Delphi complete works of.., p.43
Delphi Complete Works of William Dean Howells, page 43
“Why not? There was Byron.”
“But Byron went to them, and he studied Armenian, not Italian, with them. Padre Girolamo speaks perfect Italian, for all that I can see; but I doubt if he’d undertake to impart the native accent, which is what you want. In fact, the scheme is altogether impracticable.”
“Well,” said Mrs. Vervain; “I’m exceedingly sorry. I had quite set my heart on it. I never took such a fancy to any one in such a short time before.”
“It seemed to be a case of love at first sight on both sides,” said Ferris. “Padre Girolamo doesn’t shower those syruped rose-leaves indiscriminately upon visitors.”
“Thanks,” returned Mrs. Vervain; “it’s very good of you to say so, Mr. Ferris, and it’s very gratifying, all round; but don’t you see, it doesn’t serve the present purpose. What teachers do you know of?”
She had been by marriage so long in the service of the United States that she still regarded its agents as part of her own domestic economy. Consuls she everywhere employed as functionaries specially appointed to look after the interests of American ladies traveling without protection. In the week which had passed since her arrival in Venice, there had been no day on which she did not appeal to Ferris for help or sympathy or advice. She took amiable possession of him at once, and she had established an amusing sort of intimacy with him, to which the haughty trepidations of her daughter set certain bounds, but in which the demand that he should find her a suitable Italian teacher seemed trivially matter of course.
“Yes. I know several teachers,” he said, after thinking awhile; “but they’re all open to the objection of being human; and besides, they all do things in a set kind of way, and I’m afraid they wouldn’t enter into the spirit of any scheme of instruction that departed very widely from Ollendorff.” He paused, and Mrs. Vervain gave a sketch of the different professional masters whom she had employed in the various countries of her sojourn, and a disquisition upon their several lives and characters, fortifying her statements by reference of doubtful points to her daughter. This occupied some time, and Ferris listened to it all with an abstracted air. At last he said, with a smile, “There was an Italian priest came to see me this morning, who astonished me by knowing English — with a brogue that he’d learned from an English priest straight from Dublin; perhaps he might do, Mrs. Vervain? He’s professionally pledged, you know, not to give the kind of annoyance you’ve suffered from in teachers. He would do as well as Padre Girolamo, I suppose.”
“Do you really? Are you in earnest?”
“Well, no, I believe I’m not. I haven’t the least idea he would do. He belongs to the church militant. He came to me with the model of a breech-loading cannon he’s invented, and he wanted a passport to go to America, so that he might offer his cannon to our government.”
“How curious!” said Mrs. Vervain, and her daughter looked frankly into Ferris’s face. “But I know; it’s one of your jokes.”
“You overpraise me, Mrs. Vervain. If I could make such jokes as that priest was, I should set up for a humorist at once. He had the touch of pathos that they say all true pieces of humor ought to have,” he went on instinctively addressing himself to Miss Vervain, who did not repulse him. “He made me melancholy; and his face haunts me. I should like to paint him. Priests are generally such a snuffy, common lot. And I dare say,” he concluded, “he’s sufficiently commonplace, too, though he didn’t look it. Spare your romance, Miss Vervain.”
The young lady blushed resentfully. “I see as little romance as joke in it,” she said.
“It was a cannon,” returned Ferris, without taking any notice of her, and with a sort of absent laugh, “that would make it very lively for the Southerners — if they had it. Poor fellow! I suppose he came with high hopes of me, and expected me to receive his invention with eloquent praises. I’ve no doubt he figured himself furnished not only with a passport, but with a letter from me to President Lincoln, and foresaw his own triumphal entry into Washington, and his honorable interviews with the admiring generals of the Union forces, to whom he should display his wonderful cannon. Too bad; isn’t it?”
“And why didn’t you give him the passport and the letter?” asked Mrs. Vervain.
“Oh, that’s a state secret,” returned Ferris.
“And you think he won’t do for our purpose?”
“I don’t indeed.”
“Well, I’m not so sure of it. Tell me something more about him.”
“I don’t know anything more about him. Besides, there isn’t time.”
The gondola had already entered the canal, and was swiftly approaching the hotel.
“Oh yes, there is,” pleaded Mrs. Vervain, laying her hand on his arm. “I want you to come in and dine with us. We dine early.”
“Thank you, I can’t. Affairs of the nation, you know. Rebel privateer on the canal of the Brenta.”
“Really?” Mrs. Vervain leaned towards Ferris for sharper scrutiny of his face. Her glasses sprang from her nose, and precipitated themselves into his bosom.
“Allow me,” he said, with burlesque politeness, withdrawing them from the recesses of his waistcoat and gravely presenting them. Miss Vervain burst into a helpless laugh; then she turned toward her mother with a kind of indignant tenderness, and gently arranged her shawl so that it should not drop off when she rose to leave the gondola. She did not look again at Ferris, who resisted Mrs. Vervain’s entreaties to remain, and took leave as soon as the gondola landed.
The ladies went to their room, where Florida lifted from the table a vase of divers-colored hyacinths, and stepping out upon the balcony flung the flowers into the canal. As she put down the empty vase, the lingering perfume of the banished flowers haunted the air of the room.
“Why, Florida,” said her mother, “those were the flowers that Mr. Ferris gave you. Did you fancy they had begun to decay? The smell of hyacinths when they’re a little old is dreadful. But I can’t imagine a gentleman’s giving you flowers that were at all old.”
“Oh, mother, don’t speak to me!” cried Miss Vervain, passionately, clasping her hands to her face.
“Now I see that I’ve been saying something to vex you, my darling,” and seating herself beside the young girl on the sofa, she fondly took down her hands. “Do tell me what it was. Was it about your teachers falling in love with you? You know they did, Florida: Pestachiavi and Schulze, both; and that horrid old Fleuron.”
“Did you think I liked any better on that account to have you talk it over with a stranger?” asked Florida, still angrily.
“That’s true, my dear,” said Mrs. Vervain, penitently. “But if it worried you, why didn’t you do something to stop me? Give me a hint, or just a little knock, somewhere?”
“No, mother; I’d rather not. Then you’d have come out with the whole thing, to prove that you were right. It’s better to let it go,” said Florida with a fierce laugh, half sob. “But it’s strange that you can’t remember how such things torment me.”
“I suppose it’s my weak health, dear,” answered the mother. “I didn’t use to be so. But now I don’t really seem to have the strength to be sensible. I know it’s silly as well as you. The talk just seems to keep going on of itself, — slipping out, slipping out. But you needn’t mind. Mr. Ferris won’t think you could ever have done anything out of the way. I’m sure you don’t act with him as if you’d ever encouraged anybody. I think you’re too haughty with him, Florida. And now, his flowers.”
“He’s detestable. He’s conceited and presuming beyond all endurance. I don’t care what he thinks of me. But it’s his manner towards you that I can’t tolerate.”
“I suppose it’s rather free,” said Mrs. Vervain. “But then you know, my dear, I shall be soon getting to be an old lady; and besides, I always feel as if consuls were a kind of one of the family. He’s been very obliging since we came; I don’t know what we should have done without him. And I don’t object to a little ease of manner in the gentlemen; I never did.”
“He makes fun of you,” cried Florida: “and there at the convent,”, she said, bursting into angry tears, “he kept exchanging glances with that monk as if he.... He’s insulting, and I hate him!”
“Do you mean that he thought your mother ridiculous, Florida?” asked Mrs. Vervain gravely. “You must have misunderstood his looks; indeed you must. I can’t imagine why he should. I remember that I talked particularly well during our whole visit; my mind was active, for I felt unusually strong, and I was interested in everything. It’s nothing but a fancy of yours; or your prejudice, Florida. But it’s odd, now I’ve sat down for a moment, how worn out I feel. And thirsty.”
Mrs. Vervain fitted on her glasses, but even then felt uncertainly about for the empty vase on the table before her.
“It isn’t a goblet, mother,” said Florida; “I’ll get you some water.”
“Do; and then throw a shawl over me. I’m sleepy, and a nap before dinner will do me good. I don’t see why I’m so drowsy of late. I suppose it’s getting into the sea air here at Venice; though it’s mountain air that makes you drowsy. But you’re quite mistaken about Mr. Ferris. He isn’t capable of anything really rude. Besides, there wouldn’t have been any sense in it.”
The young girl brought the water and then knelt beside the sofa, on which she arranged the pillows under her mother, and covered her with soft wraps. She laid her cheek against the thinner face. “Don’t mind anything I’ve said, mother; let’s talk of something else.”
The mother drew some loose threads of the daughter’s hair through her slender fingers, but said little more, and presently fell into a deep slumber. Florida gently lifted her head away, and remained kneeling before the sofa, looking into the sleeping face with an expression of strenuous, compassionate devotion, mixed with a vague alarm and self-pity, and a certain wondering anxiety.
III.
Don Ippolito had slept upon his interview with Ferris, and now sat in his laboratory, amidst the many witnesses of his inventive industry, with the model of the breech-loading cannon on the workbench before him. He had neatly mounted it on wheels, that its completeness might do him the greater credit with the consul when he should show it him, but the carriage had been broken in his pocket, on the way home, by an unlucky thrust from the burden of a porter, and the poor toy lay there disabled, as if to dramatize that premature explosion in the secret chamber.
His heart was in these inventions of his, which had as yet so grudgingly repaid his affection. For their sake he had stinted himself of many needful things. The meagre stipend which he received from the patrimony of his church, eked out with the money paid him for baptisms, funerals, and marriages, and for masses by people who had friends to be prayed out of purgatory, would at best have barely sufficed to support him; but he denied himself everything save the necessary decorums of dress and lodging; he fasted like a saint, and slept hard as a hermit, that he might spend upon these ungrateful creatures of his brain. They were the work of his own hands, and so he saved the expense of their construction; but there were many little outlays for materials and for tools, which he could not avoid, and with him a little was all. They not only famished him; they isolated him. His superiors in the church, and his brother priests, looked with doubt or ridicule upon the labors for which he shunned their company, while he gave up the other social joys, few and small, which a priest might know in the Venice of that day, when all generous spirits regarded him with suspicion for his cloth’s sake, and church and state were alert to detect disaffection or indifference in him. But bearing these things willingly, and living as frugally as he might, he had still not enough, and he had been fain to assume the instruction of a young girl of old and noble family in certain branches of polite learning which a young lady of that sort might fitly know. The family was not so rich as it was old and noble, and Don Ippolito was paid from its purse rather than its pride. But the slender salary was a help; these patricians were very good to him; many a time he dined with them, and so spared the cost of his own pottage at home; they always gave him coffee when he came, and that was a saving; at the proper seasons little presents from them were not wanting. In a word, his condition was not privation. He did his duty as a teacher faithfully, and the only trouble with it was that the young girl was growing into a young woman, and that he could not go on teaching her forever. In an evil hour, as it seemed to Don Ippolito, that made the years she had been his pupil shrivel to a mere pinch of time, there came from a young count of the Friuli, visiting Venice, an offer of marriage; and Don Ippolito lost his place. It was hard, but he bade himself have patience; and he composed an ode for the nuptials of his late pupil, which, together with a brief sketch of her ancestral history, he had elegantly printed, according to the Italian usage, and distributed among the family friends; he also made a sonnet to the bridegroom, and these literary tributes were handsomely acknowledged.
He managed a whole year upon the proceeds, and kept a cheerful spirit till the last soldo was spent, inventing one thing after another, and giving much time and money to a new principle of steam propulsion, which, as applied without steam to a small boat on the canal before his door, failed to work, though it had no logical excuse for its delinquency. He tried to get other pupils, but he got none, and he began to dream of going to America. He pinned his faith in all sorts of magnificent possibilities to the names of Franklin, Fulton, and Morse; he was so ignorant of our politics and geography as to suppose us at war with the South American Spaniards, but he knew that English was the language of the North, and he applied himself to the study of it. Heaven only knows what kind of inventor’s Utopia, our poor, patent-ridden country appeared to him in these dreams of his, and I can but dimly figure it to myself. But he might very naturally desire to come to a land where the spirit of invention is recognized and fostered, and where he could hope to find that comfort of incentive and companionship which our artists find in Italy.
The idea of the breech-loading cannon had occurred to him suddenly one day, in one of his New-World-ward reveries, and he had made haste to realize it, carefully studying the form and general effect of the Austrian cannon under the gallery of the Ducal Palace, to the high embarrassment of the Croat sentry who paced up and down there, and who did not feel free to order off a priest as he would a civilian. Don Ippolito’s model was of admirable finish; he even painted the carriage yellow and black, because that of the original was so, and colored the piece to look like brass; and he lost a day while the paint was drying, after he was otherwise ready to show it to the consul.
He had parted from Ferris with some gleams of comfort, caught chiefly from his kindly manner, but they had died away before nightfall, and this morning he could not rekindle them.
He had had his coffee served to him on the bench, as his frequent custom was, but it stood untasted in the little copper pot beside the dismounted cannon, though it was now ten o’clock, and it was full time he had breakfasted, for he had risen early to perform the matin service for three peasant women, two beggars, a cat, and a paralytic nobleman, in the ancient and beautiful church to which he was attached. He had tried to go about his wonted occupations, but he was still sitting idle before his bench, while his servant gossiped from her balcony to the mistress of the next house, across a calle so deep and narrow that it opened like a mountain chasm beneath them. “It were well if the master read his breviary a little more, instead of always maddening himself with those blessed inventions, that eat more soldi than a Christian, and never come to anything. There he sits before his table, as if he were nailed to his chair, and lets his coffee cool — and God knows I was ready to drink it warm two hours ago — and never looks at me if I open the door twenty times to see whether he has finished. Holy patience! You have not even the advantage of fasting to the glory of God in this house, though you keep Lent the year round. It’s the Devil’s Lent, I say. Eh, Diana! There goes the bell. Who now? Adieu, Lusetta. To meet again, dear. Farewell!”
She ran to another window, and admitted the visitor. It was Ferris, and she went to announce him to her master by the title he had given, while he amused his leisure in the darkness below by falling over a cistern-top, with a loud clattering of his cane on the copper lid, after which he heard the voice of the priest begging him to remain at his convenience a moment till he could descend and show him the way upstairs. His eyes were not yet used to the obscurity of the narrow entry in which he stood, when he felt a cold hand laid on his, and passively yielded himself to its guidance. He tried to excuse himself for intruding upon Don Ippolito so soon, but the priest in far suppler Italian overwhelmed him with lamentations that he should be so unworthy the honor done him, and ushered his guest into his apartment. He plainly took it for granted that Ferris had come to see his inventions, in compliance with the invitation he had given him the day before, and he made no affectation of delay, though after the excitement of the greetings was past, it was with a quiet dejection that he rose and offered to lead his visitor to his laboratory.
The whole place was an outgrowth of himself; it was his history as well as his character. It recorded his quaint and childish tastes, his restless endeavors, his partial and halting successes. The ante-room in which he had paused with Ferris was painted to look like a grape-arbor, where the vines sprang from the floor, and flourishing up the trellised walls, with many a wanton tendril and flaunting leaf, displayed their lavish clusters of white and purple all over the ceiling. It touched Ferris, when Don Ippolito confessed that this decoration had been the distraction of his own vacant moments, to find that it was like certain grape-arbors he had seen in remote corners of Venice before the doors of degenerate palaces, or forming the entrances of open-air restaurants, and did not seem at all to have been studied from grape-arbors in the country. He perceived the archaic striving for exact truth, and he successfully praised the mechanical skill and love of reality with which it was done; but he was silenced by a collection of paintings in Don Ippolito’s parlor, where he had been made to sit down a moment. Hard they were in line, fixed in expression, and opaque in color, these copies of famous masterpieces, — saints of either sex, ascensions, assumptions, martyrdoms, and what not, — and they were not quite comprehensible till Don Ippolito explained that he had made them from such prints of the subjects as he could get, and had colored them after his own fancy. All this, in a city whose art had been the glory of the world for nigh half a thousand years, struck Ferris as yet more comically pathetic than the frescoed grape-arbor; he stared about him for some sort of escape from the pictures, and his eye fell upon a piano and a melodeon placed end to end in a right angle. Don Ippolito, seeing his look of inquiry, sat down and briefly played the same air with a hand upon each instrument.
