Delphi complete works of.., p.1072
Delphi Complete Works of William Dean Howells, page 1072
A show was not so much in favor as a circus, because there was so little performance in the ring. You could go round and look at the animals, mostly very sleepy in their cages, but you were not allowed to poke them through the bars, or anything; and when you took your seat there was nothing much till Herr Driesbach entered the lions’ cage, and began to make them jump over his whip. It was some pleasure to see him put his head between the jaws of the great African King of Beasts, but the lion never did anything to him, and so the act wanted a true dramatic climax. The boys would really rather have seen a bareback-rider, like James Rivers, turn a back-somersault and light on his horse’s crupper, any time, though they respected Herr Driesbach, too; they did not care much for a woman who once went into the lions’ cage and made them jump round.
The boys had their own beliefs about the different animals, and one of these concerned the inappeasable ferocity of the zebra. I do not know why the zebra should have had this repute, for he certainly never did anything to deserve it; but, for the matter of that, he was like all the other animals. Bears were not much esteemed, but they would have been if they could have been really seen hugging anybody to death. It was always hoped that some of the fiercest animals would get away and have to be hunted down, and retaken after they had killed a lot of dogs. If the elephants, some of them, had gone crazy, it would have been something, for then they would have roamed up and down the turnpike smashing buggies and wagons, and had to be shot with the six-pound cannon that was used to celebrate the Fourth of July with.
Another thing that was against the show was that the animals were fed after it was out, and you could not see the tigers tearing their prey when the great lumps of beef were thrown them. There was somehow not so much chance of hooking into a show as a circus, because the seats did not go all round, and you could be seen under the cages as soon as you got in under the canvas. I never heard of a boy that hooked into a show; perhaps nobody ever tried.
But the great reason of all was that you could not have an animal show of your own as you could a circus. You could not get the animals; and no boy living could act a camel, or a Royal Bengal tiger, or an elephant so as to look the least like one.
Of course you could have negro shows, and the boys often had them; but they were not much fun, and you were always getting the black on your shirt-sleeves.
THE THEATRE COMES TO TOWN
A great new experience which now came to the boy was the theatre, which he had sometimes heard his father speak of. There had once been a theatre in the Boy’s Town, when a strolling company came up from Cincinnati, and opened for a season in an empty pork-house. But that was a long time ago, and, though he had written a tragedy, all that the boy knew of a theatre was from a picture in a Sunday-school book where a stage scene was given to show what kind of desperate amusements a person might come to in middle life if he began by breaking the Sabbath in his youth. His brother had once been taken to a theatre in Pittsburg by one of their river-going uncles, and he often told about it; but my boy formed no conception of the beautiful reality from his accounts of a burglar who jumped from a roof and was chased by a watchman with a pistol up and down a street with houses painted on a curtain.
The company which came to the Boy’s Town in his time was again from Cincinnati, and it was under the management of the father and mother of two actresses, afterward famous, who were then children, just starting upon their career. These pretty little creatures took the leading parts in Bombastes Furioso the first night my boy ever saw a play, and he instantly fell impartially in love with both of them, and tacitly remained their abject slave for a great while after. When the smaller of them came out with a large pair of stage boots in one hand and a drawn sword in the other, and said:
“Whoever dares these boots displace Shall meet Bombastes face to face,”
if the boy had not already been bereft of his senses by the melodrama preceding the burlesque, he must have been transported by her beauty, her grace, her genius. He, indeed, gave her and her sister his heart, but his mind was already gone, rapt from him by the adorable pirate who fought a losing fight with broadswords, two up and two down — click-click, click-click — and died all over the deck of the pirate ship in the opening piece. This was called the Beacon of Death, and the scene represented the forecastle of the pirate ship with a lantern dangling from the rigging, to lure unsuspecting merchantmen to their doom. Afterward the boy remembered nothing of the story, but a scrap of the dialogue meaninglessly remained with him; and when the pirate captain appeared with his bloody crew and said, hoarsely, “Let us go below and get some brandy!” the boy would have bartered all his hopes of bliss to have been that abandoned ruffian. In fact, he always liked, and longed to be, the villain, rather than any other person in the play, and he so glutted himself with crime of every sort in his tender years at the theatre that he afterward came to be very tired of it, and avoided the plays and novels that had very marked villains in them.
He was in an ecstasy as soon as the curtain rose that night, and he lived somewhere out of his body as long as the playing lasted, which was well on to midnight; for in those days the theatre did not meanly put the public off with one play, but gave it a heartful and its money’s worth with three. On his first night my boy saw The Beacon of Death, Bombastes Furioso, and Black-Eyed Susan, and he never afterward saw less than three plays each night, and he never missed a night, as long as the theatre languished in the unfriendly air of that mainly Calvinistic community, where the theatre was regarded by most good people as the eighth of the seven deadly sins. The whole day long he dwelt in a dream of it that blotted out, or rather consumed with more effulgent brightness, all the other day-dreams he had dreamed before, and his heart almost burst with longing to be a villain like those villains on the stage, to have a mustache — a black mustache — such as they wore at a time when every one off the stage was clean shaven, and somehow to end bloodily, murderously, as became a villain.
I dare say this was not quite a wholesome frame of mind for a boy of ten years; but I do not defend it; I only portray it. Being the boy he was, he was destined somehow to dwell half the time in a world of dreamery; and I have tried to express how, when he had once got enough of villany, he reformed his ideals and rather liked virtue.
THE WORLD OPENED BY BOOKS
Every boy is two or three boys, or twenty or thirty different kinds of boys in one; he is all the time living many lives and forming many characters; but it is a good thing if he can keep one life and one character when he gets to be a man. He may turn out to be like an onion when he is grown up, and be nothing but hulls, that you keep peeling off, one after another, till you think you have got down to the heart, at last, and then you have got down to nothing.
All the boys may have been like my boy in the Boy’s Town, in having each an inward being that was not the least like their outward being, but that somehow seemed to be their real self, whether it truly was so or not. But I am certain that this was the case with him, and that while he was joyfully sharing the wild sports and conforming to the savage usages of the boy’s world about him, he was dwelling in a wholly different world within him, whose wonders no one else knew. I could not tell now these wonders any more than he could have told them then; but it was a world of dreams, of hopes, of purposes, which he would have been more ashamed to avow for himself than I should be to avow for him. It was all vague and vast, and it came out of the books that he read, and that filled his soul with their witchery, and often held him aloof with their charm in the midst of the plays from which they could not lure him wholly away, or at all away. He did not know how or when their enchantment began, and he could hardly recall the names of some of them afterward.
First of them was Goldsmith’s History of Greece, which made him an Athenian of Pericles’ time, and Goldsmith’s History of Rome, which naturalized him in a Roman citizenship chiefly employed in slaying tyrants; from the time of Appius Claudius down to the time of Domitian, there was hardly a tyrant that he did not slay. After he had read these books, not once or twice, but twenty times over, his father thought fit to put into his hands The Travels of Captain Ashe in North America, to encourage, or perhaps to test, his taste for useful reading; but this was a failure. The captain’s travels were printed with long esses, and the boy could make nothing of them, for other reasons. The fancy nourished upon
“The glory that was Greece And the grandeur that was Rome,”
starved amid the robust plenty of the Englishman’s criticisms of our early manners and customs. Neither could money hire the boy to read Malte-Brun’s Geography, in three large folios, of a thousand pages each, for which there was a standing offer of fifty cents from the father, who had never been able to read it himself.
But shortly after he failed so miserably with Captain Ashe, the boy came into possession of a priceless treasure. It was that little treatise on Greek and Roman Mythology which I have mentioned, and which he must literally have worn out with reading, since no fragment of it seems to have survived his boyhood. Heaven knows who wrote it or published it; his father bought it with a number of other books at an auction, and the boy, who had about that time discovered the chapter on prosody in the back part of his grammar, made poems from it for years, and appeared in many transfigurations, as this and that god and demigod and hero upon imagined occasions in the Boy’s Town, to the fancied admiration of all the other fellows. I do not know just why he wished to appear to his grandmother in a vision; now as Mercury with winged feet, now as Apollo with his drawn bow, now as Hercules leaning upon his club and resting from his Twelve Labors. Perhaps it was because he thought that his grandmother, who used to tell the children about her life in Wales, and show them the picture of a castle where she had once slept when she was a girl, would appreciate him in these apotheoses. If he believed they would make a vivid impression upon the sweet old Quaker lady, no doubt he was right.
There was another book which he read about this time, and that was The Greek Soldier. It was the story of a young Greek, a glorious Athenian, who had fought through the Greek war of independence against the Turks, and then come to America and published the narrative of his adventures. They fired my boy with a retrospective longing to have been present at the Battle of Navarino, when the allied ships of the English, French, and Russians destroyed the Turkish fleet; but it seemed to him that he could not have borne to have the allies impose a king upon the Greeks, when they really wanted a republic, and so he was able to console himself for having been absent. He did what he could in fighting the war over again, and he intended to harden himself for the long struggle by sleeping on the floor, as the Greek soldier had done. But the children often fell asleep on the floor in the warmth of the hearth-fire; and his preparation for the patriotic strife was not distinguishable in its practical effect from a reluctance to go to bed at the right hour.
Captain Riley’s narrative of his shipwreck on the coast of Africa, and his captivity among the Arabs, was a book which my boy and his brother prized with a kind of personal interest, because their father told them that he had once seen a son of Captain Riley when he went to get his appointment of collector at Columbus, and that this son was named William Willshire Riley, after the good English merchant, William Willshire, who had ransomed Captain Riley. William Willshire seemed to them almost the best man who ever lived; though my boy had secretly a greater fondness for the Arab, Sidi Hamet, who was kind to Captain Riley and kept his brother Seid from ill-treating him whenever he could. Probably the boy liked him better because the Arab was more picturesque than the Englishman. The whole narrative was very interesting; it had a vein of sincere and earnest piety in it which was not its least charm, and it was written in a style of old-fashioned stateliness which was not without its effect with the boys.
Somehow they did not think of the Arabs in this narrative as of the same race and faith with the Arabs of Bagdad and the other places in the Arabian Nights. They did not think whether these were Mohammedans or not; they naturalized them in the fairy world where all boys are citizens, and lived with them there upon the same familiar terms as they lived with Robinson Crusoe. Their father once told them that Robinson Crusoe had robbed the real narrative of Alexander Selkirk of the place it ought to have held in the remembrance of the world; and my boy had a feeling of guilt in reading it, as if he were making himself the accomplice of an impostor.
He liked the Arabian Nights, but oddly enough these wonderful tales made no such impression on his fancy as the stories in a wretchedly inferior book made. He did not know the name of this book, or who wrote it; from which I imagine that much of his reading was of the purblind sort that ignorant grown-up people do, without any sort of literary vision. He read this book perpetually, when he was not reading his Greek and Roman Mythology; and then suddenly, one day, as happens in childhood with so many things, it vanished out of his possession as if by magic. Perhaps he lost it; perhaps he lent it; at any rate it was gone, and he never got it back, and he never knew what book it was till thirty years afterward, when he picked up from a friend’s library-table a copy of Gesta Romanorum, and recognized in this collection of old monkish legends the long-missing treasure of his boyhood.
These stories, without beauty of invention, without art of construction or character, without spirituality in their crude materialization, which were read aloud in the refectories of mediæval cloisters while the monks sat at meat, laid a spell upon the soul of the boy that governed his life. He conformed his conduct to the principles and maxims which actuated the behavior of the shadowy people of these dry-as-dust tales; he went about drunk with the fumes of fables about Roman emperors that never were, in an empire that never was; and, though they tormented him by putting a mixed and impossible civilization in the place of that he knew from his Goldsmith, he was quite helpless to break from their influence. He was always expecting some wonderful thing to happen to him as things happened there in fulfilment of some saying or prophecy; and at every trivial moment he made sayings and prophecies for himself, which he wished events to fulfil. One Sunday when he was walking in an alley behind one of the stores, he found a fur cap that had probably fallen out of the store-loft window. He ran home with it, and in his simple-hearted rapture he told his mother that as soon as he picked it up there came into his mind the words, “He who picketh up this cap picketh up a fortune,” and he could hardly wait for Monday to come and let him restore the cap to its owner and receive an enduring prosperity in reward of his virtue. Heaven knows what form he expected this to take; but when he found himself in the store, he lost all courage; his tongue clove to the roof of his mouth, and he could not utter a syllable of the fine phrases he had made to himself. He laid the cap on the counter without a word; the storekeeper came up and took it in his hand. “What’s this?” he said. “Why, this is ours,” and he tossed the cap into a loose pile of hats by the showcase, and the boy slunk out, cut to the heart and crushed to the dust. It was such a cruel disappointment and mortification that it was rather a relief to have his brother mock him, and come up and say from time to time, “He who picketh up this cap picketh up a fortune,” and then split into a jeering laugh. At least he could fight his brother, and, when he ran, could stone him; and he could throw quads and quoins, and pieces of riglet at the jour printers when the story spread to them, and one of them would begin, “He who picketh—”
He could not make anything either of Byron or Cowper; and he did not even try to read the little tree-calf volumes of Homer and Virgil which his father had in the versions of Pope and Dryden; the small copper-plates with which they were illustrated conveyed no suggestion to him. Afterward he read Goldsmith’s Deserted Village, and he formed a great passion for Pope’s Pastorals, which he imitated in their easy heroics; but till he came to read Longfellow, and Tennyson, and Heine, he never read any long poem without more fatigue than pleasure. His father used to say that the taste for poetry was an acquired taste, like the taste for tomatoes, and that he would come to it yet; but he never came to it, or so much of it as some people seemed to do, and he always had his sorrowful misgivings as to whether they liked it as much as they pretended. I think, too, that it should be a flavor, a spice, a sweet, a delicate relish in the high banquet of literature, and never a chief dish; and I should not know how to defend my boy for trying to make long poems of his own at the very time when he found it so hard to read other people’s long poems.
V
THE LAST OF A BOY’S TOWN
My boy was twelve years old, and was already a swift compositor, though he was still so small that he had to stand on a chair to reach the case in setting type on Taylor’s inaugural message. But what he lacked in stature he made up in gravity of demeanor; and he got the name of “The Old Man” from the printers as soon as he began to come about the office, which he did almost as soon as he could walk. His first attempt in literature, an essay on the vain and disappointing nature of human life, he set up and printed off himself in his sixth or seventh year; and the printing-office was in some sort his home, as well as his school, his university. He could no more remember learning to set type than he could remember learning to read; and in after-life he could not come within smell of the ink, the dusty types, the humid paper, of a printing-office without that tender swelling of the heart which so fondly responds to any memory-bearing perfume: his youth, his boyhood, almost his infancy came back to him in it. He now looked forward eagerly to helping on the new paper, and somewhat proudly to living in the larger place the family were going to. The moment it was decided he began to tell the boys that he was going to live in a city, and he felt that it gave him distinction. He had nothing but joy in it, and he did not dream that as the time drew near it could be sorrow. But when it came at last, and he was to leave the house, the town, the boys, he found himself deathly homesick.
