Complete works of samuel.., p.719
Complete Works of Samuel Johnson, page 719
Talking of history, Johnson said, ‘We may know historical facts to be true, as we may know facts in common life to be true. Motives are generally unknown. We cannot trust to the characters we find in history, unless when they are drawn by those who knew the persons; as those, for instance, by Sallust and by Lord Clarendon.’
He would not allow much merit to Whitefield’s oratory. ‘His popularity, Sir (said he,) is chiefly owing to the peculiarity of his manner. He would be followed by crowds were he to wear a night-cap in the pulpit, or were he to preach from a tree.’ I know not from what spirit of contradiction he burst out into a violent declamation against the Corsicans, of whose heroism I talked in high terms. ‘Sir (said he,) what is all this rout about the Corsicans? They have been at war with the Genoese for upwards of twenty years, and have never yet taken their fortified towns. They might have battered down their walls, and reduced them to powder in twenty years. They might have pulled the walls in pieces, and cracked the stones with their teeth in twenty years.’ It was in vain to argue with him upon the want of artillery: he was not to be resisted for the moment.
On the evening of October 10, I presented Dr. Johnson to General Paoli. I had greatly wished that two men, for whom I had the highest esteem, should meet. They met with a manly ease, mutually conscious of their own abilities, and of the abilities of each other. The General spoke Italian, and Dr. Johnson English, and understood one another very well, with a little aid of interpretation from me, in which I compared myself to an isthmus which joins two great continents. Upon Johnson’s approach, the General said, ‘From what I have read of your works, Sir, and from what Mr. Boswell has told me of you, I have long held you in great veneration.’ The General talked of languages being formed on the particular notions and manners of a people, without knowing which, we cannot know the language. We may know the direct signification of single words; but by these no beauty of expression, no sally of genius, no wit is conveyed to the mind. All this must be by allusion to other ideas. ‘Sir, (said Johnson,) you talk of language, as if you had never done any thing else but study it, instead of governing a nation.’ The General said, ‘Questo e un troppo gran complimento;’ this is too great a compliment. Johnson answered. ‘I should have thought so, Sir, if I had not heard you talk.’ The General asked him, what he thought of the spirit of infidelity which was so prevalent. JOHNSON. ‘Sir, this gloom of infidelity, I hope, is only a transient cloud passing through the hemisphere, which will soon be dissipated, and the sun break forth with his usual splendour.’ ‘You think then, (said the General,) that they will change their principles like their clothes.’
JOHNSON. ‘Why, Sir, if they bestow no more thought on principles than on dress, it must be so.’ The General said, that ‘a great part of the fashionable infidelity was owing to a desire of shewing courage. Men who have no opportunities of shewing it as to things in this life, take death and futurity as objects on which to display it.’ JOHNSON. ‘That is mighty foolish affectation. Fear is one of the passions of human nature, of which it is impossible to divest it. You remember that the Emperour Charles V, when he read upon the tomb-stone of a Spanish nobleman, “Here lies one who never knew fear,” wittily said, “Then he never snuffed a candle with his fingers.”’
He talked a few words of French to the General; but finding he did not do it with facility, he asked for pen, ink, and paper, and wrote the following note: —
‘J’ai lu dans la geographie de Lucas de Linda un Pater-noster écrit dans une langue tout à-fait differente de l’Italienne, et de toutes autres lesquelles se derivent du Latin. L’auteur l’appelle linguam Corsicae rusticam; elle a peut-etre passé peu à peu; mais elle a certainement prevalue autrefois dans les montagnes et dans la campagne. Le méme auteur dit la méme chose en parlant de Sardaigne; qu’il y a deux langues dans l’Isle, une des villes, l’autre de la campagne.’
The General immediately informed him that the lingua rustica was only in Sardinia.
Dr. Johnson went home with me, and drank tea till late in the night. He said, ‘General Paoli had the loftiest port of any man he had ever seen.’ He denied that military men were always the best bred men. ‘Perfect good breeding, he observed, consists in having no particular mark of any profession, but a general elegance of manners; whereas, in a military man, you can commonly distinguish the brand of a soldier, l’homme d’épée.’
Dr. Johnson shunned to-night any discussion of the perplexed question of fate and free will, which I attempted to agitate. ‘Sir, (said he,) we know our will is free, and there’s an end on’t.’
He honoured me with his company at dinner on the 16th of October, at my lodgings in Old Bond-street, with Sir Joshua Reynolds, Mr. Garrick, Dr. Goldsmith, Mr. Murphy, Mr. Bickerstaff, and Mr. Thomas Davies. Garrick played round him with a fond vivacity, taking hold of the breasts of his coat, and, looking up in his face with a lively archness, complimented him on the good health which he seemed then to enjoy; while the sage, shaking his head, beheld him with a gentle complacency. One of the company not being come at the appointed hour, I proposed, as usual upon such occasions, to order dinner to be served; adding, ‘Ought six people to be kept waiting for one?’ ‘Why, yes, (answered Johnson, with a delicate humanity,) if the one will suffer more by your sitting down, than the six will do by waiting.’ Goldsmith, to divert the tedious minutes, strutted about, bragging of his dress, and I believe was seriously vain of it, for his mind was wonderfully prone to such impressions. ‘Come, come, (said Garrick,) talk no more of that. You are, perhaps, the worst — eh, eh!’ — Goldsmith was eagerly attempting to interrupt him, when Garrick went on, laughing ironically, ‘Nay, you will always look like a gentleman; but I am talking of being well or ill drest.’ ‘Well, let me tell you, (said Goldsmith,) when my tailor brought home my bloom-coloured coat, he said, ‘Sir, I have a favour to beg of you. When any body asks you who made your clothes, be pleased to mention John Filby, at the Harrow, in Water-lane.’ JOHNSON. ‘Why, Sir, that was because he knew the strange colour would attract crowds to gaze at it, and thus they might hear of him, and see how well he could make a coat even of so absurd a colour.’
After dinner our conversation first turned upon Pope. Johnson said, his characters of men were admirably drawn, those of women not so well. He repeated to us, in his forcible melodious manner, the concluding lines of the Dunciad. While he was talking loudly in praise of those lines, one of the company ventured to say, ‘Too fine for such a poem: — a poem on what?’ JOHNSON, (with a disdainful look,) ‘Why, on dunces. It was worth while being a dunce then. Ah, Sir, hadst thou lived in those days! It is not worth while being a dunce now, when there are no wits.’ Bickerstaff observed, as a peculiar circumstance, that Pope’s fame was higher when he was alive than it was then. Johnson said, his Pastorals were poor things, though the versification was fine. He told us, with high satisfaction, the anecdote of Pope’s inquiring who was the authour of his London, and saying, he will be soon déterré. He observed, that in Dryden’s poetry there were passages drawn from a profundity which Pope could never reach. He repeated some fine lines on love, by the former, (which I have now forgotten,) and gave great applause to the character of Zimri. Goldsmith said, that Pope’s character of Addison shewed a deep knowledge of the human heart. Johnson said, that the description of the temple, in the Mourning Bride, was the finest poetical passage he had ever read; he recollected none in Shakspeare equal to it. ‘But, (said Garrick, all alarmed for the “God of his idolatry,”) we know not the extent and variety of his powers.’
‘We are to suppose there are such passages in his works. Shakspeare must not suffer from the badness of our memories.’ Johnson, diverted by this enthusiastick jealousy, went on with greater ardour: ‘No, Sir; Congreve has nature;’ (smiling on the tragick eagerness of Garrick;) but composing himself, he added, ‘Sir, this is not comparing Congreve on the whole, with Shakspeare on the whole; but only maintaining that Congreve has one finer passage than any that can be found in Shakspeare. Sir, a man may have no more than ten guineas in the world, but he may have those ten guineas in one piece; and so may have a finer piece than a man who has ten thousand pounds: but then he has only one ten-guinea piece. What I mean is, that you can shew me no passage where there is simply a description of material objects, without any intermixture of moral notions, which produces such an effect.’ Mr. Murphy mentioned Shakspeare’s description of the night before the battle of Agincourt; but it was observed, it had men in it. Mr. Davies suggested the speech of Juliet, in which she figures herself awaking in the tomb of her ancestors. Some one mentioned the description of Dover Cliff. JOHNSON. ‘No, Sir; it should be all precipice, — all vacuum. The crows impede your fall. The diminished appearance of the boats, and other circumstances, are all very good description; but do not impress the mind at once with the horrible idea of immense height. The impression is divided; you pass on by computation, from one stage of the tremendous space to another. Had the girl in The Mourning Bride said, she could not cast her shoe to the top of one of the pillars in the temple, it would not have aided the idea, but weakened it.’
Talking of a Barrister who had a bad utterance, some one, (to rouse Johnson,) wickedly said, that he was unfortunate in not having been taught oratory by Sheridan. JOHNSON. ‘Nay, Sir, if he had been taught by Sheridan, he would have cleared the room.’ GARRICK. ‘Sheridan has too much vanity to be a good man.’ We shall now see Johnson’s mode of defending a man; taking him into his own hands, and discriminating. JOHNSON. ‘No, Sir. There is, to be sure, in Sheridan, something to reprehend, and every thing to laugh at; but, Sir, he is not a bad man. No, Sir; were mankind to be divided into good and bad, he would stand considerably within the ranks of good. And, Sir, it must be allowed that Sheridan excels in plain declamation, though he can exhibit no character.’
I should, perhaps, have suppressed this disquisition concerning a person of whose merit and worth I think with respect, had he not attacked Johnson so outrageously in his Life of Swift, and, at the same time, treated us, his admirers, as a set of pigmies. He who has provoked the lash of wit, cannot complain that he smarts from it.
Mrs. Montagu, a lady distinguished for having written an Essay on Shakspeare, being mentioned. REYNOLDS. ‘I think that essay does her honour.’ JOHNSON, ‘Yes, Sir; it does her honour, but it would do nobody else honour. I have, indeed, not read it all. But when I take up the end of a web, and find it packthread, I do not expect, by looking further, to find embroidery. Sir, I will venture to say, there is not one sentence of true criticism in her book.’ GARRICK. ‘But, Sir, surely it shews how much Voltaire has mistaken Shakspeare, which nobody else has done.’ JOHNSON. ‘Sir, nobody else has thought it worth while. And what merit is there in that? You may as well praise a schoolmaster for whipping a boy who has construed ill. No, Sir, there is no real criticism in it: none shewing the beauty of thought, as formed on the workings of the human heart.’
The admirers of this Essay may be offended at the slighting manner in which Johnson spoke of it; but let it be remembered, that he gave his honest opinion unbiased by any prejudice, or any proud jealousy of a woman intruding herself into the chair of criticism; for Sir Joshua Reynolds has told me, that when the Essay first came out, and it was not known who had written it, Johnson wondered how Sir Joshua could like it. At this time Sir Joshua himself had received no information concerning the authour, except being assured by one of our most eminent literati, that it was clear its authour did not know the Greek tragedies in the original. One day at Sir Joshua’s table, when it was related that Mrs. Montagu, in an excess of compliment to the authour of a modern tragedy, had exclaimed, ‘I tremble for Shakspeare;’ Johnson said, ‘When Shakspeare has got —— for his rival, and Mrs. Montagu for his defender, he is in a poor state indeed.’
Johnson proceeded: ‘The Scotchman has taken the right method in his Elements of Criticism. I do not mean that he has taught us any thing; but he has told us old things in a new way.’ MURPHY. ‘He seems to have read a great deal of French criticism, and wants to make it his own; as if he had been for years anatomising the heart of man, and peeping into every cranny of it.’ GOLDSMITH. ‘It is easier to write that book, than to read it.’ JOHNSON. ‘We have an example of true criticism in Burke’s Essay on the Sublime and Beautiful; and, if I recollect, there is also Du Bos; and Bouhours, who shews all beauty to depend on truth. There is no great merit in telling how many plays have ghosts in them, and how this Ghost is better than that. You must shew how terrour is impressed on the human heart. In the description of night in Macbeth, the beetle and the bat detract from the general idea of darkness, — inspissated gloom.’
Politicks being mentioned, he said, ‘This petitioning is a new mode of distressing government, and a mighty easy one. I will undertake to get petitions either against quarter-guineas or half-guineas, with the help of a little hot wine. There must be no yielding to encourage this. The object is not important enough. We are not to blow up half a dozen palaces, because one cottage is burning.’
The conversation then took another turn. JOHNSON. ‘It is amazing what ignorance of certain points one sometimes finds in men of eminence. A wit about town, who wrote Latin bawdy verses, asked me, how it happened that England and Scotland, which were once two kingdoms, were now one: — and Sir Fletcher Norton did not seem to know that there were such publications as the Reviews.’
‘The ballad of Hardyknute has no great merit, if it be really ancient. People talk of nature. But mere obvious nature may be exhibited with very little power of mind.’
On Thursday, October 19, I passed the evening with him at his house. He advised me to complete a Dictionary of words peculiar to Scotland, of which I shewed him a specimen. ‘Sir, (said he,) Ray has made a collection of north-country words. By collecting those of your country, you will do a useful thing towards the history of the language.’ He bade me also go on with collections which I was making upon the antiquities of Scotland. ‘Make a large book; a folio.’ BOSWELL. ‘But of what use will it be, Sir?’ JOHNSON. ‘Never mind the use; do it.’
I complained that he had not mentioned Garrick in his Preface to Shakspeare; and asked him if he did not admire him. JOHNSON. ‘Yes, as “a poor player, who frets and struts his hour upon the stage;” — as a shadow.’ BOSWELL, ‘But has he not brought Shakspeare into notice?’ JOHNSON. ‘Sir, to allow that, would be to lampoon the age. Many of Shakspeare’s plays are the worse for being acted: Macbeth, for instance.’ BOSWELL. ‘What, Sir, is nothing gained by decoration and action? Indeed, I do wish that you had mentioned Garrick.’ JOHNSON. ‘My dear Sir, had I mentioned him, I must have mentioned many more: Mrs. Pritchard, Mrs. Cibber, — nay, and Mr. Cibber too; he too altered Shakspeare.’ BOSWELL. ‘You have read his apology, Sir?’ JOHNSON. ‘Yes, it is very entertaining. But as for Cibber himself, taking from his conversation all that he ought not to have said, he was a poor creature. I remember when he brought me one of his Odes to have my opinion of it; I could not bear such nonsense, and would not let him read it to the end; so little respect had I for that great man! (laughing.) Yet I remember Richardson wondering that I could treat him with familiarity.’
I mentioned to him that I had seen the execution of several convicts at Tyburn, two days before, and that none of them seemed to be under any concern. JOHNSON. ‘Most of them, Sir, have never thought at all.’ BOSWELL. ‘But is not the fear of death natural to man?’ JOHNSON. ‘So much so, Sir, that the whole of life is but keeping away the thoughts of it.’ He then, in a low and earnest tone, talked of his meditating upon the aweful hour of his own dissolution, and in what manner he should conduct himself upon that occasion: ‘I know not (said he,) whether I should wish to have a friend by me, or have it all between GOD and myself.’
Talking of our feeling for the distresses of others; — JOHNSON. ‘Why, Sir, there is much noise made about it, but it is greatly exaggerated. No, Sir, we have a certain degree of feeling to prompt us to do good: more than that, Providence does not intend. It would be misery to no purpose.’ BOSWELL. ‘But suppose now, Sir, that one of your intimate friends were apprehended for an offence for which he might be hanged.’ JOHNSON. ‘I should do what I could to bail him, and give him any other assistance; but if he were once fairly hanged, I should not suffer.’ BOSWELL. ‘Would you eat your dinner that day, Sir?’ JOHNSON. ‘Yes, Sir; and eat it as if he were eating it with me. Why, there’s Baretti, who is to be tried for his life to-morrow, friends have risen up for him on every side; yet if he should be hanged, none of them will eat a slice of plumb-pudding the less. Sir, that sympathetic feeling goes a very little way in depressing the mind.’
I told him that I had dined lately at Foote’s, who shewed me a letter which he had received from Tom Davies, telling him that he had not been able to sleep from the concern which he felt on account of ‘This sad affair of Baretti,’ begging of him to try if he could suggest any thing that might be of service; and, at the same time, recommending to him an industrious young man who kept a pickle-shop. JOHNSON. ‘Ay, Sir, here you have a specimen of human sympathy; a friend hanged, and a cucumber pickled. We know not whether Baretti or the pickle-man has kept Davies from sleep; nor does he know himself. And as to his not sleeping, Sir; Tom Davies is a very great man; Tom has been upon the stage, and knows how to do those things. I have not been upon the stage, and cannot do those things.’ BOSWELL. ‘I have often blamed myself, Sir, for not feeling for others as sensibly as many say they do.’ JOHNSON. ‘Sir, don’t be duped by them any more. You will find these very feeling people are not very ready to do you good. They pay you by feeling.’
BOSWELL. ‘Foote has a great deal of humour?’ JOHNSON. ‘Yes, Sir.’ BOSWELL. ‘He has a singular talent of exhibiting character.’ JOHNSON. ‘Sir, it is not a talent; it is a vice; it is what others abstain from. It is not comedy, which exhibits the character of a species, as that of a miser gathered from many misers: it is farce, which exhibits individuals.’ BOSWELL. ‘Did not he think of exhibiting you, Sir?’ JOHNSON. ‘Sir, fear restrained him; he knew I would have broken his bones. I would have saved him the trouble of cutting off a leg; I would not have left him a leg to cut off.’ BOSWELL. ‘Pray, Sir, is not Foote an infidel?’ JOHNSON. ‘I do not know, Sir, that the fellow is an infidel; but if he be an infidel, he is an infidel as a dog is an infidel; that is to say, he has never thought upon the subject.’ BOSWELL. ‘I suppose, Sir, he has thought superficially, and seized the first notions which occurred to his mind.’ JOHNSON. ‘Why then, Sir, still he is like a dog, that snatches the piece next him. Did you never observe that dogs have not the power of comparing? A dog will take a small bit of meat as readily as a large, when both are before him.’
