The french masters, p.403
The French Masters, page 403
since my last confinement, abandoned by my husband five months ago,
haveing no resources in the world the most frightful indigance.
In the hope of Madame la Comtesse, she has the honor to be,
Madame, with profound respect,
Mistress Balizard.
Marius turned to the third letter, which was a petition like the preceding; he read: —
Monsieur Pabourgeot, Elector, wholesale stocking merchant,
Rue Saint-Denis on the corner of the Rue aux Fers.
I permit myself to address you this letter to beg you to grant me
the pretious favor of your simpaties and to interest yourself in a man
of letters who has just sent a drama to the Theatre-Francais. The subject
is historical, and the action takes place in Auvergne in the time
of the Empire; the style, I think, is natural, laconic, and may have
some merit. There are couplets to be sung in four places. The comic,
the serious, the unexpected, are mingled in a variety of characters,
and a tinge of romanticism lightly spread through all the intrigue
which proceeds misteriously, and ends, after striking altarations,
in the midst of many beautiful strokes of brilliant scenes.
My principal object is to satisfi the desire which progressively
animates the man of our century, that is to say, the fashion,
that capritious and bizarre weathervane which changes at almost
every new wind.
In spite of these qualities I have reason to fear that jealousy,
the egotism of priviliged authors, may obtaine my exclusion from
the theatre, for I am not ignorant of the mortifications with which
new-comers are treated.
Monsiuer Pabourgeot, your just reputation as an enlightened protector
of men of litters emboldens me to send you my daughter who will
explain our indigant situation to you, lacking bread and fire
in this wynter season. When I say to you that I beg you to accept
the dedication of my drama which I desire to make to you and of all
those that I shall make, is to prove to you how great is my ambition
to have the honor of sheltering myself under your protection,
and of adorning my writings with your name. If you deign to honor
me with the most modest offering, I shall immediately occupy myself
in making a piesse of verse to pay you my tribute of gratitude.
Which I shall endeavor to render this piesse as perfect as possible,
will be sent to you before it is inserted at the beginning of the
drama and delivered on the stage.
To Monsieur
and Madame Pabourgeot,
My most respectful complements,
Genflot, man of letters.
P. S. Even if it is only forty sous.
Excuse me for sending my daughter and not presenting myself,
but sad motives connected with the toilet do not permit me,
alas! to go out.
Finally, Marius opened the fourth letter. The address ran: To the benevolent Gentleman of the church of Saint-Jacquesdu-haut-Pas. It contained the following lines: —
Benevolent Man: If you deign to accompany my daughter, you will
behold a misserable calamity, and I will show you my certificates.
At the aspect of these writings your generous soul will be moved
with a sentiment of obvious benevolence, for true philosophers
always feel lively emotions.
Admit, compassionate man, that it is necessary to suffer the most
cruel need, and that it is very painful, for the sake of obtaining
a little relief, to get oneself attested by the authorities as though
one were not free to suffer and to die of inanition while waiting
to have our misery relieved. Destinies are very fatal for several
and too prodigal or too protecting for others.
I await your presence or your offering, if you deign to make one,
and I beseech you to accept the respectful sentiments with which I
have the honor to be,
truly magnanimous man,
your very humble
and very obedient servant,
P. Fabantou, dramatic artist.
After perusing these four letters, Marius did not find himself much further advanced than before.
In the first place, not one of the signers gave his address.
Then, they seemed to come from four different individuals, Don Alveras, Mistress Balizard, the poet Genflot, and dramatic artist Fabantou; but the singular thing about these letters was, that all four were written by the same hand.
What conclusion was to be drawn from this, except that they all come from the same person?
Moreover, and this rendered the conjecture all the more probable, the coarse and yellow paper was the same in all four, the odor of tobacco was the same, and, although an attempt had been made to vary the style, the same orthographical faults were reproduced with the greatest tranquillity, and the man of letters Genflot was no more exempt from them than the Spanish captain.
It was waste of trouble to try to solve this petty mystery. Had it not been a chance find, it would have borne the air of a mystification. Marius was too melancholy to take even a chance pleasantry well, and to lend himself to a game which the pavement of the street seemed desirous of playing with him. It seemed to him that he was playing the part of the blind man in blind man’s buff between the four letters, and that they were making sport of him.
Nothing, however, indicated that these letters belonged to the two young girls whom Marius had met on the boulevard. After all, they were evidently papers of no value. Marius replaced them in their envelope, flung the whole into a corner and went to bed. About seven o’clock in the morning, he had just risen and breakfasted, and was trying to settle down to work, when there came a soft knock at his door.
As he owned nothing, he never locked his door, unless occasionally, though very rarely, when he was engaged in some pressing work. Even when absent he left his key in the lock. “You will be robbed,” said Ma’am Bougon. “Of what?” said Marius. The truth is, however, that he had, one day, been robbed of an old pair of boots, to the great triumph of Ma’am Bougon.
There came a second knock, as gentle as the first.
“Come in,” said Marius.
The door opened.
“What do you want, Ma’am Bougon?” asked Marius, without raising his eyes from the books and manuscripts on his table.
A voice which did not belong to Ma’am Bougon replied: —
“Excuse me, sir—”
It was a dull, broken, hoarse, strangled voice, the voice of an old man, roughened with brandy and liquor.
Marius turned round hastily, and beheld a young girl.
CHAPTER IV — A ROSE IN MISERY
A very young girl was standing in the half-open door. The dormer window of the garret, through which the light fell, was precisely opposite the door, and illuminated the figure with a wan light. She was a frail, emaciated, slender creature; there was nothing but a chemise and a petticoat upon that chilled and shivering nakedness. Her girdle was a string, her head ribbon a string, her pointed shoulders emerged from her chemise, a blond and lymphatic pallor, earth-colored collar-bones, red hands, a half-open and degraded mouth, missing teeth, dull, bold, base eyes; she had the form of a young girl who has missed her youth, and the look of a corrupt old woman; fifty years mingled with fifteen; one of those beings which are both feeble and horrible, and which cause those to shudder whom they do not cause to weep.
Marius had risen, and was staring in a sort of stupor at this being, who was almost like the forms of the shadows which traverse dreams.
The most heart-breaking thing of all was, that this young girl had not come into the world to be homely. In her early childhood she must even have been pretty. The grace of her age was still struggling against the hideous, premature decrepitude of debauchery and poverty. The remains of beauty were dying away in that face of sixteen, like the pale sunlight which is extinguished under hideous clouds at dawn on a winter’s day.
That face was not wholly unknown to Marius. He thought he remembered having seen it somewhere.
“What do you wish, Mademoiselle?” he asked.
The young girl replied in her voice of a drunken convict: —
“Here is a letter for you, Monsieur Marius.”
She called Marius by his name; he could not doubt that he was the person whom she wanted; but who was this girl? How did she know his name?
Without waiting for him to tell her to advance, she entered. She entered resolutely, staring, with a sort of assurance that made the heart bleed, at the whole room and the unmade bed. Her feet were bare. Large holes in her petticoat permitted glimpses of her long legs and her thin knees. She was shivering.
She held a letter in her hand, which she presented to Marius.
Marius, as he opened the letter, noticed that the enormous wafer which sealed it was still moist. The message could not have come from a distance. He read: —
My amiable neighbor, young man: I have learned of your goodness to me,
that you paid my rent six months ago. I bless you, young man.
My eldest daughter will tell you that we have been without a morsel
of bread for two days, four persons and my spouse ill. If I am
not deseaved in my opinion, I think I may hope that your generous
heart will melt at this statement and the desire will subjugate you
to be propitious to me by daigning to lavish on me a slight favor.
I am with the distinguished consideration which is due to the
benefactors of humanity, —
Jondrette.
P.S. My eldest daughter will await your orders, dear Monsieur Marius.
This letter, coming in the very midst of the mysterious adventure which had occupied Marius’ thoughts ever since the preceding evening, was like a candle in a cellar. All was suddenly illuminated.
This letter came from the same place as the other four. There was the same writing, the same style, the same orthography, the same paper, the same odor of tobacco.
There were five missives, five histories, five signatures, and a single signer. The Spanish Captain Don Alvares, the unhappy Mistress Balizard, the dramatic poet Genflot, the old comedian Fabantou, were all four named Jondrette, if, indeed, Jondrette himself were named Jondrette.
Marius had lived in the house for a tolerably long time, and he had had, as we have said, but very rare occasion to see, to even catch a glimpse of, his extremely mean neighbors. His mind was elsewhere, and where the mind is, there the eyes are also. He had been obliged more than once to pass the Jondrettes in the corridor or on the stairs; but they were mere forms to him; he had paid so little heed to them, that, on the preceding evening, he had jostled the Jondrette girls on the boulevard, without recognizing them, for it had evidently been they, and it was with great difficulty that the one who had just entered his room had awakened in him, in spite of disgust and pity, a vague recollection of having met her elsewhere.
Now he saw everything clearly. He understood that his neighbor Jondrette, in his distress, exercised the industry of speculating on the charity of benevolent persons, that he procured addresses, and that he wrote under feigned names to people whom he judged to be wealthy and compassionate, letters which his daughters delivered at their risk and peril, for this father had come to such a pass, that he risked his daughters; he was playing a game with fate, and he used them as the stake. Marius understood that probably, judging from their flight on the evening before, from their breathless condition, from their terror and from the words of slang which he had overheard, these unfortunate creatures were plying some inexplicably sad profession, and that the result of the whole was, in the midst of human society, as it is now constituted, two miserable beings who were neither girls nor women, a species of impure and innocent monsters produced by misery.
Sad creatures, without name, or sex, or age, to whom neither good nor evil were any longer possible, and who, on emerging from childhood, have already nothing in this world, neither liberty, nor virtue, nor responsibility. Souls which blossomed out yesterday, and are faded to-day, like those flowers let fall in the streets, which are soiled with every sort of mire, while waiting for some wheel to crush them. Nevertheless, while Marius bent a pained and astonished gaze on her, the young girl was wandering back and forth in the garret with the audacity of a spectre. She kicked about, without troubling herself as to her nakedness. Occasionally her chemise, which was untied and torn, fell almost to her waist. She moved the chairs about, she disarranged the toilet articles which stood on the commode, she handled Marius’ clothes, she rummaged about to see what there was in the corners.
“Hullo!” said she, “you have a mirror!”
And she hummed scraps of vaudevilles, as though she had been alone, frolicsome refrains which her hoarse and guttural voice rendered lugubrious.
An indescribable constraint, weariness, and humiliation were perceptible beneath this hardihood. Effrontery is a disgrace.
Nothing could be more melancholy than to see her sport about the room, and, so to speak, flit with the movements of a bird which is frightened by the daylight, or which has broken its wing. One felt that under other conditions of education and destiny, the gay and over-free mien of this young girl might have turned out sweet and charming. Never, even among animals, does the creature born to be a dove change into an osprey. That is only to be seen among men.
Marius reflected, and allowed her to have her way.
She approached the table.
“Ah!” said she, “books!”
A flash pierced her glassy eye. She resumed, and her accent expressed the happiness which she felt in boasting of something, to which no human creature is insensible: —
“I know how to read, I do!”
She eagerly seized a book which lay open on the table, and read with tolerable fluency: —
“ — General Bauduin received orders to take the chateau of Hougomont which stands in the middle of the plain of Waterloo, with five battalions of his brigade.”
She paused.
“Ah! Waterloo! I know about that. It was a battle long ago. My father was there. My father has served in the armies. We are fine Bonapartists in our house, that we are! Waterloo was against the English.”
She laid down the book, caught up a pen, and exclaimed: —
“And I know how to write, too!”
She dipped her pen in the ink, and turning to Marius: —
“Do you want to see? Look here, I’m going to write a word to show you.”
And before he had time to answer, she wrote on a sheet of white paper, which lay in the middle of the table: “The bobbies are here.”
Then throwing down the pen: —
“There are no faults of orthography. You can look. We have received an education, my sister and I. We have not always been as we are now. We were not made—”
Here she paused, fixed her dull eyes on Marius, and burst out laughing, saying, with an intonation which contained every form of anguish, stifled by every form of cynicism: —
“Bah!”
And she began to hum these words to a gay air: —
“J’ai faim, mon père.” I am hungry, father.
Pas de fricot. I have no food.
J’ai froid, ma mère. I am cold, mother.
Pas de tricot. I have no clothes.
Grelotte, Lolotte!
Lolotte! Shiver,
Sanglote, Sob,
Jacquot!” Jacquot!”
She had hardly finished this couplet, when she exclaimed: —
“Do you ever go to the play, Monsieur Marius? I do. I have a little brother who is a friend of the artists, and who gives me tickets sometimes. But I don’t like the benches in the galleries. One is cramped and uncomfortable there. There are rough people there sometimes; and people who smell bad.”
Then she scrutinized Marius, assumed a singular air and said: —
“Do you know, Mr. Marius, that you are a very handsome fellow?”
And at the same moment the same idea occurred to them both, and made her smile and him blush. She stepped up to him, and laid her hand on his shoulder: “You pay no heed to me, but I know you, Mr. Marius. I meet you here on the staircase, and then I often see you going to a person named Father Mabeuf who lives in the direction of Austerlitz, sometimes when I have been strolling in that quarter. It is very becoming to you to have your hair tumbled thus.”
She tried to render her voice soft, but only succeeded in making it very deep. A portion of her words was lost in the transit from her larynx to her lips, as though on a piano where some notes are missing.
Marius had retreated gently.
“Mademoiselle,” said he, with his cool gravity, “I have here a package which belongs to you, I think. Permit me to return it to you.”
And he held out the envelope containing the four letters.
She clapped her hands and exclaimed: —
“We have been looking everywhere for that!”
Then she eagerly seized the package and opened the envelope, saying as she did so: —
“Dieu de Dieu! how my sister and I have hunted! And it was you who found it! On the boulevard, was it not? It must have been on the boulevard? You see, we let it fall when we were running. It was that brat of a sister of mine who was so stupid. When we got home, we could not find it anywhere. As we did not wish to be beaten, as that is useless, as that is entirely useless, as that is absolutely useless, we said that we had carried the letters to the proper persons, and that they had said to us: ‘Nix.’ So here they are, those poor letters! And how did you find out that they belonged to me? Ah! yes, the writing. So it was you that we jostled as we passed last night. We couldn’t see. I said to my sister: ‘Is it a gentleman?’ My sister said to me: ‘I think it is a gentleman.’”
