The french masters, p.264
The French Masters, page 264
It was at this hour that Monsieur Bournisien came to see her. He inquired after her health, gave her news, exhorted her to religion, in a coaxing little prattle that was not without its charm. The mere thought of his cassock comforted her.
One day, when at the height of her illness, she had thought herself dying, and had asked for the communion; and, while they were making the preparations in her room for the sacrament, while they were turning the night table covered with syrups into an altar, and while Felicite was strewing dahlia flowers on the floor, Emma felt some power passing over her that freed her from her pains, from all perception, from all feeling. Her body, relieved, no longer thought; another life was beginning; it seemed to her that her being, mounting toward God, would be annihilated in that love like a burning incense that melts into vapour. The bed-clothes were sprinkled with holy water, the priest drew from the holy pyx the white wafer; and it was fainting with a celestial joy that she put out her lips to accept the body of the Saviour presented to her. The curtains of the alcove floated gently round her like clouds, and the rays of the two tapers burning on the night-table seemed to shine like dazzling halos. Then she let her head fall back, fancying she heard in space the music of seraphic harps, and perceived in an azure sky, on a golden throne in the midst of saints holding green palms, God the Father, resplendent with majesty, who with a sign sent to earth angels with wings of fire to carry her away in their arms.
This splendid vision dwelt in her memory as the most beautiful thing that it was possible to dream, so that now she strove to recall her sensation. That still lasted, however, but in a less exclusive fashion and with a deeper sweetness. Her soul, tortured by pride, at length found rest in Christian humility, and, tasting the joy of weakness, she saw within herself the destruction of her will, that must have left a wide entrance for the inroads of heavenly grace. There existed, then, in the place of happiness, still greater joys — another love beyond all loves, without pause and without end, one that would grow eternally! She saw amid the illusions of her hope a state of purity floating above the earth mingling with heaven, to which she aspired. She wanted to become a saint. She bought chaplets and wore amulets; she wished to have in her room, by the side of her bed, a reliquary set in emeralds that she might kiss it every evening.
The cure marvelled at this humour, although Emma’s religion, he thought, might, from its fervour, end by touching on heresy, extravagance. But not being much versed in these matters, as soon as they went beyond a certain limit he wrote to Monsieur Boulard, bookseller to Monsignor, to send him “something good for a lady who was very clever.” The bookseller, with as much indifference as if he had been sending off hardware to niggers, packed up, pellmell, everything that was then the fashion in the pious book trade. There were little manuals in questions and answers, pamphlets of aggressive tone after the manner of Monsieur de Maistre, and certain novels in rose-coloured bindings and with a honied style, manufactured by troubadour seminarists or penitent blue-stockings. There were the “Think of it; the Man of the World at Mary’s Feet, by Monsieur de ***, decorated with many Orders”; “The Errors of Voltaire, for the Use of the Young,” etc.
Madame Bovary’s mind was not yet sufficiently clear to apply herself seriously to anything; moreover, she began this reading in too much hurry. She grew provoked at the doctrines of religion; the arrogance of the polemic writings displeased her by their inveteracy in attacking people she did not know; and the secular stories, relieved with religion, seemed to her written in such ignorance of the world, that they insensibly estranged her from the truths for whose proof she was looking. Nevertheless, she persevered; and when the volume slipped from her hands, she fancied herself seized with the finest Catholic melancholy that an ethereal soul could conceive.
As for the memory of Rodolphe, she had thrust it back to the bottom of her heart, and it remained there more solemn and more motionless than a king’s mummy in a catacomb. An exhalation escaped from this embalmed love, that, penetrating through everything, perfumed with tenderness the immaculate atmosphere in which she longed to live. When she knelt on her Gothic prie-Dieu, she addressed to the Lord the same suave words that she had murmured formerly to her lover in the outpourings of adultery. It was to make faith come; but no delights descended from the heavens, and she arose with tired limbs and with a vague feeling of a gigantic dupery.
This searching after faith, she thought, was only one merit the more, and in the pride of her devoutness Emma compared herself to those grand ladies of long ago whose glory she, had dreamed of over a portrait of La Valliere, and who, trailing with so much majesty the lace-trimmed trains of their long gowns, retired into solitudes to shed at the feet of Christ all the tears of hearts that life had wounded.
Then she gave herself up to excessive charity. She sewed clothes for the poor, she sent wood to women in childbed; and Charles one day, on coming home, found three good-for-nothings in the kitchen seated at the table eating soup. She had her little girl, whom during her illness her husband had sent back to the nurse, brought home. She wanted to teach her to read; even when Berthe cried, she was not vexed. She had made up her mind to resignation, to universal indulgence. Her language about everything was full of ideal expressions. She said to her child, “Is your stomach-ache better, my angel?”
Madame Bovary senior found nothing to censure except perhaps this mania of knitting jackets for orphans instead of mending her own house-linen; but, harassed with domestic quarrels, the good woman took pleasure in this quiet house, and she even stayed there till after Easter, to escape the sarcasms of old Bovary, who never failed on Good Friday to order chitterlings.
Besides the companionship of her mother-in-law, who strengthened her a little by the rectitude of her judgment and her grave ways, Emma almost every day had other visitors. These were Madame Langlois, Madame Caron, Madame Dubreuil, Madame Tuvache, and regularly from two to five o’clock the excellent Madame Homais, who, for her part, had never believed any of the tittle-tattle about her neighbour. The little Homais also came to see her; Justin accompanied them. He went up with them to her bedroom, and remained standing near the door, motionless and mute. Often even Madame Bovary; taking no heed of him, began her toilette. She began by taking out her comb, shaking her head with a quick movement, and when he for the first time saw all this mass of hair that fell to her knees unrolling in black ringlets, it was to him, poor child! like a sudden entrance into something new and strange, whose splendour terrified him.
Emma, no doubt, did not notice his silent attentions or his timidity. She had no suspicion that the love vanished from her life was there, palpitating by her side, beneath that coarse holland shirt, in that youthful heart open to the emanations of her beauty. Besides, she now enveloped all things with such indifference, she had words so affectionate with looks so haughty, such contradictory ways, that one could no longer distinguish egotism from charity, or corruption from virtue. One evening, for example, she was angry with the servant, who had asked to go out, and stammered as she tried to find some pretext. Then suddenly —
“So you love him?” she said.
And without waiting for any answer from Felicite, who was blushing, she added, “There! run along; enjoy yourself!”
In the beginning of spring she had the garden turned up from end to end, despite Bovary’s remonstrances. However, he was glad to see her at last manifest a wish of any kind. As she grew stronger she displayed more wilfulness. First, she found occasion to expel Mere Rollet, the nurse, who during her convalescence had contracted the habit of coming too often to the kitchen with her two nurslings and her boarder, better off for teeth than a cannibal. Then she got rid of the Homais family, successively dismissed all the other visitors, and even frequented church less assiduously, to the great approval of the druggist, who said to her in a friendly way —
“You were going in a bit for the cassock!”
As formerly, Monsieur Bournisien dropped in every day when he came out after catechism class. He preferred staying out of doors to taking the air “in the grove,” as he called the arbour. This was the time when Charles came home. They were hot; some sweet cider was brought out, and they drank together to madame’s complete restoration.
Binet was there; that is to say, a little lower down against the terrace wall, fishing for crayfish. Bovary invited him to have a drink, and he thoroughly understood the uncorking of the stone bottles.
“You must,” he said, throwing a satisfied glance all round him, even to the very extremity of the landscape, “hold the bottle perpendicularly on the table, and after the strings are cut, press up the cork with little thrusts, gently, gently, as indeed they do seltzer-water at restaurants.”
But during his demonstration the cider often spurted right into their faces, and then the ecclesiastic, with a thick laugh, never missed this joke —
“Its goodness strikes the eye!”
He was, in fact, a good fellow and one day he was not even scandalised at the chemist, who advised Charles to give madame some distraction by taking her to the theatre at Rouen to hear the illustrious tenor, Lagardy. Homais, surprised at this silence, wanted to know his opinion, and the priest declared that he considered music less dangerous for morals than literature.
But the chemist took up the defence of letters. The theatre, he contended, served for railing at prejudices, and, beneath a mask of pleasure, taught virtue.
“‘Castigat ridendo mores,’* Monsieur Bournisien! Thus consider the greater part of Voltaire’s tragedies; they are cleverly strewn with philosophical reflections, that made them a vast school of morals and diplomacy for the people.”
*It corrects customs through laughter.
“I,” said Binet, “once saw a piece called the ‘Gamin de Paris,’ in which there was the character of an old general that is really hit off to a T. He sets down a young swell who had seduced a working girl, who at the ending—”
“Certainly,” continued Homais, “there is bad literature as there is bad pharmacy, but to condemn in a lump the most important of the fine arts seems to me a stupidity, a Gothic idea, worthy of the abominable times that imprisoned Galileo.”
“I know very well,” objected the cure, “that there are good works, good authors. However, if it were only those persons of different sexes united in a bewitching apartment, decorated rouge, those lights, those effeminate voices, all this must, in the long-run, engender a certain mental libertinage, give rise to immodest thoughts and impure temptations. Such, at any rate, is the opinion of all the Fathers. Finally,” he added, suddenly assuming a mystic tone of voice while he rolled a pinch of snuff between his fingers, “if the Church has condemned the theatre, she must be right; we must submit to her decrees.”
“Why,” asked the druggist, “should she excommunicate actors? For formerly they openly took part in religious ceremonies. Yes, in the middle of the chancel they acted; they performed a kind of farce called ‘Mysteries,’ which often offended against the laws of decency.”
The ecclesiastic contented himself with uttering a groan, and the chemist went on —
“It’s like it is in the Bible; there there are, you know, more than one piquant detail, matters really libidinous!”
And on a gesture of irritation from Monsieur Bournisien —
“Ah! you’ll admit that it is not a book to place in the hands of a young girl, and I should be sorry if Athalie—”
“But it is the Protestants, and not we,” cried the other impatiently, “who recommend the Bible.”
“No matter,” said Homais. “I am surprised that in our days, in this century of enlightenment, anyone should still persist in proscribing an intellectual relaxation that is inoffensive, moralising, and sometimes even hygienic; is it not, doctor?”
“No doubt,” replied the doctor carelessly, either because, sharing the same ideas, he wished to offend no one, or else because he had not any ideas.
The conversation seemed at an end when the chemist thought fit to shoot a Parthian arrow.
“I’ve known priests who put on ordinary clothes to go and see dancers kicking about.”
“Come, come!” said the cure.
“Ah! I’ve known some!” And separating the words of his sentence, Homais repeated, “I — have — known — some!”
“Well, they were wrong,” said Bournisien, resigned to anything.
“By Jove! they go in for more than that,” exclaimed the druggist.
“Sir!” replied the ecclesiastic, with such angry eyes that the druggist was intimidated by them.
“I only mean to say,” he replied in less brutal a tone, “that toleration is the surest way to draw people to religion.”
“That is true! that is true!” agreed the good fellow, sitting down again on his chair. But he stayed only a few moments.
Then, as soon as he had gone, Monsieur Homais said to the doctor —
“That’s what I call a cock-fight. I beat him, did you see, in a way! — Now take my advice. Take madame to the theatre, if it were only for once in your life, to enrage one of these ravens, hang it! If anyone could take my place, I would accompany you myself. Be quick about it. Lagardy is only going to give one performance; he’s engaged to go to England at a high salary. From what I hear, he’s a regular dog; he’s rolling in money; he’s taking three mistresses and a cook along with him. All these great artists burn the candle at both ends; they require a dissolute life, that suits the imagination to some extent. But they die at the hospital, because they haven’t the sense when young to lay by. Well, a pleasant dinner! Goodbye till to-morrow.”
The idea of the theatre quickly germinated in Bovary’s head, for he at once communicated it to his wife, who at first refused, alleging the fatigue, the worry, the expense; but, for a wonder, Charles did not give in, so sure was he that this recreation would be good for her. He saw nothing to prevent it: his mother had sent them three hundred francs which he had no longer expected; the current debts were not very large, and the falling in of Lheureux’s bills was still so far off that there was no need to think about them. Besides, imagining that she was refusing from delicacy, he insisted the more; so that by dint of worrying her she at last made up her mind, and the next day at eight o’clock they set out in the “Hirondelle.”
The druggist, whom nothing whatever kept at Yonville, but who thought himself bound not to budge from it, sighed as he saw them go.
“Well, a pleasant journey!” he said to them; “happy mortals that you are!”
Then addressing himself to Emma, who was wearing a blue silk gown with four flounces —
“You are as lovely as a Venus. You’ll cut a figure at Rouen.”
The diligence stopped at the “Croix-Rouge” in the Place Beauvoisine. It was the inn that is in every provincial faubourg, with large stables and small bedrooms, where one sees in the middle of the court chickens pilfering the oats under the muddy gigs of the commercial travellers — a good old house, with worm-eaten balconies that creak in the wind on winter nights, always full of people, noise, and feeding, whose black tables are sticky with coffee and brandy, the thick windows made yellow by the flies, the damp napkins stained with cheap wine, and that always smells of the village, like ploughboys dressed in Sundayclothes, has a cafe on the street, and towards the countryside a kitchen-garden. Charles at once set out. He muddled up the stage-boxes with the gallery, the pit with the boxes; asked for explanations, did not understand them; was sent from the box-office to the acting-manager; came back to the inn, returned to the theatre, and thus several times traversed the whole length of the town from the theatre to the boulevard.
Madame Bovary bought a bonnet, gloves, and a bouquet. The doctor was much afraid of missing the beginning, and, without having had time to swallow a plate of soup, they presented themselves at the doors of the theatre, which were still closed.
Chapter Fifteen
The crowd was waiting against the wall, symmetrically enclosed between the balustrades. At the corner of the neighbouring streets huge bills repeated in quaint letters “Lucie de Lammermoor-Lagardy-Opera-etc.” The weather was fine, the people were hot, perspiration trickled amid the curls, and handkerchiefs taken from pockets were mopping red foreheads; and now and then a warm wind that blew from the river gently stirred the border of the tick awnings hanging from the doors of the public-houses. A little lower down, however, one was refreshed by a current of icy air that smelt of tallow, leather, and oil. This was an exhalation from the Rue des Charrettes, full of large black warehouses where they made casks.
For fear of seeming ridiculous, Emma before going in wished to have a little stroll in the harbour, and Bovary prudently kept his tickets in his hand, in the pocket of his trousers, which he pressed against his stomach.
Her heart began to beat as soon as she reached the vestibule. She involuntarily smiled with vanity on seeing the crowd rushing to the right by the other corridor while she went up the staircase to the reserved seats. She was as pleased as a child to push with her finger the large tapestried door. She breathed in with all her might the dusty smell of the lobbies, and when she was seated in her box she bent forward with the air of a duchess.
The theatre was beginning to fill; opera-glasses were taken from their cases, and the subscribers, catching sight of one another, were bowing. They came to seek relaxation in the fine arts after the anxieties of business; but “business” was not forgotten; they still talked cottons, spirits of wine, or indigo. The heads of old men were to be seen, inexpressive and peaceful, with their hair and complexions looking like silver medals tarnished by steam of lead. The young beaux were strutting about in the pit, showing in the opening of their waistcoats their pink or applegreen cravats, and Madame Bovary from above admired them leaning on their canes with golden knobs in the open palm of their yellow gloves.
