Delphi complete works of.., p.961
Delphi Complete Works of William Dean Howells, page 961
The side-shows and the other amusements seemed to have addressed themselves to the crowd with the same mistaken notion of its character and requirements; though I confess that I witnessed their neglect with regret, whether from a feeling that they were at least harmless, or an unconscious sympathy with any quite idle and unprofitable thing. Those rotary, legless horses, on which children love to ride in a perpetual sickening circle, — the type of all our effort, — were nearly always mounted; but those other whirligigs, or whatever the dreadful circles with their swinging seats are called, were often so empty that they must have been distressing, from their want of balance, to the muscles as well as the spirits of their proprietors. The society of monsters was also generally shunned, and a cow with five legs gave milk from the top of her back to an audience of not more than six persons. The public apathy had visibly wrought upon the temper of the gentleman who lectured upon this gifted animal, and he took inquiries in an ironical manner that contrasted disadvantageously with the philosophical serenity of the person who had a weighing-machine outside, and whom I saw sitting in the chair and weighing himself by the hour, with an expression of profound enjoyment. Perhaps a man of less bulk could not have entered so keenly into that simple pleasure.
There was a large tent on the grounds for dramatical entertainments, with six performances a day, into which I was lured by a profusion of high-colored posters, and some such announcement, as that the beautiful serio-comic danseuse and world-renowned cloggist, Mile. Brown, would appear. About a dozen people were assembled within, and we waited a half-hour beyond the time announced for the curtain to rise, during which the spectacle of a young man in black broadcloth, eating a cocoa-nut with his pen-knife, had a strange and painful fascination. At the end of this half-hour, our number was increased to eighteen, when the orchestra appeared, — a snare-drummer and two buglers. These took their place at the back of the tent; the buglers, who were Germans, blew seriously and industriously at their horns; but the native-born citizen, who played the drum, beat it very much at random, and in the mean time smoked a cigar, while his humorous friend kept time upon his shoulders by striking him there with a cane. How long this might have lasted, I cannot tell; but, after another delay, I suddenly bethought me whether it were not better not to see Mile. Brown, after all? I rose, and stole softly out behind the rhythmic back of the drummer; and the world-renowned cloggist is to me at this moment only a beautiful dream, — an airy shape fashioned upon a hint supplied by the engraver of the posters.
What, then, did the public desire, if it would not smile upon the swings, or monsters, or dramatic amusements that had pleased so long? Was the music, as it floated out from the Coliseum, a sufficient delight? Or did the crowd, averse to the shows provided for it, crave something higher and more intellectual, — like, for example, a course of the Lowell Lectures? Its general expression had changed: it had no longer that entire gayety of the first day, but had taken on something of the sarcastic pathos with which we Americans bear most oppressive and fatiguing things as a good joke. The dust was blown about in clouds; and here and there, sitting upon the vacant steps that led up and down among the booths, were dejected and motionless men and women, passively gathering dust, and apparently awaiting burial under the accumulating sand, — the mute, melancholy sphinxes of the Jubilee, with their unsolved riddle, “Why did we come?” At intervals, the heavens shook out fierce, sudden showers of rain, that scattered the surging masses, and sent them flying impotently hither and thither for shelter where no shelter was, only to gather again, and move aimlessly and comfortlessly to and fro, like a lost child.
So the multitude roared within and without the Coliseum as I turned homeward; and yet I found it wandering with weary feet through the Garden, and the Common, and all the streets, and it dragged its innumerable aching legs with me to the railroad station, and, entering the train, stood up on them, — having paid for the tickets with which the companies professed to sell seats.
How still and cool and fresh it was at our suburban station, when the train, speeding away with a sardonic yell over the misery of the passengers yet standing up in it, left us to walk across the quiet fields and pleasant lanes to Benicia Street, through groups of little idyllic Irish boys playing base-ball, with milch-goats here and there pastorally cropping the herbage!
In this pleasant seclusion I let all Bunker Hill Day thunder by, with its cannons, and processions, and speeches, and patriotic musical uproar, hearing only through my open window the note of the birds singing in a leafy coliseum across the street, and making very fair music without an anvil among them. “Ah, signer!” said one of my doorstep acquaintance, who came next morning and played me Captain Jenks, — the new air he has had added to his instrument,— “never in my life, neither at Torino, nor at Milano, nor even at Genoa, never did I see such a crowd or hear such a noise, as at that Colosseo yesterday. The carriages, the horses, the feet! And the dust, O Dio mio! All those millions of people were as white as so many millers!”
On the afternoon of the fourth day the city looked quite like the mill in which these millers had been grinding; and even those unpromisingly elegant streets of the Back Bay showed mansions powdered with dust enough for sentiment to strike root in, and so soften them with its tender green against the time when they shall be ruinous and sentiment shall swallow them up. The crowd had perceptibly diminished, but it was still great, and on the Common it was allured by a greater variety of recreations and bargains than I had yet seen there. There were, of course, all sorts of useful and instructive amusements, — at least a half-dozen telescopes, and as many galvanic batteries, with numerous patented inventions; and I fancied that most of the peddlers and charlatans addressed themselves to a utilitarian spirit supposed to exist in us. A man that sold whistles capable of reproducing exactly the notes of the mocking-bird and the guinea-pig set forth the durability of the invention. “Now, you see this whistle, gentlemen. It is rubber, all rubber; and rubber, you know, enters into the composition of a great many valuable articles. This whistle, then, is entirely of rubber, — no worthless or flimsy material that drops to pieces the moment you put it to your lips,” — as if it were not utterly desirable that it should. “Now, I’ll give you the mocking-bird, gentlemen, and then I’ll give you the guinea-pig, upon this pure India-rubber whistle.” And he did so with a great animation, — this young man with a perfectly intelligent and very handsome face. “Try your strength, and renovate your system!” cried the proprietor of a piston padded at one end and working into a cylinder when you struck it a blow with your fist; and the owners of lung-testing machines called upon you from every side to try their consumption cure; while the galvanic-battery men sat still and mutely appealed with inscriptions attached to their cap-visors declaring that electricity taken from their batteries would rid you of every ache and pain known to suffering humanity. Yet they were themselves as a class in a state of sad physical disrepair, and one of them was the visible prey of rheumatism which he might have sent flying from his joints with a single shock. The only person whom I saw improving his health with the battery was a rosy-faced school-boy, who was taking ten cents’ worth of electricity; and I hope it did not disagree with his pop-corn and soda-water.
Farther on was a picturesque group of street-musicians, — violinists and harpers; a brother and four sisters, by their looks, — who afforded almost the only unpractical amusement to be enjoyed on the Common, though not far from them was a blind old negro, playing upon an accordion, and singing to it in the faintest and thinnest of black voices, who could hardly have profited any listener. No one appeared to mind him, till a jolly Jack-tar with both arms cut off, but dressed in full sailor’s togs, lurched heavily towards him. This mariner had got quite a good effect of sea-legs by some means, and looked rather drunker than a man with both arms ought to be; but he was very affectionate, and, putting his face close to the other’s, at once entered into talk with the blind man, forming with him a picture curiously pathetic and grotesque. He was the only tipsy person I saw during the Jubilee days, — if he was tipsy, for after all they may have been real sea-legs he had on.
If the throng upon the streets was thinner, it was greater in the Coliseum than on the second day; and matters had settled there into regular working order. The limits of individual liberty had been better ascertained; there was no longer any movement in the aisles, but a constant passing to and fro, between the pieces, in the promenades. The house presented, as before, that appearance in which reality forsook it, and it became merely an amazing picture. The audience supported the notion of its unreality by having exactly the character of the former audiences, and impressed you, despite its restlessness and incessant agitation, with the feeling that it had remained there from the first day, and would always continue there; and it was only in wandering upon its borders through the promenades, that you regained possession of facts concerning it. In no other way was its vastness more observable than in the perfect indifference of persons one to another. Each found himself, as it were, in a solitude; and, sequestered in that wilderness of strangers, each was freed of his bashfulness and trepidation. Young people lounged at ease upon the floors, about the windows, on the upper promenades; and in this seclusion I saw such betrayals of tenderness as melt the heart of the traveller on our desolate railway trains, — Fellows moving to and fro or standing, careless of other eyes, with their arms around the waists of their Girls. These were, of course, people who had only attained a certain grade of civilization, and were not characteristic of the crowd, or, indeed, worthy of notice except as expressions of its unconsciousness. I fancied that I saw a number of their class outside listening to the address of the agent of a patent liniment, proclaimed to be an unfailing specific for neuralgia and headache, — if used in the right spirit. “For,” said the orator, “we like to cure people who treat us and our medicine with respect. Folks say, ‘What is there about that man? — some magnetism or electricity.’ And the other day at New Britain, Connecticut, a young man he come up to the carriage, sneering like, and he tried the cure, and it didn’t have the least effect upon him.” There seemed reason in this, and it produced a visible sensation in the Fellows and Girls, who grinned sheepishly at each other.
Why will the young man with long hair force himself at this point into a history, which is striving to devote itself to graver interests? There he stood with the other people, gazing up at the gay line of streamers on the summit of the Coliseum, and taking in the Anvil Chorus with the rest, — a young man well-enough dressed, and of a pretty sensible face, with his long black locks falling from under his cylinder hat, and covering his shoulders. What awful spell was on him, obliging him to make that figure before his fellow-creatures? He had nothing to sell; he was not, apparently, an advertisement of any kind. Was he in the performance of a vow? Was he in his right mind? For shame! a person may wear his hair long if he will. But why not, then, in a top-knot? This young man’s long hair was not in keeping with his frock-coat and his cylinder hat, and he had not at all the excuse of the old gentleman who sold salve in the costume of Washington’s time; one could not take pleasure in him as in the negro advertiser, who paraded the grounds in a costume compounded of a consular chapeau bras and a fox-hunter’s top-boots — the American diplomatic uniform of the future — and offered every one a printed billet; he had not even the attraction of the cabalistic herald of Hunkidori. Who was he? what was he? why was he? The mind played forever around these questions in a maze of hopeless conjecture.
Had all those quacks and peddlers been bawling ever since Tuesday to the same listeners? Had all those swings and whirligigs incessantly performed their rounds? The cow that gave milk from the top of her back, had she never changed her small circle of admirers, or ceased her flow? And the gentleman who sat in the chair of his own balance, how much did he weigh by this time? One could scarcely rid one’s self of the illusion of perpetuity concerning these things, and I could not believe that, if I went back to the Coliseum grounds at any future time, I should not behold all that vast machinery in motion.
It was curious to see, amid this holiday turmoil men pursuing the ordinary business of their lives, and one was strangely rescued and consoled by the spectacle of the Irish hod-carriers, and the bricklayers at work on a first-class swell-front residence in the very heart of the city of tents and booths. Even the locomotive, being associated with quieter days and scenes, appealed, as it whistled to and fro upon the Providence Railroad, to some soft bucolic sentiment in the listener, and sending its note, ordinarily so discordant, across that human uproar, seemed to “babble of green fields.” And at last it wooed us away, and the Jubilee was again swallowed up by night.
There was yet another Jubilee Day, on the morning of which the thousands of public-school children clustered in gauzy pink and white in the place of the mighty chorus, while the Coliseum swarmed once more with people who listened to those shrill, sweet pipes blending in unison; but I leave the reader to imagine what he will about it. A week later, after all was over, I was minded to walk down towards the Coliseum, and behold it in its desertion. The city streets were restored to their wonted summer-afternoon tranquillity; the Public Garden presented its customary phases of two people sitting under a tree and talking intimately together on some theme of common interest,— “Bees, bees, was it your hydromel?” — of the swans sailing in full view upon the little lake of half a dozen idlers hanging upon the bridge to look at them; of children gayly dotting the paths here and there; and, to heighten the peacefulness of the effect, a pretty, pale invalid lady sat, half in shade and half in sun, reading in an easy-chair. Far down the broad avenue a single horse-car tinkled slowly; on the steps of one of the mansions charming little girls stood in a picturesque group full of the bright color which abounds in the lovely dresses of this time. As I drew near the Coliseum, I could perceive the desolation which had fallen upon the festival scene; the white tents were gone; the place where the world-renowned cloggist gave her serio-comic dances was as lonely and silent as the site of Carthage; in the middle distance two men were dismantling a motionless whirligig; the hut for the sale of French soups was closed; farther away, a solitary policeman moved gloomily across the deserted spaces, showing his dark-blue figure against the sky. The vast fabric of the Coliseum reared itself, hushed and deserted within and without; and a boy in his shirt-sleeves pressed his nose against one of the painted window-panes in the vain effort to behold the nothing inside. But sadder than this loneliness surrounding the Coliseum, sadder than the festooned and knotted banners that drooped funereally upon its facade, was the fact that some of those luckless refreshment-saloons were still open, displaying viands as little edible now as carnival confetti. It was as if the proprietors, in an unavailing remorse, had condemned themselves to spend the rest of their days there, and, slowly consuming their own cake and pop-corn, washed down with their own soda-water and lemonade, to perish of dyspepsia and despair.
SOME LESSONS FROM THE SCHOOL OF MORALS.
Any study of suburban life would be very imperfect without some glance at that larger part of it which is spent in the painful pursuit of pleasures such as are offered at the ordinary places of public amusement; and for this reason I excuse myself for rehearsing certain impressions here which are not more directly suburban, to say the least, than those recounted in the foregoing chapter.
It became, shortly after life in Charlesbridge began, a question whether any entertainment that Boston could offer were worth the trouble of going to it, or, still worse, coming from it; for if it was misery to hurry from tea to catch the inward horse-car at the head of the street, what sullen lexicon will afford a name for the experience of getting home again by the last car out from the city? You have watched the clock much more closely than the stage during the last act, and have left your play incomplete by its final marriage or death, and have rushed up to Bowdoin Square, where you achieve a standing place in the car, and, utterly spent as you are with the enjoyment of the evening, you endure for the next hour all that is horrible in riding or walking. At the end of this time you declare that you will never go to the theatre again; and after years of suffering you come at last to keep your word.
While yet, however, in the state of formation as regards this resolution, I went frequently to the theatre — or school of morals, as its friends have humorously called it. I will not say whether any desired amelioration took place or not in my own morals through the agency of the stage; but if not enlightened and refined by everything I saw there, I sometimes was certainly very much surprised. Now that I go no more, or very, very rarely, I avail myself of the resulting leisure to set down, for the instruction of posterity, some account of performances I witnessed in the years 1868-69, which I am persuaded will grow all the more curious, if not incredible, with the lapse of time.
There is this satisfaction in living, namely, that whatever we do will one day wear an air of picturesqueness and romance, and will win the fancy of people coming after us. This stupid and commonplace present shall yet appear the fascinating past; and is it not a pleasure to think how our rogues of descendants — who are to enjoy us aesthetically — will be taken in with us, when they read, in the files of old newspapers, of the quantity of entertainment offered us at the theatres during the years mentioned, and judge us by it? I imagine them two hundred years hence looking back at us, and sighing, “Ah! there was a touch of the old Greek life in those Athenians! How they loved the drama in the jolly Boston of that day! That was the golden age of the theatre: in the winter of 1868-69, they had dramatic performances in seven places, of every degree of excellence, and the managers coined money.” As we always figure our ancestors going to and from church, they will probably figure us thronging the doors of theatres, and no doubt there will be some historical gossiper among them to sketch a Boston audience in 1869, with all our famous poets and politicians grouped together in the orchestra seats, and several now dead introduced with the pleasant inaccuracy and uncertainty of historical gossipers. “On this night, when the beautiful Tost�e reappeared, the whole house rose to greet her. If Mr. Alcott was on one of his winter visits to Boston, no doubt he stepped in from the Marlborough House, — it was a famous temperance hotel, then in the height of its repute, — not only to welcome back the great actress, but to enjoy a chat between the acts with his many friends. Here, doubtless, was seen the broad forehead of Webster; there the courtly Everett, conversing in studied tones with the gifted So-and-so. Did not the lovely Such-a-one grace the evening with her presence? The brilliant and versatile Edmund Kirke was dead; but the humorous Artemas Ward and his friend Nasby may have attracted many eyes, having come hither at the close of their lectures, to testify their love of the beautiful in nature and art; while, perhaps, Mr. Sumner, in the intervals of state cares, relaxed into the enjoyment,” etc. “Vous voyez bien le tableau!”
