the honours and profits of their profession, are content to stand candidates for publick notice, with genius yet unexperienced, and diligence yet unrewarded; who, without any hope of increasing their own reputation or interest, expose their names and their works, only that they may furnish an opportunity of appearance to the young, the diffident, and the neglected. The purpose of this exhibition is not to enrich the artists, but to advance the art; the eminent are not flattered with preference, nor the obscure insulted with contempt; whoever hopes to deserve publick favour, is here invited to display his merit.
Of the price put upon this exhibition, some account may be demanded. Whoever sets his work to be shown, naturally desires a multitude of spectators; but his desire defeats its own end, when spectators assemble in such numbers as to obstruct one another. Though we are far from wishing to diminish the pleasures, or depreciate the sentiments of any class of the community, we know, however, what every one knows, that all cannot be judges or purchasers of works of art; yet we have already found, by experience, that all are desirous to see an exhibition. When the terms of admission were low, our room was thronged with such multitudes as made access dangerous, and frightened away those whose approbation was most desired.
Yet, because it is seldom believed that money is got but for the love of money, we shall tell the use which we intend to make of our expected profits.
Many artists of great abilities are unable to sell their works for their due price; to remove this inconvenience, an annual sale will be appointed, to which every man may send his works, and send them, if he will, without his name. These works will be reviewed by the committee that conduct the exhibition. A price will be secretly set on every piece, and registered by the secretary. If the piece exposed is sold for more, the whole price shall be the artist’s; but if the purchaser’s value is at less than the committee, the artist shall be paid the deficiency from the profits of the exhibition.
OPINIONS ON QUESTIONS OF LAW.
The following opinions on cases of law may be regarded as among the strongest proofs of Johnson’s enlarged powers of mind, and of his ability to grapple with subjects, on general principles, with whose technicalities he could not be familiar. Of law, as a science, he ever expressed the deepest admiration, and an author who combines an accurate knowledge of the practical details of jurisprudence with the most philosophical views of legal principles, has quoted Dr. Johnson, as pronouncing the study of law “the last effort of human intelligence acting upon human experience.” We allude to the eloquent and excellent Sir James Mackintosh’s Discourse on the Study of the Law of Nature and Nations, p. 58. Lord Bacon, in his two books on the Advancement of Learning, has affirmed, that professed lawyers are not the best law authors; and the comprehensive and lucid opinions which Dr. Johnson has here given, and which, in many instances, have been subsequently sanctioned by legislative authority, seem to establish the remark.
The first Case in the present edition, involves an ingenious defence of the right of abridgment, founded on considerations on Dr. Trapp’s celebrated sermons “on the nature, folly, sin, and danger of being righteous over-much.” These discourses, about the year 1739, when methodism was a novelty, attracted much attention. Mr. Cave, always anxious to gratify his readers, abridged and extracted parts from them, and promised a continuation. This never appeared; stopped, perhaps, by threats of prosecution on the part of the original publishers of the sermons. It was, in all probability, on this occasion, that Dr. Johnson wrote the following paper. — Gent. Mag. July, 1787. It is a subject with whose bearings he might be presumed to be practically conversant; and, accordingly, we find, in his memoirs, many recorded arguments of his, on literary property. They uniformly exhibit the most enlarged and liberal views — a readiness to sacrifice private considerations to publick and general good. He wished the author to be adequately remunerated for his labour, and tenderly protected from spoliation, but, by no means, encouraged in monopoly. See Boswell’s Life, i. ii. iv.
CONSIDERATIONS ON THE CASE OF DR. T[RAPP]’S SERMONS.
ABRIDGED BY MR. CAVE, 1739.
1. That the copy of a book is the property of the author, and that he may, by sale, or otherwise, transfer that property to another, who has a right to be protected in the possession of that property, so transferred, is not to be denied.
2. That the complainants may be lawfully invested with the property of this copy, is likewise granted.
3. But the complainants have mistaken the nature of this property; and, in consequence of their mistake, have supposed it to be invaded by an act, in itself legal, and justifiable by an uninterrupted series of precedents, from the first establishment of printing, among us, down to the present time.
4. He that purchases the copy of a book, purchases the sole right of printing it, and of vending the books printed according to it; but has no right to add to it, or take from it, without the author’s consent, who still preserves such a right in it, as follows from the right every man has to preserve his own reputation.
5. Every single book, so sold by the proprietor, becomes the property of the buyer, who purchases, with the book, the right of making such use of it as he shall think most convenient, either for his own improvement or amusement, or the benefit or entertainment of mankind.
6. This right the reader of a book may use, many ways, to the disadvantage both of the author and the proprietor, which yet they have not any right to complain of, because the author when he wrote, and the proprietor when he purchased the copy, knew, or ought to have known, that the one wrote, and the other purchased, under the hazard of such treatment from the buyer and reader, and without any security from the bad consequences of that treatment, except the excellence of the book.
7. Reputation and property are of different kinds; one kind of each is more necessary to be secured by the law than another, and the law has provided more effectually for its defence. My character as a man, a subject, or a trader, is under the protection of the law; but my reputation, as an author, is at the mercy of the reader, who lies under no other obligations to do me justice than those of religion and morality. If a man calls me rebel or bankrupt, I may prosecute and punish him; but, if a man calls me ideot or plagiary, I have no remedy; since, by selling him the book, I admit his privilege of judging, and declaring his judgment, and can appeal only to other readers, if I think myself injured.
