Delphi complete works of.., p.525
Delphi Complete Works of William Dean Howells, page 525
Besides these regular attacks on the literary periodicals, Ray carried on guerilla operations of several sorts. He sold jokes at two dollars apiece to the comic papers; it sometimes seemed low for jokes, but the papers paid as much for a poor joke as a good one, and the market was steady. He got rather more for jokes that were ordered of him, as when an editor found himself in possession of an extremely amusing illustration without obvious meaning. He developed a facility wholly unexpected to himself in supplying the meaning for a picture of this kind; if it were a cartoon, he had the courage to ask as much as five dollars for his point.
A mere accident opened up another field of industry to him, when one day a gentleman halted him at the foot of the stairway to an elevated station, and after begging his pardon for first mistaking him for a Grand Army man, professed himself a journalist in momentary difficulty.
“I usually sell my things to the Sunday Planet, but my last poem was too serious for their F. S., and I’m down on my luck. Of course, I see now” said the journalist in difficulty, “that you couldn’t have been in the war; at first glance I took you for an old comrade of mine; but if you’ll leave your address with me — Thank you, sir! Thank you!”
Ray had put a quarter in his hand, and he thought he had bought the right to ask him a question.
“I know that I may look twice my age when people happen to see double” —
“Capital!” said the veteran. “First-rate!” and he clapped Ray on the shoulder, and then clung to him long enough to recover his balance.
“But would you be good enough to tell me what the F. S. of the Sunday Planet is?”
“Why, the Funny Side — the page where they put the jokes and the comic poetry. F. S. for short. Brevity is the soul of wit, you know.”
Ray hurried home and put together some of the verses that had come back to him from the comic papers, and mailed them to the Sunday Planet. He had learned not to respect his work the less for being rejected, but the Planet did not wane in his esteem because the editor of the F. S. accepted all his outcast verses. The pay was deplorably little, however, and for the first time he was tempted to consider an offer of partnership with a gentleman who wrote advertisements for a living, and who, in the falterings of his genius from overwork, had professed himself willing to share his honors and profits with a younger man; the profits, at any rate, were enormous.
But this temptation endured only for a moment of disheartenment. In all his straits Ray not only did his best, but he kept true to a certain ideal of himself as an artist. There were some things he could not do even to make a living. He might sell anything he wrote, and he might write anything within the bounds of honesty that would sell, but he could not sell his pen, or let it for hire, to be used as the lessee wished. It was not the loftiest grade of aesthetics or ethics, and perhaps the distinctions he made were largely imaginary. But he refused the partnership offered him, though it came with a flattering recognition of his literary abilities, and of his peculiar fitness for the work proposed.
He got to know a good many young fellows who were struggling forward on the same lines with himself, and chancing it high and low with the great monthlies, where they offered their poems and short stories, and with the one-cent dailies, where they turned in their space-work. They had a courage in their risks which he came to share in its gayety, if not its irreverence, and he enjoyed the cheerful cynicism with which they philosophized the facts of the newspaper side of their trade: they had studied its average of successes and failures, and each of them had his secret for surprising the favor of the managing editor, as infallible as the gambler’s plan for breaking the bank at Monaco.
“You don’t want to be serious,” one blithe spirit volunteered for Ray’s instruction in a moment of defeat; “you want to give a light and cheerful cast to things. For instance, if a fireman loses his life in a burning building, you mustn’t go straight for the reader’s pity; you must appeal to his sense of the picturesque. You must call it, ‘Knocked out in a Fight with Fire,’ or something like that, and treat the incident with mingled pathos and humor. If you’ve got a case of suicide by drowning, all you’ve got to do is to call it ‘ Launch of one more Unfortunate,’ and the editor is yours. Go round and make studies of our metropolitan civilization; write up the ‘ Leisure Moments of Surface-Car Conductors,’ or ‘Talks with the Ticket-Choppers.’ Do the amateur scavenger, and describe the ‘Mysteries of the Average Ash-Barrel.’”
As the time wore on, the circle of Ray’s acquaintance widened so much that he no longer felt those pangs of homesickness which used to seize him whenever he got letters from Midland. He rather neglected his correspondence with Sanderson; the news of parties and sleigh-rides and engagements and marriages which his friend wrote, affected him like echoes from some former life. He was beginning to experience the fascination of the mere city, where once he had a glimpse of the situation fleeting and impalpable as those dream-thoughts that haunt the consciousness on the brink of sleep. Then it was as if all were driving on together, no one knew why or whither; but some had embarked on the weird voyage to waste, and some to amass; their encounter formed the opportunity of both, and a sort of bewildered kindliness existed between them. Their common ignorance of what it was all for was like a bond, and they clung involuntarily together in their unwieldy multitude because of the want of meaning, and prospered on, suffered on, through vast cyclones of excitement that whirled them round and round, and made a kind of pleasant drunkenness in their brains, and consoled them for never resting and never arriving.
The fantastic vision passed, and Ray again saw himself and those around him full of distinctly intended effort, each in his sort, and of relentless energy, which were self-sufficing and self-satisfying. Most of the people he knew were, like himself, bent upon getting a story, or a poem, or an essay, or an article, printed in some magazine or newspaper, or some book into the hands of a publisher. They were all, like himself, making their ninety-five failures out of a hundred endeavors; but they were all courageous, if they were not all gay, and if they thought the proportion of their failures disastrous, they said nothing to show it They did not try to blink them, but they preferred to celebrate their successes; perhaps the rarity of these merited it more.
XXVII.
As soon as Ray had pulled himself out of his slough of despond, and began to struggle forward on such footing as he found firm, he felt the rise of the social instinct in him. He went about and delivered his letters; he appeared at one of Mrs. Chapley’s Thursdays, and began to be passed from one afternoon tea to another. He met the Mayquaits at Mrs. Chapley’s, those Gitchigumee people she had asked him about, and at their house he met a lady so securely his senior that she could let him see at once she had taken a great fancy to him. The Mayquaits have since bought a right of way into the heart of society, but they were then in the peripheral circles, and this lady seemed anxious to be accounted for in that strange company of rich outcasts. Something in Ray’s intelligent young good looks must have appealed to her as a possible solvent. As soon as he was presented to her she began to ply him with subtle questions concerning their hostess and their fellow-guests, with whom she professed to find herself by a species of accident springing from their common interest in a certain charity: that particular tea was to promote it. Perhaps it was the steadfast good faith of the pretty boy in refusing to share in her light satire, while he could not help showing that he enjoyed it, which commended Ray more and more to her. He told her how he came to be there, not because she asked, for she did not ask, but because he perceived that she wished to know, and because it is always pleasant to speak about one’s self upon any pretext, and he evinced a delicate sympathy with her misgiving. It flattered him that she should single him out for her appeal as if he were of her sort, and he eagerly accepted an invitation she made him. Through her favor and patronage he began to go to lunches and dinners; he went to balls, and danced sometimes when his pockets were so empty that he walked one way to save his car fares. But his poverty was without care; it did not eat into his heart, for no one else shared it; and those spectres of want and shame which haunt the city’s night, and will not always away at dawn, but remain present to eyes that have watched and wept, vanished in the joyous light that his youth shed about him, as he hurried home with the waltz music beating in his blood. A remote sense, very remote and dim, of something all wrong attended him at moments in his pleasure; at moments it seemed even he who was wrong. But this fled before his analysis; he could not see what harm he was doing. To pass his leisure in the company of well-bred, well-dressed, prosperous, and handsome people was so obviously right and fit that it seemed absurd to suffer any question of it. He met mainly very refined persons, whose interests were all elevated, and whose tastes were often altruistic. He found himself in a set of young people, who loved art and literature and music, and he talked to his heart’s content with agreeable girls about pictures and books and theatres.
It surprised him that with all this opportunity and contiguity he did not fall in love; after the freest give and take of aesthetic sympathies he came away with a kindled fancy and a cold heart. There was one girl he thought would have let him be in love with her if he wished, but when he questioned his soul he found that he did not wish, or could not He said to himself that it was her money, for she was rich as well as beautiful and wise; and he feigned that if it had not been for her money he might have been in love with her. Her people, an aunt and uncle, whom she lived with, made much of him, and the way seemed clear. They began to tell each other about themselves, and once he interested her very much by the story of his adventures in first coming to New York.
“And did you never meet the two young women afterwards?” she asked.
“Yes. That was the curious part of it,” he said, and piqued that she called them “two young women,” he went on to tell her of the Hugheses, whom he set forth in all the picturesqueness he could command. She listened intensely, and even provoked him with some questions to go on; but at the end she said nothing; and after that she was the same and not the same to him. At first he thought it might be her objection to his knowing such queer people; she was very proud; but he Was still made much of by her family, and there was nothing but this difference in her that marked with its delicate distinctness the loss of a chance.
He was not touched except in his vanity. Without the subtle willingness which she had subtly withdrawn, his life was still surpassingly rich on the side where it had been hopelessly poor; and in spite of his personal poverty he was in the enjoyment of a social affluence beyond the magic of mere money. Sometimes he regarded it all as his due, and at all times he took it with simple ingratitude; but he had moments of passionate humility when he realized that he owed his good fortune to the caprice of a worldly old woman, whom he did not respect very much.
When he began to go into society, he did not forget his earlier friends; he rather prided himself on his constancy; he thought it was uncommon, and he found it a consolation when other things failed him. It was even an amusement full of literary suggestion for him to turn from his own dream of what the world was to Hughes’s dream of what the world should be; and it flattered him that the old man should have taken the sort of fancy to him that he had. Hughes consulted him as a person with a different outlook on life, and valued him as a practical mind, akin to his own in quality, if not in direction. First and last, he read him his whole book; he stormily disputed with him about the passages which Ray criticised as to their basal facts; but he adopted some changes Ray suggested.
The young fellow was a whole gay world to Mrs. Denton, in his reproduction of his society career for her. She pursued him to the smallest details of dress and table and manner; he lived his society events over again for her with greater consciousness than he had known in their actual experience; and he suffered patiently the little splenetic resentment in which her satiety was apt finally to express itself. He decided that he must not take Mrs. Denton in any wise seriously; and he could see that Peace was grateful to him for his complaisance and forbearance. She used to listen, too, when he described the dinners and dances for her sister, and their interest gave the material a fascination for Ray himself: it emphasized the curious duality of his life, and lent the glamor of unreality to the regions where they could no more have hoped to follow him than to tread the realms of air. Sometimes their father hung about him — getting points for his morals, as Ray once accused him of doing.
“No, no!” Hughes protested. “I am interested to find how much better than their conditions men and women always are. The competitive conditions of our economic life characterize society as well as business. Yet business men and society women are all better and kinder than you would believe they could be. The system implies that the weak must always go to the wall, but in actual operation it isn’t so.”
“From Mr. Ray’s account there seem to be a good many wall-flowers,” Mrs. Denton suggested.
Hughes ignored her frivolity. “It shows what glorious beings men and women would be if they were rightly conditioned. There is a whole heaven of mercy and loving-kindness in human nature waiting to open itself: we know a little of what it may be when a man or woman rises superior to circumstance and risks a generous word or deed in a selfish world. Then for a moment we have a glimpse of the true life of the race.”
“Well, I wish I had a glimpse of the untrue life of the race, myself,” said Mrs. Denton, as her father turned away. “I would give a whole year of the millennium for a week in society.”
“You don’t know what you’re talking about,” said her husband. He had been listening in gloomy silence to Ray’s talk, and he now turned on his wife. “I would rather see you dead than in such ‘ good society’ as that.”
“Oh, well,” she answered, “you’re much likelier to see me dead. If I understand Mr. Ray, it’s a great deal easier to get into heaven than to get into good society.” She went up to her husband and pushed his hair back from his eyes. “If you wore it that way, people could see what a nice forehead you’ve got. You look twice as ‘ brainy.’ now, Ansel.”
He caught her hand and flung it furiously away. “Ansel,” she said, “is beginning to feel the wear and tear of the job of setting the world right as much as I do. He never had as much faith in the millennium as father has; he thinks there’s got to be some sort of sacrifice first; he hasn’t made up his mind quite what it’s to be, yet.”
Denton left them abruptly, and after a while Ray heard him talking in the next room; he thought he must be talking to some one there, till his wife said, “Ansel doesn’t say much in company, but he’s pretty sociable when he gets by himself.”
XXVIII.
THE next time Ray came, he found Denton dreamily picking at the strings of a violin which lay in his lap; the twins were clinging to his knees, and moving themselves in time to the music.
“You didn’t know Ansel was a musician? “ his wife said. “He’s just got a new violin — or rather it’s a second-hand one; but it’s splendid, and he got it so cheap.”
“I profited by another man’s misfortune,” said Denton. “That’s the way we get things cheap.”
“Oh, well, never mind about that, now. Play the ‘Darky’s Dream,’ won’t you, Ansel? I wish we had our old ferry-boat darky here to whistle!”
After a moment in which he seemed not to have noticed her, he put the violin to his chin, and began the wild, tender strain of the piece. It seemed to make the little ones drunk with delight. They swayed themselves to and fro, holding by their father’s knees, and he looked down softly into their uplifted faces. When he stopped playing, their mother put out her hand toward one of them, but it clung the faster to its father.
“Let me take your violin a moment,” said Ray. He knew the banjo a little, and now he picked out on the violin an air which one of the girls in Midland had taught him.
The twins watched him with impatient rejection; and they were not easy till their father had the violin back. Denton took them up one on each knee, and let them claw at it between them; they looked into his face for the effect on him as they lifted themselves and beat the strings. After a while Peace rose and tried to take it from them, for their father seemed to have forgotten what they were doing; but they stormed at her, in their baby way, by the impulse that seemed common to them, and screamed out their shrill protest against her interference.
“Let them alone,” said their father, gently, and she desisted.
“You’ll spoil those children, Ansel,” said his wife, “letting them have their own way so. The first thing you know, they’ll grow up capitalists.”
He had been looking down at them with dreamy melancholy, but he began to laugh helplessly, and he kept on till she said:
“I think it’s getting to be rather out of proportion to the joke; don’t you, Mr. Ray? Not that Ansel laughs too much, as a rule.”
Denton rose, when the children let the violin slip to the floor at last, and improvised the figure of a dance with them on his shoulders, and let himself go in fantastic capers, while he kept a visage of perfect seriousness.
