Delphi complete works of.., p.424
Delphi Complete Works of William Dean Howells, page 424
“Oh, give in, heigh! And what will you say then, I should like to know?
How will you feel about it then? Speak!”
“I shall feel as I do now. I know you don’t think that way, and I don’t blame you — or anybody. But if I have got to say how I shall feel, why, I shall feel sorry they didn’t succeed, for I believe they have a righteous cause, though they go the wrong way to help themselves.”
His father came close to him, his eyes blazing, his teeth set. “Do you dare so say that to me?”
“Yes. I can’t help it. I pity them; my whole heart is with those poor men.”
“You impudent puppy!” shouted the old man. He lifted his hand and struck his son in the face. Conrad caught his hand with his own left, and, while the blood began to trickle from a wound that Christine’s intaglio ring had made in his temple, he looked at him with a kind of grieving wonder, and said, “Father!”
The old man wrenched his fist away and ran out of the house. He remembered his address now, and he gave it as he plunged into the coupe. He trembled with his evil passion, and glared out of the windows at the passers as he drove home; he only saw Conrad’s mild, grieving, wondering eyes, and the blood slowly trickling from the wound in his temple.
Conrad went to the neat-set bowl in Fulkerson’s comfortable room and washed the blood away, and kept bathing the wound with the cold water till it stopped bleeding. The cut was not deep, and he thought he would not put anything on it. After a while he locked up the office and started out, he hardly knew where. But he walked on, in the direction he had taken, till he found himself in Union Square, on the pavement in front of Brentano’s. It seemed to him that he heard some one calling gently to him, “Mr. Dryfoos!”
V.
Conrad looked confusedly around, and the same voice said again, “Mr. Dryfoos!” and he saw that it was a lady speaking to him from a coupe beside the curbing, and then he saw that it was Miss Vance.
She smiled when he gave signs of having discovered her, and came up to the door of her carriage. “I am so glad to meet you. I have been longing to talk to somebody; nobody seems to feel about it as I do. Oh, isn’t it horrible? Must they fail? I saw cars running on all the lines as I came across; it made me sick at heart. Must those brave fellows give in? And everybody seems to hate them so — I can’t bear it.” Her face was estranged with excitement, and there were traces of tears on it. “You must think me almost crazy to stop you in the street this way; but when I caught sight of you I had to speak. I knew you would sympathize — I knew you would feel as I do. Oh, how can anybody help honoring those poor men for standing by one another as they do? They are risking all they have in the world for the sake of justice! Oh, they are true heroes! They are staking the bread of their wives and children on the dreadful chance they’ve taken! But no one seems to understand it. No one seems to see that they are willing to suffer more now that other poor men may suffer less hereafter. And those wretched creatures that are coming in to take their places — those traitors—”
“We can’t blame them for wanting to earn a living, Miss Vance,” said
Conrad.
“No, no! I don’t blame them. Who am I, to do such a thing? It’s we — people like me, of my class — who make the poor betray one another. But this dreadful fighting — this hideous paper is full of it!” She held up an extra, crumpled with her nervous reading. “Can’t something be done to stop it? Don’t you think that if some one went among them, and tried to make them see how perfectly hopeless it was to resist the companies and drive off the new men, he might do some good? I have wanted to go and try; but I am a woman, and I mustn’t! I shouldn’t be afraid of the strikers, but I’m afraid of what people would say!” Conrad kept pressing his handkerchief to the cut in his temple, which he thought might be bleeding, and now she noticed this. “Are you hurt, Mr. Dryfoos? You look so pale.”
“No, it’s nothing — a little scratch I’ve got.”
“Indeed, you look pale. Have you a carriage? How will you get home? Will you get in here with me and let me drive you?”
“No, no,” said Conrad, smiling at her excitement. “I’m perfectly well—”
“And you don’t think I’m foolish and wicked for stopping you here and talking in this way? But I know you feel as I do!”
“Yes, I feel as you do. You are right — right in every way — I mustn’t keep you — Good-bye.” He stepped back to bow, but she put her beautiful hand out of the window, and when he took it she wrung his hand hard.
“Thank you, thank you! You are good and you are just! But no one can do anything. It’s useless!”
The type of irreproachable coachman on the box whose respectability had suffered through the strange behavior of his mistress in this interview drove quickly off at her signal, and Conrad stood a moment looking after the carriage. His heart was full of joy; it leaped; he thought it would burst. As he turned to walk away it seemed to him as if he mounted upon the air. The trust she had shown him, the praise she had given him, that crush of the hand: he hoped nothing, he formed no idea from it, but it all filled him with love that cast out the pain and shame he had been suffering. He believed that he could never be unhappy any more; the hardness that was in his mind toward his father went out of it; he saw how sorely he had tried him; he grieved that he had done it, but the means, the difference of his feeling about the cause of their quarrel, he was solemnly glad of that since she shared it. He was only sorry for his father. “Poor father!” he said under his breath as he went along. He explained to her about his father in his reverie, and she pitied his father, too.
He was walking over toward the West Side, aimlessly at first, and then at times with the longing to do something to save those mistaken men from themselves forming itself into a purpose. Was not that what she meant when she bewailed her woman’s helplessness? She must have wished him to try if he, being a man, could not do something; or if she did not, still he would try, and if she heard of it she would recall what she had said and would be glad he had understood her so. Thinking of her pleasure in what he was going to do, he forgot almost what it was; but when he came to a street-car track he remembered it, and looked up and down to see if there were any turbulent gathering of men whom he might mingle with and help to keep from violence. He saw none anywhere; and then suddenly, as if at the same moment, for in his exalted mood all events had a dream-like simultaneity, he stood at the corner of an avenue, and in the middle of it, a little way off, was a street-car, and around the car a tumult of shouting, cursing, struggling men. The driver was lashing his horses forward, and a policeman was at their heads, with the conductor, pulling them; stones, clubs, brickbats hailed upon the car, the horses, the men trying to move them. The mob closed upon them in a body, and then a patrol-wagon whirled up from the other side, and a squad of policemen leaped out and began to club the rioters. Conrad could see how they struck them under the rims of their hats; the blows on their skulls sounded as if they had fallen on stone; the rioters ran in all directions.
One of the officers rushed up toward the corner where Conrad stood, and then he saw at his side a tall, old man, with a long, white beard, who was calling out at the policemen: “Ah, yes! Glup the strikerss — gif it to them! Why don’t you co and glup the bresidents that insoalt your lawss, and gick your Boart of Arpidration out-of-toors? Glup the strikerss — they cot no friendts! They cot no money to pribe you, to dreat you!”
The officer lifted his club, and the old man threw his left arm up to shield his head. Conrad recognized Lindau, and now he saw the empty sleeve dangle in the air over the stump of his wrist. He heard a shot in that turmoil beside the car, and something seemed to strike him in the breast. He was going to say to the policeman: “Don’t strike him! He’s an old soldier! You see he has no hand!” but he could not speak, he could not move his tongue. The policeman stood there; he saw his face: it was not bad, not cruel; it was like the face of a statue, fixed, perdurable — a mere image of irresponsible and involuntary authority. Then Conrad fell forward, pierced through the heart by that shot fired from the car.
March heard the shot as he scrambled out of his car, and at the same moment he saw Lindau drop under the club of the policeman, who left him where he fell and joined the rest of the squad in pursuing the rioters. The fighting round the car in the avenue ceased; the driver whipped his horses into a gallop, and the place was left empty.
March would have liked to run; he thought how his wife had implored him to keep away from the rioting; but he could not have left Lindau lying there if he would. Something stronger than his will drew him to the spot, and there he saw Conrad, dead beside the old man.
VI.
In the cares which Mrs. March shared with her husband that night she was supported partly by principle, but mainly by the potent excitement which bewildered Conrad’s family and took all reality from what had happened. It was nearly midnight when the Marches left them and walked away toward the Elevated station with Fulkerson. Everything had been done, by that time, that could be done; and Fulkerson was not without that satisfaction in the business-like despatch of all the details which attends each step in such an affair and helps to make death tolerable even to the most sorely stricken. We are creatures of the moment; we live from one little space to another; and only one interest at a time fills these. Fulkerson was cheerful when they got into the street, almost gay; and Mrs. March experienced a rebound from her depression which she felt that she ought not to have experienced. But she condoned the offence a little in herself, because her husband remained so constant in his gravity; and, pending the final accounting he must make her for having been where he could be of so much use from the first instant of the calamity, she was tenderly, gratefully proud of all the use he had been to Conrad’s family, and especially his miserable old father. To her mind, March was the principal actor in the whole affair, and much more important in having seen it than those who had suffered in it. In fact, he had suffered incomparably.
“Well, well,” said Fulkerson. “They’ll get along now. We’ve done all we could, and there’s nothing left but for them to bear it. Of course it’s awful, but I guess it ‘ll come out all right. I mean,” he added, “they’ll pull through now.”
“I suppose,” said March, “that nothing is put on us that we can’t bear. But I should think,” he went on, musingly, “that when God sees what we poor finite creatures can bear, hemmed round with this eternal darkness of death, He must respect us.”
“Basil!” said his wife. But in her heart she drew nearer to him for the words she thought she ought to rebuke him for.
“Oh, I know,” he said, “we school ourselves to despise human nature. But God did not make us despicable, and I say, whatever end He meant us for, He must have some such thrill of joy in our adequacy to fate as a father feels when his son shows himself a man. When I think what we can be if we must, I can’t believe the least of us shall finally perish.”
“Oh, I reckon the Almighty won’t scoop any of us,” said Fulkerson, with a piety of his own.
“That poor boy’s father!” sighed Mrs. March. “I can’t get his face out of my sight. He looked so much worse than death.”
“Oh, death doesn’t look bad,” said March. “It’s life that looks so in its presence. Death is peace and pardon. I only wish poor old Lindau was as well out of it as Conrad there.”
“Ah, Lindau! He has done harm enough,” said Mrs. March. “I hope he will be careful after this.”
March did not try to defend Lindau against her theory of the case, which inexorably held him responsible for Conrad’s death.
“Lindau’s going to come out all right, I guess,” said Fulkerson. “He was first-rate when I saw him at the hospital to-night.” He whispered in March’s ear, at a chance he got in mounting the station stairs: “I didn’t like to tell you there at the house, but I guess you’d better know. They had to take Lindau’s arm off near the shoulder. Smashed all to pieces by the clubbing.”
In the house, vainly rich and foolishly unfit for them, the bereaved family whom the Marches had just left lingered together, and tried to get strength to part for the night. They were all spent with the fatigue that comes from heaven to such misery as theirs, and they sat in a torpor in which each waited for the other to move, to speak.
Christine moved, and Mela spoke. Christine rose and went out of the room without saying a word, and they heard her going up-stairs. Then Mela said:
“I reckon the rest of us better be goun’ too, father. Here, let’s git mother started.”
She put her arm round her mother, to lift her from her chair, but the old man did not stir, and Mela called Mrs. Mandel from the next room. Between them they raised her to her feet.
“Ain’t there anybody agoin’ to set up with it?” she asked, in her hoarse pipe. “It appears like folks hain’t got any feelin’s in New York. Woon’t some o’ the neighbors come and offer to set up, without waitin’ to be asked?”
“Oh, that’s all right, mother. The men ‘ll attend to that. Don’t you bother any,” Mela coaxed, and she kept her arm round her mother, with tender patience.
“Why, Mely, child! I can’t feel right to have it left to hirelin’s so.
But there ain’t anybody any more to see things done as they ought. If
Coonrod was on’y here—”
“Well, mother, you are pretty mixed!” said Mela, with a strong tendency to break into her large guffaw. But she checked herself and said: “I know just how you feel, though. It keeps acomun’ and agoun’; and it’s so and it ain’t so, all at once; that’s the plague of it. Well, father! Ain’t you goun’ to come?”
“I’m goin’ to stay, Mela,” said the old man, gently, without moving. “Get your mother to bed, that’s a good girl.”
“You goin’ to set up with him, Jacob?” asked the old woman.
“Yes, ‘Liz’beth, I’ll set up. You go to bed.”
“Well, I will, Jacob. And I believe it ‘ll do you good to set up. I wished I could set up with you; but I don’t seem to have the stren’th I did when the twins died. I must git my sleep, so’s to — I don’t like very well to have you broke of your rest, Jacob, but there don’t appear to be anybody else. You wouldn’t have to do it if Coonrod was here. There I go ag’in! Mercy! mercy!”
“Well, do come along, then, mother,” said Mela; and she got her out of the room, with Mrs. Mandel’s help, and up the stairs.
From the top the old woman called down, “You tell Coonrod—” She stopped, and he heard her groan out, “My Lord! my Lord!”
He sat, one silence in the dining-room, where they had all lingered together, and in the library beyond the hireling watcher sat, another silence. The time passed, but neither moved, and the last noise in the house ceased, so that they heard each other breathe, and the vague, remote rumor of the city invaded the inner stillness. It grew louder toward morning, and then Dryfoos knew from the watcher’s deeper breathing that he had fallen into a doze.
He crept by him to the drawing-room, where his son was; the place was full of the awful sweetness of the flowers that Fulkerson had brought, and that lay above the pulseless breast. The old man turned up a burner in the chandelier, and stood looking on the majestic serenity of the dead face.
He could not move when he saw his wife coming down the stairway in the hall. She was in her long, white flannel bed gown, and the candle she carried shook with her nervous tremor. He thought she might be walking in her sleep, but she said, quite simply, “I woke up, and I couldn’t git to sleep ag’in without comin’ to have a look.” She stood beside their dead son with him, “well, he’s beautiful, Jacob. He was the prettiest baby! And he was always good, Coonrod was; I’ll say that for him. I don’t believe he ever give me a minute’s care in his whole life. I reckon I liked him about the best of all the children; but I don’t know as I ever done much to show it. But you was always good to him, Jacob; you always done the best for him, ever since he was a little feller. I used to be afraid you’d spoil him sometimes in them days; but I guess you’re glad now for every time you didn’t cross him. I don’t suppose since the twins died you ever hit him a lick.” She stooped and peered closer at the face. “Why, Jacob, what’s that there by his pore eye?” Dryfoos saw it, too, the wound that he had feared to look for, and that now seemed to redden on his sight. He broke into a low, wavering cry, like a child’s in despair, like an animal’s in terror, like a soul’s in the anguish of remorse.
VII.
The evening after the funeral, while the Marches sat together talking it over, and making approaches, through its shadow, to the question of their own future, which it involved, they were startled by the twitter of the electric bell at their apartment door. It was really not so late as the children’s having gone to bed made it seem; but at nine o’clock it was too late for any probable visitor except Fulkerson. It might be he, and March was glad to postpone the impending question to his curiosity concerning the immediate business Fulkerson might have with him. He went himself to the door, and confronted there a lady deeply veiled in black and attended by a very decorous serving-woman.
“Are you alone, Mr. March — you and Mrs. March?” asked the lady, behind her veil; and, as he hesitated, she said: “You don’t know me! Miss Vance”; and she threw back her veil, showing her face wan and agitated in the dark folds. “I am very anxious to see you — to speak with you both. May I come in?”
“Why, certainly, Miss Vance,” he answered, still too much stupefied by her presence to realize it.
She promptly entered, and saying, with a glance at the hall chair by the door, “My maid can sit here?” followed him to the room where he had left his wife.
Mrs. March showed herself more capable of coping with the fact. She welcomed Miss Vance with the liking they both felt for the girl, and with the sympathy which her troubled face inspired.
“I won’t tire you with excuses for coming, Mrs. March,” she said, “for it was the only thing left for me to do; and I come at my aunt’s suggestion.” She added this as if it would help to account for her more on the conventional plane, and she had the instinctive good taste to address herself throughout to Mrs. March as much as possible, though what she had to say was mainly for March. “I don’t know how to begin — I don’t know how to speak of this terrible affair. But you know what I mean. I feel as if I had lived a whole lifetime since it happened. I don’t want you to pity me for it,” she said, forestalling a politeness from Mrs. March. “I’m the last one to be thought of, and you mustn’t mind me if I try to make you. I came to find out all of the truth that I can, and when I know just what that is I shall know what to do. I have read the inquest; it’s all burned into my brain. But I don’t care for that — for myself: you must let me say such things without minding me. I know that your husband — that Mr. March was there; I read his testimony; and I wished to ask him — to ask him—” She stopped and looked distractedly about. “But what folly! He must have said everything he knew — he had to.” Her eyes wandered to him from his wife, on whom she had kept them with instinctive tact.
